Summer of Love (reissue)

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Annotazione

Tracks 2.16 and 3.16 are different from the original issue.

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LC 00136; possible (stickered?) barcode: (0)600753208649

Annotazione modificata l'ultima volta il 2025-06-18 23:31 UTC.

Elenco tracce

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1▼CD
#TitoloArtistaValutazioneDurata
1Mr. Tambourine Man
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1965-01-20)
produttore:
Terry Melcher
batteria :
Michael Clarke (drummer for the 1960s rock group The Byrds) (il 1965-01-20)
chitarra :
David Crosby (il 1965-01-20)
chitarra a 12 corde :
Jim McGuinn (il 1965-01-20)
chitarra basso :
Chris Hillman (il 1965-01-20)
tamburello :
Gene Clark (US singer-songwriter; founder of The Byrds) (il 1965-01-20)
voce:
Gene Clark (US singer-songwriter; founder of The Byrds) (il 1965-01-20), David Crosby (il 1965-01-20), Chris Hillman (il 1965-01-20) e Jim McGuinn (il 1965-01-20)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1965) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 79) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 230)
registrazione cover di:
Mr. Tambourine Man (il 1965-01-20)
paroliere e compositore:
Bob Dylan (dal 1964-02 al 1964-04)
editore:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (dal 1964 al 1992) e Special Rider Music (dal 1992 a oggi)
adattamenti:
Setä pelimanni
The Byrds4.152:20
2Morning of My Life
arrangiatore:
Phil Dennys
diritti fonografici (℗) detenuti da:
Phonogram GmbH (nel 1967), Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (nel 1967), Phonogram, Inc. (nel 1967), PolyGram Records, Inc. (New York) (not for release label use! US division of PolyGram) (nel 1967), Philips (dal 1967 al 1968) e Phonogram (nel 1979)
registrazione cover di:
In the Morning (aka “Morning of My Life”) (nel 1967)
paroliere e compositore:
Barry Gibb (nel 1965)
editore:
Bramsdene Music Corporation, Campbell Connelly, Campbell Connelly & Co. Ltd., Careers–BMG Music Publishing, Inc., Connelly Musikverlag, Gibb Brothers Music, Norman Whiteley Ltd., Penjane Music (Australia) Pty. Limited e Plymouth Music Co., Inc.
Esther & Abi Ofarim43:28
3Dream a Little Dream of Me
produttore:
Lou Adler
diritti fonografici (℗) detenuti da:
MCA Records (1967–2003; name as in imprint during 1972–1990) (nel 1968)
registrazione cover di:
Dream a Little Dream of Me
paroliere:
Gus Kahn (nel 1931)
compositore:
Fabian André (nel 1931) e Wilbur Schwandt (nel 1931)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music e Words & Music, Inc. (US work publisher)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
parte di:
The Real Book (compilation of jazz standards, volume I)
The Mamas & the Papas3.353:12
4The Air That I Breathe
tecnico:
Mike Jarratt (recording, mixing and lacquer cutting engineer) e Alan Parsons (of The Alan Parsons Project)
produttore:
The Hollies e Ron Richards
voce:
Allan Clarke (of The Hollies) (dal 1973-11-15 al 1973-11-22), Tony Hicks (dal 1973-11-15 al 1973-11-22) e Terry Sylvester (singer and guitarist) (dal 1973-11-15 al 1973-11-22)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1973), The Hollies Ltd. (nel 1973, nel 1974, nel 2008) e Polydor International GmbH (not for release label use!) (nel 1974)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1973-11-15 al 1973-11-22)
registrazione cover di:
The Air That I Breathe (dal 1973-11-15 al 1973-11-22)
autore:
Albert Hammond e Mike Hazlewood
editore:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd. e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies3.84:03
5Bridge Over Troubled Water
tecnico di registrazione:
Ted Brosnan (il 1969-11-09)
tecnico:
Roy Halee
produttore:
Arthur Garfunkel, Roy Halee e Paul Simon (of Simon & Garfunkel)
archi :
Ernie Freeman (il 1969-11-09) e Jimmie Haskell (il 1969-11-09)
batteria :
Hal Blaine (U.S. studio drummer and percussionist) (il 1969-11-09)
chitarra :
Fred Carter, Jr. (il 1969-11-09) e Paul Simon (of Simon & Garfunkel) (il 1969-11-09)
chitarra basso :
Joe Osborn (American bass guitar player, session musician and songwriter) (il 1969-11-09)
tastiera :
Larry Knechtel (il 1969-11-09)
voce:
Art Garfunkel (il 1969-11-09) e Paul Simon (of Simon & Garfunkel) (il 1969-11-09)
diritti fonografici (℗) detenuti da:
Paul Simon (of Simon & Garfunkel) (nel 1969)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1970)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 1), The Co-Op: Top 10 British Funeral Songs (numero: 9), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 47), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 58) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 66)
registrazione di:
Bridge Over Troubled Water (il 1969-11-09)
paroliere:
Paul Simon (of Simon & Garfunkel)
compositore:
Paul Simon (of Simon & Garfunkel) (nel 1969)
editore:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Simon & Garfunkel4.054:50
6Streets of London
tecnico di registrazione:
Richard Dodd (mastering engineer, producer and engineer) e Peter Swettenham
tecnico:
Pete Henderson (engineer)
produttore:
Ralph McTell
produttore esecutivo:
Bruce May
tecnico di missaggio:
Ralph McTell e Peter Swettenham
basso :
Rod Clements
chitarra acustica :
Ralph McTell
voce:
Ralph McTell
voce di accompagnamento:
The Goldrushers
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito e Nova Sound in London (Greater London), England, Regno Unito
mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Streets of London (nel 1974)
paroliere e compositore:
Ralph McTell
editore:
Essex Music International e ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Ralph McTell54:09
7Where Do You Go To (My Lovely)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1969) e United Artists (nel 1969)
registrazione di:
Where Do You Go To (My Lovely)?
paroliere e compositore:
Peter Sarstedt
editore:
EMI Catalogue Partnership
Peter Sarstedt54:41
8How Can We Hang on to a Dream
tecnico:
Val Valentin (incarico: director of engineering)
produttore:
Erik Jacobsen
è stato produttore per:
Sweet Reliable Productions
registrazione di:
How Can We Hang On to a Dream? (nel 1966)
paroliere e compositore:
Tim Hardin
editore:
Robbins Music Co. Ltd.
Tim Hardin32:01
9Hiroshima
produttore:
Lou Reizner
diritti fonografici (℗) detenuti da:
Global Records and Tapes (nel 1970) e Global Records (German label) (nel 1978)
registrazione di:
Hiroshima
paroliere e compositore:
Dave Morgan (UK rock bassist/vocalist, member of Magnum)
editore:
Global Musikverlag (Global Musik GmbH & Co. KG)
Wishful Thinking54:52
10One and One Is One
registrazione di:
One and One Is One
paroliere e compositore:
John Fiddler (British singer and guitarist)
editore:
Biscuit Music Ltd. (publisher) (nel 1973)
Medicine Head13:27
11Only One Woman
The Marbles42:41
12Mr. Bojangles
diritti fonografici (℗) detenuti da:
Capitol Records Nashville (nel 1974)
registrazione cover di:
Mr. Bojangles
paroliere e compositore:
Jerry Jeff Walker
editore:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell Music Australia Pty. Ltd.
Nitty Gritty Dirt Band53:35
13Christine’s Tune
produttore:
Henry Lewy e Larry Marks (US producer/songwriter/executive for Columbia, A&M Records & Warner Bros)
batteria :
Jon Corneal
registrazione di:
Christine's Tune
compositore:
Chris Hillman e Gram Parsons
registrazione di:
Devil in Disguise
compositore:
Chris Hillman e Gram Parsons
The Flying Burrito Brothers3.53:01
14The Carnival Is Over
produttore:
Tom Springfield
esecutore:
The Seekers (Australian pop quartet)
registrazione di:
The Carnival Is Over (nel 1965)
autore:
[traditional] (special purpose artist), Catherine Courage, Frank Farian e Tom Springfield
editore:
Warner/Chappell Music Australia Pty. Ltd.
si basa su:
Из-за острова на стрежень (Stenka Razin)
The Seekers3:09
15The Night They Drove Old Dixie Down
registrazione di:
The Night They Drove Old Dixie Down
paroliere e compositore:
Robbie Robertson
editore:
Canaan Music Inc, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Joan Baez3:54
16Help the Lonely Child
registrazione di:
Help the Lonely Child (nel 1972)
autore:
Anders Koppel e Thomas Koppel
The Savage Rose13:06
17The Sun Ain’t Gonna Shine Anymore
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (not for release label use!) (nel 1966) e PolyGram Records, Inc. (New York) (not for release label use! US division of PolyGram) (nel 1966)
registrazione cover di:
The Sun Ain’t Gonna Shine (Anymore) (nel 1966)
autore:
Bob Crewe e Bob Gaudio
editore:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), Seasons Four Music e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
The Walker Brothers3.53:01
18Lady in Black
tecnico di registrazione:
Peter Gallen (dal 1969 al 1970-11)
assistente tecnico:
Les Cunningham (studio engineer) e Ashley Howe
produttore:
Gerry Bron
tecnico di missaggio:
Peter Gallen
basso elettrico :
Paul Newton (UK bassist for Uriah Heep) (dal 1969 al 1970)
batteria :
Keith Baker (drummer) (dal 1969 al 1970, dal 1970-10 al 1970-11)
chitarra :
Mick Box (dal 1969 al 1970)
chitarra basso :
Paul Newton (UK bassist for Uriah Heep) (dal 1970-10 al 1970-11)
chitarra elettrica :
Mick Box (dal 1970-10 al 1970-11)
organo :
Ken Hensley (dal 1969 al 1970, dal 1970-10 al 1970-11)
voce:
David Byron (dal 1969 al 1970)
voce di accompagnamento:
Mick Box (dal 1970-10 al 1970-11), Ken Hensley (dal 1970-10 al 1970-11) e Paul Newton (UK bassist for Uriah Heep) (dal 1970-10 al 1970-11)
voce principale:
David Byron (dal 1970-10 al 1970-11)
diritti fonografici (℗) detenuti da:
Bronze Records Ltd. (nel 1971), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1971, nel 2016) e Castle Communications PLC (not for label use, copyright holder) (nel 1996)
registrata presso:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, Regno Unito (dal 1969 al 1970, dal 1970-10 al 1970-11)
registrazione di:
Lady in Black (dal 1969 al 1970-11)
paroliere e compositore:
Ken Hensley
editore:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing, EMI Publishing Ltd., Fanfare Musikverlag Global Musik GmbH & Co. KG, S. Bron Music Co. Ltd. e Sidney Bron Music (also spelled “Sydney”)
Uriah Heep4.354:46
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#TitoloArtistaValutazioneDurata
1Let’s Go to San Francisco
registrazione di:
Let’s Go to San Francisco
autore:
John Carter (songwriter & producer, b. 1942) e Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men)
editore:
Peermusic Ltd. (BMI)
The Flower Pot Men53:34
2Black Magic Woman
produttore:
Fred Catero e Carlos Santana
chitarra :
Carlos Santana (il 1970-07-04)
chitarra basso :
David Brown (US bassist for Santana/Allman Brothers/31st of February) (il 1970-07-04)
congas :
Michael Carabello (percussionist) (il 1970-07-04) e Jose Chepito Áreas (il 1970-07-04)
membranofono :
Michael Shrieve (drummer) (il 1970-07-04)
tastiera :
Gregg Rolie (keyboardist and vocalist) (il 1970-07-04)
timbales :
Jose Chepito Áreas (il 1970-07-04)
voce:
Gregg Rolie (keyboardist and vocalist) (il 1970-07-04) e Carlos Santana (il 1970-07-04)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1970) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1970, nel 1974)
registrata presso:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, Stati Uniti (il 1970-07-04)
parte di:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 28)
registrazione cover di:
Black Magic Woman (il 1970-07-04)
paroliere e compositore:
Peter Green (former member of Fleetwood Mac)
editore:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. e Murbo Music Publishers, Inc.
Santana3.83:18
3Monday, Monday
tecnico:
Bones Howe
produttore:
Lou Adler
esecutore:
The Mamas & the Papas (American folk rock vocal group) (il 1965-12-16)
diritti fonografici (℗) detenuti da:
Dunhill Records (nel 1966)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (il 1965-12-16)
registrazione di:
Monday, Monday (il 1965-12-16)
paroliere e compositore:
John Phillips (The Mamas & The Papas)
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Trousdale Music e Universal/MCA Music Ltd. (not for release label use!)
The Mamas & the Papas4.13:25
4Sound of Silence
produttore:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
batteria :
Bobby Gregg (dal 1964-03-10 al 1965-06-15)
chitarra :
Vinnie Bell (dal 1964-03-10 al 1965-06-15) e Al Gorgoni (guitarist, composer, arranger, and producer) (dal 1964-03-10 al 1965-06-15)
chitarra basso :
Bob Bushnell (dal 1964-03-10 al 1965-06-15)
voce principale:
Art Garfunkel (il 1964-03-10) e Paul Simon (of Simon & Garfunkel) (il 1964-03-10)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 74) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 156)
registrazione di:
The Sound of Silence (dal 1964-03-10 al 1965-06-15)
paroliere:
Paul Simon (of Simon & Garfunkel) (dal 1963-11 al 1964-02-19)
compositore:
Paul Simon (of Simon & Garfunkel) (dal 1963-11 al 1964-02-09)
editore:
Essex Music of Australia Pty. Ltd., J. Michel KG (publisher), MDW (publisher), Mother Culture Publishing, Pattern Music Ltd (publisher), Universal/MCA Music Ltd. (not for release label use!), WB Music Corp. (1929–2019), Paul Simon Music (nel 1964, nel 1992) e Magic Arts Publishing (nel 2000)
Simon & Garfunkel4.63:04
5Suzanne
produttore:
John Simon (US producer, arranger, composer, songwriter and musician)
voce principale:
Leonard Cohen (Canadian singer‐songwriter and poet)
direttore d'orchestra:
John Simon (US producer, arranger, composer, songwriter and musician)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 284)
registrazione di:
Suzanne (English original song by Leonard Cohen) (nel 1967)
paroliere:
Leonard Cohen (Canadian singer‐songwriter and poet) (nel 1966)
compositore:
Leonard Cohen (Canadian singer‐songwriter and poet)
editore:
Ardmore & Beechwood Music Ltd., Project 7 Music, Sony/ATV Music Publishing LLC (1995–2020), Stranger Music Inc. e Writers Workshop Ltd.
Leonard Cohen4.153:47
6The Rain, the Park and Other Things
registrazione di:
The Rain, the Park & Other Things
autore:
Steve Duboff e Artie Kornfeld
editore:
Akbestal Music Inc. e MPCA Lehsem Songs
The Cowsills3:00
7Music
tecnico:
Alan Parsons (of The Alan Parsons Project) (dal 1975-11 al 1975-12)
produttore:
Alan Parsons (of The Alan Parsons Project)
basso :
Bob Marshall (bassist/songwriter, worked with John Miles) (dal 1975-11 al 1975-12)
chitarra , sintetizzatore , tastiera e voce principale:
John Miles (UK singer/songwriter/guitarist/keyboardist) (dal 1975-11 al 1975-12)
percussione :
Barry Black (dal 1975-11 al 1975-12)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1976)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1975-11 al 1975-12)
parte di:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (numero: 5), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (numero: 6), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2010 (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2011 (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2016 (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2009 (Baden-Württemberg) (numero: 8), SWR1 Hitparade 2013 (Baden-Württemberg) (numero: 8), SWR1 Hitparade 2007 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2008 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2012 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2014 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2017 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2019 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2022 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2023 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2015 (Baden-Württemberg) (numero: 10) e SWR1 Hitparade 2020 (Baden-Württemberg) (numero: 10)
registrazione di:
Music (dal 1975-11 al 1975-12)
paroliere e compositore:
John Miles (UK singer/songwriter/guitarist/keyboardist)
editore:
Velvet Music (John Miles)
John Miles4.45:52
8San Francisco Nights
produttore:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
registrazione di:
San Franciscan Nights
autore:
Vic Briggs (Victor Briggs), Eric Burdon, Barry Jenkins, Danny McCulloch e John Weider
Eric Burdon3.53:19
9Catch the Wind
produttore:
Peter Eden (British record producer, jazz/rock), Terry Kennedy e Geoff Stephens
archi :
London Philharmonic (London Philharmonic Orchestra, LPO; The Philharmonic Promenade Orchestra) (nel 1964)
arpa e chitarra acustica :
Donovan Leitch (Scottish singer, songwriter and guitarist) (nel 1964)
basso :
Brian Locking (nel 1964)
voce:
Donovan Leitch (Scottish singer, songwriter and guitarist) (nel 1964)
diritti fonografici (℗) detenuti da:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1965)
registrazione di:
Catch the Wind (nel 1964)
paroliere e compositore:
Donovan Leitch (Scottish singer, songwriter and guitarist)
editore:
Donovan Music, Peer Music UK Ltd e Southern Music (publisher)
Donovan42:54
10Woodstock
registrazione cover di:
Woodstock
paroliere e compositore:
Joni Mitchell
editore:
Warner Bros. Music (publisher; do NOT use as release label)
Matthews’ Southern Comfort3.64:27
11Angel of the Morning
diritti fonografici (℗) detenuti da:
Arista Records (not an imprint, use “Arista” for release labels) (nel 1968)
registrazione cover di:
Angel of the Morning (nel 1968-01)
paroliere e compositore:
Chip Taylor (US singer/songwriter)
editore:
April Music, EMI Blackwood, EMI Songs Ltd. e Unichappell Music
Merrilee Rush53:07
12Sweet Dreams
Roy Buchanan3:30
13Pearl’s a Singer
registrazione cover di:
Pearl’s a Singer
autore:
Ralph Dino, Jerry Leiber, John Sembello e Mike Stoller
editore:
Sony/ATV Songs LLC
Elkie Brooks43:39
14Bird on the Wire
tecnico:
Ed Hudson (engineer) e Neil Wilburn
produttore:
Bob Johnston (US record producer and early rockebilly singer)
voce principale:
Leonard Cohen (Canadian singer‐songwriter and poet)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 2007)
registrazione di:
Bird on the Wire (nel 1968)
paroliere e compositore:
Leonard Cohen (Canadian singer‐songwriter and poet)
editore:
Chrysalis Music Australia, Mushroom Music Publishing, Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Songs LLC
Leonard Cohen4.253:25
15Melancholy Man
tecnico:
Adrian Martins, Robin Thompson (UK engineer) e Derek Varnals
produttore:
Tony Clarke (UK producer/guitarist)
registrata presso:
Decca Studios in West Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito e Wessex Studios in Highbury, Islington, London (Greater London), England, Regno Unito
registrazione di:
Melancholy Man
paroliere e compositore:
Mike Pinder
The Moody Blues3.55:45
16You’ve Got to Hide Your Love Away
The Silkie2:11
17Homburg
produttore:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer) e Chris Thomas (UK record producer / remixer)
registrazione di:
Homburg
paroliere:
Keith Reid
compositore:
Gary Brooker
Procol Harum3.353:52
18On the Road Again
diritti fonografici (℗) detenuti da:
Liberty Records, Inc. (nel 1968)
registrata presso:
Suffolk Meadows in Long Island, New York, Stati Uniti (il 1979-09-08)
registrazione dal vivo di:
On the Road Again (il 1979-09-08)
paroliere e compositore:
Floyd Jones (blues performer and songwriter) e Alan Wilson (Canned Heat member)
editore:
Embassy Music Corporation, EMI Catalogue Partnership, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., EMI United Partnership Ltd., Frederick Music Co., Lawn Music, Metric Music Co (publisher), SBK Unart Catalog Inc., SBK United Partnership Ltd., Songs of Peer (publisher; see also Songs of Peer, Ltd.) e United Partnership Ltd.
Canned Heat3.353:21
3▼CD
#TitoloArtistaValutazioneDurata
1San Francisco (Be Sure to Wear Some Flowers in Your Hair)
produttore:
Lou Adler e John Phillips (The Mamas & The Papas)
voce:
Scott McKenzie (nel 1967-05)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1967) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967)
registrazione di:
San Francisco (Be Sure to Wear Flowers in Your Hair) (nel 1967-05)
editore:
John Phillips (The Mamas & The Papas)
paroliere e compositore:
John Phillips (The Mamas & The Papas)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) e Wingate Music Corp.
Scott McKenzie3.752:55
2I Can Hear Music
tecnico:
Stephen W. Desper
produttore:
Carl Wilson (Beach Boys)
voce principale:
Carl Wilson (Beach Boys)
registrazione cover di:
I Can Hear Music
autore:
Jeff Barry, Ellie Greenwich e Phil Spector
editore:
ABKCO MUSIC INC (A) 301 (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック (Fujipacific Music, Inc.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Beach Boys3.32:36
3Daydream
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) e Kama Sutra (nel 1966)
registrazione di:
Daydream (nel 1966-02)
paroliere e compositore:
John B. Sebastian
editore:
Robbins Music Corp. Ltd.
The Lovin’ Spoonful3.752:19
4In the Year 2525
produttore:
Zager & Evans
registrazione di:
In the Year 2525 (Exordium and Terminus) (nel 1968)
paroliere e compositore:
Rick Evans (US singer, songwriter and guitarist)
editore:
ATV Music, Chelsea Music Publishing, Zelad Music e Zerlad Music Enterprises Ltd.
Zager & Evans43:15
5Time of the Season
tecnico:
Geoff Emerick (British recording engineer) e Peter Vince (engineer, producer)
produttore:
Rod Argent e Chris White (UK bassist for The Zombies)
batteria :
Hugh Grundy (nel 1967-08)
chitarra :
Paul Atkinson (nel 1967-08)
chitarra basso :
Chris White (UK bassist for The Zombies) (nel 1967-08)
mellotron, organo e pianoforte :
Rod Argent (nel 1967-08)
voce:
Colin Blunstone (nel 1967-08)
voce di accompagnamento:
Rod Argent (nel 1967-08) e Chris White (UK bassist for The Zombies) (nel 1967-08)
diritti fonografici (℗) detenuti da:
CBS (CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (nel 1968)
registrata presso:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1967-08)
lavorazione tecnica effettuata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 349)
registrazione di:
Time of the Season (nel 1967-08)
paroliere e compositore:
Rod Argent
editore:
Melodie der Welt J. Michel KG Musikverlag (renamed since 2010-01-07 as Melodie der Welt J. Michel GmbH & Co. KG), Verulam Music Co. Ltd. e Mainstay Music, Inc. (nel 1968)
The Zombies4.53:30
6House of the Rising Sun
produttore:
Mickie Most (English record producer)
batteria :
John Steel (English musician)
chitarra basso :
Chas Chandler
chitarra elettrica :
Hilton Valentine
organo :
Alan Price
voce principale:
Eric Burdon
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (nel 1964), Columbia Pictures Industries, Inc. (nel 1964) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964, nel 2002)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 122), BILLIONS CLUB e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 471)
registrazione di:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
paroliere e compositore:
[traditional] (special purpose artist)
arrangiatore:
Alan Price
editore:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. e Universal/MCA Music Ltd. (not for release label use!)
arrangiamento di:
House of the Rising Sun
The Animals4.24:28
7Universal Soldier
produttore:
Peter Eden (British record producer, jazz/rock), Terry Kennedy e Geoff Stephens
arpa e chitarra acustica :
Donovan Leitch (Scottish singer, songwriter and guitarist) (nel 1964)
voce:
Donovan Leitch (Scottish singer, songwriter and guitarist) (nel 1964)
registrazione cover di:
The Universal Soldier (nel 1964)
paroliere e compositore:
Buffy Sainte‐Marie
editore:
Peermusic (UK) Limited
Donovan4.52:11
8Lover Lover Lover
assistente tecnico:
Leanne Ungar
tecnico:
Frank Laico e Rick Rowe
produttore:
Leonard Cohen (Canadian singer‐songwriter and poet) e John Lissauer
tecnico di missaggio:
Rick Rowe
voce principale:
Leonard Cohen (Canadian singer‐songwriter and poet)
arrangiatore:
John Lissauer
mixata presso:
Sound Ideas in New York, New York, Stati Uniti
registrazione di:
Lover Lover Lover (nel 1974)
paroliere e compositore:
Leonard Cohen (Canadian singer‐songwriter and poet)
editore:
Sony/ATV Songs LLC e Stranger Music Inc.
registrazione di:
Lover, Lover, Lover (french lyrics)
paroliere e compositore:
Leonard Cohen (Canadian singer‐songwriter and poet)
traduttore:
Graeme Allwright
versione tradotta di:
Lover Lover Lover
Leonard Cohen43:17
9Samba Pa Ti
tecnico:
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) e John Fiore (engineer)
produttore:
Fred Catero, Bob Irwin, Santana (US Latin, blues, & rock band) e Carlos Santana
batteria :
Michael Shrieve (drummer) (il 1970-07-19)
chitarra :
Carlos Santana (il 1970-07-19)
chitarra basso :
David Brown (US bassist for Santana/Allman Brothers/31st of February) (il 1970-07-19)
congas e percussione :
Michael Carabello (percussionist) (il 1970-07-19)
congas, percussione e timbales :
José “Chepito” Áreas (il 1970-07-19)
percussione :
Rico Reyes (il 1970-07-19)
tabla :
Steven Saphore (il 1970-07-19)
tastiera :
Gregg Rolie (keyboardist and vocalist) (il 1970-07-19)
arrangiatore:
Gregg Rolie (keyboardist and vocalist) e Carlos Santana
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1970) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1970)
registrata presso:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, Stati Uniti (il 1970-07-19)
registrazione di:
Samba pa ti (il 1970-07-19)
compositore:
Carlos Santana
editore:
BMG Music Publishing Ltd., Careers–BMG Music Publishing, Inc., Carlin Music Corporation, Petra Music, Universal Music (plain logo: “Universal Music”) e Universal Music Careers
Santana3.754:32
10Nights in White Satin
produttore:
Tony Clark (engineer, Abbey Road)
produttore esecutivo:
Hugh Mendl
diritti fonografici (℗) detenuti da:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (nel 1967)
registrazione di:
Nights in White Satin (nel 1967)
paroliere e compositore:
Justin Hayward (of the Moody Blues)
editore:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. e Tyler Music Ltd.
The Moody Blues4.44:25
11Jessica
registrazione di:
Jessica
compositore:
Dickey Betts
editore:
F.R. Betts Music Co., No Exit Music Co., Inc., Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell Music, Inc.
The Allman Brothers Band37:05
12Turn! Turn! Turn! (To Everything There Is a Season)
produttore:
Terry Melcher
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 95)
registrazione cover di:
Turn! Turn! Turn! (To Everything There Is a Season)
paroliere:
[traditional] (special purpose artist)
compositore:
Pete Seeger (nel 1959)
editore:
Melody Trails e TRO Essex Music Ltd.
The Byrds4.853:42
13I Shall Be Released
tecnico:
Don Hahn (engineer) e Tony May (engineer)
produttore:
The Band (Canadian-American rock band) e John Simon (US producer, arranger, composer, songwriter and musician)
basso :
Rick Danko (nel 1968-02)
batteria :
Levon Helm (nel 1968-02)
chitarra :
Robbie Robertson (nel 1968-02)
organo :
Garth Hudson (nel 1968-02)
pianoforte :
Richard Manuel (nel 1968-02)
voce:
Rick Danko (nel 1968-02), Levon Helm (nel 1968-02) e Richard Manuel (nel 1968-02)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1968, nel 2005)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (nel 1968-02)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 67)
registrazione di:
I Shall Be Released (original lyrics) (nel 1968-02)
paroliere e compositore:
Bob Dylan (nel 1967)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e Dwarf Music (dal 1967 a oggi)
The Band3.53:12
14I Will Return
registrazione di:
I Will Return (nel 1971)
paroliere e compositore:
Phil Cordell
Springwater42:59
15All Kinds of Everything
parte di:
Ireland in the Eurovision Song Contest (Irlanda all'Eurovision Song Contest) (numero: 1970) e Winners of the Eurovision Song Contest (Vincitori dell'Eurovision Song Contest) (numero: 1970)
registrazione di:
All Kinds of Everything (1970 eurovision song)
autore:
Derry Lindsay (Songwriter) e Jackie Smith (Songwriter)
Dana23:01
16Wild Thing
produttore:
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
batteria :
Ronnie Bond (The Troggs) (nel 1966)
chitarra elettrica :
Chris Britton (The Troggs) (nel 1966)
ocarina e voce principale:
Reg Presley (nel 1966)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1966)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 257)
registrazione cover di:
Wild Thing (nel 1966)
paroliere e compositore:
Chip Taylor (US singer/songwriter)
editore:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH e April Music (nel 1981)
The Troggs4.42:37
17Ticket to Paradise
The Savage Rose14:01
18Ruby Tuesday
voce:
Melanie (US singer‐songwriter Melanie Safka) (nel 1970)
registrazione cover di:
Ruby Tuesday (nel 1970)
autore:
Mick Jagger (The Rolling Stones) e Keith Richards (Rolling Stones guitarist)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
Melanie44:37
4▼CD
#TitoloArtistaValutazioneDurata
1California Dreamin’
tecnico:
Bones Howe
produttore:
Lou Adler
chitarra :
P.F. Sloan (nel 1965)
flauto contralto solista :
Bud Shank (nel 1965)
diritti fonografici (℗) detenuti da:
Geffen Records e Dunhill Records (nel 1966)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 420)
registrazione di:
California Dreamin’ (nel 1965)
autore:
John Phillips (The Mamas & The Papas) e Michelle Phillips
editore:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) e Universal/MCA Music Publishing GmbH
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.352:39
2It Never Rains in Southern California
registrazione di:
It Never Rains in Southern California (nel 1972)
autore:
Albert Hammond e Mike Hazlewood
editore:
April Music Inc. (conclusa), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI April Music Inc.
Albert Hammond3.83:52
3American Pie (Part I)
tecnico:
Tom Flye
banjo e chitarra acustica :
Don McLean (il 1971-05-26)
basso :
Bob Rothstein (il 1971-05-26)
batteria e percussione :
Roy Markowitz (il 1971-05-26)
chitarra elettrica :
David Spinozza (il 1971-05-26)
marimba e vibrafono :
Mike Mainieri (il 1971-05-26)
pianoforte :
Paul Griffin (American pianist, session musician) (il 1971-05-26)
pianoforte elettrico :
Ray Colcord (il 1971-05-26)
cori:
West 44th Street Rhythm and Noise Choir (il 1971-05-26)
voce:
Bob Rothstein (il 1971-05-26) e Don McLean (il 1971-05-26)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1971), EMI (EMI Records, or EMI Music only if there is no other imprint) (nel 1971) e United Artists Records (for bootlegs and counterfeit) (nel 1971)
registrazione parziale di:
American Pie (il 1971-05-26)
paroliere e compositore:
Don McLean
editore:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd e Yahweh Tunes, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean54:06
4Atlantis
produttore:
Mickie Most (English record producer)
basso :
Bobby Ray (60s/70s US folk artist/bassist) (nel 1968-11)
batteria :
Jim Gordon (US drummer with Derek and the Dominos) (nel 1968-11)
chitarra acustica :
Donovan Leitch (Scottish singer, songwriter and guitarist) (nel 1968-11)
chitarra elettrica :
Ricki (nel 1968-11)
tastiera :
Gabriel Mekler (nel 1968-11)
voce:
Donovan Leitch (Scottish singer, songwriter and guitarist) (nel 1968-11)
voce di accompagnamento:
Donovan's fans ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (nel 1968-11)
arrangiatore:
Gabriel Mekler
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1968)
registrata presso:
American Recording Co. (original Los Angeles location, 1959–1982) in Studio City, Los Angeles, California, Stati Uniti (nel 1968-11)
registrazione di:
Atlantis (Donovan song) (nel 1968-11)
paroliere e compositore:
Donovan Leitch (Scottish singer, songwriter and guitarist)
editore:
Donovan (Music) Ltd., Peer International Corporation (BMI), Peer Musikverlag, peermusic (“Peermusic—the global independent”) e Peer Southern Music (publisher, affiliated to BMI in the US) (nel 1968)
Donovan3.755:00
5Time in a Bottle
registrazione di:
Time in a Bottle
paroliere e compositore:
Jim Croce
editore:
American Broadcasting Music, Inc., Blendingwell Music, Inc., DenJac Music Company e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce3:20
6If I Were a Carpenter
tecnico:
Doc Siegel e Val Valentin (incarico: director of engineering)
produttore:
Charles Koppelman (American businessman and musician) e Don Rubin
arrangiatore:
Donald Peake
registrazione di:
If I Were a Carpenter (nel 1967)
paroliere e compositore:
Tim Hardin
editore:
Allen Stanton Productions, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Faithful Virtue Music
registrazione dal vivo di:
If I Were a Carpenter
paroliere e compositore:
Tim Hardin
editore:
Allen Stanton Productions, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Faithful Virtue Music
Tim Hardin12:41
7Here’s to You
cori:
I cantori moderni di Alessandroni
voce:
I cantori moderni di Alessandroni e Joan Baez (US folk singer)
direttore d'orchestra:
Ennio Morricone (Italian classical and score composer)
arrangiatore:
Ennio Morricone (Italian classical and score composer)
diritti fonografici (℗) detenuti da:
Universal Music Publishing Ricordi srl
raccolta di:
Here's to You: Introduction (organ intro) di Ennio Morricone (Italian classical and score composer) e Here's to You (sans organ intro) di Ennio Morricone (Italian classical and score composer) & Joan Baez (US folk singer)
registrazione di:
Here’s to You (Here’s to you, Nicola and Bart…)
paroliere:
Joan Baez (US folk singer)
compositore:
Ennio Morricone (Italian classical and score composer)
editore:
Universal Music Publishing France (not for release label use!) e Universal Music Publishing Ricordi srl
Joan Baez4.53:07
8Spirit in the Sky
produttore:
Erik Jacobsen
diritti fonografici (℗) detenuti da:
Reprise Records (nel 1969), Seven Arts Records, Inc. (not a label) (nel 1969), Transtone Productions (nel 1970) e Craft Recordings (US jazz label; reissue division of Concord) (nel 2023)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 5), Billboard Year-End Hot 100 singles of 1970 (numero: 22) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 333)
registrazione di:
Spirit in the Sky (nel 1969)
paroliere e compositore:
Norman Greenbaum
editore:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) e Westminster Music Ltd.
Norman Greenbaum4.053:51
9From the Underworld
esecutore:
Peter Frampton
registrazione di:
From the Underworld
paroliere e compositore:
Alan Blaikley
The Herd43:16
10Light My Fire
produttore:
Rick Jarrard
arrangiatore archi :
George Tipton (American composer, musical arranger and conductor, born 1932)
registrazione cover di:
Light My Fire (il 1968-01-06)
autore:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek e Jim Morrison (lead vocalist of the Doors)
editore:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. e 日音 Synch事業部 (NICHION, INC. Synch Division)
José Feliciano33:32
11Put Your Hand in the Hand
registrazione cover di:
Put Your Hand in the Hand
paroliere e compositore:
Gene MacLellan
editore:
Ardmore and Beechwood Ltd., Beechwood Music Canada e EMI Blackwood Music Inc.
Ocean32:53
12If You Could Read My Mind
registrazione cover di:
If You Could Read My Mind
paroliere e compositore:
Gordon Lightfoot
editore:
ATV Kirshner (publisher) (conclusa), Early Morning Music (conclusa), Laetrec Music (conclusa), Chelsea Music Publishing Co., Ltd., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
The Spotnicks33:16
13Hair
registrazione dal vivo di:
Hair (from “Hair”)
paroliere:
James Rado (US actor, playwright, director, writer & composer) e Gerome Ragni
compositore:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
parte di:
Hair (1967 musical)
The Cowsills33:26
14Born to Be Wild
produttore:
Gabriel Mekler
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1968) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 53) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 129)
registrazione di:
Born to Be Wild
paroliere e compositore:
Mars Bonfire
editore:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.153:28
15With a Little Help From My Friends
registrazione di:
With a Little Help From My Friends
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
ATV (Northern Songs Catalog), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. (, nel 1967), Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Tunes LLC (ASCAP) (dal 1967 a oggi)
Joe Cocker2:39
16Eve of Destruction
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1965)
registrazione di:
Eve of Destruction (nel 1965)
paroliere e compositore:
P.F. Sloan
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Barry McGuire4.63:34
17A Whiter Shade of Pale
produttore:
Denny Cordell
batteria ospite :
Bill Eyden
chitarra :
Ray Royer
chitarra basso :
David Knights
organo Hammond :
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
voce:
Gary Brooker
diritti fonografici (℗) detenuti da:
Onward Music Ltd. (nel 1967)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 57) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 271)
registrazione di:
A Whiter Shade of Pale
paroliere:
Keith Reid
compositore:
Gary Brooker e Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
editore:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) e Westminster Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
si basa su:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
si basa su:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:02
18Where Have All the Flowers Gone
registrazione di:
Where Have All the Flowers Gone
paroliere e compositore:
Pete Seeger (nel 1955-10)
paroliere aggiunto:
Joe Hickerson (nel 1960-05)
editore:
Sanga Music, Inc. e The Bicycle Music Company (part of Concord Bicycle Music since 2015/04/01, overseeing publishing and rights management) (nel 1961)
Pete Seeger31:54

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Discogs:https://www.discogs.com/master/1437274 [info]