Muziek uit de TV‐serie Divorce

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Our HouseMadness3.93:22
2All of Me
co-executive producer:
Eddie Blackmon (A&R)
executive producer:
Kanye West (formerly Kanye West), John Legend and Dave Tozer
keyboard:
Dave Tozer
piano:
John Legend
music videos:
All of Me by John Legend
part of:
Billboard Year-End Hot 100 singles of 2014 (number: 3), Billboard Decade End Chart: Adult Contemporary Songs (2010s) (number: 13) and Billboard Decade End Chart: Streaming Songs (2010s) (number: 27)
recording of:
All of Me
writer:
Toby Gad (German songwriter, producer, pianist) and John Legend
dedicated to:
Chrissy Teigen
John Legend3.54:29
3I Alone
engineer:
Lou Giordano (Boston engineer)
executive producer:
Gary Kurfirst
producer:
Jerry Harrison (Talking Heads & producer) and Live (US alt rock band)
mixer:
Tom Lord‐Alge
phonographic copyright (℗) by:
Radioactive Records (US rock) (in 1994) and Radioactive Records, J.V. (in 1994)
recorded at:
Pachyderm Recording Studio in Cannon Falls, Minnesota, United States
mixed at:
Music Head Recording in Lake Geneva, Wisconsin, United States
recording of:
I Alone
lyricist:
Ed Kowalczyk
composer:
Patrick Dahlheimer, Chad Gracey, Ed Kowalczyk and Chad Taylor (US guitarist for Live)
publisher:
Audible Sun Music and Universal Music Careers
Lïve4.13:53
4I Follow Rivers (Live@Giel!)
part of:
MIA Award: Song of the Year (number: 2012)
live cover recording of:
I Follow Rivers (on 2012-01-12)
lyricist:
Lykke Li Zachrisson
composer:
Lykke Li Zachrisson, Rick Nowels and Björn Yttling
publisher:
EMI Music Publishing (do not use as a release label!)
Triggerfinger53:37
5Bloed, zweet en tranen
recording of:
Bloed, zweet en tranen (André Hazes version)
lyricist:
André Hazes (singer, songwriter)
arranger:
John van de Ven (Dutch songwriter)
version of:
Bloed, zweet en tranen (Original by Ton Leijten)
André Hazes3:59
6Save a Prayer
recording of:
Save a Prayer (Duran Duran)
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
publisher:
Gloucester Place Music Ltd.
Duran Duran3:45
7Broken Tonight
recording of:
Broken Tonight
lyricist and composer:
Carl Falk (Swedish guitarist and songwriter), Fredrik Hult, Steven Lee (US producer, aka TalkBack) and Didrik Thott
Armin van Buuren2:56
8Denis
engineer:
Rob Freeman (engineer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Frank Infante (from 1977-06 until 1977-07) and Chris Stein (from 1977-06 until 1977-07)
drums (drum set):
Clem Burke (from 1977-06 until 1977-07)
electric guitar [lead guitar] and vibraphone:
Chris Stein (from 1977-06 until 1977-07)
electric guitar [rhythm guitar]:
Frank Infante (from 1977-06 until 1977-07)
farfisa, grand piano, strings, synthesizer [Polymoog] and synthesizer [Roland]:
Jimmy Destri (from 1977-06 until 1977-07)
background vocals:
Clem Burke (from 1977-06 until 1977-07) and Jimmy Destri (from 1977-06 until 1977-07)
lead vocals:
Deborah Harry (from 1977-06 until 1977-07)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1977), Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1977-06 until 1977-07)
cover recording of:
Denise (from 1977-06 until 1977-07)
lyricist and composer:
Neil Levenson (pianist and songwriter)
publisher:
Bright Tunes Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), Minder Music Ltd. and Taking Care of Business Music Inc. (BMI)
Blondie3.552:16
9The Way It Is
engineer:
Elliot Scheiner
producer:
Bruce Hornsby and Elliot Scheiner
drums (drum set) and percussion:
John Molo
piano and synthesizer:
Bruce Hornsby
vocals:
Bruce Hornsby
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), BMG Entertainment (in 1986), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1986) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1986)
produced for:
Trackman, Inc.
recording of:
The Way It Is
lyricist and composer:
B.R. Hornsby
publisher:
BMG Music Ltd., Bob‐a‐Lew Songs (ASCAP), Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) and Zappo Music (from 1986 to present)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bruce Hornsby & the Range4.054:56
10Home AgainKensington3:14
11Let’s Stick Together
assistant engineer:
Nigel Walker (UK producer/engineer/guitarist) and Jon Walls
engineer:
Steve Nye (producer, engineer and pianist) and John Punter
producer:
Bryan Ferry and Chris Thomas (UK record producer / remixer)
bass:
John Wetton (from 1973 until 1976)
drums (drum set):
Paul Thompson (Roxy Music drummer) (from 1973 until 1976)
guitar:
Chris Spedding (from 1973 until 1976)
harmonica and keyboard:
Bryan Ferry (from 1973 until 1976)
percussion:
Morris Pert (from 1973 until 1976)
soprano saxophone:
Mel Collins (from 1973 until 1976)
synthesizer and violin:
Eddie Jobson (from 1973 until 1976)
tenor saxophone:
Chris Mercer (British saxophonist) (from 1973 until 1976)
trumpet:
Martin Drover (from 1973 until 1976)
choir vocals:
Vicki Brown (English pop, rock & contemporary classical singer) (from 1973 until 1976), Doreen Chanter (from 1973 until 1976), Helen Chappelle (from 1973 until 1976), Jackie Sullivan (vocals & songwriter) (from 1973 until 1976), Martha Walker (Vocalist) (from 1973 until 1976) and Paddie McHugh (UK vocalist, in Kokomo, The Voice Squad, Arrival) (from 1973 until 1976)
vocals:
Bryan Ferry (from 1973 until 1976)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1976), Virgin EG Records Ltd. (in 1976) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1976, in 1999)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom and Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1973 until 1976)
cover recording of:
Let’s Stick Together (from 1973 until 1976)
lyricist and composer:
Wilbert Harrison (singer, pianist, guitarist and harmonica player)
publisher:
ABZ Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI Music Publishing Scandinavia AB, EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. and SBK/U Catalog (in 1969)
Bryan Ferry3.352:57
12Pretty
additional engineer:
Aiden McGovern
engineer and producer:
Stephen Street (famous producer, songwriter)
acoustic guitar and electric guitar:
Noel Hogan
bass guitar:
Mike Hogan (bassist for The Cranberries)
drums (drum set) and percussion:
Fergal Lawler
background vocals:
Noel Hogan and Mike Mahoney
lead vocals:
Dolores O’Riordan
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1993)
recorded at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
mixed at:
Maison Rouge in London (Greater London), England, United Kingdom
recording of:
Pretty
lyricist:
Dolores O’Riordan
composer:
Noel Hogan and Dolores O’Riordan
publisher:
Island Music Ltd.
The Cranberries42:16
13The Times Are Changing
recording of:
Times Are Changing
lyricist:
Di‐rect (Dutch rock band) and KD Hughes
composer:
Di‐rect (Dutch rock band)
Di‐rect3:24
14Try
programming:
Greg Kurstin (in 2012)
additional engineer:
Jesse Shatkin (US hip-hop producer Jesse Shatkin)
engineer, producer and mixer:
Greg Kurstin
bass and keyboard:
Greg Kurstin (in 2012)
guitar:
Kevin Dukes (in 2012) and Greg Kurstin (in 2012)
recorded at:
Earthstar Creation Center in Venice, Los Angeles, California, United States (in 2012) and Echo Studio in Los Feliz, Los Angeles, California, United States (in 2012)
mixed at:
Echo Studio in Los Feliz, Los Angeles, California, United States
music videos:
Try (music video) by P!nk (American singer/songwriter)
part of:
Billboard Year-End Hot 100 singles of 2013 (number: 53)
recording of:
Try (in 2012)
writer:
Benjamin West (Detroit producer & songwriter) and Michael Busbee
P!nk4.054:07
15Mr. Blue Sky
engineer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Jeff Lynne
bass:
Kelly Groucutt (in 1977)
drums (drum set), other instruments [fire extinguisher] and percussion:
Bev Bevan (English rock drummer) (in 1977)
guitar, synthesizer and lead vocals:
Jeff Lynne (in 1977)
keyboard:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1977)
background vocals:
Bev Bevan (English rock drummer) (in 1977) and Kelly Groucutt (in 1977)
conductor:
Louis Clark (in 1977)
arranger:
Louis Clark, Jeff Lynne and Richard Tandy (keyboardist for Electric Light Orchestra)
phonographic copyright (℗) by:
Epic Records (J-pop label, established 1978; use ONLY for releases by Japanese domestic artists after 2001!) (in 1977), Jet Records (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977, in 2005), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) and United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1977)
recorded at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (in 1977)
mixed at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany
part of:
TV Cream: Real 100 Best Singles Ever (number: 17) and Q50 – December 2005 (number: 33)
recording of:
Mr. Blue Sky (in 1977)
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. and Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
Concerto for a Rainy Day
Electric Light Orchestra4.65:05
16A Town Called Malice
producer:
The Jam (late 70s/early 80s UK punk/mod revival band) and Peter Wilson (UK Producer)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1982)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (in 1981-12)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 151)
recording of:
Town Called Malice
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. and Universal Music Publishing MGB Australia
The Jam4.82:53
17Wouldn’t It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistant engineer:
Roger Howorth
producer:
Peter Collins (producer)
mixer:
Julian Mendelsohn (Australian record producer and engineer)
lead vocals:
Nik Kershaw (in 1983)
horn arranger:
Jerry Hey and Nik Kershaw
arranger:
Nik Kershaw
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983, in 1984) and MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 88)
recording of:
Wouldn’t It Be Good (in 1983)
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
part of:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:30
18Hedonism (Just Because You Feel Good)
programming:
Darren Vaz and Skunk Anansie
engineer:
Mr. Colson, GGGarth (Canadian music producer and engineer) and Andrew Scarth
producer:
GGGarth (Canadian music producer and engineer)
assistant mixer:
Chad Bamford and Guido South
mixer:
Joe Barresi (recording engineer, mixer, producer)
bass guitar:
Cass Lewis
drums (drum set) and percussion:
Mark Richardson (UK drummer)
guitar:
Ace (Member of Skunk Anansie)
lead vocals:
Skin (Skunk Anansie singer)
strings arranger:
Wil Malone
recorded at:
Great Linford Manor in Milton Keynes, England, United Kingdom
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
music videos:
Hedonism (Just Because You Feel Good) (uncut version) by Skunk Anansie
recording of:
Hedonism (Just Because You Feel Good)
writer:
Len Arran and Skin (Skunk Anansie singer)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Skunk Anansie43:25
2CD
#TitleArtistRatingLength
1Nobody’s Wife
engineer:
John Sonneveld
producer:
Barry Hay, George Kooymans and John Sonneveld
bass guitar:
Michel van Schie
drums (drum set):
Hans Eijkenaar (Dutch instrumentalist, arranger, composer and producer)
guitar:
Lex Bolderdijk (Dutch guitarist)
keyboard:
Nico Brandsen
vocals:
Anouk (Dutch rock singer)
instruments arranger:
Pim Koopman
recorded at:
Lagune Studios (Belgium) in Rijkevorsel, Antwerpen (Antwerp), Flanders (Flemish Region), Belgium
recording of:
Nobody’s Wife
writer:
Anouk Teeuwe (Dutch rock singer), Satindra Kalpoe and Bart van Veen
publisher:
BMG Songs, Inc. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Anouk53:24
2Blurred Lines
assistant recording engineer:
Todd Hurt
recording engineer and editor:
Andrew Coleman (recording/mix engineer, Neptunes-associated)
producer:
Pharrell Williams
instruments:
Pharrell Williams
background vocals:
Pharrell Williams
lead vocals:
Robin Thicke
arranger:
Andrew Coleman (recording/mix engineer, Neptunes-associated)
phonographic copyright (℗) by:
Star Trak, LLC (in 2013)
samples:
Got to Give It Up by Marvin Gaye
edit of:
Blurred Lines by Robin Thicke feat. T.I. (Atlanta US rapper & producer Clifford Harris) & Pharrell Williams
recording of:
Blurred Lines
writer:
Marvin Gaye, T.I. (Atlanta US rapper & producer Clifford Harris), Robin Thicke and Pharrell Williams
publisher:
Deyjah’s Daddy Muzik (ended), EMI April Music, Inc., I Like ’em Thicke Music and More Water From Nazareth
Robin Thicke1.653:51
3(Everything I Do) I Do It for You
additional recording engineer:
Ken Lomas (from 1991-04-10 until 1991)
recording engineer:
Nigel Green (engineer) (from 1991-04-10 until 1991)
programming:
Phil Nicholas (producer & musician)
assistant engineer:
Yan Memmi
engineer:
Nigel Green (engineer) and Ron Obvious (Canadian engineer/producer)
producer:
Bryan Adams (Canadian singer/songwriter) and Robert John 'Mutt' Lange (Robert John Lange)
assistant mixer:
Avril MacKintosh (producer/engineer) (in 1991)
mixer:
Bob Clearmountain (in 1991)
drums (drum set) and percussion:
Mickey Curry (from 1991-04-10 until 1991)
electric bass guitar [bass]:
Larry Klein (from 1991-04-10 until 1991)
guitar:
Bryan Adams (Canadian singer/songwriter) (from 1991-04-10 until 1991) and Keith Scott (Canadian guitarist) (from 1991-04-10 until 1991)
Hammond organ and piano:
Bill Payne (from 1991-04-10 until 1991)
keyboard:
Phil Nicholas (producer & musician) (from 1991-04-10 until 1991)
lead vocals:
Bryan Adams (Canadian singer/songwriter) (from 1991-04-10 until 1991)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1991, in 1999), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1991) and Badman Ltd. (Bryan Adams’ own publishing company, for copyrights use) (in 1999)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (from 1991-04-10 until 1991: piano), Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom (from 1991-04-10 until 1991), Mayfair Studios (England) in London (Greater London), England, United Kingdom (from 1991-04-10 until 1991: lead vocals) and The Warehouse Studio in Vancouver, British Columbia, Canada (from 1991-04-10 until 1991)
mixed at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom (in 1991)
part of:
The Downloader’s Music Source Book (number: 162)
recording of:
(Everything I Do) I Do It for You (from 1991-04-10 until 1991)
writer:
Bryan Adams (Canadian singer/songwriter) (on 1991-04-10), Michael Kamen (American score composer) (on 1991-04-10) and Robert John “Mutt” Lange (Robert John Lange) (on 1991-04-10)
publisher:
2855 Music, MCA Music Ltd., Out-of-Pocket Productions Ltd., Rondor Music (London) Ltd., WorkSongs Ltd., Zomba Enterprises Inc., Almo Music Corp. (USA, affiliated with ASCAP) (in 1991), Miracle Creek Music, Inc. (in 1991), Zachary Creek Music Inc. (in 1991) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (in 1991)
part of:
The 64th Academy Award for Best Original Song (number: 2)
Bryan Adams3.96:31
4Slow Dancing in a Burning Room
bass guitar:
Pino Palladino
drums (drum set) and percussion:
Steve Jordan (US drummer/multi-instrumentalist, composer & producer)
lead vocals:
John Mayer (US singer‐songwriter)
phonographic copyright (℗) by:
Aware Records LLC (in 2006)
recording of:
Slow Dancing in a Burning Room
lyricist and composer:
John Mayer (US singer‐songwriter)
John Mayer4.653:57
5Kiss
producer:
Art of Noise, Anne Dudley (English score composer) and J.J. Jeczalik
lead vocals:
Tom Jones (Welsh pop singer) (in 1988)
performer:
Art of Noise (in 1988)
arranger:
Art of Noise, Anne Dudley (English score composer) and J.J. Jeczalik
phonographic copyright (℗) by:
China Records (UK label founded by Derek Green) (in 1988)
samples:
Close (to the Edit) by Art of Noise, Dragnet by Art of Noise, Moments in Love by Art of Noise, Paranoimia (7″ mix) by The Art of Noise with Max Headroom (titular character from "Max Headroom") and Peter Gunn by The Art of Noise featuring Duane Eddy
music videos:
Kiss by Art of Noise featuring Tom Jones (Welsh pop singer)
cover recording of:
Kiss (in 1988)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Art of Noise33:31
6I Was Made for Lovin’ You
recording engineer and mixer:
Jay Messina
assistant engineer:
Jim Galante and Jon Mathias (engineer)
producer:
Vini Poncia
drums (drum set):
Anton Fig
keyboard and background vocals:
Vini Poncia
lead vocals:
Paul Stanley (KISS frontman)
phonographic copyright (℗) by:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979)
produced for:
Mad Vincent Productions
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recording of:
I Was Made for Lovin’ You
writer:
Desmond Child, Vini Poncia and Paul Stanley (KISS frontman)
publisher:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (in 1979) and Mad Vincent Music (publisher) (in 1979)
sub-publisher:
Taiyō Music, Universal Music Publishing France (not for release label use!), Universal Music Publishing GmbH (Universal Music Publishing Group Germany) and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
KISS4.454:27
7Apologize
assistant engineer:
Fareed Salamah
co-producer:
Timbaland
producer:
Ryan Tedder (American singer, songwriter, and producer) and Greg Wells
additional keyboard and strings:
Jerome Harmon (producer)
guest vocals:
OneRepublic
remixer:
Timbaland
phonographic copyright (℗) by:
Blackground Records (fka Blackground Entertainment, renamed since 2000) (in 2007) and Interscope Records (part of UMG Recordings, Inc.) (in 2007)
co-produced for:
Timbaland Productions
recorded at:
The Hit Factory Criteria in Miami, Florida, United States and The Studio at the Palms in Paradise, Nevada, United States
mixed at:
The Hit Factory Criteria in Miami, Florida, United States
remix of:
Apologize (album version) by OneRepublic
music videos:
Apologize by Timbaland presents OneRepublic
part of:
Billboard Year-End Hot 100 singles of 2008 (number: 5) and Billboard: Greatest of All Time Hot 100 Songs (number: 71)
recording of:
Apologize
lyricist and composer:
Ryan Tedder (American singer, songwriter, and producer)
publisher:
Midnite Miracle Music and Sony/ATV Pop Music Publishing
OneRepublic3.653:04
8I’ll Make Love to You
drums (drum set) programming:
Rayford Griffin
assistant engineer:
David Betancourt (engineer), Milton Chan (Recording Engineer), Marty Hornburg and Jamie Seyberth
engineer:
Brad Gilderman
producer:
Babyface (R&B musician Kenny Edmonds)
mixer:
Mick Guzauski
bass:
Reggie Hamilton
synthesizer:
Babyface (R&B musician Kenny Edmonds)
produced for:
ECAF Productions, Inc.
recorded at:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States and The Enterprise (aka Enterprise Studios) in Burbank, California, United States
mixed at:
Encore Recording Studios in Burbank, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 185)
recording of:
I’ll Make Love to You
lyricist and composer:
Kenny Edmonds (R&B musician Kenny Edmonds)
Boyz II Men4.653:57
9If You Tolerate This Your Children Will Be Next
assistant engineer and assistant producer:
Lee Butler (UK engineer)
engineer, producer and mixer:
Dave Eringa
assistant mixer:
John Bailey (engineer)
12 string guitar and acoustic guitar:
James Dean Bradfield
bass guitar [bass]:
Nicky Wire
drums (drum set):
Sean Moore (Manic Street Preachers)
Hammond organ [Hammond], mellotron and Wurlitzer electric piano [Wurlitzer]:
Nick Nasmyth
percussion:
Andy Duncan (UK drummer and producer)
vocals:
James Dean Bradfield
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1998)
recorded at:
Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
music videos:
If You Tolerate This Your Children Will Be Next by Manic Street Preachers
part of:
168 Songs of Hatred and Failure (playlist) (number: 54)
recording of:
If You Tolerate This Your Children Will Be Next
lyricist:
Nicky Wire
composer:
James Dean Bradfield and Sean Moore (Manic Street Preachers)
Manic Street Preachers44:48
10It Only Gets Better
The Sheer3:42
11Get It On
engineer:
Roy Thomas Baker (producer), Malcolm Cecil, Rik Pekkonen and Martin Rushent
producer:
Tony Visconti
drums (drum set):
Bill Legend (from 1971-03 until 1971-06)
electric bass guitar:
Steve Currie (from 1971-03 until 1971-06)
electric guitar and lead vocals:
Marc Bolan (from 1971-03 until 1971-06)
keyboard:
Rick Wakeman (from 1971-03 until 1971-06)
percussion:
Mickey Finn (musician and T. Rex member) (from 1971-03 until 1971-06)
background vocals:
Howard Kaylan (from 1971-03 until 1971-06) and Mark Volman (from 1971-03 until 1971-06)
phonographic copyright (℗) by:
Essex Music International Ltd. (in 1971), Straight Ahead Productions Ltd. (in 1971, in 2001) and Tarantula Productions (in 1971)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 22), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 41)
recording of:
Get It On (Bang a Gong) (from 1971-03 until 1971-06)
lyricist and composer:
Marc Bolan
publisher:
Essex Music International, Essex Music International, Inc., Essex Musikförlaget, Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. and Westminster Music Ltd.
T. Rex4.654:25
12The Boys Are Back in Town
assistant recording engineer:
Neil Hornby
engineer:
Will Reid-Dick
producer:
John Alcock (producer)
acoustic guitar and bass guitar and lead vocals:
Phil Lynott
drums (drum set):
Brian Downey (Thin Lizzy drummer)
guitar:
Scott Gorham (Thin Lizzy guitarist) and Brian Robertson (Thin Lizzy & Motörhead)
vocals:
Brian Robertson (Thin Lizzy & Motörhead)
phonographic copyright (℗) by:
Mercury Records Limited (not for release label use!) (in 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 272) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 499)
recording of:
The Boys Are Back in Town
lyricist and composer:
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and PolyGram Music Publishing (in 1989)
Thin Lizzy4.24:26
13Waves
recording of:
Waves
writer:
Dennis Princewell Stehr (Dutch music producer, singer and singer-songwriter) and Jihad Rahmouni
Mr. Probz3.52:54
14She Drives Me Crazy
engineer:
David Z. (producer/engineer David Rivkin)
co-producer:
Fine Young Cannibals and David Z. (producer/engineer David Rivkin)
bass, drum machine and keyboard:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, guitar and tambourine:
Andy Cox (of The Beat)
vocals:
Roland Gift
phonographic copyright (℗) by:
London Music Stream Ltd. (reissues, 2017–present; a.k.a. London Records or Recordings) (in 1988) and London Records Ltd. (not release label) (in 1989)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 77)
recording of:
She Drives Me Crazy (Fine Young Cannibals song)
writer:
Roland Gift and David Steele (UK musician, member of The Beat and Fine Young Cannibals)
publisher:
Virgin Music (Publishers) Ltd.
Fine Young Cannibals43:26
15Some Like It Hot
additional engineer:
Rob Eaton, Steve Rinkoff and Tony Taverner
engineer and mixer:
Jason Corsaro (U.S. music engineer, and record producer)
producer:
Bernard Edwards (American bassist and record producer)
bass guitar:
John Taylor (UK bassist for Duran Duran)
drums (drum set):
Tony Thompson (drummer, best known for his work in CHIC)
guitar:
Andy Taylor (of Duran Duran)
lead vocals:
Robert Palmer (English singer‐songwriter)
performer:
Robert Palmer (English singer‐songwriter), Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Tony Thompson (drummer, best known for his work in CHIC)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
mixed at and engineered at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Some Like It Hot
writer:
Robert Palmer (English singer‐songwriter), Andy Taylor (of Duran Duran) and John Taylor (UK bassist for Duran Duran)
publisher:
Bungalow Music, EMI Songs, Polygram Music and Tritec Music Ltd. (publisher and copyrights holder)
The Power Station45:06
16When You Say Nothing at All
programming and producer:
Stephen Lipson
engineer and mixer:
Heff Moraes
accordion and whistle:
James McNally
bass:
Stephen Lipson
drums (drum set):
Andy Duncan (UK drummer and producer)
guitar:
Dominic Miller (guitarist)
keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
background vocals:
Tessa Niles and Miriam Stockley
vocals:
Ronan Keating
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1999) and Polygram Ireland Ltd. (in 1999)
recorded at:
Metropolis (London) in London (Greater London), England, United Kingdom and The Aquarium (Studio) in London (Greater London), England, United Kingdom
mixed at:
The Aquarium (Studio) in London (Greater London), England, United Kingdom
cover recording of:
When You Say Nothing at All
writer:
Paul Overstreet (country singer and songwriter) and Don Schlitz
Ronan Keating2.754:14
17Keep On Running
producer:
Chris Blackwell (Island Records)
vocals and performer:
Steve Winwood
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1965)
cover recording of:
Keep On Running
lyricist and composer:
Jackie Edwards
publisher:
Island Music Ltd. and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
The Spencer Davis Group3.652:41
18Shout to the Top
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1984)
recording of:
Shout to the Top
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Stylist Music Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Style Council4.353:20