Julian Cannonball Adderley and Strings / Jump for Joy

~ Veröffentlichung von Julian Cannonball Adderley (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

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Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1I Cover the Waterfront
recorded in:
New York, Vereinigte Staaten (am 1955-10-28)
alto saxophone:
Cannonball Adderley (am 1955-10-28)
conductor:
Richard Hayman (am 1955-10-28)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
I Cover the Waterfront (am 1955-10-28)
Texter:
Edward Heyman
Komponist(in):
Johnny Green (composer and conductor, often credited as John Green) und Edward Heyman
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell Music, Inc.
Julian Cannonball Adderley & Richard Hayman2:29
2A Foggy Day (1955 version with Strings)
recorded in:
New York, Vereinigte Staaten (am 1955-10-28)
alto saxophone:
Cannonball Adderley (am 1955-10-28)
conductor:
Richard Hayman (am 1955-10-28)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 2001) und Monaco Entertainment Corporation (in 2010)
instrumental recording of:
A Foggy Day (in London Town) (am 1955-10-28)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
Julian Cannonball Adderley2:44
3Surrey With the Fringe on Top
recorded in:
New York, Vereinigte Staaten (am 1955-10-28)
alto saxophone:
Cannonball Adderley (am 1955-10-28)
conductor:
Richard Hayman (am 1955-10-28)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) und Monaco Entertainment Corporation (in 2010)
instrumental recording of:
The Surrey With the Fringe on Top (am 1955-10-28)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) und Williamson Music Company (vom 1943 bis heute)
Teil von:
Oklahoma! (Rodgers & Hammerstein musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Julian Cannonball Adderley2:34
4Two Sleepy People
recorded in:
New York, Vereinigte Staaten (am 1955-10-28)
alto saxophone:
Cannonball Adderley (am 1955-10-28)
conductor:
Richard Hayman (am 1955-10-28)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) und Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Two Sleepy People (from the 1938 film "Thanks for the Memory") (am 1955-10-28)
Texter:
Frank Loesser
Komponist(in):
Hoagy Carmichael
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK und Sony/ATV Music Publishing LLC (1995–2020)
Julian Cannonball Adderley & Richard Hayman & Orchestra3:04
5I’ll Never Stop Loving You
recorded in:
New York, Vereinigte Staaten (am 1955-10-28)
alto saxophone:
Cannonball Adderley (am 1955-10-28)
conductor:
Richard Hayman (am 1955-10-28)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 1999) und Monaco Entertainment Corporation (in 2010)
instrumental recording of:
I’ll Never Stop Loving You (am 1955-10-28)
Texter:
Sammy Cahn
Komponist(in):
Nicholas Brodzsky
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
Julian Cannonball Adderley2:44
6(I’m Afraid) The Masquerade Is Over
recorded in:
New York, Vereinigte Staaten (am 1955-10-28)
alto saxophone:
Cannonball Adderley (am 1955-10-28)
conductor:
Richard Hayman (am 1955-10-28)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
I’m Afraid the Masquerade Is Over (am 1955-10-28)
Texter:
Herb Magidson
Komponist(in):
Allie Wrubel (US composer and songwriter)
publisher:
Chappell Morris Ltd. und Crawford Music Corp.
Julian Cannonball Adderley3:14
7I’ve Never Been in Love Before
recorded in:
New York, Vereinigte Staaten (am 1955-10-28)
alto saxophone:
Cannonball Adderley (am 1955-10-28)
conductor:
Richard Hayman (am 1955-10-28)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 1999) und Monaco Entertainment Corporation (in 2010)
instrumental recording of:
I’ve Never Been in Love Before (am 1955-10-28)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
Guys and Dolls (Broadway musical)
Julian Cannonball Adderley & Richard Hayman & Orchestra2:22
8Lonely Dreams
recorded in:
New York, Vereinigte Staaten (am 1955-10-28)
alto saxophone:
Cannonball Adderley (am 1955-10-28)
conductor:
Richard Hayman (am 1955-10-28)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) und Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Lonely Dreams (am 1955-10-28)
Komponist(in):
Terry Gibbs (jazz vibraphonist)
Julian Cannonball Adderley & Richard Hayman & Orchestra2:32
9Falling in Love With Love
recorded in:
New York, Vereinigte Staaten (am 1955-10-27)
alto saxophone:
Cannonball Adderley (am 1955-10-27)
conductor:
Richard Hayman (am 1955-10-27)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) und Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Falling in Love With Love (am 1955-10-27)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Chappell & Co., Inc. (USA)
Teil von:
The Boys From Syracuse
Teil von:
The Real Book (compilation of jazz standards, volume I)
Julian Cannonball Adderley2:35
10Street of Dreams
recorded in:
New York, Vereinigte Staaten (am 1955-10-27)
alto saxophone:
Cannonball Adderley (am 1955-10-27)
conductor:
Richard Hayman (am 1955-10-27)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) und Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Street of Dreams (am 1955-10-27)
Texter:
Sam M. Lewis (1930s lyricist) (in 1932)
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor) (in 1932)
publisher:
EMI Miller Catalog, Inc. und Miller Music Corp.
Julian Cannonball Adderley & Richard Hayman & Orchestra2:16
11Polka Dots and Moonbeams
recorded in:
New York, Vereinigte Staaten (am 1955-10-27)
alto saxophone:
Cannonball Adderley (am 1955-10-27)
conductor:
Richard Hayman (am 1955-10-27)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
Polka Dots and Moonbeams (am 1955-10-27)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher und Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Julian Cannonball Adderley & Richard Hayman3:07
12You Are Too Beautiful
recorded in:
New York, Vereinigte Staaten (am 1955-10-27)
alto saxophone:
Cannonball Adderley (am 1955-10-27)
conductor:
Richard Hayman (am 1955-10-27)
arranger:
William Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) und Monaco Entertainment Corporation (in 2010)
instrumental recording of:
You Are Too Beautiful (am 1955-10-27)
Texter:
Lorenz Hart
Komponist(in):
Richard Rodgers (composer)
publisher:
Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Julian Cannonball Adderley & Richard Hayman & Orchestra2:59
13Two Left Feet
recorded in:
New York, New York, Vereinigte Staaten (am 1958-08-21)
Produzent(in):
Jack Tracy
alto saxophone:
Cannonball Adderley (am 1958-08-21)
Bratsche / Viola:
Dave Schwartz (violist) (am 1958-08-21)
Cello:
George Ricci (am 1958-08-21)
Geige / Violine:
Leo Kruczek (am 1958-08-21) und Gene Orloff (am 1958-08-21)
Gitarre:
Barry Galbraith (am 1958-08-21)
Klavier:
Bill Evans (pianist) (am 1958-08-21)
Kontrabass [bass]:
Milt Hinton (am 1958-08-21)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1958-08-21)
Trompete:
Emmett Berry (am 1958-08-21)
conductor:
William Russo (am 1958-08-21)
arranger:
Bill Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
cover recording of:
Two Left Feet (am 1958-08-21)
Verfasser(in):
Hal Borne und Paul Francis Webster
Julian Cannonball Adderley3:15
14Just Squeeze Me (But Don’t Tease Me)
recorded in:
New York, New York, Vereinigte Staaten (am 1958-08-21)
Produzent(in):
Jack Tracy
alto saxophone:
Cannonball Adderley (am 1958-08-21)
Bratsche / Viola:
Dave Schwartz (violist) (am 1958-08-21)
Cello:
George Ricci (am 1958-08-21)
Geige / Violine:
Leo Kruczek (am 1958-08-21) und Gene Orloff (am 1958-08-21)
Gitarre:
Barry Galbraith (am 1958-08-21)
Klavier:
Bill Evans (pianist) (am 1958-08-21)
Kontrabass [bass]:
Milt Hinton (am 1958-08-21)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1958-08-21)
Trompete:
Emmett Berry (am 1958-08-21)
conductor:
William Russo (am 1958-08-21)
arranger:
Bill Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
Just Squeeze Me (but Don’t Tease Me) (am 1958-08-21)
Texter:
Lee Gaines (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
Julian Cannonball Adderley3:19
15I Got It Bad (and That Ain’t Good)
recorded in:
New York, New York, Vereinigte Staaten (am 1958-08-20)
alto saxophone:
Cannonball Adderley (am 1958-08-20)
Bratsche / Viola:
Dave Schwartz (violist) (am 1958-08-20)
Cello:
George Ricci (am 1958-08-20)
Geige / Violine:
Leo Kruczek (am 1958-08-20) und Gene Orloff (am 1958-08-20)
Gitarre:
Barry Galbraith (am 1958-08-20)
Klavier:
Bill Evans (pianist) (am 1958-08-20)
Kontrabass [bass]:
Milt Hinton (am 1958-08-20)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1958-08-20)
Trompete:
Emmett Berry (am 1958-08-20)
arranger:
Bill Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
I Got It Bad (and That Ain’t Good) (am 1958-08-20)
Texter:
Paul Francis Webster (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony und Webster Music Co.
Teil von:
The Real Book (compilation of jazz standards, volume I)
Julian Cannonball Adderley2:39
16Nothin’
recorded in:
New York, New York, Vereinigte Staaten (am 1958-08-20)
Produzent(in):
Jack Tracy
alto saxophone:
Cannonball Adderley (am 1958-08-20)
Bratsche / Viola:
Dave Schwartz (violist) (am 1958-08-20)
Cello:
George Ricci (am 1958-08-20)
Geige / Violine:
Leo Kruczek (am 1958-08-20) und Gene Orloff (am 1958-08-20)
Gitarre:
Barry Galbraith (am 1958-08-20)
Klavier:
Bill Evans (pianist) (am 1958-08-20)
Kontrabass [bass]:
Milt Hinton (am 1958-08-20)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1958-08-20)
Trompete:
Emmett Berry (am 1958-08-20)
conductor:
William Russo (am 1958-08-20)
arranger:
Bill Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 2001)
recording of:
Nothin’ (am 1958-08-20)
Verfasser(in):
Hal Borne, Ray Golden und Sid Kuller
Julian Cannonball Adderley4:36
17Jump for Joy
recorded in:
New York, New York, Vereinigte Staaten (am 1958-08-20)
Produzent(in):
Jack Tracy
alto saxophone:
Cannonball Adderley (am 1958-08-20)
Bass und Kontrabass [bass]:
Milt Hinton (am 1958-08-20)
Bratsche / Viola:
Dave Schwartz (violist) (am 1958-08-20)
Cello:
George Ricci (am 1958-08-20)
Geige / Violine:
Leo Kruczek (am 1958-08-20) und Gene Orloff (am 1958-08-20)
Gitarre:
Barry Galbraith (am 1958-08-20)
Klavier:
Bill Evans (pianist) (am 1958-08-20)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1958-08-20)
Trompete:
Emmett Berry (am 1958-08-20)
conductor:
William Russo (am 1958-08-20)
arranger:
Bill Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 2001)
instrumental recording of:
Jump for Joy (am 1958-08-20)
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader), Sid Kuller und Paul Francis Webster
cover recording of:
Jump for Joy (am 1958-08-20)
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader), Sid Kuller und Paul Francis Webster
Julian Cannonball Adderley3:23
18Bli-Blip
recorded in:
New York, New York, Vereinigte Staaten (am 1958-08-21)
Produzent(in):
Jack Tracy
alto saxophone:
Cannonball Adderley (am 1958-08-21)
Bratsche / Viola:
Dave Schwartz (violist) (am 1958-08-21)
Cello:
George Ricci (am 1958-08-21)
Geige / Violine:
Leo Kruczek (am 1958-08-21) und Gene Orloff (am 1958-08-21)
Gitarre:
Barry Galbraith (am 1958-08-21)
Klavier:
Bill Evans (pianist) (am 1958-08-21)
Kontrabass [bass]:
Milt Hinton (am 1958-08-21)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1958-08-21)
Trompete:
Emmett Berry (am 1958-08-21)
conductor:
William Russo (am 1958-08-21)
arranger:
Bill Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
Bli-Blip (am 1958-08-21)
Texter:
Sid Kuller
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Julian Cannonball Adderley3:51
19Chocolate Shake
recorded in:
New York, New York, Vereinigte Staaten (am 1958-08-21)
Produzent(in):
Jack Tracy
alto saxophone:
Cannonball Adderley (am 1958-08-21)
Bratsche / Viola:
Dave Schwartz (violist) (am 1958-08-21)
Cello:
George Ricci (am 1958-08-21)
Geige / Violine:
Leo Kruczek (am 1958-08-21) und Gene Orloff (am 1958-08-21)
Gitarre:
Barry Galbraith (am 1958-08-21)
Klavier:
Bill Evans (pianist) (am 1958-08-21)
Kontrabass [bass]:
Milt Hinton (am 1958-08-21)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1958-08-21)
Trompete:
Emmett Berry (am 1958-08-21)
conductor:
William Russo (am 1958-08-21)
arranger:
Bill Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
recording of:
Chocolate Shake (am 1958-08-21)
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader) und Paul Francis Webster
Julian Cannonball Adderley2:43
20If Life Were All Peaches and Cream
recorded in:
New York, New York, Vereinigte Staaten (am 1958-08-20)
Produzent(in):
Jack Tracy
alto saxophone:
Cannonball Adderley (am 1958-08-20)
Bratsche / Viola:
Dave Schwartz (violist) (am 1958-08-20)
Cello:
George Ricci (am 1958-08-20)
Geige / Violine:
Leo Kruczek (am 1958-08-20) und Gene Orloff (am 1958-08-20)
Gitarre:
Barry Galbraith (am 1958-08-20)
Klavier:
Bill Evans (pianist) (am 1958-08-20)
Kontrabass [bass]:
Milt Hinton (am 1958-08-20)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1958-08-20)
Trompete:
Emmett Berry (am 1958-08-20)
conductor:
William Russo (am 1958-08-20)
arranger:
Bill Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
cover recording of:
If Life Were All Peaches and Cream (am 1958-08-20)
Verfasser(in):
Hal Borne und Paul Francis Webster
Julian Cannonball Adderley5:17
21Brown-Skin Gal (In the Calico Gown)
recorded in:
New York, New York, Vereinigte Staaten (am 1958-08-20)
Produzent(in):
Jack Tracy
alto saxophone:
Cannonball Adderley (am 1958-08-20)
Bratsche / Viola:
Dave Schwartz (violist) (am 1958-08-20)
Cello:
George Ricci (am 1958-08-20)
Geige / Violine:
Leo Kruczek (am 1958-08-20) und Gene Orloff (am 1958-08-20)
Gitarre:
Barry Galbraith (am 1958-08-20)
Klavier:
Bill Evans (pianist) (am 1958-08-20)
Kontrabass [bass]:
Milt Hinton (am 1958-08-20)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1958-08-20)
Trompete:
Emmett Berry (am 1958-08-20)
conductor:
William Russo (am 1958-08-20)
arranger:
Bill Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
The Brown-Skin Gal (in the Calico Gown) (am 1958-08-20)
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader) und Paul Francis Webster
Julian Cannonball Adderley2:52
22Tune of the Hickory Stick
recorded in:
New York, New York, Vereinigte Staaten (am 1958-08-21)
Produzent(in):
Jack Tracy
alto saxophone:
Cannonball Adderley (am 1958-08-21)
Bratsche / Viola:
Dave Schwartz (violist) (am 1958-08-21)
Cello:
George Ricci (am 1958-08-21)
Geige / Violine:
Leo Kruczek (am 1958-08-21) und Gene Orloff (am 1958-08-21)
Gitarre:
Barry Galbraith (am 1958-08-21)
Klavier:
Bill Evans (pianist) (am 1958-08-21)
Kontrabass [bass]:
Milt Hinton (am 1958-08-21)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1958-08-21)
Trompete:
Emmett Berry (am 1958-08-21)
conductor:
Bill Russo (am 1958-08-21)
arranger:
Bill Russo
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
cover recording of:
The Tune of the Hickory Stick (am 1958-08-21)
Verfasser(in):
Hal Borne und Paul Francis Webster
Julian Cannonball Adderley3:24