The Astaire Story

~ Veröffentlichung von Oscar Peterson & Fred Astaire (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelBewertungLänge
1Top Hat, White Tie and Tails
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
vocals:
Fred Astaire (in 1952-12)
recording of:
Top Hat, White Tie and Tails (from “Top Hat”) (in 1952-12)
Texter und Komponist(in):
Irving Berlin (in 1935)
Teil von:
Top Hat (1935 film)
4:02
2No Strings
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
Bassgitarre:
Ray Brown (jazz bassist)
Celesta und Klavier:
Oscar Peterson (Canadian jazz pianist and composer)
Gitarre:
Barney Kessel
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Flip Phillips
Trompete:
Charlie Shavers
vocals:
Fred Astaire (in 1952-12)
recording of:
No Strings (I’m Fancy Free) (from “Top Hat”) (in 1952-12)
Texter und Komponist(in):
Irving Berlin (in 1935)
Teil von:
Top Hat (1935 film)
2:58
3I Concentrate on You
Produzent(in):
Norman Granz
Gitarre:
Barney Kessel (in 1952-12)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
Kontrabass:
Ray Brown (jazz bassist) (in 1952-12)
Schlagzeug:
Alvin Stoller (in 1952-12)
Tenorsaxophon:
Flip Phillips (in 1952-12)
Trompete:
Charlie Shavers (in 1952-12)
vocals:
Fred Astaire (in 1952-12)
recording of:
I Concentrate on You (in 1952-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1939)
publisher:
Chappell & Co., Inc. (USA)
2:45
4I’m Putting All My Eggs in One Basket
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
vocals:
Fred Astaire (in 1952-12)
recording of:
I’m Putting All My Eggs in One Basket (from “Follow the Fleet”) (in 1952-12)
Texter und Komponist(in):
Irving Berlin (in 1936)
2:57
5A Fine Romance
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
Gitarre:
Barney Kessel (in 1952-12)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
Kontrabass:
Ray Brown (jazz bassist) (in 1952-12)
Schlagzeug:
Alvin Stoller (in 1952-12)
Tenorsaxophon:
Flip Phillips (in 1952-12)
Trompete:
Charlie Shavers (in 1952-12)
vocals:
Fred Astaire (in 1952-12)
recording of:
A Fine Romance (from “Swing Time”) (in 1952-12)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
3:45
6Night and Day
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
Bassgitarre:
Ray Brown (jazz bassist)
Gitarre:
Barney Kessel (in 1952-12)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
Kontrabass:
Ray Brown (jazz bassist) (in 1952-12)
Schlagzeug:
Alvin Stoller (in 1952-12)
Tenorsaxophon:
Flip Phillips (in 1952-12)
Trompete:
Charlie Shavers (in 1952-12)
vocals:
Fred Astaire (in 1952-12)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (in 1952-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
5:25
7Fascinating Rhythm
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
Bass und Bassgitarre:
Ray Brown (jazz bassist)
Gitarre:
Barney Kessel
Klavier:
Oscar Peterson (Canadian jazz pianist and composer)
Schlagzeug:
Alvin Stoller
Trompete:
Charlie Shavers
vocals:
Fred Astaire (in 1952-12)
recording of:
Fascinatin’ Rhythm (in 1952-12)
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
WB Music Corp. (renewed) (1929–2019) und Harms, Inc. (in 1924)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
Lady, Be Good (full musical)
2:44
8I Love Louisa
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
vocals:
Fred Astaire (in 1952-12)
Orchester:
MGM Studio Orchestra (in 1953)
conductor:
Adolph Deutsch (in 1953)
phonographisches Urheberrecht (℗) von:
Loew’s Incorporated (in 1953) und Metro–Goldwyn–Mayer Film Co. (in 1981)
recording of:
I Love Louisa (The Band Wagon) (in 1952-12)
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
Teil von:
The Band Wagon (1953 film)
recording of:
I Love Louisa (The Band Wagon) (in 1953)
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
Teil von:
The Band Wagon (1953 film)
2:42
9Slow Dances
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
vocals:
Fred Astaire (in 1952-12)
recording of:
Slow Dances (Ad Lib) (in 1952-12)
2:56
10Medium Dance
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
Kontrabass [bass]:
Ray Brown (jazz bassist) (in 1952-12)
Schlagzeug:
Alvin Stoller (in 1952-12)
tap dance:
Fred Astaire (in 1952-12)
vocals:
Fred Astaire (in 1952-12)
recording of:
Medium Dances (Ad Lib) (in 1952-12)
2:03
11They Can’t Take That Away From Me
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
Gitarre:
Barney Kessel (in 1952-12)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
Kontrabass:
Ray Brown (jazz bassist) (in 1952-12)
Schlagzeug:
Alvin Stoller (in 1952-12)
Tenorsaxophon:
Flip Phillips (in 1952-12)
Trompete:
Charlie Shavers (in 1952-12)
vocals:
Fred Astaire (in 1952-12)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1952)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (in 1952-12)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
4:24
12You’re Easy to Dance With
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
Gitarre:
Barney Kessel (in 1952-12)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
Kontrabass:
Ray Brown (jazz bassist) (in 1952-12)
Schlagzeug:
Alvin Stoller (in 1952-12)
Tenorsaxophon:
Flip Phillips (in 1952-12)
Trompete:
Charlie Shavers (in 1952-12)
vocals:
Fred Astaire (in 1952-12)
recording of:
You’re Easy to Dance With (from “Holiday Inn”) (in 1952-12)
Texter und Komponist(in):
Irving Berlin
3:24
13A Needle in a Haystack
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
vocals:
Fred Astaire (in 1952-12)
recording of:
A Needle in a Haystack (from the 1934 film "The Gay Divorcee") (in 1952-12)
Texter:
Herb Magidson
Komponist(in):
Con Conrad (songwriter and producer)
2:25
14So Near and Yet So Far
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
vocals:
Fred Astaire (in 1952-12)
recording of:
So Near and Yet So Far (from “You’ll Never Get Rich”) (in 1952-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1941)
3:21
15A Foggy Day
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
vocals:
Fred Astaire (in 1952-12)
recording of:
A Foggy Day (in London Town) (in 1952-12)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
4:03
16Oh, Lady Be Good
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
vocals:
Fred Astaire (in 1952-12)
recording of:
Oh, Lady Be Good! (in 1952-12)
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
American Splendor
Teil von:
Lady, Be Good (full musical)
5:03
17I’m Building Up to an Awful Letdown
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
vocals:
Fred Astaire (in 1952-12)
recording of:
I'm Building Up to an Awful Letdown (in 1952-12)
Verfasser(in):
Fred Astaire und Johnny Mercer
4:01
18Not My Girl
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
vocals:
Fred Astaire (in 1952-12)
recording of:
Not My Girl (in 1952-12)
Verfasser(in):
Fred Astaire, Desmond Carter und Van Phillips
3:38
19Jam Session for a Dancer
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
recording of:
Jam Session for a Dancer (in 1952-12)
?:??
20The Astaire Blues
?:??
21The Second Astaire Blues
?:??

Nennungen

Veröffentlichung

ASIN:US: B00IWUL7RA [Info]

Veröffentlichungsgruppe

Wikipedia:en: The Astaire Story [Info]
Allmusic:https://www.allmusic.com/album/mw0000202081 [Info]
Wikidata:Q7714739 [Info]