Symphonies 2 & 6 / Romeo and Juliet / Francesca da Rimini

~ Release by Tchaikovsky; Philharmonia Orchestra, Carlo Maria Giulini (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Symphony no. 2 in C minor, op. 17 “Little Russian”: I. Andante sostenuto – Allegro vivo
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-09-27 until 1956-09-29)
conductor:
Carlo Maria Giulini (conductor) (from 1956-09-27 until 1956-09-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-09-27 until 1956-09-29)
recording of:
Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto – Allegro vivo (1880 revision [commonly performed]) (from 1956-09-27 until 1956-09-29)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1872)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1879 until 1880)
is based on:
Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto – Allegro comodo (original 1872 version [rarely performed])
part of:
Symphony no. 2 in C minor, op. 17 "Little Russian" (1880 revision [commonly performed])
Tchaikovsky10:25
2Symphony no. 2 in C minor, op. 17 “Little Russian”: II. Andantino marziale, quasi moderato
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-09-27 until 1956-09-29)
conductor:
Carlo Maria Giulini (conductor) (from 1956-09-27 until 1956-09-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-09-27 until 1956-09-29)
recording of:
Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marziale, quasi moderato (1880 revision [commonly performed]) (from 1956-09-27 until 1956-09-29)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1872)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1879 until 1880)
part of:
Symphony no. 2 in C minor, op. 17 "Little Russian" (1880 revision [commonly performed])
revision of:
Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andante marciale quasi Moderato (original 1872 version [rarely performed])
Tchaikovsky6:56
3Symphony no. 2 in C minor, op. 17 “Little Russian”: III. Scherzo. Allegro molto vivace
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-09-27 until 1956-09-29)
conductor:
Carlo Maria Giulini (conductor) (from 1956-09-27 until 1956-09-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-09-27 until 1956-09-29)
recording of:
Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo and Trio: Allegro molto vivace (1880 revision [commonly performed]) (from 1956-09-27 until 1956-09-29)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1872)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1879 until 1880)
is based on:
Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo. Allegro molto vivace (original 1872 version [rarely performed])
part of:
Symphony no. 2 in C minor, op. 17 "Little Russian" (1880 revision [commonly performed])
Tchaikovsky5:23
4Symphony no. 2 in C minor, op. 17 “Little Russian”: IV. Finale Moderato assai – Allegro vivo – Presto
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-09-27 until 1956-09-29)
conductor:
Carlo Maria Giulini (conductor) (from 1956-09-27 until 1956-09-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-09-27 until 1956-09-29)
recording of:
Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale. Moderato assai – Allegro vivo (1880 revision [commonly performed]) (from 1956-09-27 until 1956-09-29)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1872)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1879 until 1880)
part of:
Symphony no. 2 in C minor, op. 17 "Little Russian" (1880 revision [commonly performed])
revision of:
Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale. Moderato assai — Allegro vivo
Tchaikovsky8:29
5Francesca da Rimini: Symphonic Fantasy, op. 32
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-04-10 until 1962-04-11)
conductor:
Carlo Maria Giulini (conductor) (from 1962-04-10 until 1962-04-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-04-10 until 1962-04-11)
recording of:
Francesca da Rimini, op. 32 (from 1962-04-10 until 1962-04-11)
premiered in:
Moscow, Russia (on 1877-03-09)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-10 until 1876-11)
dedicated to:
Сергей Танеев (Sergei Taneyev, Russian composer, pianist, teacher of composition, music theorist and author)
premiered at:
[concert] (1877-03-09) (premiere concert for Tchaikovsky's Francesca da Rimini)
publisher:
P. Jurgenson (in 1878)
part of:
The Tchaikovsky Handbook (number: TH 46), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 43) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 32)
is based on:
Inferno (first part of Dante Alighieri's Comedìa)
Tchaikovsky24:51
2▶CD

Credits

Release

ASIN:UK: B0007RO570 [info]