Anthology Of American Folk Music

~ Veröffentlichung von Harry Smith (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

112"-Vinyl: Volume One: Ballads (MRP-070)
212"-Vinyl
312"-Vinyl: Volume Two: Social Music (MRP-071)
412"-Vinyl
512"-Vinyl: Volume Three: Songs (MRP-072)
Nr.TitelKünstlerBewertungLänge
I1The Coo Coo Bird
recorded in:
Johnson City, Tennessee, Vereinigte Staaten (am 1929-11-23)
Banjo:
Clarence Ashley (aka Tom Ashley) (am 1929-11-23)
vocals:
Clarence Ashley (aka Tom Ashley) (am 1929-11-23)
recording of:
The Cuckoo (am 1929-11-23)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 413)
Clarence Ashley3.75?:??
I2East Virginia
5-saitiges Banjo:
Buell Kazee (am 1927-04-20)
vocals:
Buell Kazee (am 1927-04-20)
aufgenommen bei:
Brunswick Recording Studio (1924-1931) in New York, New York, Vereinigte Staaten (am 1927-04-20)
recording of:
East Virginia (am 1927-04-20)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 3396)
Buell Kazee3?:??
I3Minglewood Blues
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1928-01-30)
Banjo und Jug:
Gus Cannon (am 1928-01-30)
Gitarre:
Ashley Thompson (Cannon’s Jug Stompers) (am 1928-01-30)
Mundharmonika:
Noah Lewis (am 1928-01-30)
vocals:
Ashley Thompson (Cannon’s Jug Stompers) (am 1928-01-30)
recording of:
Minglewood Blues (am 1928-01-30)
Verfasser(in):
Noah Lewis
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Peermusic (UK) Ltd. (BMI)
Cannon’s Jug Stompers4?:??
I4I Woke Up One Morning In May
recorded in:
New Orleans, Louisiana, Vereinigte Staaten (am 1929-12-10)
Gitarre:
Didier Hébert (am 1929-12-10)
vocals:
Didier Hébert (am 1929-12-10)
recording of:
I Woke Up One Morning in May (am 1929-12-10)
Didier Hébert?:??
I5James Alley Blues
recorded in:
New Orleans, Louisiana, Vereinigte Staaten (am 1927-03-11)
Gitarre:
Richard “Rabbit” Brown (am 1927-03-11)
vocals:
Richard “Rabbit” Brown (am 1927-03-11)
recording of:
James Alley Blues (am 1927-03-11)
Verfasser(in):
Richard “Rabbit” Brown
Richard “Rabbit” Brown?:??
I6Sugar Baby
recorded in:
New York, New York, Vereinigte Staaten (am 1927-03-09)
5-saitiges Banjo:
Dock Boggs (old-time singer, songwriter and banjo player) (am 1927-03-09)
Banjo:
Dock Boggs (old-time singer, songwriter and banjo player)
Gitarre:
Hub Mahaffey (am 1927-03-09)
vocals:
Dock Boggs (old-time singer, songwriter and banjo player) (am 1927-03-09)
recording of:
Sugar Baby (am 1927-03-09)
Verfasser(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 5731)
Dock Boggs4?:??
I7I Wish I Was A Mole In The Ground
recorded in:
Ashland, Kentucky, Vereinigte Staaten (am 1928-02-06)
5-saitiges Banjo:
Bascom Lamar Lunsford (am 1928-02-06)
vocals:
Bascom Lamar Lunsford (am 1928-02-06)
recording of:
I Wish I Was a Mole in the Ground (am 1928-02-06)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 4957)
Bascom Lamar Lunsford?:??
J1Mountaineer's Courtship
recorded in:
New York, New York, Vereinigte Staaten (am 1927-05-12)
Gitarre und Soprangesang:
Hattie Stoneman (am 1927-05-12)
Mundharmonika und Baritongesang:
Ernest Stoneman (am 1927-05-12)
recording of:
Mountaineer’s Courtship (am 1927-05-12)
Komponist(in):
Ernest Stoneman
publisher:
Peer International Corporation (BMI)
Ernest Stoneman & Hattie Stoneman?:??
J2The Spanish Merchant's Daughter
recorded in:
Bristol, Tennessee, Vereinigte Staaten (am 1928-10-31)
Banjo:
Bolen Frost (am 1928-10-31)
Geige / Violine und Soprangesang:
Hattie Stoneman (am 1928-10-31)
Gitarre:
Uncle Eck Dunford (am 1928-10-31)
Mundharmonika und Baritongesang:
Ernest Stoneman (am 1928-10-31)
recording of:
The Spanish Merchant's Daughter (am 1928-10-31)
Texter und Komponist(in):
A. M. Wakefield
arranger:
Ernest Stoneman
The Stoneman Family4?:??
J3Bob Lee Junior Blues
recorded in:
Atlanta, Georgia, Vereinigte Staaten (am 1927-10-19)
Gitarre:
Will Shade (am 1927-10-19) und Will Weldon (am 1927-10-19)
Kazoo:
Ben Ramey (am 1927-10-19)
Mandolinenbanjo [banjo-mandolin]:
Vol Stevens (am 1927-10-19)
vocals:
Jennie Clayton (am 1927-10-19)
Memphis Jug Band5?:??
J4Single Girl, Married Girl
recorded in:
Bristol, Tennessee, Vereinigte Staaten (am 1927-08-02)
Produzent(in):
Ralph Peer (am 1927-08-02)
autoharp:
Sara Carter (of the Carter Family) (am 1927-08-02)
Gitarre:
Mother Maybelle Carter (am 1927-08-02)
vocals:
Sara Carter (of the Carter Family) (am 1927-08-02)
aufgenommen bei:
Bristol Sessions Recordings in Vereinigte Staaten (am 1927-08-02)
recording of:
Single Girl, Married Girl (am 1927-08-02)
Texter und Komponist(in):
A.P. Carter
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) und Peer International Corporation (BMI)
The Carter Family?:??
J5La Vieux Soulard Et Sa Femme
recorded in:
New York, New York, Vereinigte Staaten (am 1928-08-27)
accordion:
Joe Falcon (am 1928-08-27)
Gitarre:
Cléoma Breaux (am 1928-08-27)
vocals:
Cléoma Breaux (am 1928-08-27) und Joe Falcon (am 1928-08-27)
Cleoma Breaux and Joseph Falcon3?:??
J6Rabbit Foot Blues
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1926-12)
Gitarre:
Blind Lemon Jefferson (American blues and gospel singer‐songwriter) (in 1926-12)
vocals:
Blind Lemon Jefferson (American blues and gospel singer‐songwriter) (in 1926-12)
Blind Lemon Jefferson?:??
J7Expressman Blues
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1930-05-17)
Gitarre:
Sleepy John Estes (am 1930-05-17)
Klavier:
Jab Jones (am 1930-05-17)
Mandoline:
Yank Rachell (am 1930-05-17)
vocals:
Yank Rachell (am 1930-05-17)
Sleepy John Estes and Yank Rachell?:??
612"-Vinyl
712"-Vinyl: Volume Four: Rhythmic Changes (MRP-073)
812"-Vinyl