Sir Neville Marriner Conducts Haydn

~ Release by Joseph Haydn; Sir Neville Marriner (see all versions of this release, 1 available)

Annotation

Copyright: A Warner Classics release, © 2023 Parlophone Records Limited
A Warner Classics release, ℗ 2023 Parlophone Records Limited

Annotation last modified on 2025-01-16 13:36 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Die Schöpfung, Hob. XXI:2: Pt. 1: No. 1a, Vorspiel. Die Vorstellung des Chaos
producer:
Gerd Berg (producer), Dr. Lutz Lüdemann and Dietmar Wolf (Classical Music Producer)
orchestra:
Radio-Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (in 1989-06)
conductor:
Sir Neville Marriner (conductor) (in 1989-06)
balance engineer:
Frank Richter (sound engineer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Villa Berg in Stuttgart, Baden-Württemberg, Germany (in 1989-06)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 1. Orchestervorspiel Die Vorstellung der Chaos (in 1989-06)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn5:49
2Die Schöpfung, Hob. XXI:2: Pt. 1: No. 2, Arie mit Chor. "Nun schwanden vor dem heiligen Strahle" - "Verzweiflung, Wut und Schrecken"
producer:
Gerd Berg (producer), Dr. Lutz Lüdemann and Dietmar Wolf (Classical Music Producer)
choir vocals:
Südfunkchor (in 1989-06)
tenor vocals [Uriel]:
Hans Peter Blochwitz (tenor) (in 1989-06)
orchestra:
Radio-Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (in 1989-06)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1989-06)
balance engineer:
Frank Richter (sound engineer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Villa Berg in Stuttgart, Baden-Württemberg, Germany (in 1989-06)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 3. Arie und Chor "Nun schwanden vor dem heiligen Strahle" (Uriel, Chor) (in 1989-06)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn3:38
3Die Schöpfung, Hob. XXI:2: Pt. 1: No. 6, Arie. "Rollend in schäumenden Wellen"
producer:
Gerd Berg (producer), Dr. Lutz Lüdemann and Dietmar Wolf (Classical Music Producer)
bass vocals [Raphael]:
Jan‐Hendrik Rootering (bass‐baritone) (in 1989-06)
orchestra:
Radio-Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (in 1989-06)
balance engineer:
Frank Richter (sound engineer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Villa Berg in Stuttgart, Baden-Württemberg, Germany (in 1989-06)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 7. Arie "Rollend in schäumenden Wellen" (Raphael) (in 1989-06)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn4:04
4Die Schöpfung, Hob. XXI:2: Pt. 1: No. 10, Chor. "Stimmt an die Saiten"
producer:
Gerd Berg (producer), Dr. Lutz Lüdemann and Dietmar Wolf (Classical Music Producer)
choir vocals:
Südfunkchor (in 1989-06)
orchestra:
Radio-Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (in 1989-06)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1989-06)
balance engineer:
Frank Richter (sound engineer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Villa Berg in Stuttgart, Baden-Württemberg, Germany (in 1989-06)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XI. Chor: Stimmt an die Saiten (in 1989-06)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn1:57
5Die Schöpfung, Hob. XXI:2: Pt. 2: No. 18, Terzett. "In holder Anmut stehn"
producer:
Gerd Berg (producer), Dr. Lutz Lüdemann and Dietmar Wolf (Classical Music Producer)
bass vocals [Raphael]:
Jan‐Hendrik Rootering (bass‐baritone) (in 1989-06)
soprano vocals [Gabriel]:
Barbara Bonney (soprano) (in 1989-06)
tenor vocals [Uriel]:
Hans Peter Blochwitz (tenor) (in 1989-06)
orchestra:
Radio-Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (in 1989-06)
balance engineer:
Frank Richter (sound engineer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Villa Berg in Stuttgart, Baden-Württemberg, Germany (in 1989-06)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XIXa. Terzett: In holder Anmut stehn (in 1989-06)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob XXI:2: Part II: XIX. Terzett und Chor: In holder Anmut stehn
Joseph Haydn4:24
6Die Schöpfung, Hob. XXI:2: Pt. 2: No. 19, Terzett mit Chor. "Der Herr ist groß in seiner Macht"
producer:
Gerd Berg (producer), Dr. Lutz Lüdemann and Dietmar Wolf (Classical Music Producer)
bass vocals [Raphael]:
Jan‐Hendrik Rootering (bass‐baritone) (in 1989-06)
choir vocals:
Südfunkchor (in 1989-06)
soprano vocals [Gabriel]:
Barbara Bonney (soprano) (in 1989-06)
tenor vocals [Uriel]:
Hans Peter Blochwitz (tenor) (in 1989-06)
orchestra:
Radio-Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (in 1989-06)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1989-06)
balance engineer:
Frank Richter (sound engineer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Villa Berg in Stuttgart, Baden-Württemberg, Germany (in 1989-06)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XIXb. Terzett und Chor: Der Herr ist groß (in 1989-06)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob XXI:2: Part II: XIX. Terzett und Chor: In holder Anmut stehn
Joseph Haydn2:18
7Die Schöpfung, Hob. XXI:2: Pt. 2: No. 24, Arie. "Mit Wurd' und Hoheit angetan"
producer:
Gerd Berg (producer), Dr. Lutz Lüdemann and Dietmar Wolf (Classical Music Producer)
tenor vocals [Uriel]:
Hans Peter Blochwitz (tenor) (in 1989-06)
orchestra:
Radio-Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (in 1989-06)
balance engineer:
Frank Richter (sound engineer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Villa Berg in Stuttgart, Baden-Württemberg, Germany (in 1989-06)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXIV. Arie: Mit Würd' und Hoheit angetan (in 1989-06)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn3:38
8Die Schöpfung, Hob. XXI:2: Pt. 2: No. 26, Chor. "Vollendet ist das große Werk"
producer:
Gerd Berg (producer), Dr. Lutz Lüdemann and Dietmar Wolf (Classical Music Producer)
choir vocals:
Südfunkchor (in 1989-06)
orchestra:
Radio-Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (in 1989-06)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1989-06)
balance engineer:
Frank Richter (sound engineer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Villa Berg in Stuttgart, Baden-Württemberg, Germany (in 1989-06)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXVIa. Chor: Vollendet ist das große Werk (in 1989-06)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob XXI:2: Part II: XXVI. Chor und Terzett: Vollendet ist das große Werk - Zu dir, o Herr, blickt alles auf
Joseph Haydn1:20
9Die Schöpfung, Hob. XXI:2: Pt. 2: No. 27, Terzett. "Zu dir, o Herr, blickt alles auf"
producer:
Gerd Berg (producer), Dr. Lutz Lüdemann and Dietmar Wolf (Classical Music Producer)
bass vocals [Raphael]:
Jan‐Hendrik Rootering (bass‐baritone) (in 1989-06)
soprano vocals [Gabriel]:
Barbara Bonney (soprano) (in 1989-06)
tenor vocals [Uriel]:
Hans Peter Blochwitz (tenor) (in 1989-06)
orchestra:
Radio-Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (in 1989-06)
balance engineer:
Frank Richter (sound engineer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Villa Berg in Stuttgart, Baden-Württemberg, Germany (in 1989-06)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXVIb. Terzett: Zu dir, o Herr, blickt alles auf (in 1989-06)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob XXI:2: Part II: XXVI. Chor und Terzett: Vollendet ist das große Werk - Zu dir, o Herr, blickt alles auf
Joseph Haydn4:30
10Die Schöpfung, Hob. XXI:2: Pt. 3: No. 30, Duett mit Chor. "Von deiner Güt, o Herr und Gott"
producer:
Gerd Berg (producer), Dr. Lutz Lüdemann and Dietmar Wolf (Classical Music Producer)
baritone vocals [Adam]:
Olaf Bär (baritone) (in 1989-06)
choir vocals:
Südfunkchor (in 1989-06)
soprano vocals [Eva]:
Edith Wiens (soprano) (in 1989-06)
orchestra:
Radio-Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (in 1989-06)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1989-06)
balance engineer:
Frank Richter (sound engineer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Villa Berg in Stuttgart, Baden-Württemberg, Germany (in 1989-06)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXVIII. Duett mit Chor: Von deiner Güt', o Herr und Gott (in 1989-06)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III (The Creation, Hob. XXI:2: Part III)
Joseph Haydn10:03
11Die Schöpfung, Hob. XXI:2: Pt. 3: No. 32, Liebesduett. "Holde Gattin, dir zur Seite"
producer:
Gerd Berg (producer), Dr. Lutz Lüdemann and Dietmar Wolf (Classical Music Producer)
baritone vocals [Adam]:
Olaf Bär (baritone) (in 1989-06)
soprano vocals [Eva]:
Edith Wiens (soprano) (in 1989-06)
orchestra:
Radio-Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (in 1989-06)
balance engineer:
Frank Richter (sound engineer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Villa Berg in Stuttgart, Baden-Württemberg, Germany (in 1989-06)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXX. Duett: Holde Gattin, dir zur Seite (in 1989-06)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III (The Creation, Hob. XXI:2: Part III)
Joseph Haydn8:05
12Die Schöpfung, Hob. XXI:2: Pt. 3: No. 34, Schlusschor. "Singt dem Herren alle Stimmen"
producer:
Gerd Berg (producer), Dr. Lutz Lüdemann and Dietmar Wolf (Classical Music Producer)
choir vocals:
Südfunkchor (in 1989-06)
orchestra:
Radio-Sinfonieorchester Stuttgart (Stuttgart Radio Symphony Orchestra) (in 1989-06)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1989-06)
balance engineer:
Frank Richter (sound engineer)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002)
recorded at:
Villa Berg in Stuttgart, Baden-Württemberg, Germany (in 1989-06)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXXII. Chor: Singt dem Herren alle Stimmen (in 1989-06)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III (The Creation, Hob. XXI:2: Part III)
Joseph Haydn3:16
13Trumpet Concerto no. 1 in E-flat major, Hob. VIIe:1: I. Allegro - Tempo I (Cadenza by Woods)
producer:
Christopher Bishop (conductor/producer)
cello:
Kenneth Heath (cellist) (from 1972-06-03 until 1972-06-07, on 1973-02-23)
harpsichord:
Christopher Hogwood (conductor, harpsichordist) (from 1972-06-03 until 1972-06-07)
trumpet:
John Wilbraham (trumpet player) (from 1972-06-03 until 1972-06-07, on 1973-02-23)
orchestra:
Academy of St Martin in the Fields (from 1972-06-03 until 1972-06-07, on 1973-02-23)
conductor:
Sir Neville Marriner (conductor) (from 1972-06-03 until 1972-06-07, on 1973-02-23)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06-03 until 1972-06-07, on 1973-02-23)
recording of:
Trumpet Concerto no. 1 in E-flat major, Hob. VIIe:1: I. Allegro - Tempo I (from 1972-06-03 until 1972-06-07)
composer:
Joseph Haydn (composer)
part of:
Trumpet Concerto no. 1 in E-flat major, Hob. VIIe:1
recording of:
Trumpet Concerto no. 1 in E-flat major, Hob. VIIe:1: I. Allegro - Tempo I (on 1973-02-23)
composer:
Joseph Haydn (composer)
part of:
Trumpet Concerto no. 1 in E-flat major, Hob. VIIe:1
Joseph Haydn6:18
14Trumpet Concerto no. 1 in E-flat major, Hob. VIIe:1: II. Andante
producer:
Christopher Bishop (conductor/producer)
cello:
Kenneth Heath (cellist) (from 1972-06-03 until 1972-06-07, on 1973-02-23)
harpsichord:
Christopher Hogwood (conductor, harpsichordist) (from 1972-06-03 until 1972-06-07)
trumpet:
John Wilbraham (trumpet player) (from 1972-06-03 until 1972-06-07, on 1973-02-23)
orchestra:
Academy of St Martin in the Fields (from 1972-06-03 until 1972-06-07, on 1973-02-23)
conductor:
Sir Neville Marriner (conductor) (from 1972-06-03 until 1972-06-07, on 1973-02-23)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06-03 until 1972-06-07, on 1973-02-23)
recording of:
Trumpet Concerto no. 1 in E-flat major, Hob. VIIe:1: II. Andante (from 1972-06-03 until 1972-06-07)
composer:
Joseph Haydn (composer)
part of:
Trumpet Concerto no. 1 in E-flat major, Hob. VIIe:1
recording of:
Trumpet Concerto no. 1 in E-flat major, Hob. VIIe:1: II. Andante (on 1973-02-23)
composer:
Joseph Haydn (composer)
part of:
Trumpet Concerto no. 1 in E-flat major, Hob. VIIe:1
Joseph Haydn3:38
15Trumpet Concerto no. 1 in E-flat major, Hob. VIIe:1: III. Finale. Allegro
producer:
Christopher Bishop (conductor/producer)
cello:
Kenneth Heath (cellist) (from 1972-06-03 until 1972-06-07, on 1973-02-23)
harpsichord:
Christopher Hogwood (conductor, harpsichordist) (from 1972-06-03 until 1972-06-07)
trumpet:
John Wilbraham (trumpet player) (from 1972-06-03 until 1972-06-07, on 1973-02-23)
orchestra:
Academy of St Martin in the Fields (from 1972-06-03 until 1972-06-07, on 1973-02-23)
conductor:
Sir Neville Marriner (conductor) (from 1972-06-03 until 1972-06-07, on 1973-02-23)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-06-03 until 1972-06-07, on 1973-02-23)
recording of:
Trumpet Concerto no. 1 in E-flat major, Hob. VIIe:1: III. Finale (Allegro) (from 1972-06-03 until 1972-06-07)
composer:
Joseph Haydn (composer)
part of:
Trumpet Concerto no. 1 in E-flat major, Hob. VIIe:1
recording of:
Trumpet Concerto no. 1 in E-flat major, Hob. VIIe:1: III. Finale (Allegro) (on 1973-02-23)
composer:
Joseph Haydn (composer)
part of:
Trumpet Concerto no. 1 in E-flat major, Hob. VIIe:1
Joseph Haydn4:44
16Cello Concerto no. 1 in C major, Hob. VIIb:1: I. Moderato
producer:
John Willan (producer)
cello:
Lynn Harrell (cellist) (in 1981-11)
orchestra:
Academy of St Martin in the Fields (in 1981-11)
conductor:
Sir Neville Marriner (conductor) (in 1981-11)
balance engineer:
Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1981-11)
recording of:
Cello Concerto no. 1 in C major, Hob. VIIb:1: I. Moderato (in 1981-11)
composer:
Joseph Haydn (composer)
part of:
Cello Concerto no. 1 in C major, Hob. VIIb:1
Joseph Haydn511:22
17Cello Concerto no. 1 in C major, Hob. VIIb:1: II. Adagio
producer:
John Willan (producer)
cello:
Lynn Harrell (cellist) (in 1981-11)
orchestra:
Academy of St Martin in the Fields (in 1981-11)
conductor:
Sir Neville Marriner (conductor) (in 1981-11)
balance engineer:
Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1981-11)
recording of:
Cello Concerto no. 1 in C major, Hob. VIIb:1: II. Adagio (in 1981-11)
composer:
Joseph Haydn (composer)
part of:
Cello Concerto no. 1 in C major, Hob. VIIb:1
Joseph Haydn58:36
18Cello Concerto no. 1 in C major, Hob. VIIb:1: III. Allegro molto
producer:
John Willan (producer)
cello:
Lynn Harrell (cellist) (in 1981-11)
orchestra:
Academy of St Martin in the Fields (in 1981-11)
conductor:
Sir Neville Marriner (conductor) (in 1981-11)
balance engineer:
Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1981-11)
recording of:
Cello Concerto no. 1 in C major, Hob. VIIb:1: III. Allegro molto (in 1981-11)
composer:
Joseph Haydn (composer)
part of:
Cello Concerto no. 1 in C major, Hob. VIIb:1
Joseph Haydn57:06
19Mass in B-flat major, Hob. XXII:7 "Little Organ Mass": Kyrie
producer:
John Fraser (UK producer) and Bernd Runge
organ:
Hansjürgen Scholze (organist) (in 1989-09)
choir vocals:
Rundfunkchor Leipzig (in 1989-09)
soprano vocals:
Barbara Hendricks (soprano) (in 1989-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1989-09)
conductor:
Sir Neville Marriner (conductor) (in 1989-09)
chorus master:
Gert Frischmuth (in 1989-09)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1989-09)
recording of:
Missa brevis Sancti Joannis de Deo in B-flat major, Hob. XXII:7 "Kleine Orgelmesse": I. Kyrie (in 1989-09)
composer:
Joseph Haydn (composer)
part of:
Missa brevis Sancti Joannis de Deo in B-flat major, Hob. XXII:7 "Kleine Orgelmesse"
Joseph Haydn2:23
20Mass in B-flat major, Hob. XXII:7 "Little Organ Mass": Gloria
producer:
John Fraser (UK producer) and Bernd Runge
organ:
Hansjürgen Scholze (organist) (in 1989-09)
choir vocals:
Rundfunkchor Leipzig (in 1989-09)
soprano vocals:
Barbara Hendricks (soprano) (in 1989-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1989-09)
conductor:
Sir Neville Marriner (conductor) (in 1989-09)
chorus master:
Gert Frischmuth (in 1989-09)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1989-09)
recording of:
Missa brevis Sancti Joannis de Deo in B-flat major, Hob. XXII:7 "Kleine Orgelmesse": II. Gloria (in 1989-09)
composer:
Joseph Haydn (composer)
part of:
Missa brevis Sancti Joannis de Deo in B-flat major, Hob. XXII:7 "Kleine Orgelmesse"
Joseph Haydn0:48
21Mass in B-flat major, Hob. XXII:7 "Little Organ Mass": Credo
producer:
John Fraser (UK producer) and Bernd Runge
organ:
Hansjürgen Scholze (organist) (in 1989-09)
choir vocals:
Rundfunkchor Leipzig (in 1989-09)
soprano vocals:
Barbara Hendricks (soprano) (in 1989-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1989-09)
conductor:
Sir Neville Marriner (conductor) (in 1989-09)
chorus master:
Gert Frischmuth (in 1989-09)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1989-09)
recording of:
Missa brevis Sancti Joannis de Deo in B-flat major, Hob. XXII:7 "Kleine Orgelmesse": III. Credo (in 1989-09)
composer:
Joseph Haydn (composer)
part of:
Missa brevis Sancti Joannis de Deo in B-flat major, Hob. XXII:7 "Kleine Orgelmesse"
Joseph Haydn3:13
22Mass in B-flat major, Hob. XXII:7 "Little Organ Mass": Sanctus
producer:
John Fraser (UK producer) and Bernd Runge
organ:
Hansjürgen Scholze (organist) (in 1989-09)
choir vocals:
Rundfunkchor Leipzig (in 1989-09)
solo soprano vocals:
Barbara Hendricks (soprano) (in 1989-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1989-09)
conductor:
Sir Neville Marriner (conductor) (in 1989-09)
chorus master:
Gert Frischmuth (in 1989-09)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1989-09)
recording of:
Missa brevis Sancti Joannis de Deo in B-flat major, Hob. XXII:7 "Kleine Orgelmesse": IV. Sanctus (in 1989-09)
composer:
Joseph Haydn (composer)
part of:
Missa brevis Sancti Joannis de Deo in B-flat major, Hob. XXII:7 "Kleine Orgelmesse"
Joseph Haydn0:56
23Mass in B-flat major, Hob. XXII:7 "Little Organ Mass": Benedictus
producer:
John Fraser (UK producer) and Bernd Runge
organ:
Hansjürgen Scholze (organist) (in 1989-09)
choir vocals:
Rundfunkchor Leipzig (in 1989-09)
soprano vocals:
Barbara Hendricks (soprano) (in 1989-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1989-09)
conductor:
Sir Neville Marriner (conductor) (in 1989-09)
chorus master:
Gert Frischmuth (in 1989-09)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1989-09)
recording of:
Missa brevis Sancti Joannis de Deo in B-flat major, Hob. XXII:7 "Kleine Orgelmesse": V. Benedictus (in 1989-09)
composer:
Joseph Haydn (composer)
part of:
Missa brevis Sancti Joannis de Deo in B-flat major, Hob. XXII:7 "Kleine Orgelmesse"
Joseph Haydn6:11
24Mass in B-flat major, Hob. XXII:7 "Little Organ Mass": Agnus Dei
producer:
John Fraser (UK producer) and Bernd Runge
organ:
Hansjürgen Scholze (organist) (in 1989-09)
choir vocals:
Rundfunkchor Leipzig (in 1989-09)
soprano vocals:
Barbara Hendricks (soprano) (in 1989-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1989-09)
conductor:
Sir Neville Marriner (conductor) (in 1989-09)
chorus master:
Gert Frischmuth (in 1989-09)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1989-09)
recording of:
Missa brevis Sancti Joannis de Deo in B-flat major, Hob. XXII:7 "Kleine Orgelmesse": VI. Agnus Dei (in 1989-09)
composer:
Joseph Haydn (composer)
part of:
Missa brevis Sancti Joannis de Deo in B-flat major, Hob. XXII:7 "Kleine Orgelmesse"
Joseph Haydn3:41
25The Seven Last Words of Christ, Hob. XX:1: Introduction. Maestoso ed adagio
producer:
Suvi Raj Grubb
orchestra:
Academy of St Martin in the Fields (from 1977-05-29 until 1977-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1977-05-29 until 1977-05-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-05-29 until 1977-05-30)
recording of:
Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: I. Introduction: Maestoso ed Adagio (from 1977-05-29 until 1977-05-30)
composer:
Joseph Haydn (composer)
part of:
Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01
recording of:
Septem Verba Christi in Cruce, Hob. XX:1: I. L’introduzione. Maestoso ed Adagio
composer:
Joseph Haydn (composer)
part of:
Septem Verba Christi in Cruce, Hob. XX:1 (for Orchestra)
Joseph Haydn6:26
26The Seven Last Words of Christ, Hob. XX:1: Sonata I. "Pater, dimitte illis, quia nesciunt, quid faciunt"
producer:
Suvi Raj Grubb
orchestra:
Academy of St Martin in the Fields (from 1977-05-29 until 1977-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1977-05-29 until 1977-05-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-05-29 until 1977-05-30)
recording of:
Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: II. Sonata I: Largo (Pater. dimitte illis, quia nesciunt, quid faciunt) (from 1977-05-29 until 1977-05-30)
composer:
Joseph Haydn (composer)
part of:
Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01
recording of:
Septem Verba Christi in Cruce, Hob. XX:1: II. Sonata I. Largo
composer:
Joseph Haydn (composer)
part of:
Septem Verba Christi in Cruce, Hob. XX:1 (for Orchestra)
Joseph Haydn7:11
27The Seven Last Words of Christ, Hob. XX:1: Sonata II. "Hodie mecum eris in paradiso"
producer:
Suvi Raj Grubb
orchestra:
Academy of St Martin in the Fields (from 1977-05-29 until 1977-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1977-05-29 until 1977-05-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-05-29 until 1977-05-30)
recording of:
Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: III. Sonata II: Grave e cantabile (Hodie mecum eris in paradiso) (from 1977-05-29 until 1977-05-30)
composer:
Joseph Haydn (composer)
part of:
Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01
recording of:
Septem Verba Christi in Cruce, Hob. XX:1: III. Sonata II. Grave e Cantabile
composer:
Joseph Haydn (composer)
part of:
Septem Verba Christi in Cruce, Hob. XX:1 (for Orchestra)
Joseph Haydn6:43
28The Seven Last Words of Christ, Hob. XX:1: Sonata III. "Mulier, ecce filius tuus"
producer:
Suvi Raj Grubb
orchestra:
Academy of St Martin in the Fields (from 1977-05-29 until 1977-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1977-05-29 until 1977-05-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-05-29 until 1977-05-30)
recording of:
Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: IV. Sonata III: Grave (Mulier, ecce filius tuus) (from 1977-05-29 until 1977-05-30)
composer:
Joseph Haydn (composer)
part of:
Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01
recording of:
Septem Verba Christi in Cruce, Hob. XX:1: IV. Sonata III. Grave
composer:
Joseph Haydn (composer)
part of:
Septem Verba Christi in Cruce, Hob. XX:1 (for Orchestra)
Joseph Haydn7:10
29The Seven Last Words of Christ, Hob. XX:1: Sonata IV. "Deus meus, ut quid dereliquisti me?"
producer:
Suvi Raj Grubb
orchestra:
Academy of St Martin in the Fields (from 1977-05-29 until 1977-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1977-05-29 until 1977-05-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-05-29 until 1977-05-30)
recording of:
Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: V. Sonata IV: Largo (Deus meus, ut quid dereliquisti me?) (from 1977-05-29 until 1977-05-30)
composer:
Joseph Haydn (composer)
part of:
Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01
recording of:
Septem Verba Christi in Cruce, Hob. XX:1: V. Sonata IV. Largo
composer:
Joseph Haydn (composer)
part of:
Septem Verba Christi in Cruce, Hob. XX:1 (for Orchestra)
Joseph Haydn6:30
30The Seven Last Words of Christ, Hob. XX:1: Sonata V. "Sitio"
producer:
Suvi Raj Grubb
orchestra:
Academy of St Martin in the Fields (from 1977-05-29 until 1977-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1977-05-29 until 1977-05-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-05-29 until 1977-05-30)
recording of:
Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: VI. Sonata V: Adagio (Sitio) (from 1977-05-29 until 1977-05-30)
composer:
Joseph Haydn (composer)
part of:
Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01
recording of:
Septem Verba Christi in Cruce, Hob. XX:1: VI. Sonata V. Adagio
composer:
Joseph Haydn (composer)
part of:
Septem Verba Christi in Cruce, Hob. XX:1 (for Orchestra)
Joseph Haydn6:32
31The Seven Last Words of Christ, Hob. XX:1: Sonata VI. "Consummatum est"
producer:
Suvi Raj Grubb
orchestra:
Academy of St Martin in the Fields (from 1977-05-29 until 1977-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1977-05-29 until 1977-05-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-05-29 until 1977-05-30)
recording of:
Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: VII. Sonata VI: Lento (Consummatum est) (from 1977-05-29 until 1977-05-30)
composer:
Joseph Haydn (composer)
part of:
Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01
recording of:
Septem Verba Christi in Cruce, Hob. XX:1: VII. Sonata VI. Lento
composer:
Joseph Haydn (composer)
part of:
Septem Verba Christi in Cruce, Hob. XX:1 (for Orchestra)
Joseph Haydn6:22
32The Seven Last Words of Christ, Hob. XX:1: Sonata VII. "Pater, in manus tuas commendo spiritum meum"
producer:
Suvi Raj Grubb
orchestra:
Academy of St Martin in the Fields (from 1977-05-29 until 1977-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1977-05-29 until 1977-05-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-05-29 until 1977-05-30)
recording of:
Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: VIII. Sonata VII: Largo (Pater. in manus tuas commendo spiritum meum) (from 1977-05-29 until 1977-05-30)
composer:
Joseph Haydn (composer)
part of:
Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01
recording of:
Septem Verba Christi in Cruce, Hob. XX:1: VIII. Sonata VII. Largo
composer:
Joseph Haydn (composer)
part of:
Septem Verba Christi in Cruce, Hob. XX:1 (for Orchestra)
Joseph Haydn6:20
33The Seven Last Words of Christ, Hob. XX:1: Il terremoto. Presto e con tutta la forza
producer:
Suvi Raj Grubb
orchestra:
Academy of St Martin in the Fields (from 1977-05-29 until 1977-05-30)
conductor:
Sir Neville Marriner (conductor) (from 1977-05-29 until 1977-05-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1977-05-29 until 1977-05-30)
recording of:
Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: IX. Il terremoto. Presto e con tutte la forza (from 1977-05-29 until 1977-05-30)
composer:
Joseph Haydn (composer)
part of:
Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01
recording of:
Septem Verba Christi in Cruce, Hob. XX:1: IX. Il Terremoto. Presto con tutta la forza
composer:
Joseph Haydn (composer)
part of:
Septem Verba Christi in Cruce, Hob. XX:1 (for Orchestra)
Joseph Haydn1:42
34Mass in B-flat major, Hob. XXII:10 "Heiligmesse": Kyrie
producer:
John Fraser (UK producer) and Bernd Runge
organ:
Hansjürgen Scholze (organist) (in 1986-09)
choir vocals:
Rundfunkchor Leipzig (in 1986-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1986-09)
conductor:
Sir Neville Marriner (conductor) (in 1986-09)
chorus master:
Jörge‐Peter Weigle (chorus master) (in 1986-09)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1986-09)
recording of:
Missa Sancti Bernardi von Offida, Hob. XXII:10 "Heiligmesse": Kyrie (in 1986-09)
composer:
Joseph Haydn (composer)
part of:
Missa Sancti Bernardi von Offida, Hob. XXII:10 "Heiligmesse"
Joseph Haydn4:16
35Mass in B-flat major, Hob. XXII:10 "Heiligmesse": Gloria
producer:
John Fraser (UK producer) and Bernd Runge
organ:
Hansjürgen Scholze (organist) (in 1986-09)
bass vocals:
Petteri Salomaa (baritone) (in 1986-09)
choir vocals:
Rundfunkchor Leipzig (in 1986-09)
contralto vocals:
Doris Soffel (mezzo soprano) (in 1986-09)
soprano vocals:
Carol Vaness (soprano) (in 1986-09)
tenor vocals:
Keith Lewis (tenor) (in 1986-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1986-09)
conductor:
Sir Neville Marriner (conductor) (in 1986-09)
chorus master:
Jörge‐Peter Weigle (chorus master) (in 1986-09)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1986-09)
recording of:
Missa Sancti Bernardi von Offida, Hob. XXII:10 "Heiligmesse": Gloria: Gloria in excelsis Deo (in 1986-09)
composer:
Joseph Haydn (composer)
part of:
Missa Sancti Bernardi von Offida, Hob. XXII:10 "Heiligmesse"
Joseph Haydn2:06
36Mass in B-flat major, Hob. XXII:10 "Heiligmesse": Gratias
producer:
John Fraser (UK producer) and Bernd Runge
organ:
Hansjürgen Scholze (organist) (in 1986-09)
bass vocals:
Petteri Salomaa (baritone) (in 1986-09)
choir vocals:
Rundfunkchor Leipzig (in 1986-09)
contralto vocals:
Doris Soffel (mezzo soprano) (in 1986-09)
soprano vocals:
Carol Vaness (soprano) (in 1986-09)
tenor vocals:
Keith Lewis (tenor) (in 1986-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1986-09)
conductor:
Sir Neville Marriner (conductor) (in 1986-09)
chorus master:
Jörge‐Peter Weigle (chorus master) (in 1986-09)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1986-09)
recording of:
Missa Sancti Bernardi von Offida, Hob. XXII:10 "Heiligmesse": Gloria: Gratis agimus tibi (in 1986-09)
composer:
Joseph Haydn (composer)
part of:
Missa Sancti Bernardi von Offida, Hob. XXII:10 "Heiligmesse"
Joseph Haydn4:10
37Mass in B-flat major, Hob. XXII:10 "Heiligmesse": Quoniam
producer:
John Fraser (UK producer) and Bernd Runge
organ:
Hansjürgen Scholze (organist) (in 1986-09)
choir vocals:
Rundfunkchor Leipzig (in 1986-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1986-09)
conductor:
Sir Neville Marriner (conductor) (in 1986-09)
chorus master:
Jörge‐Peter Weigle (chorus master) (in 1986-09)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1986-09)
recording of:
Missa Sancti Bernardi von Offida, Hob. XXII:10 "Heiligmesse": Gloria: Quoniam tu solus Sanctus (in 1986-09)
composer:
Joseph Haydn (composer)
part of:
Missa Sancti Bernardi von Offida, Hob. XXII:10 "Heiligmesse"
Joseph Haydn2:37
38Mass in B-flat major, Hob. XXII:10 "Heiligmesse": Credo
producer:
John Fraser (UK producer) and Bernd Runge
organ:
Hansjürgen Scholze (organist) (in 1986-09)
choir vocals:
Rundfunkchor Leipzig (in 1986-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1986-09)
conductor:
Sir Neville Marriner (conductor) (in 1986-09)
chorus master:
Jörge‐Peter Weigle (chorus master) (in 1986-09)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1986-09)
recording of:
Missa Sancti Bernardi von Offida, Hob. XXII:10 "Heiligmesse": Credo: Credo in unum Deum (in 1986-09)
composer:
Joseph Haydn (composer)
part of:
Missa Sancti Bernardi von Offida, Hob. XXII:10 "Heiligmesse"
Joseph Haydn1:24
39Mass in B-flat major, Hob. XXII:10 "Heiligmesse": Et incarnatus
producer:
John Fraser (UK producer) and Bernd Runge
organ:
Hansjürgen Scholze (organist) (in 1986-09)
bass vocals:
Petteri Salomaa (baritone) (in 1986-09)
bass vocals [bass II]:
Hermann Christian Polster (operatic bass) (in 1986-09)
choir vocals:
Rundfunkchor Leipzig (in 1986-09)
contralto vocals:
Doris Soffel (mezzo soprano) (in 1986-09)
soprano vocals:
Carol Vaness (soprano) (in 1986-09)
soprano vocals [soprano II]:
Dagmar Schellenberger (soprano) (in 1986-09)
tenor vocals:
Keith Lewis (tenor) (in 1986-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1986-09)
conductor:
Sir Neville Marriner (conductor) (in 1986-09)
chorus master:
Jörge‐Peter Weigle (chorus master) (in 1986-09)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1986-09)
recording of:
Missa Sancti Bernardi von Offida, Hob. XXII:10 "Heiligmesse": Credo: Et incarnatus est (in 1986-09)
composer:
Joseph Haydn (composer)
part of:
Missa Sancti Bernardi von Offida, Hob. XXII:10 "Heiligmesse"
Joseph Haydn4:51
40Mass in B-flat major, Hob. XXII:10 "Heiligmesse": Et resurrexit
producer:
John Fraser (UK producer) and Bernd Runge
organ:
Hansjürgen Scholze (organist) (in 1986-09)
choir vocals:
Rundfunkchor Leipzig (in 1986-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1986-09)
conductor:
Sir Neville Marriner (conductor) (in 1986-09)
chorus master:
Jörge‐Peter Weigle (chorus master) (in 1986-09)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1986-09)
recording of:
Missa Sancti Bernardi von Offida, Hob. XXII:10 "Heiligmesse": Credo: Et resurrexit (in 1986-09)
composer:
Joseph Haydn (composer)
part of:
Missa Sancti Bernardi von Offida, Hob. XXII:10 "Heiligmesse"
Joseph Haydn2:04
41Mass in B-flat major, Hob. XXII:10 "Heiligmesse": Et vitam
producer:
John Fraser (UK producer) and Bernd Runge
organ:
Hansjürgen Scholze (organist) (in 1986-09)
choir vocals:
Rundfunkchor Leipzig (in 1986-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1986-09)
conductor:
Sir Neville Marriner (conductor) (in 1986-09)
chorus master:
Jörge‐Peter Weigle (chorus master) (in 1986-09)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1986-09)
recording of:
Missa Sancti Bernardi von Offida, Hob. XXII:10 "Heiligmesse": Credo: Et incarnatus est (in 1986-09)
composer:
Joseph Haydn (composer)
part of:
Missa Sancti Bernardi von Offida, Hob. XXII:10 "Heiligmesse"
Joseph Haydn1:46
42Mass in B-flat major, Hob. XXII:10 "Heiligmesse": Sanctus
producer:
John Fraser (UK producer) and Bernd Runge
organ:
Hansjürgen Scholze (organist) (in 1986-09)
choir vocals:
Rundfunkchor Leipzig (in 1986-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1986-09)
conductor:
Sir Neville Marriner (conductor) (in 1986-09)
chorus master:
Jörge‐Peter Weigle (chorus master) (in 1986-09)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1986-09)
recording of:
Missa Sancti Bernardi von Offida, Hob. XXII:10 "Heiligmesse": Sanctus (in 1986-09)
composer:
Joseph Haydn (composer)
part of:
Missa Sancti Bernardi von Offida, Hob. XXII:10 "Heiligmesse"
Joseph Haydn1:50
43Mass in B-flat major, Hob. XXII:10 "Heiligmesse": Benedictus
producer:
John Fraser (UK producer) and Bernd Runge
organ:
Hansjürgen Scholze (organist) (in 1986-09)
choir vocals:
Rundfunkchor Leipzig (in 1986-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1986-09)
conductor:
Sir Neville Marriner (conductor) (in 1986-09)
chorus master:
Jörge‐Peter Weigle (chorus master) (in 1986-09)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1986-09)
recording of:
Missa Sancti Bernardi von Offida, Hob. XXII:10 "Heiligmesse": Benedictus (in 1986-09)
composer:
Joseph Haydn (composer)
part of:
Missa Sancti Bernardi von Offida, Hob. XXII:10 "Heiligmesse"
Joseph Haydn5:37
44Mass in B-flat major, Hob. XXII:10 "Heiligmesse": Agnus Dei
producer:
John Fraser (UK producer) and Bernd Runge
organ:
Hansjürgen Scholze (organist) (in 1986-09)
choir vocals:
Rundfunkchor Leipzig (in 1986-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1986-09)
conductor:
Sir Neville Marriner (conductor) (in 1986-09)
chorus master:
Jörge‐Peter Weigle (chorus master) (in 1986-09)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1986-09)
recording of:
Missa Sancti Bernardi von Offida, Hob. XXII:10 "Heiligmesse": Agnus Dei: Agnus Dei (in 1986-09)
composer:
Joseph Haydn (composer)
part of:
Missa Sancti Bernardi von Offida, Hob. XXII:10 "Heiligmesse"
Joseph Haydn3:40
45Mass in B-flat major, Hob. XXII:10 "Heiligmesse": Dona nobis
producer:
John Fraser (UK producer) and Bernd Runge
organ:
Hansjürgen Scholze (organist) (in 1986-09)
choir vocals:
Rundfunkchor Leipzig (in 1986-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1986-09)
conductor:
Sir Neville Marriner (conductor) (in 1986-09)
chorus master:
Jörge‐Peter Weigle (chorus master) (in 1986-09)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1986-09)
recording of:
Missa Sancti Bernardi von Offida, Hob. XXII:10 "Heiligmesse": Agnus Dei: Dona nobis pacem (in 1986-09)
composer:
Joseph Haydn (composer)
part of:
Missa Sancti Bernardi von Offida, Hob. XXII:10 "Heiligmesse"
Joseph Haydn2:45
46Berenice, che fai, Hob. XXIVa:10
producer:
Simon Woods (producer)
soprano vocals:
Amanda Roocroft (soprano) (from 1995-06-12 until 1995-06-15)
orchestra:
Academy of St Martin in the Fields (from 1995-06-12 until 1995-06-15)
conductor:
Sir Neville Marriner (conductor) (from 1995-06-12 until 1995-06-15)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1995-06-12 until 1995-06-15)
recording of:
Scena di Berenice, Hob. XXIVa:10 (from 1995-06-12 until 1995-06-15)
composer:
Joseph Haydn (composer)
part of:
Hoboken-Verzeichnis (number: Hob. XXIVa:10)
Joseph Haydn12:48
47Cello Concerto no. 2 in D major, Hob. VIIb:2: I. Allegro moderato
producer:
John Willan (producer)
cello:
Lynn Harrell (cellist) (in 1981-11)
orchestra:
Academy of St Martin in the Fields (in 1981-11)
conductor:
Sir Neville Marriner (conductor) (in 1981-11)
balance engineer:
Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1981-11)
recording of:
Cello Concerto no. 2 in D major, Hob. VIIb:2, op. 101: I. Allegro moderato (in 1981-11)
composer:
Joseph Haydn (composer) (in 1783)
part of:
Cello Concerto no. 2 in D major, Hob. VIIb:2, op. 101
Joseph Haydn515:17
48Cello Concerto no. 2 in D major, Hob. VIIb:2: II. Adagio
producer:
John Willan (producer)
cello:
Lynn Harrell (cellist) (in 1981-11)
orchestra:
Academy of St Martin in the Fields (in 1981-11)
conductor:
Sir Neville Marriner (conductor) (in 1981-11)
balance engineer:
Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1981-11)
recording of:
Cello Concerto no. 2 in D major, Hob. VIIb:2, op. 101: II. Adagio (in 1981-11)
composer:
Joseph Haydn (composer) (in 1783)
part of:
Cello Concerto no. 2 in D major, Hob. VIIb:2, op. 101
Joseph Haydn55:47
49Cello Concerto no. 2 in D major, Hob. VIIb:2: III. Rondo. Allegro
producer:
John Willan (producer)
cello:
Lynn Harrell (cellist) (in 1981-11)
orchestra:
Academy of St Martin in the Fields (in 1981-11)
conductor:
Sir Neville Marriner (conductor) (in 1981-11)
balance engineer:
Michael Sheady (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1981-11)
recording of:
Cello Concerto no. 2 in D major, Hob. VIIb:2, op. 101: III. Rondo: Allegro (in 1981-11)
composer:
Joseph Haydn (composer) (in 1783)
part of:
Cello Concerto no. 2 in D major, Hob. VIIb:2, op. 101
Joseph Haydn56:01
50Mass in D minor, Hob. XXII:11 "Nelson Mass": Kyrie
producer:
John Fraser (UK producer) and Bernd Runge
organ:
Hansjürgen Scholze (organist) (from 1985-04-20 until 1985-04-21)
choir vocals:
Rundfunkchor Leipzig (from 1985-04-20 until 1985-04-21)
soprano vocals:
Margaret Marshall (Scots soprano active in late 20th century) (from 1985-04-20 until 1985-04-21)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1985-04-20 until 1985-04-21)
conductor:
Sir Neville Marriner (conductor) (from 1985-04-20 until 1985-04-21)
chorus master:
Jörge‐Peter Weigle (chorus master) (from 1985-04-20 until 1985-04-21)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1985-04-20 until 1985-04-21)
recording of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": I. Kyrie (soprano solo) (from 1985-04-20 until 1985-04-21)
composer:
Joseph Haydn (composer)
part of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse"
Joseph Haydn4:26
51Mass in D minor, Hob. XXII:11 "Nelson Mass": Gloria
producer:
John Fraser (UK producer) and Bernd Runge
organ:
Hansjürgen Scholze (organist) (from 1985-04-20 until 1985-04-21)
bass vocals:
Robert Holl (bass‐baritone) (from 1985-04-20 until 1985-04-21)
choir vocals:
Rundfunkchor Leipzig (from 1985-04-20 until 1985-04-21)
contralto vocals:
Carolyn Watkinson (mezzo-soprano and contralto) (from 1985-04-20 until 1985-04-21)
soprano vocals:
Margaret Marshall (Scots soprano active in late 20th century) (from 1985-04-20 until 1985-04-21)
tenor vocals:
Keith Lewis (tenor) (from 1985-04-20 until 1985-04-21)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1985-04-20 until 1985-04-21)
conductor:
Sir Neville Marriner (conductor) (from 1985-04-20 until 1985-04-21)
chorus master:
Jörge‐Peter Weigle (chorus master) (from 1985-04-20 until 1985-04-21)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1985-04-20 until 1985-04-21)
recording of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": II. Gloria (from 1985-04-20 until 1985-04-21)
composer:
Joseph Haydn (composer)
part of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse"
Joseph Haydn3:23
52Mass in D minor, Hob. XXII:11 "Nelson Mass": Qui tollis
producer:
John Fraser (UK producer) and Bernd Runge
organ:
Hansjürgen Scholze (organist) (from 1985-04-20 until 1985-04-21)
bass vocals:
Robert Holl (bass‐baritone) (from 1985-04-20 until 1985-04-21)
choir vocals:
Rundfunkchor Leipzig (from 1985-04-20 until 1985-04-21)
soprano vocals:
Margaret Marshall (Scots soprano active in late 20th century) (from 1985-04-20 until 1985-04-21)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1985-04-20 until 1985-04-21)
conductor:
Sir Neville Marriner (conductor) (from 1985-04-20 until 1985-04-21)
chorus master:
Jörge‐Peter Weigle (chorus master) (from 1985-04-20 until 1985-04-21)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1985-04-20 until 1985-04-21)
recording of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": II. Gloria (from 1985-04-20 until 1985-04-21)
composer:
Joseph Haydn (composer)
part of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse"
Joseph Haydn5:07
53Mass in D minor, Hob. XXII:11 "Nelson Mass": Quoniam
producer:
John Fraser (UK producer) and Bernd Runge
organ:
Hansjürgen Scholze (organist) (from 1985-04-20 until 1985-04-21)
bass vocals:
Robert Holl (bass‐baritone) (from 1985-04-20 until 1985-04-21)
choir vocals:
Rundfunkchor Leipzig (from 1985-04-20 until 1985-04-21)
soprano vocals:
Margaret Marshall (Scots soprano active in late 20th century) (from 1985-04-20 until 1985-04-21)
tenor vocals:
Keith Lewis (tenor) (from 1985-04-20 until 1985-04-21)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1985-04-20 until 1985-04-21)
conductor:
Sir Neville Marriner (conductor) (from 1985-04-20 until 1985-04-21)
chorus master:
Jörge‐Peter Weigle (chorus master) (from 1985-04-20 until 1985-04-21)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1985-04-20 until 1985-04-21)
recording of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": II. Gloria (from 1985-04-20 until 1985-04-21)
composer:
Joseph Haydn (composer)
part of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse"
Joseph Haydn2:39
54Mass in D minor, Hob. XXII:11 "Nelson Mass": Credo
producer:
John Fraser (UK producer) and Bernd Runge
organ:
Hansjürgen Scholze (organist) (from 1985-04-20 until 1985-04-21)
choir vocals:
Rundfunkchor Leipzig (from 1985-04-20 until 1985-04-21)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1985-04-20 until 1985-04-21)
conductor:
Sir Neville Marriner (conductor) (from 1985-04-20 until 1985-04-21)
chorus master:
Jörge‐Peter Weigle (chorus master) (from 1985-04-20 until 1985-04-21)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1985-04-20 until 1985-04-21)
recording of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": III. Credo (from 1985-04-20 until 1985-04-21)
composer:
Joseph Haydn (composer)
part of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse"
Joseph Haydn1:40
55Mass in D minor, Hob. XXII:11 "Nelson Mass": Et incarnatus
producer:
John Fraser (UK producer) and Bernd Runge
organ:
Hansjürgen Scholze (organist) (from 1985-04-20 until 1985-04-21)
bass vocals:
Robert Holl (bass‐baritone) (from 1985-04-20 until 1985-04-21)
choir vocals:
Rundfunkchor Leipzig (from 1985-04-20 until 1985-04-21)
contralto vocals:
Carolyn Watkinson (mezzo-soprano and contralto) (from 1985-04-20 until 1985-04-21)
soprano vocals:
Margaret Marshall (Scots soprano active in late 20th century) (from 1985-04-20 until 1985-04-21)
tenor vocals:
Keith Lewis (tenor) (from 1985-04-20 until 1985-04-21)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1985-04-20 until 1985-04-21)
conductor:
Sir Neville Marriner (conductor) (from 1985-04-20 until 1985-04-21)
chorus master:
Jörge‐Peter Weigle (chorus master) (from 1985-04-20 until 1985-04-21)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1985-04-20 until 1985-04-21)
recording of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": III. Credo (from 1985-04-20 until 1985-04-21)
composer:
Joseph Haydn (composer)
part of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse"
Joseph Haydn4:27
56Mass in D minor, Hob. XXII:11 "Nelson Mass": Et resurrexit
producer:
John Fraser (UK producer) and Bernd Runge
organ:
Hansjürgen Scholze (organist) (from 1985-04-20 until 1985-04-21)
choir vocals:
Rundfunkchor Leipzig (from 1985-04-20 until 1985-04-21)
soprano vocals:
Margaret Marshall (Scots soprano active in late 20th century) (from 1985-04-20 until 1985-04-21)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1985-04-20 until 1985-04-21)
conductor:
Sir Neville Marriner (conductor) (from 1985-04-20 until 1985-04-21)
chorus master:
Jörge‐Peter Weigle (chorus master) (from 1985-04-20 until 1985-04-21)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1985-04-20 until 1985-04-21)
recording of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": III. Credo (from 1985-04-20 until 1985-04-21)
composer:
Joseph Haydn (composer)
part of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse"
Joseph Haydn3:40
57Mass in D minor, Hob. XXII:11 "Nelson Mass": Sanctus
producer:
John Fraser (UK producer) and Bernd Runge
organ:
Hansjürgen Scholze (organist) (from 1985-04-20 until 1985-04-21)
choir vocals:
Rundfunkchor Leipzig (from 1985-04-20 until 1985-04-21)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1985-04-20 until 1985-04-21)
conductor:
Sir Neville Marriner (conductor) (from 1985-04-20 until 1985-04-21)
chorus master:
Jörge‐Peter Weigle (chorus master) (from 1985-04-20 until 1985-04-21)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1985-04-20 until 1985-04-21)
recording of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": IV. Sanctus (from 1985-04-20 until 1985-04-21)
composer:
Joseph Haydn (composer)
part of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse"
Joseph Haydn2:27
58Mass in D minor, Hob. XXII:11 "Nelson Mass": Benedictus
producer:
John Fraser (UK producer) and Bernd Runge
organ:
Hansjürgen Scholze (organist) (from 1985-04-20 until 1985-04-21)
bass vocals:
Robert Holl (bass‐baritone) (from 1985-04-20 until 1985-04-21)
choir vocals:
Rundfunkchor Leipzig (from 1985-04-20 until 1985-04-21)
contralto vocals:
Carolyn Watkinson (mezzo-soprano and contralto) (from 1985-04-20 until 1985-04-21)
soprano vocals:
Margaret Marshall (Scots soprano active in late 20th century) (from 1985-04-20 until 1985-04-21)
tenor vocals:
Keith Lewis (tenor) (from 1985-04-20 until 1985-04-21)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1985-04-20 until 1985-04-21)
conductor:
Sir Neville Marriner (conductor) (from 1985-04-20 until 1985-04-21)
chorus master:
Jörge‐Peter Weigle (chorus master) (from 1985-04-20 until 1985-04-21)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1985-04-20 until 1985-04-21)
recording of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": V. Benedictus (soli SATB) (from 1985-04-20 until 1985-04-21)
composer:
Joseph Haydn (composer)
part of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse"
Joseph Haydn5:43
59Mass in D minor, Hob. XXII:11 "Nelson Mass": Osanna
producer:
John Fraser (UK producer) and Bernd Runge
organ:
Hansjürgen Scholze (organist) (from 1985-04-20 until 1985-04-21)
choir vocals:
Rundfunkchor Leipzig (from 1985-04-20 until 1985-04-21)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1985-04-20 until 1985-04-21)
conductor:
Sir Neville Marriner (conductor) (from 1985-04-20 until 1985-04-21)
chorus master:
Jörge‐Peter Weigle (chorus master) (from 1985-04-20 until 1985-04-21)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1985-04-20 until 1985-04-21)
recording of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": V. Benedictus (soli SATB) (from 1985-04-20 until 1985-04-21)
composer:
Joseph Haydn (composer)
part of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse"
Joseph Haydn0:40
60Mass in D minor, Hob. XXII:11 "Nelson Mass": Agnus Dei
producer:
John Fraser (UK producer) and Bernd Runge
organ:
Hansjürgen Scholze (organist) (from 1985-04-20 until 1985-04-21)
bass vocals:
Robert Holl (bass‐baritone) (from 1985-04-20 until 1985-04-21)
choir vocals:
Rundfunkchor Leipzig (from 1985-04-20 until 1985-04-21)
contralto vocals:
Carolyn Watkinson (mezzo-soprano and contralto) (from 1985-04-20 until 1985-04-21)
soprano vocals:
Margaret Marshall (Scots soprano active in late 20th century) (from 1985-04-20 until 1985-04-21)
tenor vocals:
Keith Lewis (tenor) (from 1985-04-20 until 1985-04-21)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1985-04-20 until 1985-04-21)
conductor:
Sir Neville Marriner (conductor) (from 1985-04-20 until 1985-04-21)
chorus master:
Jörge‐Peter Weigle (chorus master) (from 1985-04-20 until 1985-04-21)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1985-04-20 until 1985-04-21)
recording of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": VI. Agnus Dei (from 1985-04-20 until 1985-04-21)
composer:
Joseph Haydn (composer)
part of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse"
Joseph Haydn3:22
61Mass in D minor, Hob. XXII:11 "Nelson Mass": Dona nobis
producer:
John Fraser (UK producer) and Bernd Runge
organ:
Hansjürgen Scholze (organist) (from 1985-04-20 until 1985-04-21)
choir vocals:
Rundfunkchor Leipzig (from 1985-04-20 until 1985-04-21)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1985-04-20 until 1985-04-21)
conductor:
Sir Neville Marriner (conductor) (from 1985-04-20 until 1985-04-21)
chorus master:
Jörge‐Peter Weigle (chorus master) (from 1985-04-20 until 1985-04-21)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1985-04-20 until 1985-04-21)
recording of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse": VI. Agnus Dei (from 1985-04-20 until 1985-04-21)
composer:
Joseph Haydn (composer)
part of:
Missa angustiis, Hob. XXII:11 "Nelsonmesse"
Joseph Haydn2:30