| # | Title | Artist | Rating | Length |
|---|
| 1 | Concert Paraphrase on Powder Her Face: I | Thomas Adès | | 5:38 |
| 2 | Concert Paraphrase on Powder Her Face: II | Thomas Adès | | 1:24 |
| 3 | Concert Paraphrase on Powder Her Face: III | Thomas Adès | | 7:55 |
| 4 | Concert Paraphrase on Powder Her Face: IV | Thomas Adès | | 2:05 |
| 5 | Mazurkas for Piano, op. 27: First Mazurka | Thomas Adès | | 1:44 |
| 6 | Mazurkas for Piano, op. 27: Second Mazurka | Thomas Adès | | 2:09 |
| 7 | Mazurkas for Piano, op. 27: Third Mazurka | Thomas Adès | | 3:58 |
| 8 | Arcadiana, op. 12: I. Venezia notturna | Thomas Adès | | 2:49 |
| 9 | Arcadiana, op. 12: II. Das klinget so herrlich, das Iklinget so schön | Thomas Adès | | 1:30 |
| 10 | Arcadiana, op. 12: III. Auf dem Wasser zu singen | Thomas Adès | | 2:34 |
| 11 | Arcadiana, op. 12: IV. Et....(tango mortale) | Thomas Adès | | 4:13 |
| 12 | Arcadiana, op. 12: V. L'Embarquement - | Thomas Adès | | 2:27 |
| 13 | Arcadiana, op. 12: VI. O Albion | Thomas Adès | | 3:09 |
| 14 | Arcadiana, op. 12: VII. Lethe | Thomas Adès | | 2:43 |
| 15 | Piano Quintet: 1 | Thomas Adès | | 12:03 |
| 16 | Piano Quintet: 2 | Thomas Adès | | 5:05 |
| 17 | Piano Quintet: 3 | Thomas Adès | | 2:51 |