Requiem / Pelléas et Mélisande / Masques et Bergamasques

~ Release by Fauré; Suzanne Danco, Gérard Souzay, L’Orchestre de la Suisse Romande, Ernest Ansermet (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Requiem: I Introit & Kyrie
engineer:
Roy Wallace (recording engineer) (task: stereo) and Gil Went (task: mono)
producer:
Victor Olof (task: mono) and James Walker (ballet/opera conductor, classical recordings producer for Decca) (task: stereo)
baritone vocals:
Gérard Souzay (baritone) (on 1955-10-16)
choir vocals:
Union Chorale de la Tour-de-Peilz (on 1955-10-16)
soprano vocals:
Suzanne Danco (soprano / mezzo-soprano) (on 1955-10-16)
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1955-10-16)
conductor:
Ernest Ansermet (conductor) (on 1955-10-16)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1955-10-16)
recording of:
Requiem, op. 48: I. Introït et Kyrie (1890, second version) (on 1955-10-16)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré7:02
2Requiem: II Offertoire
engineer:
Roy Wallace (recording engineer) (task: stereo) and Gil Went (task: mono)
producer:
Victor Olof (task: mono) and James Walker (ballet/opera conductor, classical recordings producer for Decca) (task: stereo)
baritone vocals:
Gérard Souzay (baritone) (on 1955-10-16)
choir vocals:
Union Chorale de la Tour-de-Peilz (on 1955-10-16)
soprano vocals:
Suzanne Danco (soprano / mezzo-soprano) (on 1955-10-16)
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1955-10-16)
conductor:
Ernest Ansermet (conductor) (on 1955-10-16)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1955-10-16)
recording of:
Requiem, op. 48: II. Offertoire (1890, second version) (on 1955-10-16)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré9:10
3Requiem: III Sanctus
engineer:
Roy Wallace (recording engineer) (task: stereo) and Gil Went (task: mono)
producer:
Victor Olof (task: mono) and James Walker (ballet/opera conductor, classical recordings producer for Decca) (task: stereo)
baritone vocals:
Gérard Souzay (baritone) (on 1955-10-16)
choir vocals:
Union Chorale de la Tour-de-Peilz (on 1955-10-16)
soprano vocals:
Suzanne Danco (soprano / mezzo-soprano) (on 1955-10-16)
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1955-10-16)
conductor:
Ernest Ansermet (conductor) (on 1955-10-16)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1955-10-16)
recording of:
Requiem, op. 48: III. Sanctus (1890, second version) (on 1955-10-16)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:16
4Requiem: IV Pie Jesu
engineer:
Roy Wallace (recording engineer) (task: stereo) and Gil Went (task: mono)
producer:
Victor Olof (task: mono) and James Walker (ballet/opera conductor, classical recordings producer for Decca) (task: stereo)
baritone vocals:
Gérard Souzay (baritone) (on 1955-10-16)
choir vocals:
Union Chorale de la Tour-de-Peilz (on 1955-10-16)
soprano vocals:
Suzanne Danco (soprano / mezzo-soprano) (on 1955-10-16)
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1955-10-16)
conductor:
Ernest Ansermet (conductor) (on 1955-10-16)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1955-10-16)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (on 1955-10-16)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
included in:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:12
5Requiem: V Agnus Dei
engineer:
Roy Wallace (recording engineer) (task: stereo) and Gil Went (task: mono)
producer:
Victor Olof (task: mono) and James Walker (ballet/opera conductor, classical recordings producer for Decca) (task: stereo)
baritone vocals:
Gérard Souzay (baritone) (on 1955-10-16)
choir vocals:
Union Chorale de la Tour-de-Peilz (on 1955-10-16)
soprano vocals:
Suzanne Danco (soprano / mezzo-soprano) (on 1955-10-16)
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1955-10-16)
conductor:
Ernest Ansermet (conductor) (on 1955-10-16)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1955-10-16)
recording of:
Requiem, op. 48: V. Agnus Dei et Lux Aeterna (1890, second version) (on 1955-10-16)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré5:16
6Requiem: VI Libera me
engineer:
Roy Wallace (recording engineer) (task: stereo) and Gil Went (task: mono)
producer:
Victor Olof (task: mono) and James Walker (ballet/opera conductor, classical recordings producer for Decca) (task: stereo)
baritone vocals:
Gérard Souzay (baritone) (on 1955-10-16)
choir vocals:
Union Chorale de la Tour-de-Peilz (on 1955-10-16)
soprano vocals:
Suzanne Danco (soprano / mezzo-soprano) (on 1955-10-16)
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1955-10-16)
conductor:
Ernest Ansermet (conductor) (on 1955-10-16)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1955-10-16)
recording of:
Requiem, op. 48: VI. Libera me (1890, second version) (on 1955-10-16)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré5:23
7Requiem: VII In Paradisum
engineer:
Roy Wallace (recording engineer) (task: stereo) and Gil Went (task: mono)
producer:
Victor Olof (task: mono) and James Walker (ballet/opera conductor, classical recordings producer for Decca) (task: stereo)
baritone vocals:
Gérard Souzay (baritone) (on 1955-10-16)
choir vocals:
Union Chorale de la Tour-de-Peilz (on 1955-10-16)
soprano vocals:
Suzanne Danco (soprano / mezzo-soprano) (on 1955-10-16)
orchestra:
Orchestre de la Suisse Romande (OSR) (on 1955-10-16)
conductor:
Ernest Ansermet (conductor) (on 1955-10-16)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (on 1955-10-16)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (on 1955-10-16)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
included in:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré4:20
8Pelléas et Mélisande: I Prelude
engineer:
Roy Wallace (recording engineer)
producer:
Michael Bremner (producer/engineer)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1961-02-22 until 1961-02-24)
conductor:
Ernest Ansermet (conductor) (from 1961-02-22 until 1961-02-24)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1961-02-22 until 1961-02-24)
recording of:
Pelléas et Mélisande, op. 80: I. Prélude. Quasi adagio (from 1961-02-22 until 1961-02-24)
composer:
Gabriel Fauré (French composer)
part of:
Pelléas et Mélisande, op. 80
Gabriel Fauré5:49
9Pelléas et Mélisande: II La Fileuse
engineer:
Roy Wallace (recording engineer)
producer:
Michael Bremner (producer/engineer)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1961-02-22 until 1961-02-24)
conductor:
Ernest Ansermet (conductor) (from 1961-02-22 until 1961-02-24)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1961-02-22 until 1961-02-24)
recording of:
Pelléas et Mélisande, op. 80: II. Fileuse. Andantino quasi allegretto (from 1961-02-22 until 1961-02-24)
composer:
Gabriel Fauré (French composer)
part of:
Pelléas et Mélisande, op. 80
Gabriel Fauré3:08
10Pelléas et Mélisande: III Molto adagio
engineer:
Roy Wallace (recording engineer)
producer:
Michael Bremner (producer/engineer)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1961-02-22 until 1961-02-24)
conductor:
Ernest Ansermet (conductor) (from 1961-02-22 until 1961-02-24)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1961-02-22 until 1961-02-24)
recording of:
Pelléas et Mélisande, op. 80: IV. La Mort de Mélisande. Molto adagio (from 1961-02-22 until 1961-02-24)
composer:
Gabriel Fauré (French composer)
part of:
Pelléas et Mélisande, op. 80
Gabriel Fauré4:11
11Pelléas et Mélisande: IV Sicilienne
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1961-02)
conductor:
Ernest Ansermet (conductor) (in 1961-02)
recording of:
Pelléas et Mélisande, op. 80: III. Sicilienne (in 1961-02)
composer:
Gabriel Fauré (French composer)
part of:
Pelléas et Mélisande, op. 80
Gabriel Fauré4:01
12Masques et Bergamasques: I Ouverture
engineer:
Roy Wallace (recording engineer)
producer:
Michael Bremner (producer/engineer)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1961-02-22 until 1961-02-24)
conductor:
Ernest Ansermet (conductor) (from 1961-02-22 until 1961-02-24)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1961-02-22 until 1961-02-24)
recording of:
Suite, op. 112 "Masques et bergamasques": I. Overture: Allegro molto vivo (from 1961-02-22 until 1961-02-24)
composer:
Gabriel Fauré (French composer)
is based on:
Masques et bergamasques, comédie musicale en 1 acte : I. Ouverture
part of:
Suite, op. 112 "Masques et bergamasques"
Gabriel Fauré3:29
13Masques et Bergamasques: II Menuet
engineer:
Roy Wallace (recording engineer)
producer:
Michael Bremner (producer/engineer)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1961-02-22 until 1961-02-24)
conductor:
Ernest Ansermet (conductor) (from 1961-02-22 until 1961-02-24)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1961-02-22 until 1961-02-24)
recording of:
Suite, op. 112 "Masques et bergamasques": II. Menuet: Tempo di minuetto – Allegretto moderato (from 1961-02-22 until 1961-02-24)
composer:
Gabriel Fauré (French composer)
is based on:
Masques et bergamasques, comédie musicale en 1 acte : V. Menuet
part of:
Suite, op. 112 "Masques et bergamasques"
Gabriel Fauré2:42
14Masques et Bergamasques: III Gavotte
engineer:
Roy Wallace (recording engineer)
producer:
Michael Bremner (producer/engineer)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1961-02-22 until 1961-02-24)
conductor:
Ernest Ansermet (conductor) (from 1961-02-22 until 1961-02-24)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1961-02-22 until 1961-02-24)
recording of:
Suite, op. 112 "Masques et bergamasques": III. Gavotte: Allegro vivo (from 1961-02-22 until 1961-02-24)
composer:
Gabriel Fauré (French composer)
is based on:
Masques et bergamasques, comédie musicale en 1 acte : VII. Gavotte
part of:
Suite, op. 112 "Masques et bergamasques"
Gabriel Fauré3:11
15Masques et Bergamasques: IV Pastorale
engineer:
Roy Wallace (recording engineer)
producer:
Michael Bremner (producer/engineer)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1961-02-22 until 1961-02-24)
conductor:
Ernest Ansermet (conductor) (from 1961-02-22 until 1961-02-24)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1961-02-22 until 1961-02-24)
recording of:
Suite, op. 112 "Masques et bergamasques": IV. Pastorale: Andantino tranquillo (from 1961-02-22 until 1961-02-24)
composer:
Gabriel Fauré (French composer)
is based on:
Masques et bergamasques, comédie musicale en 1 acte : II. Pastorale
part of:
Suite, op. 112 "Masques et bergamasques"
Gabriel Fauré4:11

Credits

Release

part of:Eloquence (Deutsche Grammophon/Decca/Philips Classics, et al.; classical series established in 1999) (order: 202)
ASIN:US: B00006IM80 [info]