The Sun Years (12 LP set)

~ Veröffentlichung von Jerry Lee Lewis (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Inside this presentation box: 12 individually sleeved LPs containing 209 recordings interspersed with many extracts of hokum and mayhem from the original Sun recording sessions; each LP sleeve bearing a detailed track-by-track analysis of the enclosed recordings. A 36-page, LP-size booklet containing Introduction by Sam C. Phillips; overview of Jerry's career during The Sun Years; analysis of The Sun Sound; detailed session discography of Jerry's Sun recordings; photos, cuttings and memorabilia.
The whole comprising a definitive compilation of the vital recordings of a vital man: The Killer – Jerry Lee Lewis.
The 209 recordings in this set are coded on this box as follows:

  • A: 57 tracks (27%) – as mastered and first issued between 1956–1965 by Sam C. Phillips' original Sun Records Co.
  • B: 7 tracks (3,5%) – previously unissued raw tracks of recordings that were issued on original Sun with overdubbed vocal/instrumental accompaniment
  • C: 77 tracks (37%) – first issued after the Sun catalogue was bought by Shelby S. Singleton in 1969. Many of the tracks, only previously issued in simulated stereo, are first issued here in original mono
  • D: 60 tracks (28,5%) – previously unissued alternative takes of previously issued titles
  • E: 8 tracks (4%) – previously unissued titles.
Anmerkung zuletzt geändert am 2012-07-15 07:36 UTC.

Titelliste

112"-Vinyl: Dixie (1956)
212"-Vinyl: Whole Lotta Shakin’ (January – February 1957)
312"-Vinyl: Lewis Boogie (Summer 1957)
412"-Vinyl: Balls of Fire (September 1957 – January 1958)
512"-Vinyl: Good Rockin’ Tonight (January – March 1958)
612"-Vinyl: Wild One (March – April 1958)
712"-Vinyl: Live and Let Live (May – November 1958)
812"-Vinyl: It Hurt Me So (November 1958 – March 1959)
912"-Vinyl: The Guilty One (March 1959 – January 1960)
1012"-Vinyl: What’d I Say (January 1960 – February 1961)
1112"-Vinyl: Won’t Happen With Me (June 1961 – June 1962)
1212"-Vinyl: Can’t Seem to Say Goodbye (June 1962 – August 1963)
Nr.TitelKünstlerBewertungLänge
A1Waiting for a Train (C)
Produzent(in):
Scotty Moore (American guitarist and recording engineer) und Sam Phillips (founder of Sun Records)
Bassgitarre:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (am 1962-01-05)
Gitarre:
Roland Janes (am 1962-01-05) und Scotty Moore (American guitarist and recording engineer) (am 1962-01-05)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1962-01-05)
Orgel:
Shirley Sisk (am 1962-01-05)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (am 1962-01-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1962-01-05)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1970)
Remix von:
Waiting for a Train (take named (1.2) on BCD 17254 stereo) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
cover recording of:
Waiting for a Train (am 1962-01-05)
Texter und Komponist(in):
Jimmie Rodgers (country music pioneer, died in 1933)
Jerry Lee Lewis1:40
A2Good Rockin’ Tonight (C)
Remix von:
Good Rockin’ Tonight (version 2 take 2 stereo) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
Bearbeitung von:
Good Rockin’ Tonight (version 2: slate, take 2, chat) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
cover recording of:
Good Rockin’ Tonight (am 1962-06-14)
Texter und Komponist(in):
Roy Brown (blues musician) (in 1947-07)
publisher:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. und Wixen Music UK Ltd.
Jerry Lee Lewis2:41
A3Be Bop a Lula (C)
Produzent(in):
Scotty Moore (American guitarist and recording engineer) und Sam Phillips (founder of Sun Records)
Bassgitarre:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (am 1962-06-14)
Gitarre:
Roland Janes (am 1962-06-14) und Scotty Moore (American guitarist and recording engineer) (am 1962-06-14)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1962-06-14)
Orgel:
Shirley Sisk (am 1962-06-14)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (am 1962-06-14)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1962-06-14)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1971)
Remix von:
Be‐Bop‐A‐Lula (stereo) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
cover recording of:
Be‐Bop‐a‐Lula (am 1962-06-14)
Verfasser(in):
Bill “Tex” Davis und Gene Vincent
publisher:
Lowery Music Co. Inc.
Jerry Lee Lewis2:25
A4How’s My Ex Treating You (A)
Produzent(in):
Scotty Moore (American guitarist and recording engineer) und Sam Phillips (founder of Sun Records)
Bassgitarre:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (am 1962-06-14)
Gitarre:
Roland Janes (am 1962-06-14) und Scotty Moore (American guitarist and recording engineer) (am 1962-06-14)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1962-06-14)
Orgel:
Shirley Sisk (am 1962-06-14)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (am 1962-06-14)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1962-06-14)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1962)
recording of:
How’s My Ex Treating You (am 1962-06-14)
Texter und Komponist(in):
Vic McAlpin
Jerry Lee Lewis2:34
A5Good Golly Miss Molly (A)
Produzent(in):
Billy Sherrill (US songwriter/producer/arranger)
Bassgitarre:
Floyd Chance (am 1962-09-11)
Gitarre:
Fred Carter (am 1962-09-11) und Kelton ‘Kelso’ Herston (am 1962-09-11)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1962-09-11)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1962-09-11)
Chorgesang und Hintergrundgesang:
Helen Chance (am 1962-09-11), Neal Matthews (am 1962-09-11), Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1962-09-11), Ray Walker (US bass singer, Jordanaires member) (am 1962-09-11) und Marijohn Wilkin (am 1962-09-11)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1962-09-11)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1962)
Remix von:
Good Golly Miss Molly (master stereo) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
cover recording of:
Good Golly Miss Molly (am 1962-09-11)
Verfasser(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Cedos Music, Jondora Music, PeerMusic AB, Prestige Music ltd. und Robin Hood Music Co.
Jerry Lee Lewis2:16
A6I Can’t Trust Me (In Your Arms Anymore) (A)
Produzent(in):
Billy Sherrill (US songwriter/producer/arranger)
Bassgitarre:
Floyd Chance (am 1962-09-11)
Gitarre:
Fred Carter (am 1962-09-11) und Kelton ‘Kelso’ Herston (am 1962-09-11)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1962-09-11)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1962-09-11)
Chorgesang und Hintergrundgesang:
Helen Chance (am 1962-09-11), Neal Matthews (am 1962-09-11), Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1962-09-11), Ray Walker (US bass singer, Jordanaires member) (am 1962-09-11) und Marijohn Wilkin (am 1962-09-11)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1962-09-11)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1962)
Remix von:
I Can't Trust Me (In Your Arms Anymore) (master stereo) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
I Can’t Trust Me in Your Arms Anymore (am 1962-09-11)
Verfasser(in):
Tommy Certain und Vic McAlpin
Jerry Lee Lewis2:12
A7My Pretty Quadroon (C)
Produzent(in):
Billy Sherrill (US songwriter/producer/arranger)
Bassgitarre:
Floyd Chance (am 1962-09-11)
Gitarre:
Fred Carter (am 1962-09-11) und Kelton ‘Kelso’ Herston (am 1962-09-11)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1962-09-11)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1962-09-11)
Chorgesang und Hintergrundgesang:
Helen Chance (am 1962-09-11), Neal Matthews (am 1962-09-11), Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1962-09-11), Ray Walker (US bass singer, Jordanaires member) (am 1962-09-11) und Marijohn Wilkin (am 1962-09-11)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1962-09-11)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1974)
Remix von:
My Pretty Quadroon (stereo) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
My Quadroon (Jerry Lee Lewis version) (am 1962-09-11)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
Jerry Lee Lewis2:52
A8Seasons of My Heart (A)
Bearbeitung von:
Seasons of My Heart (chat & take 1) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) & Linda Gail Lewis
recording of:
Seasons of My Heart
Verfasser(in):
Darrell Edwards und George Jones (US country music vocalist)
publisher:
Fort Knox Music Inc. und Trio Music Company
Jerry Lee Lewis & Linda Gail Lewis2:58
A9Teenage Letter (A)
Remix von:
Teenage Letter (stereo) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
Bearbeitung von:
Teenage Letter (false start & take 2) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
Teenage Letter
Texter und Komponist(in):
Renald Richard
Jerry Lee Lewis2:19
B1Your Lovin’ Ways (C)
Bearbeitung von:
Your Lovin' Ways (slate & take 8) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
Your Lovin’ Ways
Verfasser(in):
Robert Chilton und Alton Harkins
Jerry Lee Lewis2:36
B2Just Who Is to Blame (C)
Bearbeitung von:
Just Who Is to Blame (take 1) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
Just Who Is to Blame
Texter und Komponist(in):
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
Jerry Lee Lewis2:34
B3Just Who Is to Blame (C)
Remix von:
Just Who Is to Blame (take named (1) on BCD 17254 stereo) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
Bearbeitung von:
Just Who Is to Blame (false start & take named (1) on BCD 17254) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
Just Who Is to Blame
Texter und Komponist(in):
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
Jerry Lee Lewis2:18
B4Hong Kong Blues (C)
Bearbeitung von:
Hong Kong Blues (slate & take 2) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
Hong Kong Blues (Jerry Lee Lewis song)
Texter und Komponist(in):
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1963)
Jerry Lee Lewis2:04
B5Love on Broadway (C)
Bearbeitung von:
Love on Broadway (chat & take) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
Love on Broadway
Verfasser(in):
Dub Allbritten (manager and songwriter) und Ronnie Self (rockabilly singer and songwriter)
Jerry Lee Lewis2:28
B6One Minute Past Eternity (C)
Produzent(in):
Sam Phillips (founder of Sun Records)
Bassgitarre:
Herman 'Hawk' Hawkins (am 1963-08-28)
Gitarre:
Roland Janes (am 1963-08-28) und Scotty Moore (American guitarist and recording engineer) (am 1963-08-28)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1963-08-28)
Orgel:
W.R. Felts (am 1963-08-28)
Saiteninstrumente:
Joan Gilbert (am 1963-08-28), Noel Gilbert (am 1963-08-28), Milton Friedsland (am 1963-08-28) und Anne Oldham (am 1963-08-28)
Schlagzeug:
Morris 'Tarp' Tarrant (American drummer) (am 1963-08-28)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1963-08-28)
chorus master:
Hurshel Wayne Wiginton (am 1963-08-28)
Saiteninstrumente arranger:
Vinnie Trauth (am 1963-08-28)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1969)
recording of:
One Minute Past Eternity (am 1963-08-28)
Verfasser(in):
Stan Kesler (US session musician, composer and producer) und Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
Jerry Lee Lewis2:02
B7Invitation to Your Party (C)
Produzent(in):
Sam Phillips (founder of Sun Records)
Bassgitarre:
Herman 'Hawk' Hawkins (am 1963-08-28)
Gitarre:
Roland Janes (am 1963-08-28) und Scotty Moore (American guitarist and recording engineer) (am 1963-08-28)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1963-08-28)
Orgel:
W.R. Felts (am 1963-08-28)
Saiteninstrumente:
Joan Gilbert (am 1963-08-28), Noel Gilbert (am 1963-08-28), Milton Friedsland (am 1963-08-28) und Anne Oldham (am 1963-08-28)
Schlagzeug:
Morris 'Tarp' Tarrant (American drummer) (am 1963-08-28)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1963-08-28)
chorus master:
Hurshel Wayne Wiginton (am 1963-08-28)
Saiteninstrumente arranger:
Vinnie Trauth (am 1963-08-28)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1969)
Remix von:
Invitation to Your Party (take named (9) on BCD 17254 stereo) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
Invitation to Your Party (am 1963-08-28)
Texter und Komponist(in):
Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
Jerry Lee Lewis1:53
B8I Can’t Seem to Say Goodbye (C)
Produzent(in):
Sam Phillips (founder of Sun Records)
Bassgitarre:
Herman 'Hawk' Hawkins (am 1963-08-28)
Gitarre:
Roland Janes (am 1963-08-28) und Scotty Moore (American guitarist and recording engineer) (am 1963-08-28)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1963-08-28)
Orgel:
W.R. Felts (am 1963-08-28)
Saiteninstrumente:
Joan Gilbert (am 1963-08-28), Noel Gilbert (am 1963-08-28), Milton Friedsland (am 1963-08-28) und Anne Oldham (am 1963-08-28)
Schlagzeug:
Morris 'Tarp' Tarrant (American drummer) (am 1963-08-28)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1963-08-28)
chorus master:
Hurshel Wayne Wiginton (am 1963-08-28)
Saiteninstrumente arranger:
Vinnie Trauth (am 1963-08-28)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1970)
Remix von:
I Can't Seem to Say Goodbye (take named (2) on BCD 17254 stereo) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
cover recording of:
I Can’t Seem to Say Goodbye (am 1963-08-28)
Texter und Komponist(in):
Don Robertson (“Happy Whistler” songwriter)
Jerry Lee Lewis2:31
B9Carry Me Back to Old Virginia (A)
Bearbeitung von:
Carry Me Back to Old Virginia (extended master) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
Carry Me Back to Old Virginia (Jerry Lee Lewis version)
Texter und Komponist(in):
James A. Bland
arranger:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
Version von:
Carry Me Back to Old Virginny
Jerry Lee Lewis2:25

Nennungen

Veröffentlichung

Discogs:https://www.discogs.com/release/867159 [Info]