Celebrate Broadway, Volume 10: Best Musicals!

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

"with: Carol Channing, Glenn Close, Len Cariou & Angela Lansbury, Gene Barry & George Hearn, Ken Page & Nell Carter, Zero Mostel, Robert Morse, Colm Wilkinson, Constance Towers, Yul Brynner, Gwen Verdon & Richard Kiley and many others."

Annotation last modified on 2015-11-27 07:48 UTC.

Tracklist

1CD
#TitleArtistRatingLength
142nd Street: Overture
recording engineer:
Paul Goodman (engineer)
producer:
Thomas Z. Shepard
vocals:
Danny Carroll (Broadway musical performer)
conductor:
John Lesko
vocals arranger:
John Lesko
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1980)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1980-11-16)
recording of:
Audition
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
part of:
42nd Street (full musical)
recording of:
Overture (42nd Street)
composer:
Harry Warren (US composer and lyricist)
part of:
42nd Street (full musical)
Harry Warren4:46
2Fiddler on the Roof: If I Were a Rich Man
recording engineer:
Ernie Oelrich
lead vocals [Tevye]:
Zero Mostel (actor) (on 1964-09-27)
conductor:
Milton Greene (orchestrator, musical director, conductor, arranger) (on 1964-09-27)
vocals arranger:
Milton Greene (orchestrator, musical director, conductor, arranger)
orchestrator:
Don Walker (orchestrator)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-09-27)
recording of:
If I Were a Rich Man (Fiddler on the Roof) (on 1964-09-27)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Chappell & Co. and Sunbeam Music Corp.
part of:
Fiddler on the Roof
Jerry Bock4:57
3La Cage aux Folles: Song on the Sand
vocals:
Gene Barry
conductor:
Donald Pippin (Broadway musical theatre director and conductor)
orchestrator:
Jim Tyler (Broadway orchestrator & arranger)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1983-08-04)
recording of:
Song on the Sand (La Da Da Da) (from “La Cage aux folles”) (on 1983-08-04)
lyricist and composer:
Jerry Herman
part of:
La Cage aux folles (complete musical)
Jerry Herman3:59
4Ain’t Misbehavin’: Honeysuckle Rose
recording engineer:
Paul Goodman (engineer)
producer:
Thomas Z. Shepard
vocals:
Nell Carter and Ken Page
arranger and orchestrator:
Luther Henderson
recording of:
Honeysuckle Rose
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (1977 musical film soundtrack)
part of:
Thousands Cheer (1943 movie)
Fats Waller4:01
5Hello, Dolly!: Hello, Dolly!
recording engineer:
Ernie Oelrich (on 1964-01-19)
vocals:
Carol Channing (on 1964-01-19)
phonographic copyright (℗) by:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (in 1989)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-01-19)
recording of:
Hello, Dolly! (on 1964-01-19)
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
Jerry Herman5:44
6Kiss of the Spiderwoman: Kiss of the Spiderwoman
recording of:
Kiss of the Spider Woman (from Kiss of the Spider Woman, the Kander & Ebb musical)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
part of:
Kiss of the Spider Woman (Kander & Ebb musical)
Kander & Ebb3:01
7Jerome Robbin’s Broadway: Overture
recording engineer:
Paul Goodman (engineer) (from 1989-02-12 until 1989-02-28) and James Nichols (from 1989-02-12 until 1989-02-28)
additional engineer:
Frank Rodríguez
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn
vocals:
Debbie Gravitte (from 1989-02-12 until 1989-02-28) and Michael Lynch (from 1989-02-12 until 1989-02-28)
conductor:
Paul Gemignani (from 1989-02-12 until 1989-02-28)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1989-02-12 until 1989-02-28)
recording of:
Gotta Dance (Look Ma, I'm Dancin'!) (from 1989-02-12 until 1989-02-28)
lyricist and composer:
Hugh Martin
recording of:
Papa, Won't You Dance With Me? (from 1989-02-12 until 1989-02-28)
lyricist:
Sammy Cahn
composer:
Jule Styne
part of:
High Button Shoes (1947 musical)
recording of:
Shall We Dance? (The King and I) (from 1989-02-12 until 1989-02-28)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Rodgers & Hammerstein Theatrical Europe Ltd. and Williamson Music Company
part of:
The King and I (Rodgers & Hammerstein musical)
Hugh Martin / Jule Styne / Rodgers & Hammerstein3:27
8Kismet: Stranger in Paradise
recording of:
Stranger in Paradise (popular song from the 1953 musical “Kismet”)
lyricist:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
composer:
Alexander Borodin (Russian composer), George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Scheffel Music Corp, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Frank Music Co. Ltd. (from 1953 to present)
is based on:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major
part of:
Kismet (full musical)
George Forrest & Robert Wright4:10
9Sweeney Todd: A Little Priest
lead vocals:
Len Cariou and Angela Lansbury
conductor:
Paul Gemignani
recording of:
Sweeney Todd: A Little Priest (from 1979-03-12 until 1979-03-13)
orchestrator:
Jonathan Tunick
lyricist and composer:
Stephen Sondheim
part of:
Sweeney Todd: The Demon Barber of Fleet Street
Stephen Sondheim7:17
10Redhead: Look Who’s in Love
vocals:
Richard Kiley (actor, singer) and Gwen Verdon (actress)
recording of:
Look Who's in Love (Redhead)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Albert Hague
part of:
Redhead (musical)
Albert Hague2:09
11A Little Night Music: Send in the Clowns
recording engineer:
David Hewitt (engineer) (on 1992-06-10) and Bill King (Engineer) (on 1992-06-10)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn
vocals:
Glenn Close (on 1992-06-10)
orchestra:
American Theatre Orchestra (on 1992-06-10)
conductor:
Paul Gemignani (on 1992-06-10)
phonographic copyright (℗) by:
BMG Music (in 1993)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1992-06-10)
Stephen Sondheim4:11
12The King and I: Shall We Dance?
vocals:
Yul Brynner (in 1977) and Constance Towers (in 1977)
conductor:
Milton Rosenstock (conductor, composer, arranger)
orchestrator:
Robert Russell Bennett (American composer and arranger)
recording of:
Shall We Dance? (The King and I) (in 1977)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Rodgers & Hammerstein Theatrical Europe Ltd. and Williamson Music Company
part of:
The King and I (Rodgers & Hammerstein musical)
Rodgers & Hammerstein5:06
13Les Misérables: Bring Him Home
assistant engineer:
Gareth Cousins
engineer:
Haydn Bendall (producer and engineer)
producer:
Mike Batt
vocals:
Colm Wilkinson (in 1988-12)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1988-12)
conductor:
Mike Batt (in 1988-12)
arranger:
John Cameron (British composer, arranger and conductor)
phonographic copyright (℗) by:
BMG Records (UK) Ltd. (1987–1996) (in 1989)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-12)
recording of:
Bring Him Home (Valjean) (in 1988-12)
lyricist:
Alain Boublil and Herbert Kretzmer
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music, Alain Boublil Music Ltd., Faber Music, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
part of:
Les Misérables (Claude-Michel Schönberg musical, English version)
Claude‐Michel Schönberg3:26
14How to Succeed in Business Without Really Trying: Brotherhood of Man
vocals:
Ruth Kobart, Robert Morse (Broadway actor and singer) and Sammy Smith (film and stage actor)
recording of:
Brotherhood of Man (How to Succeed in Business Without Really Trying)
lyricist and composer:
Frank Loesser
Frank Loesser4:10
15Phantom of the Opera: The Music of the NightAndrew Lloyd Webber5:53

Credits

Release

printed in:United States
engineer:Jay Newland (producer, engineer and mixer)
producer:Bill Rosenfield
manufactured by and distributed by:BMG Music
copyrighted (©) by:BMG Music (from 1995 to present)
ASIN:US: B000003FTI [info]