Melissa (blue/pink ombré labels)

~ Veröffentlichung von Melissa Manchester (alle Versionen dieser Veröffentlichung ansehen, 11 vorhanden)

Titelliste

1▼12"-Vinyl
Nr.TitelBewertungLänge
A1We’ve Got Time
recording engineer:
Bob Schaper
Produzent(in):
Vini Poncia
Mix:
Bill Schnee
Akustikgitarre und E-Gitarre:
David Wolfert
Bassgitarre [bass]:
Cooker LoPresti
Hybrid-Piano:
James Newton Howard (American score composer)
Klavier und Sologesang:
Melissa Manchester
Schlagzeug:
Kirk Bruner
Hintergrundgesang:
Melissa Manchester und Vini Poncia
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
mixed at:
Sound Labs in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
We’ve Got Time
Texter:
Carole Bayer Sager
Komponist(in):
Melissa Manchester
publisher:
Alley Music Corp., BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), EMI Blackwood Music Inc. und Trio Music Company
44:22
A2Party Music
recording engineer:
Bob Schaper
Produzent(in):
Vini Poncia
Mix:
Bill Schnee
Bassgitarre [bass]:
John C. LoPresti
Clavinet, Hybrid-Piano und Synthesizer [ARP synthesizer]:
James Newton Howard (American score composer)
Conga:
King Errisson (conguero)
E-Gitarre:
David Wolfert
Klavier und Sologesang:
Melissa Manchester
Perkussion und Schlagzeug:
Kirk Bruner
Hintergrundgesang:
Lucy (Inta’) Mike (With Rhinestones)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
mixed at:
Sound Labs in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Party Music
Verfasser(in):
Melissa Manchester und David Wolfert
publisher:
Rumanian Pickleworks Company (beendet) und BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management)
43:28
A3Just Too Many People
recording engineer:
Bob Schaper
Produzent(in):
Vini Poncia
Mix:
Bill Schnee
Akustikgitarre und E-Gitarre:
David Wolfert
baritone saxophone:
John Rotella (woodwind)
Bassgitarre [bass]:
Cooker LoPresti
Hybrid-Piano:
James Newton Howard (American score composer)
Klavier und Sologesang:
Melissa Manchester
Posaune:
Lew McCreary
Schlagzeug:
Kirk Bruner
Tenorsaxophon:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
Trompete:
Steve Madaio
Hintergrundgesang:
Melissa Manchester und Vini Poncia
conductor:
Melissa Manchester (Saiteninstrumente)
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
mixed at:
Sound Labs in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Just Too Many People
Verfasser(in):
Melissa Manchester und Vini Poncia
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management) und EMI Blackwood Music Inc.
53:38
A4Stevie’s Wonder
recording engineer:
Bob Schaper
Produzent(in):
Vini Poncia
Mix:
Bill Schnee
Bassgitarre [bass]:
Cooker LoPresti
Cuíca, Perkussion und Schlagzeug:
Kirk Bruner
E-Gitarre:
David (Soon) Wolfert
Hybrid-Piano und Synthesizer [ARP synthesizer]:
James Newton Howard (American score composer)
Klavier, Hintergrundgesang und Sologesang:
Melissa Manchester
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
mixed at:
Sound Labs in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Stevie’s Wonder
Texter:
Carole Bayer Sager
Komponist(in):
Melissa Manchester
publisher:
Alley Music Corp., BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management) und Trio Music Company
33:33
A5This Lady’s Not Home
recording engineer:
Bob Schaper
Produzent(in):
Vini Poncia
Mix:
Bill Schnee
Bassgitarre [bass]:
Cooker (Loper) LoPresti
Conga:
King Errisson (conguero)
E-Gitarre:
David Wolfert
Hybrid-Piano:
Melissa Manchester
Orgel:
James Newton Howard (American score composer)
Schlagzeug:
Kirk Bruner
Sopransaxophon:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
vocals:
Melissa Manchester
Saiteninstrumente arranger:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
mixed at:
Sound Labs in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
This Lady’s Not Home
Texter:
Carole Bayer Sager
Komponist(in):
Melissa Manchester
publisher:
Alley Music Corp., Rumanian Pickleworks Company und Trio Music Company
34:31
B1Love Havin’ You Around
recording engineer:
Bob Schaper
Produzent(in):
Vini Poncia
Mix:
Bill Schnee
baritone saxophone:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
Bassgitarre [bass]:
Cooker LoPresti
Clavinet und Sologesang:
Melissa Manchester
E-Gitarre:
David Wolfert
Klavier und Orgel:
James Newton Howard (American score composer)
Schlagzeug und Tama / Dundun / Talking Drum:
Kirk (Dueling Gorillas) Bruner
Tenorsaxophon:
Gene Dinwiddie und Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
Trompete:
Steve Madaio
Hintergrundgesang:
David Lasley, Melissa Manchester und Arnold McCuller
Blechblasinstrumente [horns] arranger:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
mixed at:
Sound Labs in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Love Having You Around
Verfasser(in):
Syreeta (US singer‐songwriter active 1970s–80s) und Stevie Wonder
publisher:
Black Bull Music, Jobete Music (appears also as: Jobete Msc.) und Jobete Music Co. (in 1973)
sub-publisher:
大洋音楽 (Taiyō Music)
44:40
B2Midnight Blue
recording engineer:
Bob Schaper
Produzent(in):
Vini Poncia
Mix:
Bill Schnee
Akustikgitarre und E-Gitarre:
David Wolfert
Bassgitarre [bass]:
Cooker LoPresti
Hybrid-Piano:
James Newton Howard (American score composer)
Klavier und Sologesang:
Melissa Manchester
Perkussion und Schlagzeug:
Kirk Bruner
Hintergrundgesang:
Melissa Manchester und Vini Poncia
Saiteninstrumente arranger:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
mixed at:
Sound Labs in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Midnight Blue
Texter:
Carole Bayer Sager
Komponist(in):
Melissa Manchester
publisher:
New York Times Music Corp. (publisher) (beendet), Rumanian Pickleworks Company (beendet), Alley Music Corp., BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management) und Trio Music Company
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
43:55
B3It’s Gonna Be Alright
recording engineer:
Bob Schaper
Produzent(in):
Vini Poncia
Mix:
Bill Schnee
baritone saxophone:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
Bassgitarre [bass]:
Cooker LoPresti
Clavinet:
James (Lil’ Jimmie) Newton Howard (American score composer)
Conga:
King Errisson (conguero)
cowbell:
Don Diego Goju
Gitarre:
David Wolfert
Klavier und Sologesang:
Melissa Manchester
Schlagzeug:
Kirk Bruner
Tenorsaxophon:
Gene Dinwiddie und Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
Trompete:
Steve Madaio
Hintergrundgesang:
Melissa and “The Girls”
Blechblasinstrumente [horns] arranger:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
mixed at:
Sound Labs in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
It’s Gonna Be Alright
Texter:
Adrienne Anderson
Komponist(in):
Melissa Manchester
publisher:
Angela Music Co., BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management) und Universal Music Careers
43:32
B4I Got Eyes
recording engineer:
Bob Schaper
Produzent(in):
Vini Poncia
Mix:
Bill Schnee
Akustikgitarre:
David Wolfert
Bassgitarre [bass]:
Cooker LoPresti
Celesta und Synthesizer [ARP synthesizer]:
James Newton Howard (American score composer)
Hybrid-Piano und Sologesang:
Melissa Manchester
Perkussion:
Morton K. Salt
Hintergrundgesang:
Brie, Kirk, Melissa und Vini
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
mixed at:
Sound Labs in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
I Got Eyes
Texter und Komponist(in):
Melissa Manchester
publisher:
Rumanian Pickleworks Company (beendet) und BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management)
32:43
B5I Don’t Want to Hear It Anymore
recording engineer und Mix:
Bob Schaper
Produzent(in):
Vini Poncia
alto saxophone:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
Klavier:
Melissa Manchester
vocals:
Melissa Manchester
conductor:
Melissa Manchester (Saiteninstrumente)
Saiteninstrumente arranger:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
concertmaster:
Sid Sharpe
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
cover recording of:
I Don’t Want to Hear Anymore
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
EMI Unart Catalog Inc. und EMI United Partnership Ltd.
45:02

Nennungen

Veröffentlichung

art direction:Bob Heimall (graphic designer and photographer)
Fotografie:Ed Caraeff (American photographer, graphic designer and illustrator)
assistierende(r) Techniker(in):Reed Stanley
leitende(r) Produzent(in):Richard Perry (producer)
illustration:Pacific Eye & Ear
design:Arton Associates
hergestellt von:Arista Records, Inc. (manufacturing and distribution company, do not add releases here)
aufgenommen bei:A&R Recording Studios (second location, 799 7th Avenue) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mastered at:The Mastering Lab (Hollywood, 1967–2008) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Discogs:https://www.discogs.com/release/12431636 [Info]