Say It Loud! A Celebration of Black Music in America

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

TODO:
Identify disc 2 #6. Initially indicates a quartet formation.

Anmerkung zuletzt geändert am 2015-07-12 00:09 UTC.

Titelliste

1▶CD
2▶CD
3▼CD
Nr.TitelKünstlerBewertungLänge
1I’ve Got a Woman
recording of:
I Got a Woman
Verfasser(in):
Ray Charles (soul musician, singer and songwriter) und Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ray Charles2:55
2Ain’t It a Shame
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
F. D. & Hunter (publisher) (in 1955) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, Vereinigte Staaten
recording of:
Ain’t That a Shame (am 1955-03-15)
Verfasser(in):
Antoine Domino (Fats Domino) und Dave Bartholomew
publisher:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (in 1955, in 1983) und United Artists Music Ltd. (vom 1977 bis heute)
Fats Domino4.52:25
3Bo Diddley
recording of:
Bo Diddley
Texter und Komponist(in):
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (bis 1955-03-02)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Good Music Ltd.
Bo Diddley3:19
4That Old Black Magic
vocals:
Sammy Davis Jr. (in 1955)
Orchester:
Sy Oliver and His Orchestra (in 1955)
Herausgeber:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
cover recording of:
That Old Black Magic
Texter:
Johnny Mercer (in 1942)
Komponist(in):
Harold Arlen (in 1942)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Sammy Davis Jr.3:20
5Four
Klavier:
Red Garland (am 1956-05-11)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1956-05-11)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1956-05-11)
Tenorsaxophon:
John Coltrane (am 1956-05-11)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1956-05-11)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (am 1956-05-11)
recording of:
Four (original instrumental version) (am 1956-05-11)
Komponist(in):
Miles Davis (jazz trumpeter, bandleader, songwriter)
Miles Davis Quintet7:14
6The Great Pretender
recording of:
The Great Pretender
Texter und Komponist(in):
Buck Ram
publisher:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) und Southern Music Publishing Company Limited
The Platters3:06
7Long Tall Sally
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-02-07)
Bassgitarre:
Frank Fields (am 1956-02-07)
Gitarre:
Edgar Blanchard (am 1956-02-07)
Klavier und Sologesang:
Little Richard (am 1956-02-07)
Schlagzeug:
Earl Palmer (am 1956-02-07)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-02-07)
aufgenommen bei:
J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1956-02-07)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 13) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 56)
recording of:
Long Tall Sally (am 1956-02-07)
Verfasser(in):
Enotris Johnson (am 1955-11-29), Richard Wayne Penniman (am 1955-11-29) und Robert Alexander Blackwell (am 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music und Venice Music
Little Richard42:10
8Brown Eyed Handsome Man
Chuck Berry & His Combo2:16
9Banana Boat (Day‐O)
Produzent(in):
Herman Diaz, Jr.
Conga:
Alexander Cambrelen (am 1955-10-20) und Mario Castillo (am 1955-10-20)
flute:
Herbert Levy (am 1955-10-20)
Gitarre:
Millard Thomas (am 1955-10-20)
Kontrabass:
Milt Hinton (am 1955-10-20)
Schlagzeug:
Osie Johnson (am 1955-10-20)
Chorgesang:
Charles Colman (am 1955-10-20), J. Hamilton Grandison (am 1955-10-20), Herbert L. Stubbs (am 1955-10-20), Joseph Lewis (am 1955-10-20), Lord Burgess (am 1955-10-20), Brock Peters (am 1955-10-20), Sherman Sneed (am 1955-10-20), John White (50s US vocalist) (am 1955-10-20) und Gloria Wynder (am 1955-10-20)
Sologesang:
Harry Belafonte (am 1955-10-20)
vocals:
Harry Belafonte
Orchester:
Tony Scott's Orchestra & Chorus (am 1955-10-20)
conductor:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1955-10-20)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (am 1955-10-20)
recording of:
Day‐O (The Banana Boat Song) (Burgess/Attaway arrangement made famous by Harry Belafonte) (am 1955-10-20)
zusätzlicher Texter:
William Attaway (in 1955) und Irving Burgie (in 1955)
Komponist(in):
[traditional] (special purpose artist)
publisher:
Caribe Music Corp., Cherry Lane Music Ltd., Cherry Lane Music Publishing Ltd, EMI Songs Ltd., Garber Music Ltd., Lord Burgess Music Publishing Co., Music Sales Corp (American copyright holder in both popular and classical music) und Reservoir Media Music
Version von:
Day‐O (The Banana Boat Song) (original folk song)
Harry Belafonte4.33:07
10Touch the Hem of His Garment
Sam Cooke & The Soul Stirrers2:05
11Sometime I Feel Like a Motherless Child
Marian Anderson3:04
12Misty
recording of:
Misty
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) und WB Music Corp. (1929–2019)
basiert auf:
Misty (original instrumental work)
Johnny Mathis4:10
13The Twist
recorded in:
Cincinnati, Ohio, Vereinigte Staaten (am 1958-11-11)
Bass:
Edwyn Conley (am 1958-11-11)
E-Bass:
Navarre Hastings (am 1958-11-11)
Gitarre:
Cal Green (am 1958-11-11)
Klavier:
Sonny Thompson (US R&B bandleader and pianist) (am 1958-11-11)
membranophone:
George DeHart
Schlagzeug:
George DeHart (am 1958-11-11)
Tenorsaxophon:
Ray Felder (am 1958-11-11) und James E. Henry Moore (am 1958-11-11)
Hintergrundgesang:
The Midnighters (aka The Midnighters until 1958)
Sologesang:
Hank Ballard (am 1958-11-11)
vocals:
The Midnighters (aka The Midnighters until 1958) (am 1958-11-11)
recording of:
The Twist (am 1958-11-11)
Texter und Komponist(in):
Hank Ballard
publisher:
Carlin Music Corp., J. Albert & Son P/L und Embassy Music Corporation (vom 2016-06 bis heute)
Hank Ballard and the Midnighters42:39
14I Ain’t Superstitious
recording of:
I Ain’t Superstitious
Texter und Komponist(in):
Willie Dixon
publisher:
Bug Music Ltd. und Hoochie Coochie Music
Howlin’ Wolf2:56
15I Pity the Fool
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1960-11-12)
recording of:
I Pity the Fool (am 1960-11-12)
Texter und Komponist(in):
Deadric Malone
Bobby “Blue” Bland2:43
16At Last
cover recording of:
At Last
Verfasser(in):
Mack Gordon und Harry Warren (US composer and lyricist)
publisher:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Etta James3:11
17Wednesday Night Prayer Meeting
recording engineer:
Tom Dowd (am 1959-02-04)
Produzent(in):
Nesuhi Ertegun
alto saxophone:
John Handy (US jazz alto saxophonist, born 1933) (am 1959-02-04) und Jackie McLean (jazz saxophonist) (am 1959-02-04)
baritone saxophone:
Pepper Adams (baritone saxophonist) (am 1959-02-04)
Klavier:
Horace Parlan (American‐Danish jazz pianist) (am 1959-02-04)
Kontrabass:
Charles Mingus (am 1959-02-04)
Posaune:
Willie Dennis (am 1959-02-04) und Jimmy Knepper (trombonist) (am 1959-02-04)
Schlagzeug:
Dannie Richmond (drummer) (am 1959-02-04)
Tenorsaxophon:
Booker Ervin (tenor saxophonist) (am 1959-02-04)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-02-04)
recording of:
Wednesday Night Prayer Meeting (am 1959-02-04)
Komponist(in):
Charles Mingus
Charles Mingus5:42
18Giant Steps
recording engineer:
Tom Dowd (am 1959-05-05) und Phil Iehle (am 1959-05-05)
Produzent(in):
Nesuhi Ertegun
Klavier:
Tommy Flanagan (am 1959-05-05)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-05-05)
Schlagzeug:
Art Taylor (am 1959-05-05)
Tenorsaxophon:
John Coltrane (am 1959-05-05)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-05-05)
recording of:
Giant Steps (am 1959-05-05)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
Teil von:
The Real Book (compilation of jazz standards, volume I)
John Coltrane3.34:47
19Maiden Voyage
recording of:
Maiden Voyage
Komponist(in):
Herbert J. Hancock (Herbie Hancock, US jazz pianist, keyboardist, bandleader and composer)
publisher:
Hancock Music Co.
Herbie Hancock7:54
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