| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Sweet Soul Music | Arthur Conley | | 2:22 |
| 2 | Soul Man- recorded in:
- Memphis, Tennessee, Vereinigte Staaten (am 1967-08-10)
- Produzent(in):
- Isaac Hayes, David Porter und Jim Stewart
- Instrumente:
- Booker T. & the MG’s (in 1967) und The Mar‐Keys Horns (in 1967)
- Sologesang:
- Sam Moore (in 1967) und David Prater (in 1967)
- phonographisches Urheberrecht (℗) von:
- HHO Recordings Ltd., WEA International Inc. (in 1966) und Atlantic Recording Corporation (in 1967)
- Teil von:
- Rolling Stone: 500 Greatest Songs of All Time (Nummer: 458)
- recording of:
- Soul Man (am 1967-08-10)
- Verfasser(in):
- Isaac Hayes (in 1967) und David Porter (in 1967)
- publisher:
- EMI Music Publishing , Rondor Music (London) Ltd., Rondor Music Ltd. , Walden Music, Inc., Warner Chappell Music Ltd. , Warner Chappell North America, Almo Music Corp. (in 1986) und Walden Music Corp. (in 1986)
| Sam & Dave | 4.5 | 2:39 |
| 3 | Respect- recording engineer:
- Tom Dowd (am 1967-02-14)
- Produzent(in):
- Jerry Wexler
- baritone saxophone:
- Willie Bridges (am 1967-02-14)
- Bassgitarre:
- Tommy Cogbill (am 1967-02-14)
- Gitarre:
- Jimmy Johnson (am 1967-02-14)
- Klavier:
- Aretha Franklin (am 1967-02-14)
- Kornett:
- Melvin Lastie (am 1967-02-14)
- Orgel:
- Spooner Oldham (am 1967-02-14)
- Schlagzeug:
- Roger Hawkins (am 1967-02-14)
- Tenorsaxophon:
- Charles Chalmers (am 1967-02-14) und King Curtis (am 1967-02-14)
- Hintergrundgesang:
- Carolyn Franklin (am 1967-02-14) und Erma Franklin (am 1967-02-14)
- vocals:
- Aretha Franklin (am 1967-02-14)
- conductor:
- Tom Dowd (am 1967-02-14)
- arranger:
- Tom Dowd und Arif Mardin
- phonographisches Urheberrecht (℗) von:
- Atlantic Recording Corporation (in 1967) und WEA International Inc. (in 1967)
- aufgenommen bei:
- Atlantic Studios in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-14)
- Teil von:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (Nummer: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (Nummer: 21), New York Post: 100 Greatest Covers (2007) (Nummer: 52) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- cover recording of:
- Respect (am 1967-02-14)
- Texter und Komponist(in):
- Otis Redding
- publisher:
- Cotillion Music Inc. , East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
| Aretha Franklin | 3.9 | 2:24 |
| 4 | Shake, Rattle and Roll | Big Joe Turner | | 2:59 |
| 5 | Lucky Lips | Ruth Brown | | 2:08 |
| 6 | Land of 1000 Dances | Wilson Pickett | 4 | 2:26 |
| 7 | Everybody Needs Somebody to Love | Solomon Burke | | 2:45 |
| 8 | Yakety Yak | The Coasters | | 1:47 |
| 9 | Knock on Wood- recorded in:
- Memphis, Tennessee, Vereinigte Staaten (am 1966-07-13)
- Produzent(in):
- Steve Cropper
- baritone saxophone:
- probably Floyd Newman
- Bassgitarre [bass]:
- Duck Dunn (am 1966-07-13)
- Gitarre:
- Steve Cropper (am 1966-07-13)
- Klavier:
- Isaac Hayes (am 1966-07-13) und Booker T. Jones (am 1966-07-13)
- Orgel:
- Booker T. Jones (am 1966-07-13)
- Schlagzeug [drums]:
- Al Jackson (am 1966-07-13)
- Tenorsaxophon:
- probably Andrew Love (am 1966-07-13)
- Trompete:
- Wayne Jackson (am 1966-07-13)
- vocals:
- Eddie Floyd (am 1966-07-13)
- phonographisches Urheberrecht (℗) von:
- WEA International Inc. (in 1967)
- recording of:
- Knock on Wood (am 1966-07-13)
- Verfasser(in):
- Steve Cropper und Eddie Floyd
- publisher:
- East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. , Warner Chappell Music , Warner Chappell Music Ltd. und Warner Chappell North America
- adaptations:
- Potkraj na les
| Eddie Floyd | 4 | 3:06 |
| 10 | Dance to the Music | Sly & the Family Stone | 4.15 | 2:58 |
| 11 | Seesaw | Don Covay | | 3:00 |
| 12 | Saturday Night at the Movies | The Drifters | | 2:29 |
| 13 | Lean on Me- Produzent(in):
- Benorce Blackmon , Melvin Dunlap, James Gadson , Ray Jackson und Bill Withers
- E-Bass:
- Melvin Dunlap (in 1972)
- E-Gitarre:
- Benorce Blackmon (in 1972)
- Klavier und Sologesang:
- Bill Withers (in 1972)
- Perkussion und Schlagzeug:
- James Gadson (in 1972)
- Wurlitzer Electric Piano:
- Ray Jackson (in 1972)
- Saiteninstrumente arranger:
- Ray Jackson
- phonographisches Urheberrecht (℗) von:
- CBS Inc. (in 1972), CBS Records Ltd. (in 1972), Columbia Records (in 1972) und Sony BMG Music Entertainment (in 1972)
- Teil von:
- Rolling Stone: 500 Greatest Songs of All Time (Nummer: 205) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 236)
- recording of:
- Lean on Me (in 1972)
- Texter und Komponist(in):
- Bill Withers
- publisher:
- Copyright Control , EMI Music Publishing , EMI Music Publishing Australia Pty. Limited , EMI Music Publishing Ltd. , EMI Songs Ltd., Interior Music , Interior Music Corp., Songs of Universal, Inc. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント und ユニバーサル・ミュージック・パブリッシング Synch事業部
| Bill Withers | 4.25 | 4:17 |
| 14 | Funky Nassau, Part 1 | The Beginning of the End | | 3:11 |
| 15 | Tighten Up, Part 1 | Archie Bell & the Drells | | 2:39 |
| 16 | Soul Finger | The Bar‐Kays | | 2:21 |