Precious & Rare: Etta Jones

~ Release by Etta Jones (see all versions of this release, 1 available)

Tracklist

| |
1▼Digital Media
#TitleRatingLength
1Yes Sir That’s My Baby
cover recording of:
Yes Sir, That’s My Baby
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
Bourne Co. (not for release label use, this is a music publisher), Donaldson Publishing Co., EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter, Imagem CV, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem) and J. Albert & Son P/L
4:25
2Don’t Go to Strangers
cover recording of:
Don’t Go to Strangers
lyricist:
Redd Evans
composer:
Arthur Kent and David Mann (American songwriter)
3:54
3I Love Paris
cover recording of:
I Love Paris (Can-Can [Pistache, Company])
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
4:06
4Fine and Mellow
cover recording of:
Fine and Mellow
lyricist and composer:
Billie Holiday
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
5:56
5Where or When
cover recording of:
Where or When (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
3:45
6If I Had You
cover recording of:
If I Had You (jazz standard)
writer:
James Campbell (British songwriter and music publisher), Reginald Connelly and Ted Shapiro
publisher:
Campbell Connelly & Co. Ltd., Campbell Connelly Inc. (ASCAP affiliated), EMI Robbins Catalog Inc. (ASCAP) and Robbins Music Corp.
3:56
7On the Street Where You Live
cover recording of:
On the Street Where You Live (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
3:47
8Something to Remember You By
cover recording of:
Something to Remember You By
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
part of:
The Band Wagon (1953 film)
3:48
9Bye Bye Blackbird
cover recording of:
Bye Bye Blackbird
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
3:19
10All the Way
cover recording of:
All the Way (from “The Joker Is Wild”)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corporation OBO Maraville Music Corp, Maraville Music Corp., The International Music Network and Universal Music Corp. OBO Van Heusen Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
part of:
The 30th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1957 winner)
4:44
11Sweethearts on Parade
cover recording of:
Sweethearts on Parade
lyricist:
Charles Newman (Charles Chas Newman, early 20th century songwriter) (in 1928)
composer:
Carmen Lombardo (in 1928)
2:43
12You Call It Madness but I Call It Love
cover recording of:
You Call It Madness (But I Call It Love)
writer:
Russ Columbo (American singer, songwriter, violinist and actor), Con Conrad (songwriter and producer), Gladys DuBois and Paul Gregory (Songwriter)
part of:
Going Hollywood (1933 film)
2:34
13Mountain Greenery
cover recording of:
Mountain Greenery
lyricist:
Lorenz Hart (in 1926)
composer:
Richard Rodgers (composer) (in 1926)
2:49
14Don’t Worry ’bout Me
cover recording of:
Don’t Worry ’Bout Me
lyricist:
Ted Koehler (in 1939)
writer:
Rube Bloom (American songwriter, pianist and vocalist) and Ted Koehler
composer:
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Cinephonic Music Co., Ltd. and Redwood Music Ltd. (Carlin)
2:20
15S’posin’
recording of:
S’posin’
lyricist:
Andy Razaf
composer:
Paul Denniker
publisher:
Mayfair Music Corp.
1:55
16I Thought About You
cover recording of:
I Thought About You
lyricist:
Johnny Mercer
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Jerry Leiber Music, Lewis Music Publishing Co., Inc., Range Road Music Inc., Silver Seahorse Music LLC, Twentieth Century Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
2:26
17I’m Gonna Lock My Heart and Throw Away the Key
recording of:
I’m Gonna Lock My Heart (and Throw Away the Key)
composer:
Jimmy Eaton (songwriter) and Terry Shand (jazz pianist/composer)
2:53
18Since I Fell for You
cover recording of:
Since I Fell for You
lyricist and composer:
Buddy Johnson (in 1945)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) (ended), Warner Bros., Inc. (not for release label use!) (ended) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
1:58
19When I Fall in Love
cover recording of:
When I Fall in Love
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:25
20White Cliffs of Dover
cover recording of:
(There’ll Be Bluebirds Over) The White Cliffs of Dover
lyricist:
Nat Burton (US songwriter)
composer:
Walter Kent
publisher:
Shapiro, Bernstein & Co., Inc. and Walter Kent Music Co.
2:57
21People Will Say We’re in Love
cover recording of:
People Will Say We’re in Love
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company and Williamson Music, Inc.
part of:
Oklahoma! (Rodgers & Hammerstein musical)
3:00
2▼Digital Media
#TitleRatingLength
1Salty Papa Blues
clarinet:
Barney Bigard (on 1944-12-29)
double bass:
Billy Taylor Sr. (jazz bassist) (on 1944-12-29)
drums (drum set):
Stan Levey (on 1944-12-29)
guitar:
Chuck Wayne (on 1944-12-29)
piano:
Leonard Feather (on 1944-12-29)
tenor saxophone:
Georgie Auld (on 1944-12-29)
trumpet:
Joe Thomas (jazz trumpeter) (on 1944-12-29)
vocals:
Etta Jones (vocals, jazz) (on 1944-12-29)
cover recording of:
Salty Papa Blues (on 1944-12-29)
writer:
Leonard Feather and Lionel Hampton
2:59
2Evil Gal Blues
clarinet:
Barney Bigard (on 1944-12-29)
double bass:
Billy Taylor Sr. (jazz bassist) (on 1944-12-29)
drums (drum set):
Stan Levey (on 1944-12-29)
guitar:
Chuck Wayne (on 1944-12-29)
piano:
Leonard Feather (on 1944-12-29)
tenor saxophone:
Georgie Auld (on 1944-12-29)
trumpet:
Joe Thomas (jazz trumpeter) (on 1944-12-29)
vocals:
Etta Jones (vocals, jazz) (on 1944-12-29)
cover recording of:
Evil Gal Blues (on 1944-12-29)
lyricist:
Lionel Hampton
composer:
Leonard Feather
publisher:
Modern Age Music Co.
3:00
3Blow Top Blues
clarinet:
Barney Bigard (on 1944-12-29)
double bass:
Billy Taylor Sr. (jazz bassist) (on 1944-12-29)
drums (drum set):
Stan Levey (on 1944-12-29)
guitar:
Chuck Wayne (on 1944-12-29)
piano:
Leonard Feather (on 1944-12-29)
tenor saxophone:
Georgie Auld (on 1944-12-29)
trumpet:
Joe Thomas (jazz trumpeter) (on 1944-12-29)
vocals:
Etta Jones (vocals, jazz) (on 1944-12-29)
recording of:
Blow Top Blues (on 1944-12-29)
lyricist and composer:
Leonard Feather
2:38
4Long, Long, Journey
clarinet:
Barney Bigard (on 1944-12-29)
double bass:
Billy Taylor Sr. (jazz bassist) (on 1944-12-29)
drums (drum set):
Stan Levey (on 1944-12-29)
guitar:
Chuck Wayne (on 1944-12-29)
piano:
Leonard Feather (on 1944-12-29)
tenor saxophone:
Georgie Auld (on 1944-12-29)
trumpet:
Joe Thomas (jazz trumpeter) (on 1944-12-29)
vocals:
Etta Jones (vocals, jazz) (on 1944-12-29)
recording of:
Long Long Journey (on 1944-12-29)
lyricist and composer:
Leonard Feather
2:52
5You Ain’t Nothin’ Daddy
alto saxophone:
Joe Evans (saxophonist) (in 1945) and Floyd "Horse Collar" Williams (clarinettist) (in 1945)
double bass:
Gene Ramey (in 1945)
drums (drum set):
J.C. Heard (in 1945)
tenor saxophone:
John Hartzfield (jazz drummer) (in 1945)
trumpet:
Jesse Drakes (in 1945)
vocals:
Etta Jones (vocals, jazz) (in 1945)
recording of:
You Ain't Nothin' Daddy (in 1945)
writer:
Clarence Williams (US jazz pianist, composer, singer and bandleader)
2:50
6So Tired
double bass:
Johnny Williams (jazz bassist) (in 1945)
drums (drum set):
Denzil Best (in 1945)
piano:
Cyril Haynes (in 1945)
vocals:
Etta Jones (vocals, jazz) (in 1945)
2:50
7Solitude
double bass:
Johnny Williams (jazz bassist) (in 1945)
drums (drum set):
Denzil Best (in 1945)
piano:
Cyril Haynes (in 1945)
vocals:
Etta Jones (vocals, jazz) (in 1945)
cover recording of:
(In My) Solitude (in 1945)
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
2:52
8I May Be Wonderful
alto saxophone:
Don Stovall (on 1946-01-02)
double bass:
Abe Bolar (on 1946-01-02)
drums (drum set):
Jack "The Bear" Parker (US jazz drummer & bandleader) (on 1946-01-02)
guitar:
Jimmy Shirley (on 1946-01-02)
piano:
Pete Johnson (US boogie‐woogie pianist) (on 1946-01-02)
tenor saxophone:
Budd Johnson (on 1946-01-02)
trombone:
Clyde Bernhardt (on 1946-01-02)
trumpet:
Hot Lips Page (on 1946-01-02)
vocals:
Etta Jones (vocals, jazz) (on 1946-01-02)
2:47
9Man Wanted
alto saxophone:
Don Stovall (on 1946-01-02)
double bass:
Abe Bolar (on 1946-01-02)
drums (drum set):
Jack "The Bear" Parker (US jazz drummer & bandleader) (on 1946-01-02)
guitar:
Jimmy Shirley (on 1946-01-02)
piano:
Pete Johnson (US boogie‐woogie pianist) (on 1946-01-02)
tenor saxophone:
Budd Johnson (on 1946-01-02)
trombone:
Clyde Bernhardt (on 1946-01-02)
trumpet:
Hot Lips Page (on 1946-01-02)
vocals:
Etta Jones (vocals, jazz) (on 1946-01-02)
2:43
10Blues to End All Blues
double bass:
Al McKibbon (double bassist) (on 1946-06-11)
drums (drum set):
J.C. Heard (on 1946-06-11)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1946-06-11)
tenor saxophone:
Budd Johnson (on 1946-06-11)
trombone:
Dickie Harris (on 1946-06-11)
trumpet:
George Treadwell (on 1946-06-11)
vocals:
Etta Jones (vocals, jazz) (on 1946-06-11)
recording of:
Blues to End All Blues (on 1946-06-11)
writer:
Clarence Williams (US jazz pianist, composer, singer and bandleader)
3:01
11Among My Souvenirs
double bass:
Al McKibbon (double bassist) (on 1946-06-11)
drums (drum set):
J.C. Heard (on 1946-06-11)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1946-06-11)
tenor saxophone:
Budd Johnson (on 1946-06-11)
trombone:
Dickie Harris (on 1946-06-11)
trumpet:
George Treadwell (on 1946-06-11)
vocals:
Etta Jones (vocals, jazz) (on 1946-06-11)
recording of:
Among My Souvenirs (on 1946-06-11)
lyricist:
Edgar Leslie
composer:
Horatio Nicholls
publisher:
Crawford Music Inc., DeSylva, Brown and Henderson, Inc. (on 1927-10-05), Lawrence Wright Music Co., Ltd. (on 1927-10-05) and Chappell & Co., Inc. (USA) (on 1968-09-23)
2:39
12Mean to Me
double bass:
Al McKibbon (double bassist) (on 1946-06-11)
drums (drum set):
J.C. Heard (on 1946-06-11)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1946-06-11)
tenor saxophone:
Budd Johnson (on 1946-06-11)
trombone:
Dickie Harris (on 1946-06-11)
trumpet:
George Treadwell (on 1946-06-11)
vocals:
Etta Jones (vocals, jazz) (on 1946-06-11)
cover recording of:
Mean to Me (on 1946-06-11)
lyricist:
Roy Turk
composer:
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. and Pencil Mark Music (ASCAP)
2:46
13Osculate Me, Daddy
double bass:
Al McKibbon (double bassist) (on 1946-06-11)
drums (drum set):
J.C. Heard (on 1946-06-11)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1946-06-11)
tenor saxophone:
Budd Johnson (on 1946-06-11)
trombone:
Dickie Harris (on 1946-06-11)
trumpet:
George Treadwell (on 1946-06-11)
vocals:
Etta Jones (vocals, jazz) (on 1946-06-11)
2:32
14My Sleepy Head
alto saxophone:
Pete Clarke (saxophone) (on 1947-03-11)
double bass:
Al McKibbon (double bassist) (on 1947-03-11)
drums (drum set):
J.C. Heard (on 1947-03-11)
guitar:
John Collins (US jazz guitarist) (on 1947-03-11)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1947-03-11)
tenor saxophone:
George "Big Nick" Nicholas (on 1947-03-11)
trombone:
Dickie Harris (on 1947-03-11)
trumpet:
Joe Newman (US jazz trumpeter) (on 1947-03-11)
vocals:
Etta Jones (vocals, jazz) (on 1947-03-11)
recording of:
(Go to Sleep) My Sleepy Head (on 1947-03-11)
writer:
Larry Coleman (Jr.) and Paul Secon
2:49
15I Sold My Heart to the Junkman
alto saxophone:
Pete Clarke (saxophone) (on 1947-03-11)
double bass:
Al McKibbon (double bassist) (on 1947-03-11)
guitar:
John Collins (US jazz guitarist) (on 1947-03-11)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1947-03-11)
tenor saxophone:
George "Big Nick" Nicholas (on 1947-03-11)
trombone:
Dickie Harris (on 1947-03-11)
trumpet:
Joe Newman (US jazz trumpeter) (on 1947-03-11)
vocals:
Etta Jones (vocals, jazz) (on 1947-03-11)
cover recording of:
I Sold My Heart to the Junkman (on 1947-03-11)
writer:
Leon René and Otis René
2:50
16The Richest Guy in the Graveyard
alto saxophone:
Pete Clarke (saxophone) (on 1947-03-11)
double bass:
Al McKibbon (double bassist) (on 1947-03-11)
drums (drum set):
J.C. Heard (on 1947-03-11)
guitar:
John Collins (US jazz guitarist) (on 1947-03-11)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1947-03-11)
tenor saxophone:
George "Big Nick" Nicholas (on 1947-03-11)
trombone:
Dickie Harris (on 1947-03-11)
trumpet:
Joe Newman (US jazz trumpeter) (on 1947-03-11)
vocals:
Etta Jones (vocals, jazz) (on 1947-03-11)
3:03
17Ain’t No Hurry Baby
alto saxophone:
Pete Clarke (saxophone) (on 1947-03-11)
double bass:
Al McKibbon (double bassist) (on 1947-03-11)
drums (drum set):
J.C. Heard (on 1947-03-11)
guitar:
John Collins (US jazz guitarist) (on 1947-03-11)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1947-03-11)
tenor saxophone:
George "Big Nick" Nicholas (on 1947-03-11)
trombone:
Dickie Harris (on 1947-03-11)
trumpet:
Joe Newman (US jazz trumpeter) (on 1947-03-11)
vocals:
Etta Jones (vocals, jazz) (on 1947-03-11)
recording of:
Ain't No Hurry Baby (With a Guy Like Me) (on 1947-03-11)
writer:
Stan Rhodes and David Saxon
2:37
18What Ev’ry Woman Knows
double bass:
Herman "Trigger" Alpert (on 1947-10-08)
drums (drum set):
Denzil Best (on 1947-10-08)
guitar:
Herman Mitchell (on 1947-10-08)
piano:
Luther Henderson (on 1947-10-08)
tenor saxophone:
Budd Johnson (on 1947-10-08)
vocals:
Etta Jones (vocals, jazz) (on 1947-10-08)
recording of:
What Ev'ry Woman Knows (on 1947-10-08)
writer:
Glenn Osser
3:19
19Overwork Blues
double bass:
Herman "Trigger" Alpert (on 1947-10-08)
drums (drum set):
Denzil Best (on 1947-10-08)
guitar:
Herman Mitchell (on 1947-10-08)
piano:
Luther Henderson (on 1947-10-08)
tenor saxophone:
Budd Johnson (on 1947-10-08)
vocals:
Etta Jones (vocals, jazz) (on 1947-10-08)
recording of:
Overwork Blues (on 1947-10-08)
writer:
Clarence Williams (US jazz pianist, composer, singer and bandleader)
3:01
20Misery Is a Thing Called Moe
double bass:
Herman "Trigger" Alpert (on 1947-10-08)
drums (drum set):
Denzil Best (on 1947-10-08)
guitar:
Herman Mitchell (on 1947-10-08)
piano:
Luther Henderson (on 1947-10-08)
tenor saxophone:
Budd Johnson (on 1947-10-08)
vocals:
Etta Jones (vocals, jazz) (on 1947-10-08)
2:55
21This Is a Fine Time
double bass:
Herman "Trigger" Alpert (on 1947-10-08)
drums (drum set):
Denzil Best (on 1947-10-08)
guitar:
Herman Mitchell (on 1947-10-08)
piano:
Luther Henderson (on 1947-10-08)
tenor saxophone:
Budd Johnson (on 1947-10-08)
vocals:
Etta Jones (vocals, jazz) (on 1947-10-08)
recording of:
This Is a Fine Time (on 1947-10-08)
writer:
Cy Coben (songwriter) and Lew Harris
2:29
22One Night in Trinidad
2:40
23Stop
3:05
24One O’Clock Jump
cover recording of:
One O’Clock Jump
composer:
Count Basie (pianist) (in 1937)
publisher:
EMI Feist Catalog Inc.
2:56
25Kisses All Night Long
2:30
26I Got a Feelin’
2:14
27Moolah! Moolah!
2:49

Credits

Release

ASIN:US: B00BAT2LOS [info]