Compact Jazz: Billie Holiday Live

~ Veröffentlichung von Billie Holiday (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

℗ & © «1989 UMG Recordings, Inc.»
℗ «A Verve Label Group Release»

Countries excluded (Deezer + Spotify + iTunes)

(As of 2021-11-28).

  • Eastern Africa: 🇮🇴 British Indian Ocean Territory (io)
  • Eastern Asia: 🇨🇳 China (cn)
Anmerkung zuletzt geändert am 2021-11-28 06:47 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelBewertungLänge
1Body and Soul (live at Carnegie Hall, 1956)
live recording of:
Body and Soul
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:33
2Strange Fruit (live at Philharmonic Hall, Los Angeles, 1945)
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1945-02-12)
E-Gitarre:
Dave Barbour (am 1945-02-12)
Klavier:
Milt Raskin (Milton Raskin) (am 1945-02-12)
Kontrabass [bass]:
Charles Mingus (am 1945-02-12)
Schlagzeug:
Davie Coleman (jazz drummer) (am 1945-02-12)
Tenorsaxophon:
Wardell Gray (am 1945-02-12), Illinois Jacquet (am 1945-02-12) und Charlie Ventura (am 1945-02-12)
Trompete:
Howard McGhee (am 1945-02-12)
vocals:
Billie Holiday (am 1945-02-12)
aufgenommen bei:
Billie Holliday at Philharmonic Auditorium (1945-02-12)
aufgenommen bei:
Philharmonic Auditorium in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-02-12)
live recording of:
Strange Fruit (am 1945-02-12)
Texter und Komponist(in):
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) und Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Bitter Fruit
2.52:48
3Trav’lin’ Light (live at the Shrine Auditorium, Los Angeles, 1946)
E-Gitarre:
Barney Kessel (am 1946-10-07)
Klavier:
Ken Kersey (am 1946-10-07)
Kontrabass [bass]:
Charlie Drayton (1930s-50s blues bassist) (am 1946-10-07)
Posaune:
Trummy Young (am 1946-10-07)
Schlagzeug:
Jackie Mills (am 1946-10-07)
Tenorsaxophon:
Illinois Jacquet (am 1946-10-07)
Trompete:
Howard McGhee (am 1946-10-07)
vocals:
Billie Holiday (am 1946-10-07)
aufgenommen bei:
Billie Holiday at Shrine Auditorium (1946-10-07)
aufgenommen bei:
Shrine Auditorium in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1946-10-07)
live recording of:
Travelin’ Light (am 1946-10-07)
Texter:
Johnny Mercer
Komponist(in):
Jimmy Mundy und Trummy Young
43:26
4He’s Funny That Way (live at the Shrine Auditorium, Los Angeles, 1946)
E-Gitarre:
Barney Kessel (am 1946-10-07)
Klavier:
Ken Kersey (am 1946-10-07)
Kontrabass [bass]:
Charlie Drayton (1930s-50s blues bassist) (am 1946-10-07)
Posaune:
Trummy Young (am 1946-10-07)
Schlagzeug:
Jackie Mills (am 1946-10-07)
Tenorsaxophon:
Illinois Jacquet (am 1946-10-07)
Trompete:
Howard McGhee (am 1946-10-07)
vocals:
Billie Holiday (am 1946-10-07)
aufgenommen bei:
Billie Holiday at Shrine Auditorium (1946-10-07)
aufgenommen bei:
Shrine Auditorium in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1946-10-07)
live recording of:
She’s Funny That Way (am 1946-10-07)
Texter:
Richard A. Whiting (composer) (in 1928)
Verfasser(in):
Neil Moret und Richard A. Whiting (composer)
Komponist(in):
Neil Moret (in 1928)
publisher:
Chappell & Co., EMI April Music Inc., Francis, Day & Hunter Ltd., Robbins Music Corp. und Ross Jungnickel, Inc.
52:51
5The Man I Love
alto saxophone:
Georgie Auld (am 1946-06-03)
E-Gitarre:
Tiny Grimes (US jazz/R&B guitarist) (am 1946-06-03)
Klavier:
Ken Kersey (am 1946-06-03)
Kontrabass [bass]:
Al McKibbon (double bassist) (am 1946-06-03)
Schlagzeug:
J.C. Heard (am 1946-06-03)
Tenorsaxophon:
Illinois Jacquet (am 1946-06-03) und Lester Young (saxophonist) (am 1946-06-03)
Trompete:
Joe Guy (trumpet) (am 1946-06-03)
vocals:
Billie Holiday (am 1946-06-03)
aufgenommen bei:
Billie Holiday at Carnegie Hall (1946-06-03)
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1946-06-03)
live recording of:
The Man I Love (am 1946-06-03)
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Lady, Be Good (full musical)
Teil von:
New York, New York (1977 musical film soundtrack)
43:03
6Gee, Baby, Ain’t I Good to You?
alto saxophone:
Georgie Auld (am 1946-06-03)
E-Gitarre:
Tiny Grimes (US jazz/R&B guitarist) (am 1946-06-03)
Klavier:
Ken Kersey (am 1946-06-03)
Kontrabass [bass]:
Al McKibbon (double bassist) (am 1946-06-03)
Schlagzeug:
J.C. Heard (am 1946-06-03)
Tenorsaxophon:
Illinois Jacquet (am 1946-06-03) und Lester Young (saxophonist) (am 1946-06-03)
Trompete:
Joe Guy (trumpet) (am 1946-06-03)
vocals:
Billie Holiday (am 1946-06-03)
aufgenommen bei:
Billie Holiday at Carnegie Hall (1946-06-03)
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1946-06-03)
live recording of:
Gee, Baby Ain’t I Good to You (am 1946-06-03)
Texter:
Andy Razaf
Komponist(in):
Don Redman
publisher:
Michael H. Goldsen Inc. und Razaf Music
Teil von:
The Real Book (compilation of jazz standards, volume I)
42:18
7All of Me
live recording of:
All of Me
Verfasser(in):
Gerald Marks (in 1932) und Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic und 日音 Synch事業部 (NICHION, INC. Synch Division)
2:02
8You Better Go Now
Klavier:
Bobby Tucker (am 1947-05-24)
vocals:
Billie Holiday (am 1947-05-24)
aufgenommen bei:
Billie Holiday at Carnegie Hall (1947-05-24)
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1947-05-24)
live recording of:
You Better Go Now (am 1947-05-24)
Verfasser(in):
Irvin Graham und Bickley Reichner
publisher:
Chappell Music, Inc. (publisher)
32:56
9You’re Driving Me Crazy
Klavier:
Bobby Tucker (am 1947-05-24)
vocals:
Billie Holiday (am 1947-05-24)
aufgenommen bei:
Billie Holiday at Carnegie Hall (1947-05-24)
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1947-05-24)
live recording of:
You’re Driving Me Crazy (am 1947-05-24)
Texter:
Walter Donaldson
Komponist(in):
Walter Donaldson (in 1930)
publisher:
Anne-Rachel Music Corp., Donaldson Publishing Co., Larry Spier Music LLC und Tobago Music Co.
41:32
10(There Is) No Greater Love
Klavier:
Bobby Tucker (am 1947-05-24)
vocals:
Billie Holiday (am 1947-05-24)
aufgenommen bei:
Billie Holiday at Carnegie Hall (1947-05-24)
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1947-05-24)
live recording of:
There Is No Greater Love (am 1947-05-24)
Texter:
Marty Symes (lyricist)
Komponist(in):
Isham Jones
publisher:
Banta Music, Music Sales Corporation (American copyright holder in both popular and classical music) und World Music, Inc.
42:37
11I Cover the Waterfront
live recording of:
I Cover the Waterfront
Texter:
Edward Heyman
Komponist(in):
Johnny Green (composer and conductor, often credited as John Green) und Edward Heyman
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell Music, Inc.
2:53
12Fine and Mellow
recording of:
Fine and Mellow
Texter und Komponist(in):
Billie Holiday
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
live recording of:
Fine and Mellow
Texter und Komponist(in):
Billie Holiday
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
3:29
13Nice Work If You Can Get It
Klavier:
Mal Waldron (American jazz pianist) (am 1957-07-06)
Kontrabass [bass]:
Joe Benjamin (US jazz bassist) (am 1957-07-06)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1957-07-06)
vocals:
Billie Holiday (am 1957-07-06)
aufgenommen bei:
Billie Holiday at Newport Jazz Festival 1957 (1957-07-06)
aufgenommen bei:
Freebody Park in Newport, Rhode Island, Vereinigte Staaten (am 1957-07-06)
live recording of:
Nice Work If You Can Get It (am 1957-07-06)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
Teil von:
My One and Only (1983 Broadway musical)
cover recording of:
Nice Work If You Can Get It
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
Teil von:
My One and Only (1983 Broadway musical)
32:38
14Willow Weep for Me
Klavier:
Mal Waldron (American jazz pianist) (am 1957-07-06)
Kontrabass [bass]:
Joe Benjamin (US jazz bassist) (am 1957-07-06)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1957-07-06)
vocals:
Billie Holiday (am 1957-07-06)
aufgenommen bei:
Billie Holiday at Newport Jazz Festival 1957 (1957-07-06)
aufgenommen bei:
Freebody Park in Newport, Rhode Island, Vereinigte Staaten (am 1957-07-06)
live recording of:
Willow Weep for Me (am 1957-07-06)
Texter und Komponist(in):
Ann Ronell (in 1932)
publisher:
Ann Ronell Music und Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
cover recording of:
Willow Weep for Me
Texter und Komponist(in):
Ann Ronell (in 1932)
publisher:
Ann Ronell Music und Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
33:06
15Lover, Come Back to Me
Klavier:
Mal Waldron (American jazz pianist) (am 1957-07-06)
Kontrabass [bass]:
Joe Benjamin (US jazz bassist) (am 1957-07-06)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1957-07-06)
vocals:
Billie Holiday (am 1957-07-06)
aufgenommen bei:
Billie Holiday at Newport Jazz Festival 1957 (1957-07-06)
aufgenommen bei:
Freebody Park in Newport, Rhode Island, Vereinigte Staaten (am 1957-07-06)
live recording of:
Lover, Come Back to Me (from "The New Moon") (am 1957-07-06)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
Verfasser(in):
Sigmund Romberg
Komponist(in):
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The New Moon: Act II
cover recording of:
Lover, Come Back to Me (from "The New Moon")
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
Verfasser(in):
Sigmund Romberg
Komponist(in):
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The New Moon: Act II
4.52:05
16Lady Sings the Blues
live recording of:
Lady Sings the Blues
Texter:
Billie Holiday
Komponist(in):
Herbie Nichols (jazz pianist and composer)
publisher:
Northern Music Company
2:59
17What a Little Moonlight Can Do
E-Gitarre:
Kenny Burrell (am 1956-11-10)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1956-11-10)
Klavier:
Carl Drinkard (pianist) (am 1956-11-10)
Kontrabass [bass]:
Carson Smith (am 1956-11-10)
Schlagzeug:
Chico Hamilton (am 1956-11-10)
Tenorsaxophon:
Al Cohn (am 1956-11-10)
Trompete:
Buck Clayton (am 1956-11-10)
vocals:
Billie Holiday (am 1956-11-10)
aufgenommen bei:
Billie Holiday at Carnegie Hall (1956-11-11) (late show)
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1956-11-10)
live recording of:
What a Little Moonlight Can Do (am 1956-11-10)
Texter und Komponist(in):
Harry M. Woods (American 1920/30s songwriter)
publisher:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) und Warner Brothers Music Inc.
3.52:56
18My Man
3:47
19I Wished on the Moon
Klavier:
Mal Waldron (American jazz pianist) (am 1958-09-26)
Kontrabass [bass]:
Milt Hinton (am 1958-09-26)
Schlagzeug:
Don Lamond (am 1958-09-26)
Tenorsaxophon:
Georgie Auld (am 1958-09-26) und Coleman Hawkins (am 1958-09-26)
Trompete:
Buck Clayton (am 1958-09-26)
vocals:
Billie Holiday (am 1958-09-26)
aufgenommen bei:
Billie Holiday at Oakdale Music Theater (1958-09-26)
aufgenommen bei:
Oakdale Music Theater in Wallingford, Connecticut, Vereinigte Staaten (am 1958-09-26)
live recording of:
I Wished on the Moon (am 1958-09-26)
Texter:
Dorothy Parker
Komponist(in):
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
32:48
20Lover Man
live recording of:
Lover Man
Texter:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
Komponist(in):
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (beendet), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (beendet) und Universal Music Corp. (USA, affiliated with ASCAP)
3:00