American Highway

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Wicked Game
recording engineer and mixer:
Mark Needham
producer:
Erik Jacobsen
assistant mixer:
Lee Herschberg
bass guitar:
Rowland Salley
drums (drum set):
Kenney Dale Johnson
guitar:
Chris Isaak and James Calvin Wilsey
background vocals:
Cynthia Lloyd and Christine Wall
lead vocals:
Chris Isaak
phonographic copyright (℗) by:
Reprise Records and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
mixed at:
Amigo Studios in North Hollywood, Los Angeles, California, United States
recording of:
Wicked Game (in 1989)
lyricist and composer:
Chris Isaak
publisher:
Arc Music Corp. (U.S. rock & blues publisher), C. Isaak Music Publishing Co. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Chris Isaak4.354:49
2It Ain’t Over ’Til It’s Over
engineer:
David Domanich and Henry Hirsch
producer:
Lenny Kravitz
mixer:
Henry Hirsch
guest horn:
The Phenix Horns
Rhodes piano, bass guitar, drums (drum set), guitar and sitar and lead vocals:
Lenny Kravitz
horn and strings arranger:
Lenny Kravitz
recording of:
It Ain’t Over ’til It’s Over
lyricist and composer:
Lenny Kravitz
Lenny Kravitz43:57
3The Sidewinder Sleeps Tonite
additional engineer:
George Cowan (US engineer), Mark Howard (producer/recording engineer, New Orleans/Los Angeles based), John Keane (US indie rock producer/engineer), Ted Malia and Andrew Roshberg
engineer:
Clif Norrell
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
additional mixer:
Ed Brooks (audio engineer at RFI Mastering in Seattle)
assistant mixer:
Tod Lemkuhl
mixer:
Scott Litt (producer and engineer) and Clif Norrell
guest cello:
Kathleen Kee, Daniel Laufer (cellist) and Elizabeth Proctor Murphy
guest oboe:
Deborah Workman (oboist)
guest viola:
Reid Harris, Paul Murphy (viola) and Heidi Nitchie (violist)
guest violin:
Denise Berginson-Smith (violinist), Patti Gouvas, Lonnie Ottzen (violinist), Sandy Salzinger (violinist), Sou-Chun Su (violinist) and Jody Taylor (violin)
vocals:
Michael Stipe
conductor:
George Hanson
orchestrator:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1992) and R.E.M./Athens L.L.C. (in 2017)
additionally recorded at:
Bosstown Recording Studios in Atlanta, Georgia, United States, John Keane Studios in Athens, Georgia, United States and Kingsway Studios (New Orleans) in New Orleans, Louisiana, United States
recorded at:
Bearsville Studios in Bearsville, New York, United States and Criteria Studios in Miami, Florida, United States
mixed at:
Bad Animals Studio in Seattle, Washington, United States
recording of:
The Sidewinder Sleeps Tonite
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music
is based on:
The Lion Sleeps Tonight
R.E.M.3.854:07
4You Get What You Give
mixer:
Michael Brauer (engineer)
drums (drum set):
Gary Ferguson (Session drummer)
electric bass guitar:
John Pierce (US session bassist)
guitar:
Gregg Alexander and Rusty Anderson
keyboard and background vocals:
Rick Nowels
percussion:
Juliet Prater
lead vocals:
Gregg Alexander
additional vocals arranger:
Richie Podler
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1998)
recording of:
You Get What You Give
writer:
Gregg Alexander and Rick Nowels
publisher:
EMI Blackwood Music Inc., EMI Music Inc., Future Furniture Music Inc. and Grosse Point Harlem
New Radicals3.654:40
5Scooby Snacks
assistant recording engineer:
Edward Douglas (engineer) (from 1995-04-25 until 1995-05-20) and Juan Garcia (assistant at Magic Shop) (from 1995-04-25 until 1995-05-20)
recording engineer:
Tim Latham (from 1995-04-25 until 1995-05-20)
producer:
Fun Lovin’ Criminals
assistant mixer:
Sean “Puffy” Coffey (US recording engineer) (from 1995-06-03 until 1995-07-19)
mixer:
Tim Latham (from 1995-06-03 until 1995-07-19)
performer:
Fun Lovin’ Criminals
arranger:
Fun Lovin’ Criminals
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1996) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1996)
recorded at:
Steve Rosenthal’s Magic Shop in Manhattan, New York, New York, United States (from 1995-04-25 until 1995-05-20)
mixed at:
Platinum Island NYC in New York, New York, United States (from 1995-06-03 until 1995-07-19)
samples:
Movement of Fear by Tones on Tail
recording of:
Scooby Snacks
additional lyricist:
Quentin Tarantino
writer:
Stephen Borgovini, Brian Leiser and Huey Morgan (DJ for the BBC)
publisher:
Beggars Banquet Music Ltd., DiFontaine Carting & Asbestos Removal, Co., Notting Hill Music (UK) Ltd., Universal Music Careers and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Fun Lovin’ Criminals3.63:04
6Easy
producer:
Faith No More (from 1992-01 until 1992-03) and Matt Wallace (US producer & engineer) (from 1992-01 until 1992-03)
drums (drum set):
Mike Bordin (American drummer) (from 1992-01 until 1992-03)
electric bass guitar:
Billy Gould (from 1992-01 until 1992-03)
electric guitar:
Jim Martin (ex-Faith No More guitarist) (from 1992-01 until 1992-03)
keyboard:
Roddy Bottum (from 1992-01 until 1992-03)
lead vocals:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.) (from 1992-01 until 1992-03)
phonographic copyright (℗) by:
Slash Records (company, do not use as release label!)
cover recording of:
Easy (from 1992-01 until 1992-03)
lyricist and composer:
Lionel Richie
publisher:
Brenda Richie Publishing, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Libren Music
Faith No More4.53:06
7Kiss Me
engineer and mixer:
Russ Long (engineer)
drums (drum set) and percussion:
Dale Baker (Drummer; The Maudlin Fee)
vocals:
Leigh Nash (vocalist of Sixpence None the Richer)
phonographic copyright (℗) by:
Squint Entertainment (in 1998)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 15)
recording of:
Kiss Me
lyricist and composer:
Matt Slocum (lead guitarist for Sixpence None the Richer)
publisher:
My So-Called Music, Songs of Evergreen Copyrights, Squint Songs and Le Tigre Sur un Ballon Publishing (in 1999)
Sixpence None the Richer4.43:28
8Constant Craving
producer:
k.d. lang, Ben Mink and Greg Penny
accordion and piano:
Teddy Borowiecki
drums (drum set):
Randall Stoll (drummer)
electric bass guitar:
David Piltch
guitar family and violin:
Ben Mink
percussion:
Graham Boyle (drummer)
vibraphone:
Gary Burton (jazz vibraphonist and composer)
additional vocals:
Sue Leonard
vocals:
k.d. lang
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992) and Warner Music H.K. Ltd. (in 1997)
recorded at:
Vancouver Studios in Vancouver, British Columbia, Canada
mixed at:
Saylor Recording in Hollywood, Los Angeles, California, United States
music videos:
Constant Craving (music video) by k.d. lang
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 14)
recording of:
Constant Craving
lyricist and composer:
k.d. lang and Ben Mink
publisher:
Bumstead Publishing and Zavion Music
k.d. lang3.84:36
9I Want You to Want Me
engineer:
Antonio Reale
producer:
Tom Werman
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1977)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1977)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 266)
recording of:
I Want You to Want Me (in 1977)
lyricist and composer:
Rick Nielsen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Gil Music Corporation, Screen Gems–EMI Music Ltd., Adult Music (in 1977) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1977)
part of:
10 Things I Hate About You
Cheap Trick4.153:11
10Driver’s Seat
acoustic guitar:
Paul Roberts (Lead singer of Sniff ’n’ The Tears)
bass guitar:
Chris Birkin
drums (drum set):
Luigi Salvoni
guitar:
Mick Dyche and Loz Netto
vocals:
Paul Roberts (Lead singer of Sniff ’n’ The Tears)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1978)
recording of:
Driver’s Seat (Sniff ’n’ the Tears song)
composer:
Paul Roberts (Lead singer of Sniff ’n’ The Tears)
Sniff ’n’ the Tears44:02
11I Saw the Light
producer:
Todd Rundgren
instruments and vocals:
Todd Rundgren
arranger:
Todd Rundgren
phonographic copyright (℗) by:
Bearsville Records (in 1972)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 452)
recording of:
I Saw the Light
lyricist and composer:
Todd Rundgren
publisher:
Earmark Music Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Todd Rundgren52:55
12Get It Right Next Time
engineer:
Nick Patrick
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recording of:
Get It Right Next Time
lyricist and composer:
Gerry Rafferty
publisher:
Stage Three Music Ltd.
Gerry Rafferty34:40
13For What It’s Worth
producer:
Charles Greene (producer) and Brian Stone (producer)
background vocals:
Richie Furay and Dewey Martin
vocals:
Stephen Stills
phonographic copyright (℗) by:
Warner Music International (trademark of Warner Music International the company) (in 1967) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 63)
recording of:
For What It’s Worth (on 1966-12-05)
lyricist and composer:
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East and Ten‐East Music (BMI)
Buffalo Springfield4.252:36
14Green Onions
recorded in:
Memphis, Tennessee, United States (in 1962-06)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass guitar [bass]:
Lewie Steinberg (in 1962-06)
drums (drum set) [drums]:
Al Jackson (Booker T & The MGs drummer) (in 1962-06)
guitar:
Steve Cropper (in 1962-06)
Hammond organ:
Booker T. Jones (in 1962-06)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 181) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 418)
recording of:
Green Onions (in 1962-06)
composer:
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones and Lewie Steinberg
publisher:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. and Irving Music (BMI)
Booker T. & the MG’s3.852:54
15I’m Waiting for My Man
recording engineer:
Omi Haden
producer:
Andy Warhol (American artist)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 81) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 159)
recording of:
I’m Waiting for the Man
lyricist and composer:
Lou Reed
publisher:
Oakfield Avenue Music, Screen Gems and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Velvet Underground3.654:41
16Cocaine
recording of:
Cocaine
lyricist and composer:
J.J. Cale
publisher:
Audigram Music, Audigram Songs, Inc., Blue Mountain Music Ltd., BMG Platinum Songs, Kobalt Music Publishing Ltd. (UK), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
J.J. Cale2:53
17Strawberry Letter 23
Shuggie Otis4:00
18Across 110th Street
performer:
Peace (funk/soul, Bobby Womack collaborator, e.g "Across 110th Street")
recording of:
Across 110th Street
writer:
J.J. Johnson (jazz/bop trombonist/session leader) and Bobby Womack
Bobby Womack4.653:49
19California Soul
producer:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) and Charles Stepney (musician, producer, arranger and songwriter)
arranger:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) and Charles Stepney (musician, producer, arranger and songwriter)
cover recording of:
California Soul
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Jobete Music Co., Inc. (on 1969-01-17)
Marlena Shaw52:56
20Bullitt (main title)
producer:
Jimmy Hilliard and Jimmy Hilliard (Credited as Producer Big-band musician who later worked as an A&R executive and producer for Warner Bros. Records. Produced hundreds of recordings and a number of hit singles and albums of varying genres for artists such as Jimmy Durante, Barbara McNair,)
conductor:
Lalo Schifrin (pianist & composer)
recording of:
Bullitt
composer:
Lalo Schifrin (pianist & composer)
Lalo Schifrin42:04
21Ashes, the Rain and I
recording of:
Ashes the Rain and I
writer:
Dale Peters and Joe Walsh (Eagles/James Gang)
James Gang34:55
3▶CD