Classic Earl Hines Sessions (1928–1945): Vol. 1 & 2

~ Release by Earl Hines (see all versions of this release, 1 available)

Annotation

℗ «This compilation»
℗ «2014 Sony Music Entertainment»

Countries excluded (Spotify)

(As of 2022-08-19).

  • Eastern Europe: 🇷🇺 Russia (ru)
Annotation last modified on 2022-08-19 11:10 UTC.

Tracklist

| |
1▼Digital Media
#TitleArtistRatingLength
1Caution Blues (Blues in Thirds)
solo piano:
Earl Hines (jazz pianist and bandleader) (on 1928-12-08)
recording of:
Blues in Thirds (on 1928-12-08)
composer:
Earl Hines (jazz pianist and bandleader)
publisher:
Hi-Cue Productions
Earl Hines2:58
2A Monday Date
solo piano:
Earl Hines (jazz pianist and bandleader) (on 1928-12-09)
recording of:
My Monday Date (on 1928-12-09)
composer:
Earl Hines (jazz pianist and bandleader)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
adaptations:
My Monday Date (with lyrics)
Earl Hines3:17
3I Ain’t Got Nobody
engineered in:
Chicago, Illinois, United States (on 1928-12-12)
piano and solo piano:
Earl Hines (jazz pianist and bandleader) (on 1928-12-12)
instrumental recording of:
I Ain’t Got Nobody (on 1928-12-12)
lyricist:
Roger Graham
composer:
Spencer Williams (US jazz composer, pianist & singer)
Earl Hines3:12
457 Varieties
solo piano:
Earl Hines (jazz pianist and bandleader) (on 1928-12-12)
Earl Hines3:14
5Sweet Ella May
banjo:
Claude Roberts (banjo player, guitarist) (on 1929-02-13)
cornet:
Shirley Clay (on 1929-02-13) and George Mitchell (US jazz trumpeter and cornet player) (on 1929-02-13)
piano:
Earl Hines (jazz pianist and bandleader) (on 1929-02-13)
reeds:
Lester Boone (on 1929-02-13), Cecil Irwin (on 1929-02-13) and Toby Turner (reeds player with Earl Hines) (on 1929-02-13)
trombone:
William Franklin (trombonist, baritone) (on 1929-02-13)
vocals:
William Franklin (trombonist, baritone) (on 1929-02-13)
Earl Hines & His Orchestra2:42
6Everybody Loves My Baby
banjo:
Claude Roberts (banjo player, guitarist) (on 1929-02-13)
cornet:
Shirley Clay (on 1929-02-13) and George Mitchell (US jazz trumpeter and cornet player) (on 1929-02-13)
piano:
Earl Hines (jazz pianist and bandleader) (on 1929-02-13)
reeds:
Lester Boone (on 1929-02-13), Cecil Irwin (on 1929-02-13) and Toby Turner (reeds player with Earl Hines) (on 1929-02-13)
trombone:
William Franklin (trombonist, baritone) (on 1929-02-13)
vocals:
Earl Hines (jazz pianist and bandleader) (on 1929-02-13)
recording of:
Everybody Loves My Baby (on 1929-02-13)
composer:
Jack Palmer (Jazz pianist and composer) and Spencer Williams (US jazz composer, pianist & singer)
publisher:
Pickwick Music Corp. and Salabert
Earl Hines & His Orchestra3:15
7Good Little, Bad Little You
banjo:
Claude Roberts (banjo player, guitarist) (on 1929-02-14)
cornet:
Shirley Clay (on 1929-02-14) and George Mitchell (US jazz trumpeter and cornet player) (on 1929-02-14)
piano:
Earl Hines (jazz pianist and bandleader) (on 1929-02-14)
reeds:
Lester Boone (on 1929-02-14), Cecil Irwin (on 1929-02-14) and Toby Turner (reeds player with Earl Hines) (on 1929-02-14)
trombone:
William Franklin (trombonist, baritone) (on 1929-02-14)
vocals:
William Franklin (trombonist, baritone) (on 1929-02-14)
Earl Hines & His Orchestra2:33
8Have You Ever Felt That Way?
banjo:
Claude Roberts (banjo player, guitarist) (on 1929-02-14)
cornet:
Shirley Clay (on 1929-02-14) and George Mitchell (US jazz trumpeter and cornet player) (on 1929-02-14)
piano:
Earl Hines (jazz pianist and bandleader) (on 1929-02-14)
reeds:
Lester Boone (on 1929-02-14), Cecil Irwin (on 1929-02-14) and Toby Turner (reeds player with Earl Hines) (on 1929-02-14)
trombone:
William Franklin (trombonist, baritone) (on 1929-02-14)
vocals:
Earl Hines (jazz pianist and bandleader) (on 1929-02-14)
Earl Hines & His Orchestra3:02
9Beau-Koo Jack
banjo:
Claude Roberts (banjo player, guitarist) (on 1929-02-15)
cornet:
Shirley Clay (on 1929-02-15) and George Mitchell (US jazz trumpeter and cornet player) (on 1929-02-15)
piano:
Earl Hines (jazz pianist and bandleader) (on 1929-02-15)
reeds:
Lester Boone (on 1929-02-15), Cecil Irwin (on 1929-02-15) and Toby Turner (reeds player with Earl Hines) (on 1929-02-15)
trombone:
William Franklin (trombonist, baritone) (on 1929-02-15)
recording of:
Beau Koo Jack (on 1929-02-15)
lyricist:
Walter Melrose
composer:
Louis Armstrong and Alex Hill (20th century US jazz pianist)
Earl Hines & His Orchestra2:47
10Sister Kate
banjo:
Claude Roberts (banjo player, guitarist) (on 1929-02-15)
cornet:
Shirley Clay (on 1929-02-15) and George Mitchell (US jazz trumpeter and cornet player) (on 1929-02-15)
piano:
Earl Hines (jazz pianist and bandleader) (on 1929-02-15)
reeds:
Lester Boone (on 1929-02-15), Cecil Irwin (on 1929-02-15) and Toby Turner (reeds player with Earl Hines) (on 1929-02-15)
trombone:
William Franklin (trombonist, baritone) (on 1929-02-15)
vocals:
Earl Hines (jazz pianist and bandleader) (on 1929-02-15)
recording of:
I Wish I Could Shimmy Like My Sister Kate (on 1929-02-15)
writer:
Armand J. Piron and Clarence Williams (US jazz pianist, composer, singer and bandleader)
Earl Hines & His Orchestra3:04
11Chicago Rhythm
banjo:
Claude Roberts (banjo player, guitarist) (on 1929-02-22)
cornet:
Shirley Clay (on 1929-02-22) and George Mitchell (US jazz trumpeter and cornet player) (on 1929-02-22)
piano:
Earl Hines (jazz pianist and bandleader) (on 1929-02-22)
reeds:
Lester Boone (on 1929-02-22), Cecil Irwin (on 1929-02-22) and Toby Turner (reeds player with Earl Hines) (on 1929-02-22)
trombone:
William Franklin (trombonist, baritone) (on 1929-02-22)
Earl Hines & His Orchestra2:49
12Glad Rag Doll
solo piano:
Earl Hines (jazz pianist and bandleader) (on 1929-02-25)
recording of:
Glad Rag Doll (on 1929-02-25)
lyricist:
Dan Dougherty and Jack Yellen
composer:
Milton Ager
publisher:
Morris Edwin H&O, Inc and Warner Bros., Inc. (not for release label use!)
Earl Hines2:57
13Grand Piano Blues
banjo:
Claude Roberts (banjo player, guitarist) (on 1929-10-25)
cornet:
Shirley Clay (on 1929-10-25) and George Mitchell (US jazz trumpeter and cornet player) (on 1929-10-25)
double bass:
Hayes Alvis (on 1929-10-25)
piano:
Earl Hines (jazz pianist and bandleader) (on 1929-10-25)
reeds:
Lester Boone (on 1929-10-25), Cecil Irwin (on 1929-10-25) and Toby Turner (reeds player with Earl Hines) (on 1929-10-25)
trombone:
William Franklin (trombonist, baritone) (on 1929-10-25)
Earl Hines & His Orchestra2:57
14Blue Nights
banjo:
Claude Roberts (banjo player, guitarist) (on 1929-10-25)
cornet:
Shirley Clay (on 1929-10-25) and George Mitchell (US jazz trumpeter and cornet player) (on 1929-10-25)
double bass:
Hayes Alvis (on 1929-10-25)
piano:
Earl Hines (jazz pianist and bandleader) (on 1929-10-25)
reeds:
Lester Boone (on 1929-10-25), Cecil Irwin (on 1929-10-25) and Toby Turner (reeds player with Earl Hines) (on 1929-10-25)
trombone:
William Franklin (trombonist, baritone) (on 1929-10-25)
Earl Hines & His Orchestra3:10
15Blue Drag
recorded in:
New York, New York, United States (on 1932-07-14)
bass:
Quinn Wilson (jazz bassist, tubist) (on 1932-07-14)
drums (drum set):
Wallace Bishop (on 1932-07-14)
guitar:
Lawrence Dixon (on 1932-07-14)
piano:
Earl Hines (jazz pianist and bandleader) (on 1932-07-14)
reeds:
Darnell Howard (on 1932-07-14), Cecil Irwin (on 1932-07-14) and Omer Simeon (on 1932-07-14)
trombone:
Billy Franklin (on 1932-07-14) and Louis Taylor (on 1932-07-14)
trumpet:
George Dixon (trumpeter, multi-instrumentalist) (on 1932-07-14) and Walter Fuller (trumpet) (on 1932-07-14)
orchestra:
Earl Hines and His Orchestra (on 1932-07-14)
recording of:
Blue Drag (on 1932-07-14)
composer:
Josef Myrow
Earl Hines & His Orchestra2:59
16Deep Forest
double bass:
Quinn Wilson (jazz bassist, tubist) (on 1932-06-28)
drums (drum set):
Wallace Bishop (on 1932-06-28)
guitar:
Lawrence Dixon (on 1932-06-28)
piano:
Earl Hines (jazz pianist and bandleader) (on 1932-06-28)
reeds:
Darnell Howard (on 1932-06-28), Cecil Irwin (on 1932-06-28) and Omer Simeon (on 1932-06-28)
trombone:
William Franklin (trombonist, baritone) (on 1932-06-28) and Louis Taylor (on 1932-06-28)
trumpet:
Charlie Allen (trumpet, jazz) (on 1932-06-28), George Dixon (trumpeter, multi-instrumentalist) (on 1932-06-28) and Walter Fuller (trumpet) (on 1932-06-28)
vocals:
Walter Fuller (trumpet) (on 1932-06-28)
recording of:
Deep Forest (on 1932-06-28)
writer:
Reginald Foresythe, Earl Hines (jazz pianist and bandleader) and Andy Razaf
Earl Hines & His Orchestra2:43
17Sweet Ella May (Alt take 2)
recorded in:
Chicago, Illinois, United States (on 1929-02-13)
banjo:
Claude Roberts (banjo player, guitarist) (on 1929-02-13)
piano:
Earl Hines (jazz pianist and bandleader) (on 1929-02-13)
reeds:
Lester Boone (on 1929-02-13), Cecil Irwin (on 1929-02-13) and Toby Turner (reeds player with Earl Hines) (on 1929-02-13)
trombone:
Billy Franklin (on 1929-02-13)
trumpet:
Shirley Clay (on 1929-02-13) and George Mitchell (US jazz trumpeter and cornet player) (on 1929-02-13)
tuba:
Hayes Alvis (on 1929-02-13)
orchestra:
Earl Hines and His Orchestra (on 1929-02-13)
arranger:
Alex Hill (20th century US jazz pianist)
Earl Hines & His Orchestra2:37
18Everybody Loves My Baby (Alt take)
recorded in:
Chicago, Illinois, United States (on 1929-02-13)
banjo:
Claude Roberts (banjo player, guitarist) (on 1929-02-13)
piano:
Earl Hines (jazz pianist and bandleader) (on 1929-02-13)
reeds:
Lester Boone (on 1929-02-13), Cecil Irwin (on 1929-02-13) and Toby Turner (reeds player with Earl Hines) (on 1929-02-13)
trombone:
Billy Franklin (on 1929-02-13)
trumpet:
Shirley Clay (on 1929-02-13) and George Mitchell (US jazz trumpeter and cornet player) (on 1929-02-13)
tuba:
Hayes Alvis (on 1929-02-13)
orchestra:
Earl Hines and His Orchestra (on 1929-02-13)
arranger:
Alex Hill (20th century US jazz pianist)
Earl Hines & His Orchestra3:13
19Everybody Loves My Baby (Alt take 2)
Earl Hines & His Orchestra3:18
20Good Little, Bad Little You (Alt take 3)
banjo:
Claude Roberts (banjo player, guitarist) (on 1929-02-14)
cornet:
Shirley Clay (on 1929-02-14) and George Mitchell (US jazz trumpeter and cornet player) (on 1929-02-14)
piano:
Earl Hines (jazz pianist and bandleader) (on 1929-02-14)
reeds:
Lester Boone (on 1929-02-14), Cecil Irwin (on 1929-02-14) and Toby Turner (reeds player with Earl Hines) (on 1929-02-14)
trombone:
William Franklin (trombonist, baritone) (on 1929-02-14)
vocals:
William Franklin (trombonist, baritone) (on 1929-02-14)
Earl Hines & His Orchestra2:32
21Beau-Koo Jack (Alt take)
banjo:
Claude Roberts (banjo player, guitarist) (on 1929-02-15)
cornet:
Shirley Clay (on 1929-02-15) and George Mitchell (US jazz trumpeter and cornet player) (on 1929-02-15)
piano:
Earl Hines (jazz pianist and bandleader) (on 1929-02-15)
reeds:
Lester Boone (on 1929-02-15), Cecil Irwin (on 1929-02-15) and Toby Turner (reeds player with Earl Hines) (on 1929-02-15)
trombone:
William Franklin (trombonist, baritone) (on 1929-02-15)
recording of:
Beau Koo Jack (on 1929-02-15)
lyricist:
Walter Melrose
composer:
Louis Armstrong and Alex Hill (20th century US jazz pianist)
Earl Hines & His Orchestra2:48
22Sister Kate (Alt take)
banjo:
Claude Roberts (banjo player, guitarist) (on 1929-02-15)
cornet:
Shirley Clay (on 1929-02-15) and George Mitchell (US jazz trumpeter and cornet player) (on 1929-02-15)
piano:
Earl Hines (jazz pianist and bandleader) (on 1929-02-15)
reeds:
Lester Boone (on 1929-02-15), Cecil Irwin (on 1929-02-15) and Toby Turner (reeds player with Earl Hines) (on 1929-02-15)
trombone:
William Franklin (trombonist, baritone) (on 1929-02-15)
vocals:
Earl Hines (jazz pianist and bandleader) (on 1929-02-15)
recording of:
I Wish I Could Shimmy Like My Sister Kate (on 1929-02-15)
writer:
Armand J. Piron and Clarence Williams (US jazz pianist, composer, singer and bandleader)
Earl Hines & His Orchestra3:04
23Sister Kate (Alt take 2)
banjo:
Claude Roberts (banjo player, guitarist) (on 1929-02-15)
cornet:
Shirley Clay (on 1929-02-15) and George Mitchell (US jazz trumpeter and cornet player) (on 1929-02-15)
piano:
Earl Hines (jazz pianist and bandleader) (on 1929-02-15)
reeds:
Lester Boone (on 1929-02-15), Cecil Irwin (on 1929-02-15) and Toby Turner (reeds player with Earl Hines) (on 1929-02-15)
trombone:
William Franklin (trombonist, baritone) (on 1929-02-15)
vocals:
Earl Hines (jazz pianist and bandleader) (on 1929-02-15)
recording of:
I Wish I Could Shimmy Like My Sister Kate (on 1929-02-15)
writer:
Armand J. Piron and Clarence Williams (US jazz pianist, composer, singer and bandleader)
Earl Hines & His Orchestra3:01
24Chicago Rhythm (Alt take)
banjo:
Claude Roberts (banjo player, guitarist) (on 1929-02-22)
cornet:
Shirley Clay (on 1929-02-22) and George Mitchell (US jazz trumpeter and cornet player) (on 1929-02-22)
piano:
Earl Hines (jazz pianist and bandleader) (on 1929-02-22)
reeds:
Lester Boone (on 1929-02-22), Cecil Irwin (on 1929-02-22) and Toby Turner (reeds player with Earl Hines) (on 1929-02-22)
trombone:
William Franklin (trombonist, baritone) (on 1929-02-22)
Earl Hines & His Orchestra2:51
25Glad Rag Doll (Alt take)
piano:
Earl Hines (jazz pianist and bandleader)
recording of:
Glad Rag Doll
lyricist:
Dan Dougherty and Jack Yellen
composer:
Milton Ager
publisher:
Morris Edwin H&O, Inc and Warner Bros., Inc. (not for release label use!)
Earl Hines & His Orchestra2:45
2▼Digital Media
#TitleArtistRatingLength
1Oh! You Sweet Thing
recorded in:
New York, New York, United States (on 1932-07-14)
bass:
Quinn Wilson (jazz bassist, tubist) (on 1932-07-14)
drums (drum set):
Wallace Bishop (on 1932-07-14)
guitar:
Lawrence Dixon (on 1932-07-14)
piano:
Earl Hines (jazz pianist and bandleader) (on 1932-07-14)
reeds:
Darnell Howard (on 1932-07-14), Cecil Irwin (on 1932-07-14) and Omer Simeon (on 1932-07-14)
trombone:
Billy Franklin (on 1932-07-14) and Louis Taylor (on 1932-07-14)
trumpet:
George Dixon (trumpeter, multi-instrumentalist) (on 1932-07-14) and Walter Fuller (trumpet) (on 1932-07-14)
orchestra:
Earl Hines and His Orchestra (on 1932-07-14)
Earl Hines & His Orchestra2:53
2Blue Drag (Alt take)
recorded in:
New York, New York, United States (on 1932-07-14)
bass:
Quinn Wilson (jazz bassist, tubist) (on 1932-07-14)
drums (drum set):
Wallace Bishop (on 1932-07-14)
guitar:
Lawrence Dixon (on 1932-07-14)
piano:
Earl Hines (jazz pianist and bandleader) (on 1932-07-14)
reeds:
Darnell Howard (on 1932-07-14), Cecil Irwin (on 1932-07-14) and Omer Simeon (on 1932-07-14)
trombone:
Billy Franklin (on 1932-07-14) and Louis Taylor (on 1932-07-14)
trumpet:
George Dixon (trumpeter, multi-instrumentalist) (on 1932-07-14) and Walter Fuller (trumpet) (on 1932-07-14)
orchestra:
Earl Hines and His Orchestra (on 1932-07-14)
recording of:
Blue Drag (on 1932-07-14)
composer:
Josef Myrow
Earl Hines & His Orchestra2:59
3I Love You Because I Love You (take 1)
Earl Hines & His Orchestra2:52
4I Love You Because I Love You (take 2)
Earl Hines & His Orchestra2:49
5Sensational Mood
recorded in:
New York, New York, United States (on 1932-07-14)
bass:
Quinn Wilson (jazz bassist, tubist) (on 1932-07-14)
drums (drum set):
Wallace Bishop (on 1932-07-14)
guitar:
Lawrence Dixon (on 1932-07-14)
piano:
Earl Hines (jazz pianist and bandleader) (on 1932-07-14)
reeds:
Darnell Howard (on 1932-07-14), Cecil Irwin (on 1932-07-14) and Omer Simeon (on 1932-07-14)
trombone:
Billy Franklin (on 1932-07-14) and Louis Taylor (on 1932-07-14)
trumpet:
George Dixon (trumpeter, multi-instrumentalist) (on 1932-07-14) and Walter Fuller (trumpet) (on 1932-07-14)
orchestra:
Earl Hines and His Orchestra (on 1932-07-14)
Earl Hines & His Orchestra3:13
6My One Ambition
recorded in:
New York, New York, United States (on 1932-07-14)
bass:
Quinn Wilson (jazz bassist, tubist) (on 1932-07-14)
drums (drum set):
Wallace Bishop (on 1932-07-14)
guitar:
Lawrence Dixon (on 1932-07-14)
piano:
Earl Hines (jazz pianist and bandleader) (on 1932-07-14)
reeds:
Darnell Howard (on 1932-07-14), Cecil Irwin (on 1932-07-14) and Omer Simeon (on 1932-07-14)
trombone:
Billy Franklin (on 1932-07-14) and Louis Taylor (on 1932-07-14)
trumpet:
George Dixon (trumpeter, multi-instrumentalist) (on 1932-07-14) and Walter Fuller (trumpet) (on 1932-07-14)
orchestra:
Earl Hines and His Orchestra (on 1932-07-14)
Earl Hines & His Orchestra3:45
7Love Me Tonight
bass:
Quinn Wilson (jazz bassist, tubist) (on 1932-07-14)
drums (drum set):
Wallace Bishop (on 1932-07-14)
guitar:
Lawrence Dixon (on 1932-07-14)
piano:
Earl Hines (jazz pianist and bandleader) (on 1932-07-14)
reeds:
Darnell Howard (on 1932-07-14), Cecil Irwin (on 1932-07-14) and Omer Simeon (on 1932-07-14)
trombone:
Billy Franklin (on 1932-07-14) and Louis Taylor (on 1932-07-14)
trumpet:
George Dixon (trumpeter, multi-instrumentalist) (on 1932-07-14) and Walter Fuller (trumpet) (on 1932-07-14)
recording of:
Love Me Tonight
writer:
Bing Crosby, Ned Washington and Victor Young (American composer, arranger, violinist & conductor)
Earl Hines & His Orchestra2:33
8Down Among the Sheltering Palms
bass:
Quinn Wilson (jazz bassist, tubist) (on 1932-07-14)
drums (drum set):
Wallace Bishop (on 1932-07-14)
guitar:
Lawrence Dixon (on 1932-07-14)
piano:
Earl Hines (jazz pianist and bandleader) (on 1932-07-14)
reeds:
Darnell Howard (on 1932-07-14), Cecil Irwin (on 1932-07-14) and Omer Simeon (on 1932-07-14)
trombone:
Billy Franklin (on 1932-07-14) and Louis Taylor (on 1932-07-14)
trumpet:
George Dixon (trumpeter, multi-instrumentalist) (on 1932-07-14) and Walter Fuller (trumpet) (on 1932-07-14)
recording of:
Down Among the Sheltering Palms (on 1932-07-14)
lyricist:
James Brockman (US songwriter) and Leo Wood (American songwriter & lyricist; 1882—1929)
composer:
Abe Olman
Earl Hines & His Orchestra2:37
9Rosetta (instrumental take)
recorded in:
New York, New York, United States (on 1933-02-13)
drums (drum set):
Wallace Bishop (on 1933-02-13)
guitar:
Lawrence Dixon (on 1933-02-13)
piano:
Earl Hines (jazz pianist and bandleader) (on 1933-02-13)
saxophone:
Omer Simeon (on 1933-02-13)
tenor saxophone:
Cecil Irwin (on 1933-02-13) and Jimmy Mundy (on 1933-02-13)
trombone:
Billy Franklin (on 1933-02-13) and Louis Taylor (on 1933-02-13)
trumpet:
Charlie Allen (trumpet, jazz) (on 1933-02-13) and Walter Fuller (trumpet) (on 1933-02-13)
orchestra:
Earl Hines and His Orchestra (on 1933-02-13)
recording of:
Rosetta
lyricist:
William Henri Woode
composer:
Earl Hines (jazz pianist and bandleader)
Earl Hines & His Orchestra3:01
10Rosetta (78rpm version)
bass:
Quinn Wilson (jazz bassist, tubist) (on 1933-02-13)
drums (drum set):
Wallace Bishop (on 1933-02-13)
guitar:
Lawrence Dixon (on 1933-02-13)
piano:
Earl Hines (jazz pianist and bandleader) (on 1933-02-13)
reeds:
Cecil Irwin (on 1933-02-13) and Omer Simeon (on 1933-02-13)
tenor saxophone:
Jimmy Mundy (on 1933-02-13)
trombone:
Billy Franklin (on 1933-02-13) and Louis Taylor (on 1933-02-13)
trumpet:
George Dixon (trumpeter, multi-instrumentalist) (on 1933-02-13) and Walter Fuller (trumpet) (on 1933-02-13)
recording of:
Rosetta (on 1933-02-13)
lyricist:
William Henri Woode
composer:
Earl Hines (jazz pianist and bandleader)
Earl Hines & His Orchestra3:05
11Why Must We Part?
recorded in:
New York, New York, United States (on 1933-02-13)
drums (drum set):
Wallace Bishop (on 1933-02-13)
guitar:
Lawrence Dixon (on 1933-02-13)
piano:
Earl Hines (jazz pianist and bandleader) (on 1933-02-13)
saxophone:
Omer Simeon (on 1933-02-13)
tenor saxophone:
Cecil Irwin (on 1933-02-13) and Jimmy Mundy (on 1933-02-13)
trombone:
Billy Franklin (on 1933-02-13) and Louis Taylor (on 1933-02-13)
trumpet:
Charlie Allen (trumpet, jazz) (on 1933-02-13) and Walter Fuller (trumpet) (on 1933-02-13)
orchestra:
Earl Hines and His Orchestra (on 1933-02-13)
Earl Hines & His Orchestra2:45
12Maybe I’m to Blame
recorded in:
New York, New York, United States (on 1933-02-13)
drums (drum set):
Wallace Bishop (on 1933-02-13)
guitar:
Lawrence Dixon (on 1933-02-13)
piano:
Earl Hines (jazz pianist and bandleader) (on 1933-02-13)
saxophone:
Omer Simeon (on 1933-02-13)
tenor saxophone:
Cecil Irwin (on 1933-02-13) and Jimmy Mundy (on 1933-02-13)
trombone:
Billy Franklin (on 1933-02-13) and Louis Taylor (on 1933-02-13)
trumpet:
Charlie Allen (trumpet, jazz) (on 1933-02-13) and Walter Fuller (trumpet) (on 1933-02-13)
orchestra:
Earl Hines and His Orchestra (on 1933-02-13)
Earl Hines & His Orchestra3:14
13Cavernism
bass:
Quinn Wilson (jazz bassist, tubist) (on 1933-02-13)
drums (drum set):
Wallace Bishop (on 1933-02-13)
guitar:
Lawrence Dixon (on 1933-02-13)
piano:
Earl Hines (jazz pianist and bandleader) (on 1933-02-13)
reeds:
Cecil Irwin (on 1933-02-13) and Omer Simeon (on 1933-02-13)
tenor saxophone:
Jimmy Mundy (on 1933-02-13)
trombone:
Billy Franklin (on 1933-02-13) and Louis Taylor (on 1933-02-13)
trumpet:
George Dixon (trumpeter, multi-instrumentalist) (on 1933-02-13) and Walter Fuller (trumpet) (on 1933-02-13)
recording of:
Cavernism (on 1933-02-13)
composer:
Earl Hines (jazz pianist and bandleader) and James R. Mundy
Earl Hines & His Orchestra2:50
14Blue Drag (Alt take 2)
Earl Hines & His Orchestra2:57
15I Love You Because I Love You (take 3)
Earl Hines & His Orchestra2:47
16I Love You Because I Love You (take 4)
Earl Hines & His Orchestra2:56
17I Love You Because I Love You (take 5)
Earl Hines & His Orchestra2:52
18Sensational Mood (Alt take 2)
Earl Hines & His Orchestra3:15
19Love Me Tonight (Alt take 3)
Earl Hines & His Orchestra2:39
20Love Me Tonight (Alt take 4)
piano:
Earl Hines (jazz pianist and bandleader)
recording of:
Love Me Tonight
writer:
Bing Crosby, Ned Washington and Victor Young (American composer, arranger, violinist & conductor)
Earl Hines & His Orchestra2:31
21Down Among the Sheltering Palms (Alt take 2)
piano:
Earl Hines (jazz pianist and bandleader)
Earl Hines & His Orchestra2:25
22Rosetta (instrumental Alt take 3)
recorded in:
New York, New York, United States (on 1933-02-13)
drums (drum set):
Wallace Bishop (on 1933-02-13)
guitar:
Lawrence Dixon (on 1933-02-13)
piano:
Earl Hines (jazz pianist and bandleader) (on 1933-02-13)
saxophone:
Omer Simeon (on 1933-02-13)
tenor saxophone:
Cecil Irwin (on 1933-02-13) and Jimmy Mundy (on 1933-02-13)
trombone:
Billy Franklin (on 1933-02-13) and Louis Taylor (on 1933-02-13)
trumpet:
Charlie Allen (on 1933-02-13), Charlie Allen (trumpet, jazz) (on 1933-02-13) and Walter Fuller (trumpet) (on 1933-02-13)
orchestra:
Earl Hines and His Orchestra (on 1933-02-13)
recording of:
Rosetta
lyricist:
William Henri Woode
composer:
Earl Hines (jazz pianist and bandleader)
Earl Hines & His Orchestra3:05
23Rosetta (vocal Alt take 4)
recorded in:
New York, New York, United States (on 1933-02-13)
drums (drum set):
Wallace Bishop (on 1933-02-13)
guitar:
Lawrence Dixon (on 1933-02-13)
piano:
Earl Hines (jazz pianist and bandleader) (on 1933-02-13)
saxophone:
Omer Simeon (on 1933-02-13)
tenor saxophone:
Cecil Irwin (on 1933-02-13) and Jimmy Mundy (on 1933-02-13)
trombone:
Billy Franklin (on 1933-02-13) and Louis Taylor (on 1933-02-13)
trumpet:
Charlie Allen (on 1933-02-13), Charlie Allen (trumpet, jazz) (on 1933-02-13) and Walter Fuller (trumpet) (on 1933-02-13)
orchestra:
Earl Hines and His Orchestra (on 1933-02-13)
recording of:
Rosetta
lyricist:
William Henri Woode
composer:
Earl Hines (jazz pianist and bandleader)
Earl Hines & His Orchestra3:01
24Why Must We Part? (Alt take 2)
recorded in:
New York, New York, United States (on 1933-02-13)
drums (drum set):
Wallace Bishop (on 1933-02-13)
guitar:
Lawrence Dixon (on 1933-02-13)
piano:
Earl Hines (jazz pianist and bandleader) (on 1933-02-13)
saxophone:
Omer Simeon (on 1933-02-13)
tenor saxophone:
Cecil Irwin (on 1933-02-13) and Jimmy Mundy (on 1933-02-13)
trombone:
Billy Franklin (on 1933-02-13) and Louis Taylor (on 1933-02-13)
trumpet:
Charlie Allen (on 1933-02-13), Charlie Allen (trumpet, jazz) (on 1933-02-13) and Walter Fuller (trumpet) (on 1933-02-13)
orchestra:
Earl Hines and His Orchestra (on 1933-02-13)
Earl Hines & His Orchestra2:45
25Maybe I’m to Blame (Alt take 2)
recorded in:
New York, New York, United States (on 1933-02-13)
drums (drum set):
Wallace Bishop (on 1933-02-13)
guitar:
Lawrence Dixon (on 1933-02-13)
piano:
Earl Hines (jazz pianist and bandleader) (on 1933-02-13)
saxophone:
Omer Simeon (on 1933-02-13)
tenor saxophone:
Cecil Irwin (on 1933-02-13) and Jimmy Mundy (on 1933-02-13)
trombone:
Billy Franklin (on 1933-02-13) and Louis Taylor (on 1933-02-13)
trumpet:
Charlie Allen (on 1933-02-13), Charlie Allen (trumpet, jazz) (on 1933-02-13) and Walter Fuller (trumpet) (on 1933-02-13)
orchestra:
Earl Hines and His Orchestra (on 1933-02-13)
Earl Hines & His Orchestra3:12
26Cavernism (Alt take 2)
recorded in:
New York, New York, United States (on 1933-02-13)
drums (drum set):
Wallace Bishop (on 1933-02-13)
guitar:
Lawrence Dixon (on 1933-02-13)
piano:
Earl Hines (jazz pianist and bandleader) (on 1933-02-13)
saxophone:
Omer Simeon (on 1933-02-13)
tenor saxophone:
Cecil Irwin (on 1933-02-13) and Jimmy Mundy (on 1933-02-13)
trombone:
Billy Franklin (on 1933-02-13) and Louis Taylor (on 1933-02-13)
trumpet:
Charlie Allen (on 1933-02-13), Charlie Allen (trumpet, jazz) (on 1933-02-13) and Walter Fuller (trumpet) (on 1933-02-13)
orchestra:
Earl Hines and His Orchestra (on 1933-02-13)
recording of:
Cavernism
composer:
Earl Hines (jazz pianist and bandleader) and James R. Mundy
Earl Hines & His Orchestra2:57