80s Summer Chillout

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Everybody Wants to Rule the World
Techniker(in):
David Bascombe
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
Mix:
Steven Wilson (founder of Porcupine Tree)
Bassgitarre:
Curt Smith (in 1984)
Gitarre und Solo-Gitarre:
Neil Taylor (guitarist) (in 1984)
Keyboard:
Ian Stanley (in 1984)
Schlagzeug:
Manny Elias (in 1984)
Hintergrundgesang:
Roland Orzabal (UK musician, songwriter and producer) (in 1984)
Sologesang:
Curt Smith
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1985, in 2014) und Phonogram Ltd. (not for release label use!) (in 1985)
Musikvideos:
Everybody Wants to Rule the World von Tears for Fears
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 28) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
Verfasser(in):
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Virgin Music (Publishers) Ltd.
sub-publisher:
フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Tears for Fears3.954:13
2Walking on Sunshine
recording of:
Walking on Sunshine
Texter:
Kimberley Rew (in 1983)
Komponist(in):
Kimberley Rew
publisher:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina & the Waves3.63:41
3The Boys of Summer
Techniker(in) und Mix:
Niko Bolas und Greg Ladanyi
Produzent(in):
Mike Campbell (Tom Petty and the Heartbreakers guitarist), Don Henley, Danny Kortchmar (Danny Kootch) und Greg Ladanyi
E-Bass [bass]:
Larry Klein
Gitarre [guitars], Perkussion und Synthesizer:
Mike Campbell (Tom Petty and the Heartbreakers guitarist)
Gitarrensynthesizer [synthesizer guitar]:
Danny Kortchmar (Danny Kootch)
Synthesizer:
Steve Porcaro
Sologesang:
Don Henley
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 164), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 209) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 416)
recording of:
The Boys of Summer
Texter und Komponist(in):
Mike Campbell (Tom Petty and the Heartbreakers guitarist) und Don Henley
publisher:
Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Wild Gator Music (publishing company for Mike Campbell of Tom Petty and the Heartbreakers) und Woody Creek Music
Don Henley3.94:48
4Wicked Game
Chris Isaak4:49
5Say You, Say Me
Produzent(in):
James Anthony Carmichael und Lionel Richie
Blechblasinstrumente [horn] arranger und Saiteninstrumente [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael und Lionel Richie
vocals arranger:
Lionel Richie
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1985), Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2003) und Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
Say You, Say Me
Texter und Komponist(in):
Lionel Richie
publisher:
Brockman Music
Teil von:
The 58th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1985 winner)
Lionel Richie4.154:03
6(I Just) Died in Your Arms
Techniker(in):
Terry Brown (producer)
Produzent(in):
Terry Brown (producer), Cutting Crew und John Jansen (US recording engineer and producer)
Mix:
Tim Palmer (British producer/mixer)
Akustikgitarre, E-Gitarre und Synthesizer [E-mu Emulator]:
Kevin MacMichael
Bass:
Colin Farley
Klavier:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Perkussion, Schlagzeug und Tamburin:
Martin Beedle
Hintergrundgesang:
Peter Birch
Sologesang:
Nick Van Eede
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) und Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1986)
aufgenommen bei:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Utopia Studios (London) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 26)
recording of:
(I Just) Died in Your Arms
Texter und Komponist(in):
Nick Van Eede
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. und Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew4.14:29
7Tainted Love
Techniker(in):
Paul Hardiman
Produzent(in):
Mike Thorne (UK producer & keyboardist)
Mix:
Harvey Goldberg
elektronische Instrumente und andere Instrumente:
Dave Ball (UK electronic musician, part of Soft Cell)
Saxophon:
David Tofani
Hintergrundgesang:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Tainted Love von Soft Cell (1980s English synth‐pop duo)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 8), New York Post: 100 Greatest Covers (2007) (Nummer: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 33) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 46)
cover recording of:
Tainted Love
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:40
8Part‐Time Lover
Partner-Produzent(in):
Gary Olazabal
Produzent(in):
Stevie Wonder
Schlagzeug und Synthesizer und Sologesang:
Stevie Wonder
Hintergrundgesang:
Philip Bailey, Billy Durham, Renee Hardaway, Keith John (Soul vocalist, songwriter), Melody McCully, Peter Byrne (UK singer, in Naked Eyes), Darryl Phinnessee, Syreeta (US singer‐songwriter active 1970s–80s) und Luther Vandross
zusätzlich Sologesang:
Luther Vandross
recording of:
Part‐Time Lover
Texter, Komponist(in) und arranger:
Stevie Wonder
publisher:
Black Bull Music, Jobete Music Co., Inc. und 大洋音楽 (Taiyō Music)
Stevie Wonder4.854:13
9Every Little Thing She Does Is Magic
Techniker(in):
Hugh Padgham
Koproduzent(in):
Hugh Padgham
Produzent(in):
Hugh Padgham und The Police (British rock band)
E-Bass:
Sting (singer, songwriter & member of The Police)
E-Gitarre:
Andy Summers
Klavier:
Jean Roussel
Schlagzeug:
Stewart Copeland (drummer, percussionist, pianist and composer)
vocals:
Sting (singer, songwriter & member of The Police)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1981) und A&M Records, Inc. (in 1997)
aufgenommen bei:
Le Studio in Morin‐Heights, Québec (Quebec), Kanada
recording of:
Every Little Thing She Does Is Magic
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
The Police3.754:21
10Don’t You Want Me
assistierende Programmierung:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (in 1981)
Programmierung:
Martin Rushent (in 1981)
assistierende(r) Techniker(in):
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
Produzent(in):
The Human League und Martin Rushent
Synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) und Philip Oakey (in 1981)
Hintergrundgesang:
Joanne Catherall (in 1981) und Susan Ann Sulley (in 1981)
Sologesang:
Philip Oakey (in 1981) und Susan Ann Sulley (in 1981)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only)
aufgenommen bei:
Genetic Studios in West Berkshire, England, Vereinigtes Königreich (in 1981)
Musikvideos:
Don’t You Want Me von The Human League
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 79) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 82)
recording of:
Don’t You Want Me (Human League song) (in 1981)
Texter:
Philip Oakey
Komponist(in):
Jo Callis, Philip Oakey und Philip Adrian Wright (Human League)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.93:57
11American Pie (single version)
Don McLean8:33
12Karma Chameleon
Techniker(in):
Simon Frith, Simon Humphrey, Gordon Milne (engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1983)
E-Sitars, Gitarre, Keyboard, Klavier und Sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
Gast-Keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1983)
Gast-Mundharmonika:
Judd Lander (in 1983)
Perkussion und Schlagzeug:
Jon Moss (in 1983)
Hintergrundgesang:
Helen Terry (UK singer) (in 1983)
Sologesang:
Boy George (in 1983)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2002, in 2003)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1983) und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1983)
Musikvideos:
Karma Chameleon von Culture Club (English pop group)
recording of:
Karma Chameleon (in 1983)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss und Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und BMG VM Music Ltd. (vom 2013-05 bis heute)
Culture Club44:14
13Right Here Waiting
Techniker(in) und Mix:
David Cole (American recording engineer and producer)
Produzent(in):
David Cole (US musician/producer, member of C+C Music Factory), David Cole (American recording engineer and producer) und Richard Marx
Gitarre:
Bruce Gaitsch (American guitarist, producer, engineer and arranger)
Keyboard:
Jeffery (C. J.) Vanston
Sologesang:
Richard Marx
arranger:
Jeffery CJ Vanston und Richard Marx
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) und EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1989)
Musikvideos:
Right Here Waiting von Richard Marx
recording of:
Right Here Waiting
Texter:
Richard Marx
Komponist(in):
Bruce Gaitsch (American guitarist, producer, engineer and arranger) und Richard Marx
publisher:
BMG Monarch, Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Chi‐Boy Music, EMI Music Ltd. und EMI Songs Ltd.
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Richard Marx3.84:24
14Higher Love
Steve Winwood5:49
15The Lady in Red
Produzent(in):
Paul Hardiman
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1986)
aufgenommen bei:
RDS Arena in Dublin, County Dublin, Leinster, Irland (am 1988-12-07) und Westfalenhalle in Dortmund, Nordrhein-Westfalen, Deutschland (am 2004-11-06)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 54)
recording of:
The Lady in Red (in 1986)
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (am 1988-12-07)
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (am 2004-11-06)
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
Chris de Burgh3.354:16
16The Promise
When in Rome3:41
17Stuck on You
Produzent(in):
James Anthony Carmichael und Lionel Richie
Blechblasinstrumente [horn] arranger und Saiteninstrumente [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael und Lionel Richie
vocals arranger:
Lionel Richie
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
Stuck on You
Texter und Komponist(in):
Lionel Richie
publisher:
Brockman Music und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Lionel Richie43:11
18These Dreams
Heart4:14
19Rhythm of the Night (from “The Last Dragon” soundtrack)
Produzent(in):
Richard Perry (producer)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1985), Motown Records (not for label use; use “Motown” instead) (in 1985, in 2009), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1985) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (vom 2016 bis heute)
Musikvideos:
Rhythm of the Night von DeBarge
recording of:
Rhythm of the Night
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
Edition Sunset Publishing Ltd. und Realsongs
DeBarge3.63:50
20Head Over Heels / Broken
Techniker(in):
David Bascombe
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
Mix:
Steven Wilson (founder of Porcupine Tree)
Bassgitarre:
Curt Smith (in 1984)
Flügel:
Andy Davis (member of the Korgis) (in 1984)
Keyboard:
Ian Stanley (in 1984)
Schlagzeug:
Manny Elias (in 1984)
Hintergrundgesang:
Marilyn David (in 1984), Annie McCaig (in 1984) und Sandy McLelland (in 1984)
Sologesang:
Roland Orzabal (UK musician, songwriter and producer) (in 1984)
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (not for release label use!) (in 1985) und Mercury Records Ltd. (not for release label use!) (in 2014)
live recording of:
Broken (in 1984)
Texter und Komponist(in):
Roland Orzabal (UK musician, songwriter and producer)
recording of:
Head Over Heels (in 1984)
Verfasser(in):
Roland Orzabal (UK musician, songwriter and producer) und Curt Smith
recording of:
Broken
Texter und Komponist(in):
Roland Orzabal (UK musician, songwriter and producer)
Tears for Fears4.35:02
21If You Leave (from “Pretty in Pink”)
Techniker(in):
Tom Lord‐Alge
Produzent(in):
Tom Lord‐Alge und Orchestral Manoeuvres in the Dark
Herausgeber:
A&M Records und Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1986)
recording of:
If You Leave
Verfasser(in):
Martin Cooper (OMD and The Listening Pool), Paul Humphreys (Orchestral Manoeuvres in the Dark) und Andy McCluskey
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. Albert & Son Pty. Ltd., Virgin Music, Inc. (US arm of Virgin’s publishing company), Warner/Chappell Music Australia Pty. Ltd. und WB Music Corp. (1929–2019)
Orchestral Manoeuvres in the Dark3.94:31
22Keep On Movin’
Soul II Soul & Caron Wheeler6:01
23Never Knew Love Like This Before
Stephanie Mills5:27
24When Smokey Sings
Assistent recording engineer und assistierende(r) Mix:
Tim Burrell
recording engineer und Techniker(in):
Martyn Webster (engineer)
Koproduzent(in):
Bernard Edwards (American bassist and record producer)
Produzent(in):
Bernard Edwards (American bassist and record producer), Martin Fry und Mark White (ABC/Vice Versa)
Mix:
Julian Mendelsohn (Australian record producer and engineer)
Bass:
Brad Lang
Keyboard:
David Clayton
Kontrabass:
Danny Thompson (English double bass player)
Mundharmonika:
Judd Lander
Perkussion:
Pandit Dinesh und Louis Jardim
Saxophon:
Howie Casey
Schlagzeug:
Graham Broad
Saiteninstrumente arranger:
Richard Niles
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1987) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1987)
aufgenommen bei und mixed at:
Marcus Studios in Bayswater, Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
When Smokey Sings von ABC (English 80s pop group)
Teil von:
The Downloader’s Music Source Book (Nummer: 70)
recording of:
When Smokey Sings
Verfasser(in):
Martin Fry und Mark White (ABC/Vice Versa)
gewidmet:
Smokey Robinson
publisher:
Neutron Music, Neutron Music Ltd. und 10 Music Ltd. (in 1987)
ABC4.254:19
25Secret
recording engineer:
Alan Douglas (Scottish born engineer)
Produzent(in):
Stephen Hague
Mix:
David Jacob
vocals:
Paul Humphreys (Orchestral Manoeuvres in the Dark)
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Secret (OMD)
Texter und Komponist(in):
Paul Humphreys (Orchestral Manoeuvres in the Dark)
publisher:
Virgin Music, Inc. (US arm of Virgin’s publishing company)
Orchestral Manoeuvres in the Dark33:56
26How Can I Fall?
Breathe4:44
27Joy and Pain
Maze featuring Frankie Beverly7:15
28(Keep Feeling) Fascination
Produzent(in):
Martin Rushent
remixer:
Chris Thomas (UK record producer / remixer)
Musikvideos:
(Keep Feeling) Fascination von The Human League
recording of:
(Keep Feeling) Fascination
Verfasser(in):
Jo Callis und Philip Oakey
The Human League3.253:44
29Never Gonna Let You Go
Sérgio Mendes4:15
30Don’t Tell Me Lies
Breathe3:42
31Nightshift (single version)
recording of:
Nightshift
Verfasser(in):
Franne Golde, Dennis Lambert und Walter Orange
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Platinum Songs US, Careers–BMG Music Publishing, Inc., Franne Golde Music, Reservoir Media Music, Rightsong Music Inc., Universal Music Careers, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Zomba Enterprises, Inc.
Commodores4:16
32Human
recording of:
Human
Verfasser(in):
James Harris III (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
publisher:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) und Flyte Tyme Tunes
The Human League3:47
33Be Near Me
assistierende(r) Techniker(in):
Paul Corkett, Charles Harrowell, Mark Stent (producer, engineer), Mike Drake, Heff Moraes, Dietmar Schillinger und Paul Wright (UK recording engineer)
Techniker(in) und Mix:
Martyn Webster (engineer)
Produzent(in):
Martin Fry und Mark White (ABC/Vice Versa)
Bassgitarre:
Brad Lang
Becken:
David Palmer (drummer (ABC/The The))
Sologesang:
Martin Fry
arranger:
Mark White (ABC/Vice Versa)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1985), Phonogram Ltd. (London) (company name, NOT a label!) (in 1985, in 1987) und Universal Music Operations (not release label) (in 2005)
aufgenommen bei:
Jacobs Studios in Farnham, Surrey, England, Vereinigtes Königreich (von 1984 bis 1985)
mixed at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
Teil von:
The Downloader’s Music Source Book (Nummer: 71)
recording of:
Be Near Me
Texter und Komponist(in):
Martin Fry und Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Neutron Music und Nymph Music, Inc.
ABC3.53:37
34Crazy Little Thing Called Love
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack)
Koproduzent(in):
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Mack (German rock producer/engineer Reinhold Mack), Brian May (Queen guitarist), Queen (UK rock group) und Roger Taylor (Queen drummer)
Akustikgitarre [acoustic rhythm guitar] und Sologesang:
Freddie Mercury (von 1979-06 bis 1979-07)
Bass, Bassgitarre, Gitarre und Keyboard:
John Deacon (von 1979-06 bis 1979-07)
E-Gitarre und Solo-Gitarre:
Brian May (Queen guitarist) (von 1979-06 bis 1979-07)
Händeklatschen:
John Deacon (von 1979-06 bis 1979-07), Brian May (Queen guitarist) (von 1979-06 bis 1979-07), Freddie Mercury (von 1979-06 bis 1979-07) und Roger Taylor (Queen drummer) (von 1979-06 bis 1979-07)
Schlagzeug:
Roger Taylor (Queen drummer) (von 1979-06 bis 1979-07)
Hintergrundgesang:
Brian May (Queen guitarist) (von 1979-06 bis 1979-07), Freddie Mercury (von 1979-06 bis 1979-07) und Roger Taylor (Queen drummer) (von 1979-06 bis 1979-07)
phonographisches Urheberrecht (℗) von:
Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1979, in 2014), Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1979, in 2011) und Raincloud Productions Ltd. (in 1979, in 2014)
aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland (von 1979-06 bis 1980-05)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 371)
recording of:
Crazy Little Thing Called Love (von 1979-06 bis 1979-07)
Texter und Komponist(in):
Freddie Mercury (in 1979)
publisher:
EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd. (, in 1979), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), Beechwood Music Corp. (in 1979) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen3.452:45
35Love Is a Long Road
Techniker(in):
Bill Bottrell, Mike Campbell (Tom Petty and the Heartbreakers guitarist), Dennis Kirk und Don Smith (producer, engineer and mixer)
Produzent(in):
Mike Campbell (Tom Petty and the Heartbreakers guitarist), Jeff Lynne und Tom Petty
Akustikgitarre, E-Gitarre, zwölfsaitige Gitarre und Sologesang:
Tom Petty (von 1988 bis 1989)
Bass:
Mike Campbell (Tom Petty and the Heartbreakers guitarist) (von 1988 bis 1989) und Jeff Lynne (von 1988 bis 1989)
Gitarre und Keyboard:
Mike Campbell (Tom Petty and the Heartbreakers guitarist) (von 1988 bis 1989), Jeff Lynne (von 1988 bis 1989) und Tom Petty (von 1988 bis 1989)
Mandoline und Slide-Gitarre:
Mike Campbell (Tom Petty and the Heartbreakers guitarist) (von 1988 bis 1989)
Maracas / Rumba-Rasseln:
Jim Keltner (von 1988 bis 1989)
Perkussion:
Phil Jones (Percussionist) (von 1988 bis 1989)
Schlagzeug:
Phil Jones (Percussionist) (von 1988 bis 1989) und Jim Keltner (von 1988 bis 1989)
Tamburin:
Jim Keltner (von 1988 bis 1989) und Tom Petty (von 1988 bis 1989)
Hintergrundgesang:
Howie Epstein (von 1988 bis 1989), Jeff Lynne (von 1988 bis 1989) und Tom Petty (von 1988 bis 1989)
aufgenommen bei:
M.C. Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1988 bis 1989)
recording of:
Love Is a Long Road (von 1988 bis 1989)
Verfasser(in):
Mike Campbell (Tom Petty and the Heartbreakers guitarist) und Tom Petty
publisher:
Gone Gator Music (ASCAP affiliated) und Wild Gator Music
Tom Petty3.54:08
36Wonderful Life
Produzent(in):
Dave Dix (Dave Dix)
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1987)
Musikvideos:
Wonderful Life von Black (UK indie pop musician Colin Vearncombe)
recording of:
Wonderful Life
Texter und Komponist(in):
Colin Vearncombe
publisher:
Rondor Music Ltd. (publisher)
Black4.354:49
37Goodbye Stranger
Supertramp5:51
38Don’t Do Me Like That
Tom Petty and the Heartbreakers2:42
39Mony Mony (Downtown mix)
cover recording of:
Mony Mony
Verfasser(in):
Bobby Bloom (US singer-songwriter), Ritchie Cordell, Bo Gentry und Tommy James (American musician, singer, songwriter and record producer)
publisher:
Big Seven Music Corp., EMI Blackwood Music (Canada) Ltd., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB und Planetary Nom (London) Ltd.
Billy Idol5:02
40Every Little Step
Assistent recording engineer:
Don Emerson und John Guggenheim
recording engineer und Editing:
Jon Gass
Produzent(in):
Babyface (R&B musician Kenny Edmonds) und L.A.
assistierende(r) Mix:
Toni Greene (engineer) und Fred Howard (engineer)
Mix:
Babyface (R&B musician Kenny Edmonds), Jon Gass und L.A.
Instrumente:
Babyface (R&B musician Kenny Edmonds) und L.A.
Hintergrundgesang:
Babyface (R&B musician Kenny Edmonds), Bobby Brown (R&B singer, New Edition member), Kayo (Kevin Roberson), Daryl Simmons und Karyn White
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1988)
produced for:
LaFace Inc. (production company)
aufgenommen bei:
Silverlake Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Elumba Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Every Little Step
Verfasser(in):
Antonio “L.A.” Reid und Babyface (R&B musician Kenny Edmonds)
publisher:
Chappell Music Ltd., Hip Trip Music (publisher) und Kear Music (publisher)
Bobby Brown33:55
41Radio Ga Ga
Assistent recording engineer:
Eddie DeLena (engineer) (von 1983-08 bis 1984-01) und Stephan Wissnet (von 1983-08 bis 1984-01)
recording engineer und Programmierung:
Mack (German rock producer/engineer Reinhold Mack) (von 1983-08 bis 1984-01)
zusätzlich recording engineer:
Mike Beiriger (von 1983-08 bis 1984-01)
Synthesizer-Programmierung:
Fred Mandel (von 1983-08 bis 1984-01)
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Mack (German rock producer/engineer Reinhold Mack) und Queen (UK rock group)
Bassgitarre:
John Deacon (von 1983-08 bis 1984-01)
drum machine, Schlagzeug, Vocoder und Hintergrundgesang:
Roger Taylor (Queen drummer) (von 1983-08 bis 1984-01)
Gast-Sampler und Gast-Synthesizer:
Fred Mandel (von 1983-08 bis 1984-01)
Gitarre:
Brian May (Queen guitarist) (von 1983-08 bis 1984-01)
Sampler:
Freddie Mercury (von 1983-08 bis 1984-01) und Roger Taylor (Queen drummer) (von 1983-08 bis 1984-01)
Sologesang:
Freddie Mercury (von 1983-08 bis 1984-01)
Synthesizer arranger:
Fred Mandel
phonographisches Urheberrecht (℗) von:
Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1984, in 2011) und Raincloud Productions Ltd. (in 1984)
aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland (von 1983-08 bis 1984-01) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1983-08 bis 1984-01)
produced at:
Musicland Studios (Munich) in München, Bayern, Deutschland (von 1983-08 bis 1984-01) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1983-08 bis 1984-01)
recording of:
Radio Ga Ga (von 1983-08 bis 1984-01)
Texter und Komponist(in):
Roger Taylor (Queen drummer)
publisher:
EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Queen Music Ltd.
enthalten in:
We Will Rock You (Queen musical)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen3.85:48
42Caught Up in You
38 Special4:38
43Heartbreaker
cover recording of:
Heartbreaker
Verfasser(in):
Geoff Gill und Cliff Wade
publisher:
DJM Music
Pat Benatar3:29
44You’re the Best
Joe “Bean” Esposito2:58
45Rag Doll
Aerosmith4:25
46What About Love?
Heart3:42
47Just Like Jesse James
recording engineer:
Sir Arthur Payson
assistierende(r) Techniker(in):
George Cowan (US engineer), Bridget Daly, Debbie Johnson (engineer), Jay Lean, Richard McKernan, Craig Porteils (producer, engineer) und Duane Seykora
zusätzliche(r) Techniker(in):
Bruce Robb
Produzent(in):
Desmond Child
Mix:
Mick Guzauski
Akustikgitarre und E-Gitarre:
John Putnam
Bassgitarre:
Hugh McDonald (bassist)
Gitarre:
John McCurry
Keyboard:
Alan St. Jon
Schlagzeug:
Bobby Chouinard
Hintergrundgesang:
Desmond Child, Brenda Russell (US singer-songwriter & keyboardist) und Diane Warren (US songwriter)
Sologesang:
Cher
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1989) und The David Geffen Company (legal rights relating to Geffen Records) (in 1989, in 1990)
aufgenommen bei:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten, Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten und The Complex Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Just Like Jesse James
Verfasser(in):
Desmond Child und Diane Warren (US songwriter)
publisher:
April Music Inc., Desmobile Music Co., Inc. (publisher), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), SBK April Music Inc. (vom 1989 bis ????), Desmobile Inc. (vom 1989 bis heute) und Realsongs (vom 1989 bis heute)
Cher44:06
48Fat Bottomed Girls
Queen4:16
49Too Much Time on My Hands
assistierende(r) Techniker(in):
Will Rascati
Techniker(in):
Rob Kingsland und Gary Loizzo
Produzent(in):
Styx (rock band from Chicago)
Bassgitarre und Basspedal:
Chuck Panozzo
Gitarre:
Tommy Shaw (of Styx) und James Young (member of Styx, guitarist, singer and songwriter)
Horn:
Dan Barber, John Haynor (horn), Mark Ohlsen (Trumpet), Mike Halpin (Trombone) und Bill Simpson (horn)
Keyboard:
Dennis DeYoung
Schlagzeug und Perkussion:
John Panozzo
Sologesang:
Tommy Shaw (of Styx)
vocals:
Dennis DeYoung und James Young (member of Styx, guitarist, singer and songwriter)
Horn arranger:
Ed Tossing
arranger:
Styx (rock band from Chicago)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1981)
aufgenommen bei und mixed at:
Pumpkin Studios in Oak Lawn, Illinois, Vereinigte Staaten
recording of:
Too Much Time on My Hands
Texter und Komponist(in):
Tommy Shaw (of Styx)
publisher:
日音 Synch事業部 (NICHION, INC. Synch Division) und Stygian Songs (publishing company for the rock band Styx) (vom 1980 bis heute)
Styx4.154:32
50Shadows of the Night
cover recording of:
Shadows of the Night
Texter und Komponist(in):
D.L. Byron
publisher:
Inner Sanctum (Publishing company associated with D.L. Byron)
Pat Benatar4:22
51You Got Lucky
Tom Petty and the Heartbreakers3:38
52Electric Blue
Icehouse4:24
53VacationThe Go‐Go’s4.353:00
54Obsession
recording engineer:
Jeff Harris (recording engineer)
Programmierung:
Jeff Harris (recording engineer) und Holly Knight
Produzent(in):
John Ryan (producer a/k/a “The Chicago Kid”)
Bassgitarre:
Charles Ottavio
Gitarre:
Bill Wadhams
Keyboard:
Paul Antonelli
membranophone:
Frenchy O'Brien
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 12)
cover recording of:
Obsession
Verfasser(in):
Michael Des Barres und Holly Knight
publisher:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) und The Makiki Publishing Co. Ltd.
recording of:
Obsession
Verfasser(in):
Michael Des Barres und Holly Knight
publisher:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) und The Makiki Publishing Co. Ltd.
Animotion5:37
55Another One Bites the Dust
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack)
Koproduzent(in):
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Mack (German rock producer/engineer Reinhold Mack), Brian May (Queen guitarist), Queen (UK rock group) und Roger Taylor (Queen drummer)
Bass, Bassgitarre, Gitarre, Keyboard, Klavier [piano (reversed)] und Synthesizer [synthesizer (reversed)]:
John Deacon (von 1980-02 bis 1980-05)
E-Gitarre:
John Deacon (von 1980-02 bis 1980-05) und Brian May (Queen guitarist) (von 1980-02 bis 1980-05)
elektronische Instrumente [electronic percussion] und Schlagzeug:
Roger Taylor (Queen drummer) (von 1980-02 bis 1980-05)
Hintergrundgesang und Sologesang:
Freddie Mercury (von 1980-02 bis 1980-05)
phonographisches Urheberrecht (℗) von:
Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1980, in 2014), Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1980, in 2011) und Raincloud Productions Ltd. (in 1980, in 2014)
aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland (von 1979-06 bis 1980-05)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 48)
recording of:
Another One Bites the Dust (von 1980-02 bis 1980-05)
Texter und Komponist(in):
John Deacon
publisher:
EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd. (, in 1980), EMI Music Publishing Japan Ltd., Sony Division (bis 2021-06-30), Beechwood Music Corp. (in 1980) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
enthalten in:
We Will Rock You (Queen musical)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen4.153:35
56You Belong to the City
Produzent(in):
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
Bass, E-Gitarre, Synthesizer und Sologesang:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
Instrumente:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
Saxophon:
Bill Bergman
Schlagzeug:
Michael Huey
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1985)
recording of:
You Belong to the City
Verfasser(in):
Glenn Frey (US musician/singer/songwriter, member of the Eagles) und Jack Tempchin
publisher:
Night River Publishing und Red Cloud Music
Glenn Frey55:53
57Lady, Lady, Lady (from “Flashdance”)
Produzent(in):
Giorgio Moroder
vocals:
Joe Esposito
phonographisches Urheberrecht (℗) von:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983)
recording of:
Lady, Lady, Lady
Texter:
Keith Forsey (drummer, producer and songwriter)
Komponist(in):
Giorgio Moroder
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music und Intersong Music Ltd.
Joe “Bean” Esposito4:13
58Don’t Come Around Here No More
Tom Petty and the Heartbreakers5:07
59If I’d Been the One
38 Special43:53
60Sandy (from “Grease”)
Produzent(in):
John Farrar
Mix:
David J. Holman
arranger:
John Farrar, Michael Gibson (trombone) und Louis St. Louis (American songwriter, music arranger and singer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1978), Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1978) und RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
recording of:
Sandy (Grease, 1978 film)
Texter:
Scott Simon
Komponist(in):
Louis St. Louis (American songwriter, music arranger and singer)
publisher:
Ensign Music Corp. (in 1978) und Unichappell Music (in 1978)
Teil von:
Grease (1978 film)
John Travolta3.752:36
61CrazyIcehouse3:24
62Human
Koproduzent(in):
Jimmy Jam (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
Hintergrundgesang:
Susan Ann Sulley
Hintergrundgesang und Sprecher und Sprecher:
Joanne Catherall
Sologesang:
Philip Oakey
mixed at:
Flyte Tyme Studios in Edina, Minnesota, Vereinigte Staaten
recording of:
Human
Verfasser(in):
James Harris III (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
publisher:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) und Flyte Tyme Tunes
The Human League44:25
63U.S. Drag
Missing Persons3:40
64I’ll Tumble 4 Ya
Schlagzeug-Programmierung:
Jon Moss
Techniker(in) und Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist)
E-Sitars, Gitarre, Keyboard und Klavier:
Roy Hay (Member of Culture Club and composer for film and television)
flute, Mundharmonika und Saxophon:
Nick Payne (Production music composer)
membranophone und Perkussion, Perkussion und Schlagzeug:
Jon Moss
Trompete:
Terry Bailey (trumpeter)
zusätzlich Keyboard:
Phil Pickett (songwriter, producer, keyboard player)
Bass-Gesang:
Mikey Craig (Culture Club bassist) und Michael Craig (Production music composer)
Hintergrundgesang:
Colin Campsie, Phil Pickett (songwriter, producer, keyboard player) und Denise Spooner
Sologesang:
Boy George
Musikvideos:
I'll Tumble 4 Ya! von Culture Club (English pop group)
recording of:
I’ll Tumble 4 Ya
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
Virgin Music (Publishers) Ltd.
Culture Club4.52:36
65I Know There’s Something Going On
Bass:
Mo Foster
Gitarre:
Daryl Stuermer
Keyboard:
Peter Robinson (English score composer)
Schlagzeug und Hintergrundgesang:
Phil Collins (of Genesis)
Sologesang:
Frida (Swedish singer and member of ABBA)
recording of:
I Know There’s Something Going On
Texter und Komponist(in):
Russ Ballard
publisher:
EMI April Music Inc. und Russell Ballard Ltd
Frida45:27
66Doing It All for My Baby
Huey Lewis & the News3:40
67Emotion in Motion
Ric Ocasek4:41
68Hot in the City
recording of:
Hot in the City
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Mushroom Music (Mushroom label’s publishing company) und Rare Blue Music Inc
Billy Idol3:38
69Only Time Will Tell
Asia4:44
70The Ballad of Jayne
L.A. Guns4:33
71The Crying Game (from “The Crying Game”)
Boy George3:23
72When You Close Your Eyes
recording of:
When You Close Your Eyes
Verfasser(in):
Jack Blades (of Night Ranger), Alan Fitzgerald und Brad Gillis
publisher:
Figs. D Music und Rough Play Music
Night Ranger4:16
73Destination Unknown
Missing Persons3:37
74Sans logique
Mylène Farmer4:29
75The Twilight Zone
Techniker(in):
Terry Brown (producer)
Produzent(in):
Terry Brown (producer) und Rush (Canadian rock trio)
Bassgitarre:
Geddy Lee (in 1976-02)
Gitarre:
Alex Lifeson (in 1976-02)
Perkussion:
Neil Peart (in 1976-02)
vocals:
Geddy Lee (in 1976-02)
arranger:
Terry Brown (producer) und Rush (Canadian rock trio)
aufgenommen bei:
Toronto Sound Studios in Toronto, Ontario, Kanada (in 1976-02)
mixed at:
Toronto Sound Studios in Toronto, Ontario, Kanada
recording of:
The Twilight Zone (in 1976-02)
Texter:
Neil Peart
Komponist(in):
Geddy Lee und Alex Lifeson
Rush3.53:20
76Tears
Missing Persons4:23

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2024)
kostenlos streamen:https://open.spotify.com/album/2QYoEtuXeEwRBxSsFoV8rq [Info]
https://www.deezer.com/album/644770761 [Info]
Streaming-Seite:https://music.apple.com/gb/album/1768323400 [Info]