| # | Title | Artist | Rating | Length |
|---|
| 1 | Wake Me Up Before You Go‐Go | Wham! | 3.85 | 3:52 |
| 2 | Relax | Frankie Goes to Hollywood | 4.05 | 3:55 |
| 3 | Take On Me | a‐ha | 4.25 | 3:46 |
| 4 | Lullaby- assistant engineer:
- Roy Spong and Richard Sullivan
- engineer:
- David M. Allen , Robert Smith and Smudger
- producer:
- David M. Allen , The Cure, Chris Parry, Mark Saunders and Robert Smith
- mixer:
- Chris Parry, Mark Saunders and Robert Smith
- bass guitar:
- Simon Gallup (from 1988-11 until 1989-02)
- bass guitar [six string bass guitar]:
- Robert Smith
- drums (drum set):
- Boris Williams (from 1988-11 until 1989-02)
- guitar:
- Robert Smith (from 1988-11 until 1989-02) and Porl Thompson (from 1988-11 until 1989-02)
- instruments:
- Lol Tolhurst (from 1988-11 until 1989-02)
- keyboard:
- Roger O’Donnell (from 1988-11 until 1989-02) and Robert Smith (from 1988-11 until 1989-02)
- lead vocals:
- Robert Smith (from 1988-11 until 1989-02)
- remixer:
- Chris Parry, Mark Saunders and Robert Smith (in 2009-07)
- phonographic copyright (℗) by:
- Elektra/Asylum Records (in 1989) and Fiction Records Ltd. (in 1989)
- recorded at:
- Outside Studios in Checkendon, Oxfordshire, England, United Kingdom (from 1988-11 until 1989-02) and Wembley Arena in Wembley, Brent , London , England, United Kingdom (in 1989-07)
- mixed at:
- RAK Studio Three in London , England, United Kingdom (in 1989)
- music videos:
- Lullaby by The Cure
- recording of:
- Lullaby (from 1988-11 until 1989-02)
- lyricist:
- Robert Smith
- composer:
- Simon Gallup, Roger O’Donnell, Robert Smith , Porl Thompson, Lol Tolhurst and Boris Williams
- publisher:
- APB Music Co. and Fiction Songs Ltd. (in 1989)
- live recording of:
- Lullaby (in 1989-07)
- lyricist:
- Robert Smith
- composer:
- Simon Gallup, Roger O’Donnell, Robert Smith , Porl Thompson, Lol Tolhurst and Boris Williams
- publisher:
- APB Music Co. and Fiction Songs Ltd. (in 1989)
| The Cure | 3.95 | 4:09 |
| 5 | Shout (single version) (German edit) | Tears for Fears | | 3:55 |
| 6 | Fade to Grey- engineer:
- John Hudson
- producer:
- Midge Ure and Visage
- performer:
- Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange and Midge Ure
- arranger:
- Visage
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1980) and Universal Records (in 1980)
- recorded at:
- Genetic Studios in West Berkshire, England, United Kingdom
- mixed at:
- Mayfair Sound in London , England, United Kingdom
- recording of:
- Fade to Grey
- writer:
- Billy Currie, Chris Payne and Midge Ure
- publisher:
- Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. and Performance Music Ltd
| Visage | 4.1 | 3:50 |
| 7 | Send Me an Angel- recorded in:
- Australia
- engineer:
- Andrew Scott
- executive producer:
- Mike Curb and Jack Schwartzman
- producer:
- Ross Cockle and Glenn Wheatley
- phonographic copyright (℗) by:
- Curb Records, Inc. (in 1983)
- recorded at:
- Rhinoceros Studios in Sydney, New South Wales, Australia
- mixed at:
- Fast Forward Studios in Warranwood, Melbourne, Victoria, Australia
- recording of:
- Send Me an Angel
- lyricist:
- David Sterry
- composer:
- Richard Zatorski
- publisher:
- Chappell & Co. GmbH , Warner Chappell, Warner Chappell Music , Warner–Tamerlane Publishing Corp. , Warner/Chappell Music Australia Pty. Ltd. and Wheatley Music Pty Ltd. (in 1983)
| Real Life | 4.5 | 3:54 |
| 8 | Lessons in Love | Level 42 | 3.6 | 4:02 |
| 9 | Voyage Voyage | Desireless | 4.35 | 4:22 |
| 10 | The Look of Love, Pt. 1- engineer:
- Gary Langan
- producer:
- Trevor Horn
- bass guitar:
- Mark Lickley
- keyboard:
- Mark White
- lead vocals:
- Martin Fry
- strings arranger:
- Anne Dudley
- phonographic copyright (℗) by:
- Mercury Records Ltd. (in 1982), Mercury Records Ltd. (London) (in 1982), Phonogram Ltd. (in 1982) and Phonogram Ltd. (London) (in 1982)
- mixed at:
- Sarm Studios in Aldgate, Tower Hamlets, London , England, United Kingdom (in 1982)
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 4), The Downloader’s Music Source Book (number: 73) and VH1: 100 Greatest Songs of the 80’s (number: 43)
- partial recording of:
- The Look of Love
- writer:
- Martin Fry, David Palmer , Stephen Singleton and Mark White
- publisher:
- 10 Music Ltd., Copyright Control , Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music, Inc.
- part of:
- Mantrap
| ABC | 3.9 | 3:29 |
| 11 | She Works Hard for the Money | Donna Summer | 5 | 4:33 |
| 12 | Faust auf Faust (Schimanski) | Klaus Lage Band | 4 | 4:02 |
| 13 | Reach Out | Giorgio Moroder feat. Paul Engemann | | 3:44 |
| 14 | Ride Like the Wind- assistant engineer:
- Stuart Gitlin
- engineer and mixer:
- Chet Himes
- producer:
- Michael Omartian
- acoustic guitar, electric guitar, solo guitar and lead vocals:
- Christopher Cross
- bass guitar:
- Andy Salmon
- drums (drum set):
- Tommy Taylor
- electric piano and piano:
- Michael Omartian
- percussion:
- Lenny Castro
- synthesizer:
- Rob Meurer
- background vocals:
- Christopher Cross and Michael McDonald
- arranger:
- Christopher Cross , Rob Meurer and Michael Omartian
- phonographic copyright (℗) by:
- Warner Bros. (in 1979) and Warner Bros. Records Inc. (in 1979)
- produced for:
- Free Flow Productions
- recorded at:
- Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Ride Like the Wind
- lyricist and composer:
- Christopher Cross
- publisher:
- BMG Songs, Inc., Pop ’n’ Roll Music and Universal Music–MGB Songs
- sub-publisher:
- Shinko Music Entertainment Co., Ltd. and Universal Music Publishing, Synch Division
| Christopher Cross | 4.2 | 4:30 |
| 15 | Love Is a Battlefield | Pat Benatar | | 4:09 |
| 16 | Life Is for Living | Barclay James Harvest | | 3:38 |
| 17 | Atomic- engineer:
- Peter Coleman and David Tickle
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (from 1979-05 until 1979-06)
- drums (drum set):
- Clem Burke (from 1979-05 until 1979-06)
- guitar:
- Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
- keyboard:
- Jimmy Destri (from 1979-05 until 1979-06)
- background vocals:
- Ellie Greenwich (from 1979-05 until 1979-06)
- lead vocals:
- Deborah Harry (from 1979-05 until 1979-06)
- phonographic copyright (℗) by:
- Chrysalis Records , Chrysalis Records Ltd. (in 1979), Chrysalis Records, Inc. (in 1979, in 2001), Capitol Records (in 2001) and Capitol Records, Inc. (in 2001)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios in Hell's Kitchen, New York, New York, United States (from 1979-05 until 1979-06)
- mixed at:
- MCA Whitney Recording Studios in Glendale, California, United States
- recording of:
- Atomic (from 1979-05 until 1979-06)
- writer:
- Jimmy Destri and Deborah Harry
- publisher:
- Chrysalis Music (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. , Chrysalis Records Ltd. , EMI Music Publishing Ltd. and Rare Blue Music Inc
| Blondie | 3.8 | 4:39 |
| 18 | It’s a Miracle- engineer:
- Simon Humphrey, Gordon Milne and Mike Ross‐Trevor
- producer:
- Steve Levine
- mixer:
- Steve Levine and Jon Moss
- bass guitar:
- Mikey Craig (in 1983)
- drums (drum set) and percussion:
- Jon Moss (in 1983)
- electric sitar, guitar, keyboard, piano and sitar:
- Roy Hay (in 1983)
- lead vocals:
- Boy George (in 1983)
- phonographic copyright (℗) by:
- Virgin Records Ltd. (in 1983, in 2003)
- recorded at:
- CBS Studios in London , England, United Kingdom (in 1983) and Red Bus Studios in London , England, United Kingdom (in 1983)
- music videos:
- It’s a Miracle by Culture Club
- recording of:
- It’s a Miracle (in 1983)
- writer:
- Mikey Craig , George O’Dowd, Roy Hay , Jon Moss and Phil Pickett
- publisher:
- Pendulum Music Ltd., Virgin Music (Publishers) Ltd. and Warner Bros. Music Ltd.
| Culture Club | 3.6 | 3:24 |
| 19 | Big in Japan | Alphaville | | 4:42 |
| 20 | Love of the Common People | Paul Young | 3 | 3:40 |
| 21 | One Moment in Time | Whitney Houston | 4.5 | 4:45 |
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