| # | Title | Artist | Rating | Length |
|---|
| 1 | Hit Me With Your Best Shot | Pat Benatar | 4.15 | 2:52 |
| 2 | Private Eyes- recording engineer and mixer:
- Neil Kernon
- assistant engineer:
- Bruce Buckhhalter
- co-producer:
- Neil Kernon
- producer:
- Daryl Hall and John Oates
- drums (drum set) [drums]:
- Mickey Curry
- phonographic copyright (℗) by:
- BMG Entertainment (in 1981) and RCA Records (in 1981)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- recording of:
- Private Eyes
- writer:
- Janna Allen , Sara Allen, Daryl Hall and Warren Pash
- publisher:
- Almo Music Corp. , BMG Rights Management Canada, Geomantic Music, Gnarly Dude Music, Hot Cha Music Co., Primary Wave Brian, Unichappell Music Six Continents Special Account, Unichappell Music, Inc., Warner/Chappell Music Ltd. , ヤマハミュージックEH(CM) , ユニバーサル・ミュージック・パブリッシング Synch事業部 , ワーナー・チャペル音楽出版 Synch事業部 , フジパシフィック音楽出版 (until 2014-12-31), ヤマハミュージックパブリッシング (until 2017-03-31), フジパシフィックミュージック (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
- live recording of:
- Private Eyes
- writer:
- Janna Allen , Sara Allen, Daryl Hall and Warren Pash
- publisher:
- Almo Music Corp. , BMG Rights Management Canada, Geomantic Music, Gnarly Dude Music, Hot Cha Music Co., Primary Wave Brian, Unichappell Music Six Continents Special Account, Unichappell Music, Inc., Warner/Chappell Music Ltd. , ヤマハミュージックEH(CM) , ユニバーサル・ミュージック・パブリッシング Synch事業部 , ワーナー・チャペル音楽出版 Synch事業部 , フジパシフィック音楽出版 (until 2014-12-31), ヤマハミュージックパブリッシング (until 2017-03-31), フジパシフィックミュージック (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
| Hall & Oates | 4.55 | 3:26 |
| 3 | The Breakup Song | Greg Kihn Band | | 2:51 |
| 4 | Her Town Too- assistant recording engineer:
- Niko Bolas
- recording engineer:
- Val Garay
- producer:
- Peter Asher
- acoustic guitar:
- Waddy Wachtel
- bass guitar:
- Leland Sklar
- drums (drum set):
- Rick Marotta
- electric guitar:
- Dan Dugmore
- electric piano and organ:
- Don Grolnick
- vocals:
- J.D. Souther and James Taylor
- conductor:
- Gene Page
- strings arranger:
- Gene Page
- phonographic copyright (℗) by:
- CBS, Inc. (in 1981) and Sony Music Entertainment Inc. (in 1982)
- recorded at:
- Record One in Sherman Oaks, Los Angeles, California, United States (from 1980-09-05 until 1981-01-18)
- recording of:
- Her Town Too
- writer:
- J.D. Souther, James Taylor and Waddy Wachtel
- publisher:
- Country Road Music, Inc. , Ice Age Music, Leadsheet Land Music, 日音 Synch事業部 , イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| James Taylor | 3.5 | 4:28 |
| 5 | Super Freak- recording engineer and mixer:
- Tom "Super" Flye
- assistant engineer:
- Rick "Port Hole" Sanchez
- engineer:
- Bobby Brooks , Rick "Port Hole" Sanchez and Tom "Super" Flye
- executive producer:
- Alonzo Miller
- producer:
- Rick James
- bass:
- Oscar Alston
- drums (drum set):
- Lanise Hughes
- electric piano and synthesizer [Crumar]:
- Levi Ruffin, Jr.
- guitar:
- Tom McDermott
- handclaps and percussion:
- Oscar Alston, Rick James and Tom McDermott
- other instruments [flexatone] and vibraslap:
- Rick James
- tenor saxophone:
- Daniel LeMelle
- background vocals:
- Dennis Edwards , Melvin Franklin, Taborah Johnson, Glenn Leonard, Richard Street and Otis Williams
- horn arranger:
- Daniel LeMelle and Rick James
- arranger:
- Rick James
- recorded at:
- Motown Studios - Hitsville West in West Hollywood, California, United States (background vocals) and The Plant Studios in Sausalito, California, United States
- mixed at:
- Westlake Studios in West Hollywood, California, United States
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 71), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 153) and Rolling Stone: 500 Greatest Songs of All Time (number: 477)
- recording of:
- Super Freak
- lyricist and composer:
- Alonzo Miller and Rick James
- publisher:
- Jobete Music Co., Inc. and Stone Diamond Music Corporation
| Rick James | 4.15 | 3:26 |
| 6 | The Tide Is High- assistant engineer:
- Gary Boatner and Doug Schwartz
- engineer:
- Lenise Bent
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (in 1980)
- drums (drum set):
- Clem Burke (in 1980)
- guest percussion:
- Alex Acuña (in 1980), Ollie E. Brown (in 1980) and Emil Richards (in 1980)
- guitar:
- Frank Infante (in 1980) and Chris Stein (in 1980)
- keyboard:
- Jimmy Destri (in 1980)
- timpani:
- Chris Stein (in 1980)
- background vocals [girl-group backup vocals]:
- The ‘B’ Girls and Deborah Harry
- lead vocals:
- Deborah Harry (in 1980)
- instruments arranger:
- Jimmie Haskell
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2001), Capitol Records (in 2001), Capitol Records, Inc. (in 2001) and Capitol Records, LLC (in 2001)
- recorded at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
- cover recording of:
- The Tide Is High (in 1980)
- additional writer:
- Howard Barrett (in 1967) and Tyrone Evans (in 1967)
- writer:
- John Holt (in 1967)
- publisher:
- B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control , Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
| Blondie | 4.15 | 4:44 |
| 7 | Jessie’s Girl- producer:
- Keith Olsen
- arranger:
- Neil Geraldo , Keith Olsen and Rick Springfield
- phonographic copyright (℗) by:
- BMG Entertainment (in 1981), BMG Music (in 1981), RCA Records (in 1981), RCA Records, Inc. (in 1981), Sony Music Entertainment (in 1981, in 2001) and Wizard Records (in 1981)
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 20) and Billboard: The 500 Best Pop Songs (number: 55)
- recording of:
- Jessie’s Girl
- lyricist and composer:
- Rick Springfield
- publisher:
- BMG Music, Copyright Control , Muscleman Music, PolyGram Music Publishing Ltd., Portal Music, Universal Music Publishing Ltd. , Universal–Songs of PolyGram International, Inc. and Wizard Music
| Rick Springfield | 4.4 | 3:15 |
| 8 | 99 | Toto | 3.85 | 5:12 |
| 9 | Hold On Tight- engineer:
- Mack
- producer:
- Jeff Lynne
- bass:
- Kelly Groucutt (in 1981)
- drums (drum set) and percussion:
- Bev Bevan (in 1981)
- electric piano:
- Richard Tandy (in 1981)
- guitar, piano and synthesizer:
- Jeff Lynne (in 1981) and Richard Tandy (in 1981)
- lead vocals:
- Jeff Lynne (in 1981)
- conductor:
- Rainer Pietsch (in 1981)
- phonographic copyright (℗) by:
- Jet Records (in 1981), Sony Music Entertainment (in 1981, in 2005), Sony Music Entertainment Inc. (in 1981) and Sony Music Entertainment UK Limited (in 1981)
- recorded at:
- Musicland Studios in München , Bayern , Germany (in 1981)
- recording of:
- Hold On Tight (in 1981)
- lyricist and composer:
- Jeff Lynne
- publisher:
- EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Ltd., Jet Music Ltd. , Polygon Publishing Ltd., EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Electric Light Orchestra | 4.15 | 3:08 |
| 10 | What I Like About You | The Romantics | 4.75 | 2:57 |
| 11 | Ride Like the Wind- assistant engineer:
- Stuart Gitlin
- engineer and mixer:
- Chet Himes
- producer:
- Michael Omartian
- acoustic guitar, electric guitar, solo guitar and lead vocals:
- Christopher Cross
- bass guitar:
- Andy Salmon
- drums (drum set):
- Tommy Taylor
- electric piano and piano:
- Michael Omartian
- percussion:
- Lenny Castro
- synthesizer:
- Rob Meurer
- background vocals:
- Christopher Cross and Michael McDonald
- arranger:
- Christopher Cross , Rob Meurer and Michael Omartian
- phonographic copyright (℗) by:
- Warner Bros. (in 1979) and Warner Bros. Records Inc. (in 1979)
- produced for:
- Free Flow Productions
- recorded at:
- Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Ride Like the Wind
- lyricist and composer:
- Christopher Cross
- publisher:
- BMG Songs, Inc., Pop ’n’ Roll Music and Universal Music–MGB Songs
- sub-publisher:
- Shinko Music Entertainment Co., Ltd. and Universal Music Publishing, Synch Division
| Christopher Cross | 4.1 | 4:32 |
| 12 | Romeo’s Tune | Steve Forbert | 3.35 | 3:33 |
| 13 | Keep On Loving You- assistant engineer:
- Tom Cummings and Jeff Eccles
- engineer:
- Kevin Beamish
- co-producer:
- Alan Gratzer
- producer:
- Kevin Beamish, Kevin Cronin and Gary Richrath
- acoustic guitar:
- Kevin Cronin
- bass:
- Bruce Hall
- drums (drum set):
- Alan Gratzer
- guitar:
- Gary Richrath
- Hammond organ:
- Neal Doughty
- background vocals:
- Kevin Cronin , Tom Kelly and Richard Page
- arranger:
- Kevin Cronin
- phonographic copyright (℗) by:
- Epic Records (in 1980), Sony BMG Music Entertainment (in 1980), Sony Music Entertainment (in 1980), Sony Music Entertainment Inc. (in 1980, in 1981) and CBS Records Inc. (in 1981)
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 67)
- recording of:
- Keep On Loving You (on 1980-09-03)
- lyricist and composer:
- Kevin Cronin
- publisher:
- Bucks Music Group Ltd. , Bug Music Ltd., Fate Music, HoriPro Entertainment Group, Hornall Brothers Music Ltd. , Mushroom Music , Mushroom Music Pty. Ltd., The International Music Network and Warner Chappell Music Ltd.
- sub-publisher:
- Taiyō Music
| REO Speedwagon | 3.55 | 3:22 |
| 14 | Jojo | Boz Scaggs | | 4:10 |
| 15 | Voices | Cheap Trick | | 4:23 |
| 16 | Hearts on Fire | Randy Meisner | | 2:47 |
| 17 | Hard to Say | Dan Fogelberg | | 4:00 |
| 18 | Please Don’t Go | KC and the Sunshine Band | 4 | 3:47 |