The Rough Guide to Jazz and Blues Legends: Robert Johnson

~ Release by Robert Johnson (see all versions of this release, 2 available)

Tracklist

| |
1CD: The Rough Guide to Jazz and Blues Legends: Robert Johnson
#TitleRatingLength
1I Believe I’ll Dust My Broom
recording engineer:
Vincent Liebler
executive producer:
Art Satherly
producer:
Don Law
guitar:
Robert Johnson (1930s blues legend) (on 1936-11-23)
vocals:
Robert Johnson (1930s blues legend) (on 1936-11-23)
phonographic copyright (℗) by:
Soul Jam Records (in 2015)
recorded at:
Gunter Hotel in San Antonio, Texas, United States (on 1936-11-23)
recording of:
I Believe I’ll Dust My Broom (on 1936-11-23)
lyricist and composer:
Robert Johnson (1930s blues legend)
52:58
2Love in Vain
recording engineer:
Vincent Liebler
executive producer:
Art Satherly
producer:
Don Law
guitar:
Robert Johnson (1930s blues legend) (on 1937-06-20)
vocals:
Robert Johnson (1930s blues legend) (on 1937-06-20)
phonographic copyright (℗) by:
Soul Jam Records (in 2015)
recorded at:
a makeshift studio located in the Brunswick Records Building (on 1937-06-20)
recording of:
Love in Vain Blues (on 1937-06-20)
lyricist, writer and composer:
Robert Johnson (1930s blues legend)
52:26
3Cross Road Blues
recorded in:
San Antonio, Texas, United States (on 1936-11-27)
recording engineer:
Vincent Liebler
executive producer:
Art Satherly
producer:
Don Law
guitar:
Robert Johnson (1930s blues legend) (on 1936-11-27)
vocals:
Robert Johnson (1930s blues legend) (on 1936-11-27)
phonographic copyright (℗) by:
Soul Jam Records (in 2015)
recorded at:
Gunter Hotel in San Antonio, Texas, United States (on 1936-11-27)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1986) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 481)
recording of:
Cross Road Blues (a/k/a “Crossroads”) (on 1936-11-27)
lyricist and composer:
Robert Johnson (1930s blues legend)
publisher:
EMI Music Publishing Australia Pty. Limited (not for release label use!), Encore Music (US label), King of Spades Music, Lehsem II, LLC, MPCA King of Spades, Noma Music Inc., Paul Rodriguez Music Ltd., Unichappell Music, Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
52:41
4Me and the Devil Blues
recording engineer:
Vincent Liebler
executive producer:
Art Satherly
producer:
Don Law
guitar:
Robert Johnson (1930s blues legend) (on 1937-06-20)
vocals:
Robert Johnson (1930s blues legend) (on 1937-06-20)
phonographic copyright (℗) by:
Soul Jam Records (in 2015)
recorded at:
a makeshift studio located in the Brunswick Records Building (on 1937-06-20)
recording of:
Me and the Devil Blues (on 1937-06-20)
lyricist and composer:
Robert Johnson (1930s blues legend)
publisher:
Paul Rodriguez Music Ltd.
42:37
5I’m a Steady Rollin’ Man
recording engineer:
Vincent Liebler
executive producer:
Art Satherly
producer:
Don Law
guitar:
Robert Johnson (1930s blues legend) (on 1937-06-19)
vocals:
Robert Johnson (1930s blues legend) (on 1937-06-19)
phonographic copyright (℗) by:
Soul Jam Records (in 2015)
recorded at:
a makeshift studio located in the Brunswick Records Building (on 1937-06-19)
recording of:
I’m a Steady Rollin’ Man (on 1937-06-19)
lyricist and composer:
Robert Johnson (1930s blues legend)
publisher:
Paul Rodriguez Music Ltd.
52:37
6If I Had Possession Over Judgement Day
recording engineer:
Vincent Liebler
executive producer:
Art Satherly
producer:
Don Law
guitar:
Robert Johnson (1930s blues legend) (on 1936-11-27)
vocals:
Robert Johnson (1930s blues legend) (on 1936-11-27)
phonographic copyright (℗) by:
Soul Jam Records (in 2015)
recorded at:
Gunter Hotel in San Antonio, Texas, United States (on 1936-11-27)
recording of:
If I Had Possession Over Judgement Day (on 1936-11-27)
lyricist and composer:
Robert Johnson (1930s blues legend)
publisher:
Paul Rodriguez Music Ltd.
42:36
7Come On In My Kitchen
recording engineer:
Vincent Liebler
executive producer:
Art Satherly
producer:
Don Law
guitar:
Robert Johnson (1930s blues legend) (on 1936-11-23)
vocals:
Robert Johnson (1930s blues legend) (on 1936-11-23)
phonographic copyright (℗) by:
Soul Jam Records (in 2015)
recorded at:
Gunter Hotel in San Antonio, Texas, United States (on 1936-11-23)
recording of:
Come On In My Kitchen (on 1936-11-23)
lyricist and composer:
Robert Johnson (1930s blues legend)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King of Spades Music, Paul Rodriguez Music Ltd. and Standing Ovation Music (publisher; do NOT use as release label)
42:37
8Walking Blues
recording engineer:
Vincent Liebler
executive producer:
Art Satherly
producer:
Don Law
guitar:
Robert Johnson (1930s blues legend) (on 1936-11-27)
vocals:
Robert Johnson (1930s blues legend) (on 1936-11-27)
phonographic copyright (℗) by:
Soul Jam Records (in 2015)
recorded at:
Gunter Hotel in San Antonio, Texas, United States (on 1936-11-27)
cover recording of:
Walking Blues (on 1936-11-27)
lyricist and composer:
Robert Johnson (1930s blues legend)
publisher:
King of Spades Music and Paul Rodriguez Music Ltd.
32:30
9Ramblin’ on My Mind
recording engineer:
Vincent Liebler
executive producer:
Art Satherly
producer:
Don Law
guitar:
Robert Johnson (1930s blues legend) (on 1936-11-23)
vocals:
Robert Johnson (1930s blues legend) (on 1936-11-23)
phonographic copyright (℗) by:
Soul Jam Records (in 2015)
recorded at:
Gunter Hotel in San Antonio, Texas, United States (on 1936-11-23)
recording of:
Ramblin’ on My Mind (on 1936-11-23)
lyricist and composer:
Robert Johnson (1930s blues legend)
publisher:
King of Spades Music and Paul Rodriguez Music Ltd.
4.52:52
10Preachin’ Blues (Up Jumped the Devil)
recording engineer:
Vincent Liebler
executive producer:
Art Satherly
producer:
Don Law
guitar:
Robert Johnson (1930s blues legend) (on 1936-11-27)
vocals:
Robert Johnson (1930s blues legend) (on 1936-11-27)
phonographic copyright (℗) by:
Soul Jam Records (in 2015)
recorded at:
Gunter Hotel in San Antonio, Texas, United States (on 1936-11-27)
recording of:
Preachin’ Blues (Up Jumped the Devil) (on 1936-11-27)
lyricist and composer:
Robert Johnson (1930s blues legend)
publisher:
EMI Music (do not use as release label! this is a music publisher), Horoscope Music and Kobalt Music Publishing Ltd. (UK)
42:52
11Sweet Home Chicago
recording engineer:
Vincent Liebler
executive producer:
Art Satherly
producer:
Don Law
guitar:
Robert Johnson (1930s blues legend) (on 1936-11-23)
vocals:
Robert Johnson (1930s blues legend) (on 1936-11-23)
phonographic copyright (℗) by:
Soul Jam Records (in 2015)
recorded at:
Gunter Hotel in San Antonio, Texas, United States (on 1936-11-23)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1983)
cover recording of:
Sweet Home Chicago (on 1936-11-23)
lyricist and composer:
Robert Johnson (1930s blues legend)
publisher:
Paul Rodriguez Music Ltd., Standing Ovation and Encore Music, The Bicycle Music Company (part of Concord Bicycle Music since 2015/04/01, overseeing publishing and rights management) and Horoscope Music (in 1982)
43:02
12They’re Red Hot
recording engineer:
Vincent Liebler
executive producer:
Art Satherly
producer:
Don Law
guitar:
Robert Johnson (1930s blues legend) (on 1936-11-27)
vocals:
Robert Johnson (1930s blues legend) (on 1936-11-27)
phonographic copyright (℗) by:
Soul Jam Records (in 2015)
recorded at:
Gunter Hotel in San Antonio, Texas, United States (on 1936-11-27)
recording of:
They’re Red Hot (on 1936-11-27)
lyricist and composer:
Robert Johnson (1930s blues legend)
publisher:
King of Spades Music, Kobalt Music Publishing Ltd. (UK) and Paul Rodriguez Music Ltd.
43:00
13Milkcow’s Calf Blues
recording engineer:
Vincent Liebler
executive producer:
Art Satherly
producer:
Don Law
guitar:
Robert Johnson (1930s blues legend) (on 1937-06-20)
vocals:
Robert Johnson (1930s blues legend) (on 1937-06-20)
phonographic copyright (℗) by:
Soul Jam Records (in 2015)
recorded at:
a makeshift studio located in the Brunswick Records Building (on 1937-06-20)
recording of:
Milkcow’s Calf Blues (on 1937-06-20)
lyricist and composer:
Robert Johnson (1930s blues legend)
42:17
14Terraplane Blues
recorded in:
San Antonio, Texas, United States (on 1936-11-23)
recording engineer:
Vincent Liebler
executive producer:
Art Satherly
producer:
Don Law
guitar:
Robert Johnson (1930s blues legend) (on 1936-11-23)
vocals:
Robert Johnson (1930s blues legend) (on 1936-11-23)
phonographic copyright (℗) by:
Soul Jam Records (in 2015)
recorded at:
Gunter Hotel in San Antonio, Texas, United States (on 1936-11-23)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1990)
recording of:
Terraplane Blues (on 1936-11-23)
lyricist and composer:
Robert Johnson (1930s blues legend)
43:02
15Stop Breakin’ Down Blues
recording engineer:
Vincent Liebler
executive producer:
Art Satherly
producer:
Don Law
guitar:
Robert Johnson (1930s blues legend) (on 1937-06-20)
vocals:
Robert Johnson (1930s blues legend) (on 1937-06-20)
phonographic copyright (℗) by:
Soul Jam Records (in 2015)
recorded at:
a makeshift studio located in the Brunswick Records Building (on 1937-06-20)
recording of:
Stop Breaking Down Blues (on 1937-06-20)
lyricist and composer:
Robert Johnson (1930s blues legend)
publisher:
MPCA King of Spades
42:18
16Little Queen of Spades
recording engineer:
Vincent Liebler
executive producer:
Art Satherly
producer:
Don Law
guitar:
Robert Johnson (1930s blues legend) (on 1937-06-20)
vocals:
Robert Johnson (1930s blues legend) (on 1937-06-20)
phonographic copyright (℗) by:
Soul Jam Records (in 2015)
recorded at:
a makeshift studio located in the Brunswick Records Building (on 1937-06-20)
recording of:
Little Queen of Spades (on 1937-06-20)
lyricist and composer:
Robert Johnson (1930s blues legend)
publisher:
Paul Rodriguez Music Ltd.
42:13
17From Four Till Late
recording engineer:
Vincent Liebler
executive producer:
Art Satherly
producer:
Don Law
guitar:
Robert Johnson (1930s blues legend) (on 1937-06-19)
vocals:
Robert Johnson (1930s blues legend) (on 1937-06-19)
phonographic copyright (℗) by:
Soul Jam Records (in 2015)
recorded at:
a makeshift studio located in the Brunswick Records Building (on 1937-06-19)
recording of:
From Four ’Til Late (on 1937-06-19)
lyricist and composer:
Robert Johnson (1930s blues legend)
publisher:
King of Spades Music
52:24
18Traveling Riverside Blues
recording engineer:
Vincent Liebler
executive producer:
Art Satherly
producer:
Don Law
guitar:
Robert Johnson (1930s blues legend) (on 1937-06-20)
vocals:
Robert Johnson (1930s blues legend) (on 1937-06-20)
phonographic copyright (℗) by:
Soul Jam Records (in 2015)
recorded at:
a makeshift studio located in the Brunswick Records Building (on 1937-06-20)
recording of:
Traveling Riverside Blues (on 1937-06-20)
lyricist and composer:
Robert Johnson (1930s blues legend)
42:46
19Hellhound on My Trail
recording engineer:
Vincent Liebler
executive producer:
Art Satherly
producer:
Don Law
guitar:
Robert Johnson (1930s blues legend) (on 1937-06-20)
vocals:
Robert Johnson (1930s blues legend) (on 1937-06-20)
phonographic copyright (℗) by:
Soul Jam Records (in 2015)
recorded at:
a makeshift studio located in the Brunswick Records Building (on 1937-06-20)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1983)
recording of:
Hellhound on My Trail (on 1937-06-20)
lyricist and composer:
Robert Johnson (1930s blues legend)
publisher:
Cadmean Dawn
42:37
2032‐20 Blues
recording engineer:
Vincent Liebler
executive producer:
Art Satherly
producer:
Don Law
guitar:
Robert Johnson (1930s blues legend) (on 1936-11-26)
vocals:
Robert Johnson (1930s blues legend) (on 1936-11-26)
phonographic copyright (℗) by:
Soul Jam Records (in 2015)
recorded at:
Gunter Hotel in San Antonio, Texas, United States (on 1936-11-26)
cover recording of:
32‒20 Blues (on 1936-11-26)
lyricist and composer:
Robert Johnson (1930s blues legend)
52:52
2CD: Original Blues Masters
#TitleArtistRatingLength
1Dust My Broom
recording of:
Dust My Broom
additional lyricist and additional composer:
Robert Johnson (1930s blues legend)
lyricist and composer:
Elmore James
publisher:
ARC Music (world and ethnic music label), Flair Publishing and MPCA King of Spades
version of:
I Believe I’ll Dust My Broom
Elmore James2:46
2How Long, How Long Blues
guitar:
Kokomo Arnold (on 1935-02-12)
vocals:
Kokomo Arnold (on 1935-02-12)
cover recording of:
How Long, How Long Blues (on 1935-02-12)
lyricist and composer:
Leroy Carr
publisher:
Compact Music and MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
Kokomo Arnold33:13
3I’m So Glad
recorded in:
Grafton, Wisconsin, United States (in 1931-02) and United States (in 1931-02)
guitar and lead vocals:
Skip James
recording of:
I’m So Glad (in 1931-02)
lyricist and composer:
Skip James
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Essex Music, Tro Essex Music Ltd and Wynwood Music Company Inc
part of:
Prelude: Happiness / I’m So Glad
Skip James2:50
4Future Blues
recorded in:
Grafton, Wisconsin, United States (on 1930-05-28)
acoustic guitar [guitar]:
Willie Brown (Mississippi blues guitarist/vocalist "Future Blues" "M&O Blues") (in 1930-06)
guitar and lead vocals:
Willie Brown (Mississippi blues guitarist/vocalist "Future Blues" "M&O Blues") (on 1930-05-28)
vocals:
Willie Brown (Mississippi blues guitarist/vocalist "Future Blues" "M&O Blues") (on 1930-05-28, in 1930-06)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 2020/2021)
recording of:
Future Blues (on 1930-05-28)
lyricist and composer:
Willie Brown (Mississippi blues guitarist/vocalist "Future Blues" "M&O Blues")
Willie Brown53:00
5Walkin’ Blues
recorded in:
Grafton, Wisconsin, United States (on 1930-05-28)
acoustic guitar [2d guitar]:
Charley Patton or Willie Brown (American Delta blues musician)
guitar and lead vocals:
Son House (on 1930-05-28)
slide guitar:
Son House (in 1930-06)
vocals:
Son House (in 1930-06)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
recorded at:
Paramount Records Studio (Recording studio of Paramount Records) in Grafton, Wisconsin, United States (on 1930-05-28)
recording of:
Walking Blues
writer:
Son House
Son House2:58
6Sweet Old Chicago
Roosevelt Sykes2:57
7Take a Little Walk With Me
Robert Lockwood, Jr.2:54
8Black Angel Blues
recorded in:
Chicago, Illinois, United States (in 1949-07, on 1949-09-12)
double bass [bass]:
Willie Dixon (in 1949-07)
guitar:
Robert Nighthawk (in 1949-07)
piano:
Sunnyland Slim (blues pianist) (in 1949-07)
vocals:
Robert Nighthawk (in 1949-07)
recording of:
Sweet Black Angel (Black Angel Blues) (on 1949-09-12)
lyricist and composer:
R. Nighthawk
publisher:
Testament Music
is based on:
Black Angel Blues
Robert Nighthawk3:03
9I Want Your Picture
Howlin’ Wolf feat. Willie Johnson2:51
10Good Mornin’ Little School Girl
recorded in:
Aurora, Illinois, United States (on 1937-05-05)
guitar:
Robert Lee McCoy (on 1937-05-05) and Big Joe Williams (American Delta blues guitarist, singer and songwriter) (on 1937-05-05)
harmonica and lead vocals:
Sonny Boy Williamson (John Lee “Sonny Boy” Williamson, 1914–1948) (on 1937-05-05)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1990)
recording of:
Good Morning, School Girl (on 1937-05-05)
lyricist:
Sonny Boy Williamson (John Lee “Sonny Boy” Williamson, 1914–1948)
composer:
Sonny Boy Williamson (John Lee “Sonny Boy” Williamson, 1914–1948) (in 1937)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Georgia Music Corp. and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Sonny Boy Williamson3:00
11Eyesight to the Blind
recorded in:
Jackson, Mississippi, United States (on 1951-03-12)
recording engineer:
Bill Holford (on 1951-03-12)
producer:
Lillian McMurry
double bass:
Henry Reed (US blues bassist) (on 1951-03-12)
drums (drum set):
Joe Dyson (US blues drummer and bandleader) (on 1951-03-12)
guitar:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
harmonica:
Sonny Boy Williamson (Aleck “Sonny Boy Williamson” Miller, 1912–1965) (on 1951-03-12)
piano:
Willie Love (American Delta blues pianist) (on 1951-03-12)
vocals:
Sonny Boy Williamson (Aleck “Sonny Boy Williamson” Miller, 1912–1965) (on 1951-03-12)
recording of:
Eyesight to the Blind (on 1951-03-12)
lyricist and composer:
Sonny Boy Williamson (Aleck “Sonny Boy Williamson” Miller, 1912–1965)
publisher:
Algonquin Music Inc., Arc Music Corp. (U.S. rock & blues publisher), EMI Music Publishing Ltd. (PRS‐affiliated) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Sonny Boy Williamson3:01
12Wind Howlin’ Blues
recorded in:
Clarksdale, Mississippi, United States (from 1942-07-20 until 1942-07-22)
recording engineer:
Alan Lomax (US ethnomusicologist)
guitar, harmonica and lead vocals:
David “Honeyboy” Edwards
David “Honeyboy” Edwards3:14
13Shake ’Em On Down
recorded in:
Chicago, Illinois, United States (on 1937-09-02)
guitar:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1937-09-02) and Bukka White (on 1937-09-02)
lead vocals:
Bukka White (on 1937-09-02)
recording of:
Shake ’Em On Down (on 1937-09-02)
lyricist and composer:
Bukka White
publisher:
Conrad Music (publisher; do NOT use as release label)
Bukka White2:59

Credits

Release group

part of:The Rough Guide to Jazz and Blues Legends (order: 3)
Music Rough Guides (World Music Network) (number: 1232) (order: 232)
Discogs:https://www.discogs.com/master/507072 [info]