Sacred Voices

~ Release by Accentus; Laurence Equilbey; Orchestre national de France (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Ave verum corpus, K. 618
choir vocals:
Accentus (French chamber choir)
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France)
conductor:
Laurence Equilbey
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)
Wolfgang Amadeus Mozart3:03
2Nisi Dominus, RV 608: IV. Cum dederit
assistant sound engineer:
Étienne Grossein
sound engineer:
Thomas Dappelo
producer and editor:
Laure Casenave-Péré (ingénieure du son)
countertenor vocals:
Philippe Jaroussky (countertenor) (in 2007-07)
orchestra:
Ensemble Matheus (in 2007-07)
conductor:
Jean‐Christophe Spinosi (in 2007-07)
recorded at:
Salle Surcouf - Foyer du Marin in Brest, Finistère, Bretagne (Brittany), France (in 2007-07)
recording of:
Nisi Dominus, RV 608: IV. Largo “Cum dederit delectis suis somnum” (in 2007-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Nisi Dominus, RV 608
Antonio Vivaldi5:10
3Messe in B Minor, BWV 232: No. 26, Agnus Dei
recording engineer:
Thomas Dappelo
assistant engineer:
Raphaël Allain
producer:
Jean-Pierre Loisil
alto vocals:
Nathalie Stutzmann (contralto and conductor) (in 2008-07)
orchestra:
Les Musiciens du Louvre (in 2008-07)
conductor:
Marc Minkowski (bassoonist and conductor) (in 2008-07)
recorded at:
Church of San Domingos de Bonaval in Santiago de Compostela, A Coruña (Province of A Coruña), Galicia, Spain (in 2008-07)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 2008-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:30
4Requiem, Op. 48: VII. In Paradisum
recording engineer:
Jean-Pierre Loisil (in 2008-01)
producer:
Jean-Pierre Loisil
organ:
Christophe Henry (French pianist and organist) (in 2008-01)
choir vocals:
Accentus (French chamber choir) (in 2008-01)
orchestra:
Membres de L'Orchestre National de France (National Orchestra of France, RTF / ORTF / Radio France) (in 2008-01)
conductor:
Laurence Equilbey (in 2008-01)
balance engineer:
Pierre-Antoine Signoret (in 2008-01)
recorded at:
Basilique Sainte-Clotilde de Paris in Paris, Île-de-France, France (in 2008-01)
recording of:
Requiem, op. 48: VII. In Paradisum (1893 version) (in 2008-01)
composer:
Gabriel Fauré (French composer)
arranger:
John Rutter (English choral music composer, conductor, arranger and producer, born 1945)
part of:
Requiem, op. 48 (1893 version, ed. Rutter)
Gabriel Fauré3:08
5Requiem in D Minor, K. 626: III. Lacrimosa (Sequenz)
producer:
Laure Casenave-Péré (ingénieure du son)
choir vocals:
Ensemble Accentus (French chamber choir) (in 2014-02)
orchestra:
Insula Orchestra (orchestra with period instruments) (in 2014-02)
conductor:
Laurence Equilbey (in 2014-02)
balance engineer:
Thomas Dappelo (in 2014-02)
recorded at:
Chapelle royale du château de Versailles in Versailles, Yvelines, Île-de-France, France (in 2014-02)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (in 2014-02)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer) and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart3:18
6Vespro della Beata Vergine, SV 206: II. Dixit Dominus (Psalm 109)
choir vocals:
Concerto Italiano
orchestra:
Concerto Italiano
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor)
recording of:
Vespro della Beata Vergine, SV 206: II. Psalmus I "Dixit Dominus"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi7:17
7Stabat Mater, P. 77: I. Stabat Mater dolorosa. Grave (Duet)
contralto vocals:
Sara Mingardo (contralto)
soprano vocals:
Gemma Bertagnolli (soprano)
orchestra:
Concerto Italiano
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi5:10
8Stabat Mater, RV 621: I. Largo
assistant sound engineer:
Étienne Grossein
sound engineer:
Thomas Dappelo
producer and editor:
Laure Casenave-Péré (ingénieure du son)
contralto vocals:
Marie‐Nicole Lemieux (operatic contralto) (in 2007-07)
orchestra:
Ensemble Matheus (in 2007-07)
conductor:
Jean‐Christophe Spinosi (in 2007-07)
recorded at:
Salle Surcouf - Foyer du Marin in Brest, Finistère, Bretagne (Brittany), France (in 2007-07)
recording of:
Stabat Mater, RV 621: I. Largo "Stabat mater dolorosa" (in 2007-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Stabat Mater, RV 621
Antonio Vivaldi3:04
9Matthäuspassion, Arie, BWV 244: No. 7, Erbarme dich (Arr. by Felix Mendelssohn in 1841)
choir vocals:
Chorus Musicus (German / Cologne chamber choir)
vocals:
Alison Browner (mezzo-soprano)
orchestra:
Das Neue Orchester
conductor:
Christoph Spering (conductor and organist)
recording of:
St Matthew Passion, BWV 244: 39. Aria: Erbarme dich, mein Gott (1841 arrangement by Mendelssohn)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Felix Mendelssohn (composer) (until 1841)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott"
part of:
St Matthew Passion, BWV 244 (1841 arrangement by Mendelssohn)
Johann Sebastian Bach6:31
10Great Mass in C Minor, K. 427: Et incarnatus est (Credo)
choir vocals:
Accentus (French chamber choir)
soprano vocals:
Sandrine Piau (soprano)
orchestra:
La Chambre Philharmonique
conductor:
Emmanuel Krivine (conductor)
recording of:
Missa in c-Moll, K.427/417a ('Große Messe'): IIIb. Credo: “Et incarnatus est”
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1782 until 1783)
part of:
Missa in c-Moll, K.427/417a ('Große Messe'): III. Credo
Wolfgang Amadeus Mozart7:55
11Adagio, Op. 11 "Agnus Dei"
choir vocals:
Accentus (French chamber choir)
conductor:
Laurence Equilbey
recording of:
Agnus Dei (arr. Samuel Barber for chorus)
lyricist:
[anonymous] (special purpose artist)
composer:
Samuel Barber (American composer) (in 1936)
arranger:
Samuel Barber (American composer) (in 1967)
part of:
Works of Samuel Barber by opus number (number: op. 11)
arrangement of:
Adagio for Strings
Samuel Barber7:11
12Credo, RV 592: III. Crucifixus
assistant sound engineer:
Étienne Grossein
sound engineer:
Thomas Dappelo
producer and editor:
Laure Casenave-Péré (ingénieure du son)
contralto vocals:
Marie‐Nicole Lemieux (operatic contralto) (in 2007-07)
countertenor vocals:
Philippe Jaroussky (countertenor) (in 2007-07)
orchestra:
Ensemble Matheus (in 2007-07)
conductor:
Jean‐Christophe Spinosi (in 2007-07)
recorded at:
Salle Surcouf - Foyer du Marin in Brest, Finistère, Bretagne (Brittany), France (in 2007-07)
recording of:
Credo in G major, RV 592: III. Crucifixus (in 2007-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Credo in G major, RV 592
Antonio Vivaldi2:51
13Cantique de Jean Racine, Op. 11
recording engineer:
Jean-Pierre Loisil (in 2008-01)
producer:
Jean-Pierre Loisil
choir vocals:
Accentus (French chamber choir) (in 2008-01)
orchestra:
Membres de L'Orchestre National de France (National Orchestra of France, RTF / ORTF / Radio France) (in 2008-01)
conductor:
Laurence Equilbey (in 2008-01)
balance engineer:
Pierre-Antoine Signoret (in 2008-01)
recorded at:
Basilique Sainte-Clotilde de Paris in Paris, Île-de-France, France (in 2008-01)
recording of:
Cantique de Jean Racine, op. 11 (for choir and orchestra (without organ)) (in 2008-01)
composer:
Gabriel Fauré (French composer) (in 1865)
librettist:
Jean Racine (French dramatist)
arrangement of:
Cantique de Jean Racine, op. 11 (for choir and piano or organ)
Gabriel Fauré5:18
14Theodora, HWV 68: With Darkness Deep as In My Woe (Aria)
soprano vocals:
Sandrine Piau (soprano)
orchestra:
Accademia Bizantina
conductor:
Stefano Montanari (violinist and conductor)
recording of:
Theodora, HWV 68: Act II, Scene 2, no. 36. Air “With darkness deep, as is my woe” (Theodora)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Theodora, HWV 68: Act II
George Frideric Handel3:35
15Christus Op. 97, MWV A26: Ihr Töchter Zions
choir vocals:
Accentus (French chamber choir)
orchestra:
Orchestre de chambre de Paris (formerly Ensemble Orchestral de Paris prior to 2012-03)
conductor:
Laurence Equilbey
recording of:
Christus op. 97 für Soli, Chor und Orchester. Zweiter Teil „Leiden Christi“: Coro (Chor), „Ihr Töchter Zions, weint über euch selbst“
composer:
Felix Mendelssohn (composer)
part of:
Christus, op. 97: Zweiter Teil „Leiden Christi“
Felix Mendelssohn3:29
16Lauda Jerusalem, RV 609
sound engineer:
Pierre-Antoine Signoret
producer and editor:
Laurence Heym
soprano vocals:
Gemma Bertagnolli (soprano) (in 2003-07) and Roberta Invernizzi (soprano) (in 2003-07)
orchestra:
Concerto Italiano (in 2003-07)
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor) (in 2003-07)
recorded at:
Teatro Olimpico (Rome) in Roma (Rome), Roma, Lazio, Italy (in 2003-07)
recording of:
Salmo 147: Lauda Jerusalem, RV 609: Allegro (in 2003-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Ryom-Verzeichnis (number: RV 609)
Antonio Vivaldi6:28
17Magnificat: I. Magnificat anima mea Dominum
orchestra:
Concerto Italiano
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor)
recording of:
Magnificat: I. Magnificat anima mea Dominum
composer:
Pietro Paolo Bencini
part of:
Magnificat
Johann Sebastian Bach2:15
18Ave maria a 4 voci
orchestra:
Concerto Italiano
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor)
Josquin des Prez1:34
19In furore iustissimae irae, RV 626: I. Allegro
soprano vocals:
Sandrine Piau (soprano)
orchestra:
Accademia Bizantina
conductor:
Ottavio Dantone (harpsichordist, organist and conductor)
recording of:
In furore iustissimae irae, RV 626: I. Aria "In furore iustissimae"
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (from 1722 until 1724)
part of:
In furore iustissimae irae, RV 626
Antonio Vivaldi4:29
20Theodora, HWV 68: To thee, Thou Glorious Son of Worth
producer:
Laure Casenave-Péré (ingénieure du son)
mixer and balance engineer:
Thomas Dappelo
editor:
Laure Casenave-Péré (ingénieure du son) and Aude-Marie Piloz
contralto vocals:
Marie‐Nicole Lemieux (operatic contralto) (in 2011-01)
soprano vocals:
Karina Gauvin (soprano) (in 2011-01)
orchestra:
Il Complesso Barocco (in 2011-01)
conductor:
Alan Curtis (harpsichordist, musicologist, and conductor) (in 2011-01)
recorded at:
Villa San Fermo in Lonigo, Vicenza, Veneto, Italy (in 2011-01)
recording of:
Theodora, HWV 68: Act II, Scene 5, no. 51. Duet “To thee, thou glorious son of worth” (Theodora, Didymus) (in 2011-01)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Theodora, HWV 68: Act II
George Frideric Handel4:46
21Ein deutsches requiem, Op. 45: IV. Wie lieblich sind Deine Wohnungen
piano:
Борис Березовский (pianist) (from 2003-06 until 2003-07) and Brigitte Engerer (pianist) (from 2003-06 until 2003-07)
choir vocals:
Accentus (French chamber choir) (from 2003-06 until 2003-07)
conductor:
Laurence Equilbey (from 2003-06 until 2003-07)
recorded at:
Cité de la musique in Paris, Île-de-France, France (from 2003-06 until 2003-07)
recording of:
Ein deutsches Requiem, op. 45: IV. Wie lieblich sind Deine Wohnungen (for piano 4 hands, Brahms) (from 2003-06 until 2003-07)
composer and arranger:
Johannes Brahms (German composer)
arrangement of:
Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind Deine Wohnungen” (Chor)
part of:
Ein deutsches Requiem, op. 45 (for piano 4 hands, Brahms)
Johannes Brahms5:05
22Gloria, RV 589: I. Gloria in excelsis Deo. Allegro
assistant engineer:
Étienne Grossein
producer and editor:
Jean-Pierre Loisil
choir vocals:
Concerto Italiano (in 2009-03)
orchestra:
Concerto Italiano (in 2009-03)
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor) (in 2009-03)
balance engineer:
Thomas Dappelo
recorded at:
Chiesa di San Bernardino (Crema) in Crema, Cremona (Province of Cremona), Lombardia, Italy (in 2009-03)
recording of:
Gloria in D major, RV 589: I. Gloria in excelsis Deo (in 2009-03)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi2:10
23Gloria, RV 589: II. Et in Terra pax hominibus. Andante
assistant engineer:
Étienne Grossein
producer and editor:
Jean-Pierre Loisil
choir vocals:
Concerto Italiano (in 2009-03)
orchestra:
Concerto Italiano (in 2009-03)
conductor:
Rinaldo Alessandrini (baroque keyboardist and conductor) (in 2009-03)
balance engineer:
Thomas Dappelo
recorded at:
Chiesa di San Bernardino (Crema) in Crema, Cremona (Province of Cremona), Lombardia, Italy (in 2009-03)
recording of:
Gloria in D major, RV 589: II. Et in terra pax (in 2009-03)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
publisher:
Walton Music Ltd.
part of:
Gloria in D major, RV 589
Antonio Vivaldi3:28
24Ode for Saint Cecilia's Day, HWV 76: V. The Trumpet's Loud Clangour (Aria and Chorus)
assistant sound engineer:
Raphaël Allain
sound engineer:
Laure Casenave-Péré (ingénieure du son)
producer:
Jean-Pierre Loisil
choir vocals:
Chœur des Musiciens du Louvre (Choir of the Musicians of the Louvre) (in 2009-01)
tenor vocals:
Richard Croft (tenor) (in 2009-01)
orchestra:
Les Musiciens du Louvre (in 2009-01)
conductor:
Marc Minkowski (bassoonist and conductor) (in 2009-01)
chorus master:
Nicholas Jenkins (chorus master) (in 2009-01)
recorded at:
Maison de la Culture de Grenoble (MC2) in Grenoble, Isère, Auvergne-Rhône-Alpes, France (in 2009-01)
recording of:
Ode for St Cecilia's Day, HWV 76: V. Aria and Chorus "The trumpet's loud clangor" (tenor) (in 2009-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
librettist:
John Dryden (English poet)
part of:
Ode for St Cecilia's Day, HWV 76
George Frideric Handel3:12
25All-Night Vigil, Op. 37: VI. Ave Maria
choir vocals:
Accentus (French chamber choir)
recording of:
Всенощное бдение, op. 37: 6. Богородице Дево, радуйся (All-Night Vigil, Op. 37: VI. Rejoice, O Virgin)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1915)
part of:
Всенощное бдение, op. 37 (All-Night Vigil, Op. 37, All-Night Vigil by Sergei Rachmaninoff)
Сергей Васильевич Рахманинов3:01