4 Great Operas on Deutsche Grammophon & Decca

~ Release by Mozart, Rossini, Verdi, Puccini; Orchester der Deutschen Oper Berlin, London Symphony Orchestra, Bayerisches Staatsorchester, Berliner Philharmoniker, Karl Böhm, Claudio Abbado, Carlos Kleiber, Herbert von Karajan (see all versions of this release, 1 available)

Annotation

This release is from the "4 Great Operas on Deutsche Grammophon & Decca" 9 hybrid SACD Box-set (ESSG/D-90089-97)

Annotation last modified on 2022-06-29 16:42 UTC.

Tracklist

1▶Hybrid SACD
2▶Hybrid SACD
3▶Hybrid SACD
4▶Hybrid SACD
5▶Hybrid SACD
6▶Hybrid SACD
7▶Hybrid SACD
8▼Hybrid SACD
#TitleArtistRatingLength
1La Boheme: Act I. Questo Mar Rosso mi ammollisce e assidera
engineer:
James Lock (James Locke, engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
baritone vocals [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
bass vocals [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-10) and Schöneberger Sängerknaben (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto I, no. 1. “Questo Mar Rosso” … “Nei cieli bigi" (Marcello, Rodolfo) (in 1972-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:33
2La Boheme: Act I. Pensier profondo!
engineer:
James Lock (James Locke, engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
baritone vocals [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
bass vocals [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-10) and Schöneberger Sängerknaben (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto I, no. 2. “Pensier profondo!” (Colline, Marcello, Rodolfo) (in 1972-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini1:11
3La Boheme: Act I. Abbasso, abbasso l'autor! - Legna! Sigari! Bordò!
engineer:
James Lock (James Locke, engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
baritone vocals [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
baritone vocals [Schaunard]:
Gianni Maffeo (baritone) (in 1972-10)
bass vocals [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-10) and Schöneberger Sängerknaben (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto I. “Abbasso, abbasso l'autor!” … “Legna! ─ Sigari! ─ Bordò!” (Rodolfo, Marcello, Colline, Schaunard) (in 1972-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini3:51
4La Boheme: Act I. Si può? - Chi è là?
engineer:
James Lock (James Locke, engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
baritone vocals [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
baritone vocals [Schaunard]:
Gianni Maffeo (baritone) (in 1972-10)
bass vocals [Benoit]:
Michel Sénéchal (tenor) (in 1972-10)
bass vocals [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-10) and Schöneberger Sängerknaben (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto I, no. 3. “Si può?” – “Chi è là?” (Benoît, Marcello, Schaunard, Colline, Rodolfo) (in 1972-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini5:18
5La Boheme: Act I. Io resto per terminar l'articolo di fondo del Castoro
engineer:
James Lock (James Locke, engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
baritone vocals [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
baritone vocals [Schaunard]:
Gianni Maffeo (baritone) (in 1972-10)
bass vocals [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-10) and Schöneberger Sängerknaben (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto I. “Io resto per terminar l’articolo” (Rodolfo, Marcello) (in 1972-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini1:09
6La Boheme: Act I. Chi è là?! - Scusi
engineer:
James Lock (James Locke, engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
baritone vocals [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
bass vocals [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-10) and Schöneberger Sängerknaben (in 1972-10)
soprano vocals [Mimì]:
Mirella Freni (soprano) (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
partial recording of:
La bohème: Atto I, no. 5. “Non sono in vena. Chi è là?” (Rodolfo, Mimì) (in 1972-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini1:11
7La Boheme: Act I. Si sente meglio?
engineer:
James Lock (James Locke, engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-10) and Schöneberger Sängerknaben (in 1972-10)
soprano vocals [Mimì]:
Mirella Freni (soprano) (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto I. “Si sente meglio?” (Rodolfo, Mimì) (in 1972-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini2:42
8La Boheme: Act I. Che gelida manina
engineer:
James Lock (James Locke, engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1972-10)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:37
9La Boheme: Act I. Sì. Mi chiamano Mimì
engineer:
James Lock (James Locke, engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
baritone vocals [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
baritone vocals [Schaunard]:
Gianni Maffeo (baritone) (in 1972-10)
bass vocals [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
soprano vocals [Mimì]:
Mirella Freni (soprano) (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (in 1972-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
recording of:
La bohème: Atto I, no. 8. “Ehi! Rodolfo” (Schaunard, Colline, Marcello, Mimi) (in 1972-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini5:58
10La Boheme: Act I. O soave fanciulla
engineer:
James Lock (James Locke, engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
baritone vocals [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
soprano vocals [Mimì]:
Mirella Freni (soprano) (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
edit of:
La Bohème: Atto I. “O soave fanciulla” (Love Duet) by Luciano Pavarotti (tenor), Mirella Freni (soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) (in 1972-10)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Luigi Illica and Giuseppe Giacosa (in 1896)
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:19
11La Boheme: Act II. Aranci, datteri, caldi i marroni!
engineer:
James Lock (James Locke, engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
baritone vocals [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
baritone vocals [Schaunard]:
Gianni Maffeo (baritone) (in 1972-10)
bass vocals [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-10) and Schöneberger Sängerknaben (in 1972-10)
soprano vocals [Mimì]:
Mirella Freni (soprano) (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto II. no. 10. “Aranci, datteri! Caldi i marroni!” (Venditori [Coro], Schaunard, Colline, Rodolfo, Mimi, Marcello) (in 1972-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
Giacomo Puccini2:53
12La Boheme: Act II. Chi guardi?
engineer:
James Lock (James Locke, engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
baritone vocals [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
baritone vocals [Schaunard]:
Gianni Maffeo (baritone) (in 1972-10)
bass vocals [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-10) and Schöneberger Sängerknaben (in 1972-10)
soprano vocals [Mimì]:
Mirella Freni (soprano) (in 1972-10)
tenor vocals [Parpignol]:
Gernot Pietsch (tenor) (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto II. no. 11. “Chi guardi?” – “Odio il profano volgo al par d'Orazio” (Rodolfo, Colline, Mimì, Schaunard, Marcello, coro, Parpignol) (in 1972-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
Giacomo Puccini3:08
13La Boheme: Act II. Viva Parpignol!
engineer:
James Lock (James Locke, engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
baritone vocals [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
baritone vocals [Schaunard]:
Gianni Maffeo (baritone) (in 1972-10)
bass vocals [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-10) and Schöneberger Sängerknaben (in 1972-10)
soprano vocals [Mimì]:
Mirella Freni (soprano) (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto II. “Viva Parpignol! Parpignol! Parpignol!” (fanciulli, fanciulle) … “Signorina Mimì” (Marcello, Mimì, Schaunard, Colline) (in 1972-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
Giacomo Puccini2:21
14La Boheme: Act II. Oh! - Essa! - Musetta!
engineer:
James Lock (James Locke, engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
baritone vocals [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
baritone vocals [Schaunard]:
Gianni Maffeo (baritone) (in 1972-10)
bass vocals [Alcindoro]:
Michel Sénéchal (tenor) (in 1972-10)
bass vocals [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-10) and Schöneberger Sängerknaben (in 1972-10)
soprano vocals [Mimì]:
Mirella Freni (soprano) (in 1972-10)
soprano vocals [Musetta]:
Elizabeth Harwood (soprano) (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto II. “Oh!” – “Essa!” – “Musetta!” (Rodolfo, Schaunard, Colline, Marcello, Coro, Alcindoro, Musetta, Mimi) (in 1972-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
Giacomo Puccini3:31
15La Boheme: Act II. Quando me n'vò
engineer:
James Lock (James Locke, engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
baritone vocals [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
baritone vocals [Schaunard]:
Gianni Maffeo (baritone) (in 1972-10)
bass vocals [Alcindoro]:
Michel Sénéchal (tenor) (in 1972-10)
bass vocals [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-10) and Schöneberger Sängerknaben (in 1972-10)
soprano vocals [Mimì]:
Mirella Freni (soprano) (in 1972-10)
soprano vocals [Musetta]:
Elizabeth Harwood (soprano) (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline) (Musetta’s Waltz) (in 1972-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
Giacomo Puccini5:29
16La Boheme: Act II. Caro! Fuori il danaro!
engineer:
James Lock (James Locke, engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
baritone vocals [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
baritone vocals [Schaunard]:
Gianni Maffeo (baritone) (in 1972-10)
bass vocals [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1972-10) and Schöneberger Sängerknaben (in 1972-10)
soprano vocals [Mimì]:
Mirella Freni (soprano) (in 1972-10)
soprano vocals [Musetta]:
Elizabeth Harwood (soprano) (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto II. no. 14. “Chi l’ha richiesto?” (Colline) (in 1972-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
Giacomo Puccini2:17
9▶Hybrid SACD