Actus Tragicus - Cantatas 106, 131, 99, 56, 82 & 158

~ Release by Johann Sebastian Bach; Joshua Rifkin, The Bach Ensemble (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit (Actus tragicus)": I. Sonatina
producer:
Peter Wadland (producer)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin) (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": I. Sonatina (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:13
2Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit (Actus tragicus)": IIa. Coro "Gottes Zeit ist die allerbeste Zeit"
producer:
Peter Wadland (producer)
bass vocals:
Jan Opalach (bass-baritone) (in 1985-11)
countertenor vocals:
Steven Rickards (countertenor) (in 1985-11)
soprano vocals:
Ann Monoyios (soprano) (in 1985-11)
tenor vocals:
Edmund Brownless (tenor) (in 1985-11)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin) (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIa. Coro "Gottes Zeit ist die allerbeste Zeit" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach1:44
3Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit (Actus tragicus)": IIb. Arioso (tenore) "Ach Herr, lehre uns bedenken"
producer:
Peter Wadland (producer)
tenor vocals:
Edmund Brownless (tenor) (in 1985-11)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin) (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIb. Arioso (Tenor) "Ach, Herr, Lehre uns bedenken" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach1:56
4Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit (Actus tragicus)": IIc. Aria (basso) "Bestelle dein Haus"
producer:
Peter Wadland (producer)
bass vocals:
Jan Opalach (bass-baritone) (in 1985-11)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin) (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIc. Aria (Bass) "Bestell dein Haus" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach1:07
5Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit (Actus tragicus)": IId. Coro "Es ist der Alte Bund"
producer:
Peter Wadland (producer)
bass vocals:
Jan Opalach (bass-baritone) (in 1985-11)
countertenor vocals:
Steven Rickards (countertenor) (in 1985-11)
soprano vocals:
Ann Monoyios (soprano) (in 1985-11)
tenor vocals:
Edmund Brownless (tenor) (in 1985-11)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin) (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IId. Coro (+ Sopran) "Es ist der alte Bund" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach3:29
6Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit (Actus tragicus)": IIIa. Aria (alto) "In deine Hände befehl' ich meinen Geist" - IIIb. Arioso (basso) e Choral (alto) "Heute wirst du mit mir im Paradies sein"
producer:
Peter Wadland (producer)
bass vocals:
Jan Opalach (bass-baritone) (in 1985-11)
countertenor vocals:
Steven Rickards (countertenor) (in 1985-11)
soprano vocals:
Ann Monoyios (soprano) (in 1985-11)
tenor vocals:
Edmund Brownless (tenor) (in 1985-11)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin) (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIa. Aria (Alt, Bass) "In deine Hände befehle ich meinen Geist" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIb. Arioso (Bass, Coro Alt) "Heute wirst du mit mir" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach5:34
7Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit (Actus tragicus)": IV. Coro "Glorie, Lob, Ehr' und Herrlichkeit"
producer:
Peter Wadland (producer)
bass vocals:
Jan Opalach (bass-baritone) (in 1985-11)
countertenor vocals:
Steven Rickards (countertenor) (in 1985-11)
soprano vocals:
Ann Monoyios (soprano) (in 1985-11)
tenor vocals:
Edmund Brownless (tenor) (in 1985-11)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin) (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IV. Choral "Glorie, Lob, Ehr und Herrlichkeit" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:49
8Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": I. Coro "Aus der Tiefen rufe ich, Herr, zu dir"
producer:
Peter Wadland (producer)
bass vocals:
Jan Opalach (bass-baritone) (in 1985-11)
countertenor vocals:
Steven Rickards (countertenor) (in 1985-11)
soprano vocals:
Ann Monoyios (soprano) (in 1985-11)
tenor vocals:
Edmund Brownless (tenor) (in 1985-11)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin) (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: I. Sinfonia und Chor „Aus der Tiefen rufe ich, Herr, zu dir“ (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
Johann Sebastian Bach3:49
9Kantate BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": II. Arioso e Choral "So du wilt, Herr, Sünde zurechnen"
producer:
Peter Wadland (producer)
bass vocals:
Jan Opalach (bass-baritone) (in 1985-11)
soprano vocals:
Ann Monoyios (soprano) (in 1985-11)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin) (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: II. Arioso (Bass) und Choral „So du willst, Herr, Sünde zurechnen“ (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
Johann Sebastian Bach4:21
10Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": III. Coro "Ich harre des Herrn"
producer:
Peter Wadland (producer)
bass vocals:
Jan Opalach (bass-baritone) (in 1985-11)
countertenor vocals:
Steven Rickards (countertenor) (in 1985-11)
soprano vocals:
Ann Monoyios (soprano) (in 1985-11)
tenor vocals:
Edmund Brownless (tenor) (in 1985-11)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin) (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: III. Chor „Ich harre des Herrn, meine Seele harret“ (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
Johann Sebastian Bach3:02
11Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": IV. Aria e Choral "Meine Seele wartet auf den Herrn"
producer:
Peter Wadland (producer)
countertenor vocals:
Steven Rickards (countertenor) (in 1985-11)
tenor vocals:
Edmund Brownless (tenor) (in 1985-11)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin) (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: IV. Arie (Tenor) und Choral „Meine Seele wartet auf den Herrn“ (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
Johann Sebastian Bach4:41
12Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": V. Coro "Israel, hoffe auf den Herrn"
producer:
Peter Wadland (producer)
bass vocals:
Jan Opalach (bass-baritone) (in 1985-11)
countertenor vocals:
Steven Rickards (countertenor) (in 1985-11)
soprano vocals:
Ann Monoyios (soprano) (in 1985-11)
tenor vocals:
Edmund Brownless (tenor) (in 1985-11)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin) (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: V. Chor „Israel hoffe auf den Herrn“ (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
Johann Sebastian Bach3:48
13Kantate, BWV 99 "Was Gott tut, das ist wohlgetan": I. Coro "Was Gott tut, das ist wohlgetan"
bass vocals:
Jan Opalach (bass-baritone)
countertenor vocals:
Allan Fast (Canadian counter-tenor)
soprano vocals:
Julianne Baird (soprano)
tenor vocals:
Frank Kelley (tenor)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin)
conductor:
Joshua Rifkin
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States
recording of:
Kantate, BWV 99 "Was Gott tut, das ist wohlgetan": I. Coro "Was Gott tut, das ist wohlgetan" (from 1988-03 until 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 99 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach5:02
14Kantate, BWV 99 "Was Gott tut, das ist wohlgetan": II. Recitativo (basso) "Sein Wort der Wahrheit stehet fest"
bass vocals:
Jan Opalach (bass-baritone)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin)
conductor:
Joshua Rifkin
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States
recording of:
Kantate, BWV 99 "Was Gott tut, das ist wohlgetan": II. Recitativo (Bass) "Sein Wort der Wahrheit stehet fest" (from 1988-03 until 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 99 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach1:19
15Kantate, BWV 99 "Was Gott tut, das ist wohlgetan": III. Aria (tenore) "Erschüttre dich nur nicht, verzagte Seele"
tenor vocals:
Frank Kelley (tenor)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin)
conductor:
Joshua Rifkin
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States
recording of:
Kantate, BWV 99 "Was Gott tut, das ist wohlgetan": III. Aria (Tenor) "Erschüttre dich nur nicht, verzagte Seele" (from 1988-03 until 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 99 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach5:39
16Kantate, BWV 99 "Was Gott tut, das ist wohlgetan": IV. Recitativo (alto) "Nun, der von Ewigkeit geschloss'ne Bund"
countertenor vocals:
Allan Fast (Canadian counter-tenor)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin)
conductor:
Joshua Rifkin
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States
recording of:
Kantate, BWV 99 "Was Gott tut, das ist wohlgetan": IV. Recitativo (Alt) "Nun, der von Ewigkeit geschloßne Bund" (from 1988-03 until 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 99 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach1:06
17Kantate, BWV 99 "Was Gott tut, das ist wohlgetan": V. Aria (duetto soprano, alto) "Wenn des Kreuzes Bitterkeiten"
countertenor vocals:
Allan Fast (Canadian counter-tenor)
soprano vocals:
Julianne Baird (soprano)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin)
conductor:
Joshua Rifkin
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States
recording of:
Kantate, BWV 99 "Was Gott tut, das ist wohlgetan": V. Aria (Duetto Sopran, Alt) "Wenn des Kreuzes Bitterkeiten" (from 1988-03 until 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 99 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach3:03
18Kantate, BWV 99 "Was Gott tut, das ist wohlgetan": VI. Coro "Was Gott tut, das ist wohlgetan"
bass vocals:
Jan Opalach (bass-baritone)
countertenor vocals:
Allan Fast (Canadian counter-tenor)
soprano vocals:
Julianne Baird (soprano)
tenor vocals:
Frank Kelley (tenor)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin)
conductor:
Joshua Rifkin
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States
recording of:
Kantate, BWV 99 "Was Gott tut, das ist wohlgetan": VI. Chorale "Was Gott tut, das ist wohlgetan" (from 1988-03 until 1988-04)
lyricist:
Samuel Rodigast (German poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 341)
part of:
Kantate, BWV 99 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach1:13
2▼CD
#TitleArtistRatingLength
1Ich will den Kreuzstab gerne tragen, BWV 56, 1. Aria: "Ich will den Kreuzstab gerne tragen"
bass vocals:
Jan Opalach (bass-baritone)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin)
conductor:
Joshua Rifkin
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": I. Aria "Ich will den Kreuzstab gerne tragen" (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach6:15
2Ich will den Kreuzstab gerne tragen, BWV 56, 2. Recitativo: "Mein Wandel auf der Welt"
bass vocals:
Jan Opalach (bass-baritone)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin)
conductor:
Joshua Rifkin
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": II. Recitative "Mein Wandel auf der Welt" (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach1:48
3Ich will den Kreuzstab gerne tragen, BWV 56, 3. Aria: "Endlich, endlich wird mein Joch"
bass vocals:
Jan Opalach (bass-baritone)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin)
conductor:
Joshua Rifkin
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": III. Aria "Endlich, endlich wird mein Joch" (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach6:41
4Ich will den Kreuzstab gerne tragen, BWV 56, 4. Recitativo: "Ich stehe fertig und bereit"
bass vocals:
Jan Opalach (bass-baritone)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin)
conductor:
Joshua Rifkin
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": IV. Recitative and Arioso "Ich stehe fertig und bereit" (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach1:33
5Ich will den Kreuzstab gerne tragen, BWV 56, 5. Choral: "Komm, o Tod, du Schlafes Bruder"
bass vocals:
Jan Opalach (bass-baritone)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin)
conductor:
Joshua Rifkin
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": V. Chorale "Komm, o Tod, du Schlafes Bruder" (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
John Franck (in 1653)
part of:
Breitkopf 389 Choralgesänge (number: 72)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach1:44
6Ich habe genug, BWV 82, 1. Aria: "Ich habe genug, ich habe den Heiland"
bass vocals:
Jan Opalach (bass-baritone)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin)
conductor:
Joshua Rifkin
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach7:03
7Ich habe genug, BWV 82, 2. Recitativo: "Ich habe genug! Mein Trost in nur allein"
bass vocals:
Jan Opalach (bass-baritone)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin)
conductor:
Joshua Rifkin
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States
recording of:
Kantate, BWV 82 "Ich habe genung": II. Recitativo (Bass) "Ich habe genung! Mein Trost ist nur allein" (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach1:14
8Ich habe genug, BWV 82, 3. Aria: "Schlummert ein, ihr matten Augen"
bass vocals:
Jan Opalach (bass-baritone)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin)
conductor:
Joshua Rifkin
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach9:27
9Ich habe genug, BWV 82, 4. Recitativo: "Mein Gott! wann kommt das schöne Nun!"
bass vocals:
Jan Opalach (bass-baritone)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin)
conductor:
Joshua Rifkin
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States
recording of:
Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!" (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach0:51
10Ich habe genug, BWV 82, 5. Aria: "Ich freue mich auf meinen Tod"
bass vocals:
Jan Opalach (bass-baritone)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin)
conductor:
Joshua Rifkin
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States
recording of:
Kantate, BWV 82 "Ich habe genung": V. Aria (Bass) "Ich freue mich auf meinen Tod" (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach3:45
11Der Friede sei mit dir, BWV 158, 1. Recitativo: "Der Friede sei mit dir"
bass vocals:
Jan Opalach (bass-baritone)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin)
conductor:
Joshua Rifkin
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": I. Recitativo (Bass) "Der Friede sei mit dir" (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
Johann Sebastian Bach1:46
12Der Friede sei mit dir, BWV 158, 2. Aria & Choral: "Welt, ade, ich bin dein müde"
bass vocals:
Jan Opalach (bass-baritone)
soprano vocals:
Laurie Monahan (classical mezzo-soprano vocalist)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin)
conductor:
Joshua Rifkin
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": II. Aria (Bass) con Choral (Sop) "Welt, ade, ich bin dein müde" (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Georg Albinus (in 1649)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
Johann Sebastian Bach6:05
13Der Friede sei mit dir, BWV 158, 3. Recitativo: "Nun Herr, regiere meinen Sinn"
bass vocals:
Jan Opalach (bass-baritone)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin)
conductor:
Joshua Rifkin
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": III. Recitativo ed Arioso (Bass) "Nun, Herr, regiere meinen Sinn" (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
Johann Sebastian Bach1:30
14Der Friede sei mit dir, BWV 158, 4. Choral: "Hier ist das rechte Osterlamm"
alto vocals:
Douglas Stevens
bass vocals:
Jan Opalach (bass-baritone)
soprano vocals:
Laurie Monahan (classical mezzo-soprano vocalist)
tenor vocals:
William Hite (American tenor)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin)
conductor:
Joshua Rifkin
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": IV. Chorale "Hier ist das rechte Osterlamm" (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
Johann Sebastian Bach1:33