La Fête du disque - Classique

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

du 22/01/96 au 18/02/96, pour 250 F. d'achat de la sélection: "la Fête du disque - Classique", votre disquaire vous offre ce CD collector

Extraits de:
Deutsche Grammophon 447 894-2
Deutsche Grammophon 447 092-2
Philips Classics 442 148-2
Decca 444 174-2
Philips Classics 454 047-2
Decca 444 811-2
Philips Classics 446 405-2
Philips Classics 446 662-2
Deutsche Grammophon 447 895-2
Deutsche Grammophon 447 747-2
Decca 448 139-2

Annotation last modified on 2017-06-08 11:41 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Partita n°1 en si bémol majeur (extraits)
producer:
Christopher Alder (editor/engineer/producer)
piano:
Maria João Pires (pianist) (in 1994-01)
balance engineer:
Helmut Burk
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1994-01)
recording of:
Partita no. 1 in B-flat major, BWV 825: V. Menuet I (in 1994-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 1 in B-flat major, BWV 825
Johann Sebastian Bach1:24
2Partita n°1 en si bémol majeur (extraits)
producer:
Christopher Alder (editor/engineer/producer)
piano:
Maria João Pires (pianist) (in 1994-01)
balance engineer:
Helmut Burk
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1994-01)
compilation of:
Partita no. 1 in B‐flat major, BWV 825: Menuet I da capo by Maria João Pires (pianist)
recording of:
Partita no. 1 in B-flat major, BWV 825: VI. Menuet II (in 1994-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 1 in B-flat major, BWV 825
Johann Sebastian Bach0:44
3Partita n°1 en si bémol majeur (extraits)
producer:
Christopher Alder (editor/engineer/producer)
piano:
Maria João Pires (pianist) (in 1994-01)
balance engineer:
Helmut Burk
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1994-01)
recording of:
Partita no. 1 in B-flat major, BWV 825: V. Menuet I (in 1994-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 1 in B-flat major, BWV 825
Johann Sebastian Bach0:47
4Partita n°1 en si bémol majeur (extraits)
producer:
Christopher Alder (editor/engineer/producer)
piano:
Maria João Pires (pianist) (in 1994-01)
balance engineer:
Helmut Burk
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (in 1994-01)
recording of:
Partita no. 1 in B-flat major, BWV 825: VII. Gigue (in 1994-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Partita no. 1 in B-flat major, BWV 825
Johann Sebastian Bach2:06
5Lamentationes: Lamentation 1. (extrait)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1994-10)
conductor:
Reinhard Goebel (violinist and conductor) (in 1994-10)
partial recording of:
3 Lamentationes Jeremiae in Coena Domini, S.71-73 (in 1994-10)
composer:
Johann David Heinichen
Johann David Heinichen6:12
6Concerto pour flûte et harpe en ut majeur K.299 - 2. Andantino
flute:
Konrad Hünteler (flutist) (from 1991-09 until 1993-05)
harp:
Helga Storck (harpist) (from 1991-09 until 1993-05)
orchestra:
Orchestra of the 18th Century (Orchestra of the Eighteenth Century) (from 1991-09 until 1993-05)
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor) (from 1991-09 until 1993-05)
recorded at:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (from 1991-09 until 1993-05)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino (from 1991-09 until 1993-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
Wolfgang Amadeus Mozart8:15
7Cosi fan tutte "Alla bella Despinetta"
orchestra:
Chamber Orchestra of Europe (in 1994-05)
conductor:
Sir Georg Solti (conductor) (in 1994-05)
balance engineer:
Neil Hutchinson (sound engineer) (in 1994-05) and James Lock (James Locke, engineer) (in 1994-05)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1994-05)
recording of:
Così fan tutte: Atto I. No. 13 Sestetto “Alla bella Despinetta” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) (in 1994-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:23
8Orfeo e Euridice, opéra - Air d'Eurydice: "Che fiero momento"
vocals:
Sylvia McNair (soprano)
orchestra:
English Baroque Soloists (The English Baroque Soloists)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
recording of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che fiero momento!” (Euridice)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
Christoph Willibald Gluck3:03
9Concerto pour violon en ré, op. 77 - 3. Allegro giocoso ma no troppo vivace
recording engineer:
James Lock (James Locke, engineer) and Philip Siney (sound engineer)
violin:
Joshua Bell (violinist) (on 1994-05-29)
orchestra:
The Cleveland Orchestra (on 1994-05-29)
conductor:
Christoph von Dohnányi (German conductor) (on 1994-05-29)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1996) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1996)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1994-05-29)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: III. Allegro giocoso, ma non troppo vivace (Concerto for Violin and Orchestra in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace) (on 1994-05-29)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77 (Concerto for Violin and Orchestra in D major, op. 77)
Johannes Brahms8:05
10La Forza del destino, opéra - Air de Leonora: "Pace, pace, mio Dio"
soprano vocals:
Галина Горчакова (Galina Gorchakova, Russian lyric soprano)
orchestra:
Симфонический оркестр Мариинского театра (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992)
conductor:
Валерий Гергиев (Valery Gergiev, conductor)
recording of:
La forza del destino: Atto IV, scena 2. “Pace, pace, mio Dio” (Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto IV
Giuseppe Verdi5:50
11Vercheri tvoeya tainïya pour basse et chœur, op. 58
bass vocals:
Alexei Buzakin (in 1995-04)
chorus master:
Nikolai Korniev (chorus master) (in 1995-04) and St. Petersburg Chamber Choir (in 1995-04)
recording of:
Passion Week, op. 58: VII. Вечери Твоея тайныя (Of Thy Mystical Supper) (in 1995-04)
composer:
Александр Гречанинов (Alexander Gretchaninov, Russian Romantic composer) (in 1911)
part of:
Passion Week, op. 58
A. Gretchaninov6:16
12Concerto pour violon et orchestre en ré mineur
recording engineer:
Klaus Behrens (engineer) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
executive producer:
Alison Ames
producer:
Werner Mayer (classical producer)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
solo violin:
Anne‐Sophie Mutter (violinist) (in 1995-05)
violin:
Anne‐Sophie Mutter (violinist)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1995-05)
conductor:
André Previn (pianist, conductor, composer, arranger) (in 1995-05)
balance engineer:
Günter Hermanns (producer/engineer) and Ulrich Vette (engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1995-05)
recording of:
Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto (in 1995-05)
composer:
Jean Sibelius (Finnish composer) (from 1903 until 1905)
part of:
Violin Concerto in D minor, op. 47
Jean Sibelius7:17
13Le mandarin merveilleux (extraits)
recording engineer:
Stephan Flock and Hans‐Rudolf Müller (engineer)
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók3:02
14Le mandarin merveilleux (extraits)
recording engineer:
Stephan Flock and Hans‐Rudolf Müller (engineer)
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók1:25
15Le mandarin merveilleux (extraits)
recording engineer:
Stephan Flock and Hans‐Rudolf Müller (engineer)
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock and Rainer Maillard
choir vocals:
Chicago Symphony Chorus (in 1994-12)
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
chorus master:
Duain Wolfe (chorus master) (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók1:47
16Le mandarin merveilleux (extraits)
recording engineer:
Stephan Flock and Hans‐Rudolf Müller (engineer)
producer:
Karl-August Naegler (balance engineer)
editor:
Stephan Flock and Rainer Maillard
orchestra:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
balance engineer:
Rainer Maillard (in 1994-12)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1994-12)
partial recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók2:19
17Gloria - 3. Domine Deus
producer:
Paul Myers (classical record producer) and Christopher Pope (producer)
choir vocals:
Chœur de Radio France (from 1993-12-03 until 1993-12-04)
soprano vocals:
Françoise Pollet (soprano) (from 1993-12-03 until 1993-12-04)
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France) (from 1993-12-03 until 1993-12-04)
conductor:
Charles Dutoit (conductor) (from 1993-12-03 until 1993-12-04)
chorus master:
François Polgar (French conductor and choir director) (from 1993-12-03 until 1993-12-04)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1993-12-03 until 1993-12-04)
recording of:
Gloria, for Soprano, Chorus and Orchestra, FP 177: III. Domine Deus (from 1993-12-03 until 1993-12-04)
composer:
Francis Poulenc (French composer and pianist) (from 1959 until 1960)
part of:
Gloria, for Soprano, Chorus and Orchestra, FP 177
Francis Poulenc3:52