| Nr. | Titel | Bewertung | Länge |
|---|
| 1 | The Harder They Come (live at Madstock 1992) | | 3:29 |
| 2 | Lovestruck | 3 | 3:50 |
| 3 | Johnny the Horse | | 3:22 |
| 4 | Drip Fed Fred (The Conspiracy mix) | | 4:11 |
| 5 | Shame and Scandal | | 2:55 |
| 6 | Girl Why Don’t You | | 3:06 |
| 7 | Sorry (radio edit) | | 3:02 |
| 8 | NW5 (radio edit) | | 3:48 |
| 9 | Dust Devil (radio edit) | | 3:20 |
| 10 | Sugar and Spice (radio edit) | 4 | 2:53 |
| 11 | Forever Young (Melt Music radio edit) | | 3:11 |
| 12 | My Girl 2 (radio edit) | | 2:40 |
| 13 | Never Knew Your Name | | 3:26 |
| 14 | How Can I Tell You (radio edit) | | 3:07 |
| 15 | Misery | 4 | 3:16 |
| 16 | La Luna | 3 | 3:37 |
| 17 | Mr.Apples (Toerag mix) | | 3:29 |
| 18 | Can’t Touch Us Now- Produzent(in):
- Charlie Andrew, Clive Langer, Madness und Liam Watson
- assistierende(r) Mix:
- Katie Earl
- Mix:
- Charlie Andrew
- baritone saxophone [baritone sax]:
- Steve Hamilton
- Bassgitarre [bass]:
- Mark "Bedders" Bedford
- Bratsche / Viola:
- Amy May
- Cello:
- Rachael Lander
- Geige / Violine:
- Jo Archard und Kirsty Mangan
- Gitarre:
- Chris "Chrissy Boy" Foreman
- mellotron:
- Chris Foreman
- Posaune:
- Mike Kearsey
- Saxophon:
- Lee “Kix” Thompson
- Schlagzeug [drums]:
- Daniel "Woody" Woodgate
- Trompete:
- Joe Auckland
- Hintergrundgesang [backing vocals]:
- London Gospel Community Choir und Spider J
- Sologesang:
- Graham "Suggs" McPherson
- Blechblasinstrumente arranger:
- Joe Auckland, Chris Foreman , Steve Hamilton , Mike Kearsey und Lee Thompson
- Saiteninstrumente arranger:
- Kirsty Mangan
- aufgenommen bei:
- Toe Rag Studios in Hackney, London , England, Vereinigtes Königreich
- zusätzlich aufgenommen bei und additionally mixed at:
- Iguana Studio in Brixton, Lambeth, London , England, Vereinigtes Königreich
- recording of:
- Can’t Touch Us Now
- Verfasser(in):
- Chris Foreman und Lee “Kix” Thompson
| | 4:12 |
| 19 | Bullingdon Boys | | 3:59 |
| 20 | C’est la vie | | 3:11 |
| 21 | Baby Burglar | | 4:06 |
| 22 | Round We Go (single version) | | 3:33 |