Summer of Love • The Hits of 1967

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

℗ 2007 Universal Music Enterprises (Disc 1)
℗ 2007 Sony BMG Music Entertainment (Disc 2)

© 2007 Direct Holdings Americas Inc.

The mould of CD1 contains a credit to UML which was bought by EDC, USA in June 2005. It seems that EDC used an old CD mould.

Other Identifiers
Other (CD1, Mould/hub): MADE IN USA BY UML
Matrix / Runout (CD1): ['EDC' logo] B00 0087 9702 02%%
Mastering SID Code (CD1): IFPI L007
Mould SID Code (CD1): IFPI 0399
Matrix / Runout (CD2): A708721 ['sonopress arvato' logo] + A02 + GA57201 IFPI L028
Mastering SID Code (CD2): IFPI L028
Mould SID Code (CD2): IFPI 10E8
Matrix / Runout (DVD): (327674) M19405 02
Mastering SID Code (DVD): IFPI L780
Mould SID Code (DVD): IFPI KK5H

Annotation last modified on 2024-08-06 05:53 UTC.

Tracklist

1▼CD: AM
#TitleArtistRatingLength
1San Francisco (Be Sure to Wear Flowers in Your Hair)
producer:
Lou Adler and John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
publisher:
John Phillips (The Mamas & The Papas)
lyricist and composer:
John Phillips (The Mamas & The Papas)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) and Wingate Music Corp.
Scott McKenzie3.752:59
2Happy Together
phonographic copyright (℗) by:
White Whale (late 60s/early 70s California) (in 1967)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 257)
recording of:
Happy Together (in 1967)
writer:
Garry Bonner (singer and songwriter) and Alan Gordon (American songwriter who co‐wrote The Turtles’ hit “Happy Together”)
publisher:
Alley Music Corp., EMI Music Publishing (do not use as a release label!), The Hudson Bay Music Co. (publisher) and Trio Music Co., Inc.
part of:
Freaky Friday (2003)
The Turtles4.42:54
3Windy
producer:
Bones Howe
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 310)
recording of:
Windy
lyricist and composer:
Ruthann Friedman
publisher:
Irving Music (BMI), Welbeck Music Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Association52:54
4Creeque Alley
producer:
Lou Adler
produced for:
Dunhill Records USA
recording of:
Creeque Alley
writer:
John Phillips (The Mamas & The Papas) and Michelle Phillips
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Trousdale Music Pub., Inc.
The Mamas & the Papas3.753:47
5Gimme Some Lovin'
producer:
Chris Blackwell (Island Records) and Jimmy Miller (producer for Rolling Stones/Nirvana etc)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1966)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 244)
recording of:
Gimme Some Lovin’
writer:
Spencer Davis, Muff Winwood (bass player, songwriter, producer) and Steve Winwood
publisher:
Kobalt Music Publishing Ltd. (UK), Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996), Yamaha Music EH(CM) and Island Music Ltd. (from 1966 to ????)
The Spencer Davis Group4.152:56
6Incense and Peppermints
producer:
Frank Slay
recording of:
Incense and Peppermints
additional writer:
Ed King (US guitarist, bassist & songwriter) and Mark Weitz (keyboardist)
writer:
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer) and Tim Gilbert
publisher:
MCA Music Ltd.
Strawberry Alarm Clock4.52:48
7Little Bit O' Soul
producer:
Jerry Kasenetz and Jeff Katz (music producer)
recording of:
Little Bit o’ Soul
lyricist and composer:
Carter-Lewis (British songwriter duo)
writer:
John Carter (songwriter & producer, b. 1942) (in 1964) and Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men) (in 1964)
The Music Explosion32:21
859th Street Bridge Song (Feelin' Groovy)
producer:
Lenny Waronker
cover recording of:
The 59th Street Bridge Song (Feelin’ Groovy)
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
Harpers Bizarre2:38
9The Letter
producer:
Dan Penn (songwriter, soul singer)
phonographic copyright (℗) by:
Arista Records (not an imprint, use “Arista” for release labels) (in 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1967) and Atoll Music (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 357) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 364)
recording of:
The Letter (in 1967)
lyricist and composer:
Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
The Box Tops4.151:52
10Heroes and Villains
producer:
Brian Wilson (Beach Boys co‐founder)
recording of:
Heroes and Villains
lyricist:
Van Dyke Parks
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI)
The Beach Boys3:37
11Reflections
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
recording of:
Reflections
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs, Jobete Music (appears also as: Jobete Msc.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) and Stone Agate Music (in 1967)
Diana Ross & The Supremes2:52
12Let's Live for Today
producer:
Steve Barri and P.F. Sloan
recording of:
Let’s Live for Today
writer:
Michael Julien (British songwriter), Mogol (Italian lyricist) and Shel Shapiro
translated version of:
Piangi con me
The Grass Roots32:48
13Darling Be Home Soon
producer:
Erik Jacobsen
recording of:
Darling Be Home Soon
lyricist and composer:
John Sebastian
The Lovin’ Spoonful3:34
14I Was Made to Love Her
producer:
Henry Cosby
bass:
James Jamerson (on 1967-03-31)
electric sitar:
Eddie Willis (on 1967-03-31)
harmonica and lead vocals:
Stevie Wonder (on 1967-03-31)
instruments:
The Funk Brothers (on 1967-03-31)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1966) and Motown Record Corporation (company credits only; do NOT use as release label) (in 1967)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (on 1967-03-31)
recording of:
I Was Made to Love Her (on 1967-03-31)
writer:
Henry Cosby, Lula Mae Hardaway (songwriter), Sylvia Moy and Stevie Wonder
publisher:
Black Bull Music, Inc., EMI Blackwood Music Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Sawandi Music, Stone Agate Music and 大洋音楽 (Taiyō Music)
Stevie Wonder4.72:36
15Pleasant Valley Sunday
producer:
Chip Douglas
acoustic guitar:
Bill Chadwick
bass:
Chip Douglas
drums (drum set) and percussion:
Eddie Hoh
electric guitar:
Michael Nesmith
piano:
Peter Tork
background vocals:
Davy Jones (The Monkees member) and Michael Nesmith
lead vocals:
Micky Dolenz
recorded at:
RCA Victor Studio A (Hollywood) in Hollywood, Los Angeles, California, United States (from 1967-06-10 until 1967-06-13)
recording of:
Pleasant Valley Sunday (from 1967-06-10 until 1967-06-13)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees4.353:15
16Carrie-Anne
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967) and The Hollies Ltd. (in 1967)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-05-01)
recording of:
Carrie Anne (on 1967-05-01)
lyricist and composer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
publisher:
PolyGram Music Publishing and Universal Music Publishing (use ONLY if no country‐specific information is available)
The Hollies3.652:55
17Talk Talk
producer:
Maurie Bercov (US woodwind player)
recording of:
Talk Talk (The Music Machine)
lyricist and composer:
Sean Bonniwell
publisher:
ATV Music Ltd., Bike Music, Lovolar Music and Thrush Music Publishing (from 1966 to ????)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Music Machine1:58
18Sunday Will Never Be the Same
producer:
Jerry Ross Production (production)
recording of:
Sunday Will Never Be the Same
writer:
Terry Cashman and Eugene Pistilli
Spanky and Our Gang3:02
19Kind of a Drag
producer:
Carl Bonafede and Dan Bellock
recording of:
Kind of a Drag
writer:
James Holvay
The Buckinghams2:08
20A Whiter Shade of Pale
producer:
Denny Cordell
bass guitar:
David Knights
guest drums (drum set):
Bill Eyden
guitar:
Ray Royer
Hammond organ:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographic copyright (℗) by:
Onward Music Ltd. (in 1967)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 57) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 271)
recording of:
A Whiter Shade of Pale
lyricist:
Keith Reid
composer:
Gary Brooker and Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) and Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
is based on:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
is based on:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:06
2▶CD: FM
3▶DVD-Video: My Generation: The History of Rock 'n' Roll

Credits

Release

photography:Colin Escott (photography) (task: pages 24, 37, 38 album covers for the youngbloods, country joe & the fish from the collection of)
Corbis (photo company) (task: front cover, booklet cover and back, pages 8-9, 26, 32-33, 34, 39)
Getty Images (task: inside liner, page 12)
Bas Hartong (task: pages 36-37, 38-39 album covers for the lovin' spoonful, the hollies, vanilla fudge, country joe and the fish, the butterfield blues band from the collection of)
Showtime Music Archives (task: pages 2, 10-11, 14, 16-17, 18, 21, 22-23 photos of cream and the byrds, 28 vanilla fudge handbill, 30-31 photos of traffic and the yardbirds, 36-37 album covers for the turtles, the mamas & the papas, the supremes, fresh cream, jefferson airplane)
Wolfgang's Vault (photographer) (task: pages 4, 6-7, 22-23 jefferson airplane ticket and the byrds poster, 28-29 the blues project and donovan posters, page 31 the butterfield blues band poster, 33 new years eve 1967-1968 ticket)
liner notes:Colin Escott
miscellaneous support:Olivia Kim (editorial researcher) (task: research / editorial research)
Meghan Ryan (creative director and project manager for Time Life Music, from 2004 to 2011) (task: project manager)
executive producer:Mike Jason
producer:Colin Escott (task: compilation producer)
Bas Hartong (task: compilation producer)
Tom Vickers (task: compilation producer)
mastering:Larry Lachmann (engineer at Kevorkian Mastering)
design:Fuszion (design entity)
manufactured by and phonographic copyright (℗) by:Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008)
Universal Music Enterprises (not for release label use; catalog/reissue division of UMG Recordings, Inc.)
copyrighted (©) by:Direct Holdings Americas Inc.
Time Life Video & Television
Warner Bros. Domestic Television Distribution
licensed from:Albert Productions
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
EMI Music Marketing
Geffen Records
GNP Crescendo Records
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25)
Licensemusic.com ApS
Motown Records (not for label use; use “Motown” instead)
Muscadet Prod. Inc.
Original Sound Records
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.)
Rhino Entertainment Company (not for release label use!)
Sony BMG Custom Marketing Group
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008)
The Island Def Jam Music Group (American holding company, not normally a release label)
Universal Music Enterprises (not for release label use; catalog/reissue division of UMG Recordings, Inc.)
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation)
Vanguard Records (not for release label use! file releases under its imprint "Vanguard" instead)
Verve Music Group (now known as Verve Label Group; not for release label use!)
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text)
pressed by:Technicolor Mexicana S. de R.L. de C.V.
produced for:Longhair Productions (production company owned and operated by Art Polhemus and Bob Wyld)
manufactured for:Time-Life
glass mastered at:Arvato USA in Weaverville, North Carolina, United States
EDC USA in Grover, North Carolina, United States
Vantiva in Zapopan (Zapopan, Jalisco), Jalisco, Mexico
Discogs:https://www.discogs.com/release/13016445 [info]