The Chronological Bing Crosby, Volume 02: 1927–28

~ Veröffentlichung von Bing Crosby (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1The Five Step
alto saxophone:
Jimmy Dorsey (am 1927-08-16)
Klavier:
Harry Barris (am 1927-08-16)
Baritongesang:
Bing Crosby (am 1927-08-16)
Tenor-Gesang:
Harry Barris (am 1927-08-16) und Al Rinker (am 1927-08-16)
Orchester:
Paul Whiteman and His Orchestra (am 1927-08-16)
conductor:
Paul Whiteman (am 1927-08-16)
arranger:
Matty Malneck
aufgenommen bei:
Victor’s Church Studio in Camden, New Jersey, Vereinigte Staaten (am 1927-08-16)
recording of:
The Five Step (am 1927-08-16)
Texter:
Lew Brown und Buddy DeSylva
Komponist(in):
Ray Henderson
Paul Whiteman and His Orchestra3:02
2The Five Step
alto saxophone:
Jimmy Dorsey (am 1927-08-16)
Klavier:
Harry Barris (am 1927-08-16)
Baritongesang:
Bing Crosby (am 1927-08-16)
Tenor-Gesang:
Harry Barris (am 1927-08-16) und Al Rinker (am 1927-08-16)
Orchester:
Paul Whiteman and His Orchestra (am 1927-08-16)
conductor:
Paul Whiteman (am 1927-08-16)
arranger:
Matty Malneck
aufgenommen bei:
Victor’s Church Studio in Camden, New Jersey, Vereinigte Staaten (am 1927-08-16)
recording of:
The Five Step (am 1927-08-16)
Texter:
Lew Brown und Buddy DeSylva
Komponist(in):
Ray Henderson
Paul Whiteman and His Orchestra3:05
3The Calinda
Baritongesang:
Bing Crosby (am 1927-08-19)
Tenor-Gesang:
Austin “Skin” Young (am 1927-08-19)
vocals:
Jack Fulton (US jazz trombonist, composer & vocalist) (am 1927-08-19) und Charles Gaylord (am 1927-08-19)
Orchester:
Paul Whiteman and His Orchestra (am 1927-08-19)
conductor:
Paul Whiteman (am 1927-08-19)
arranger:
Matty Malneck
aufgenommen bei:
Victor’s Church Studio in Camden, New Jersey, Vereinigte Staaten (am 1927-08-19)
recording of:
The Calinda (am 1927-08-19)
Texter und Komponist(in):
Herman Hupfeld
publisher:
WC Music Corp.
Paul Whiteman and His Orchestra2:41
4It Won’t Be Long Now
baritone saxophone und Klarinette:
Jimmy Dorsey (am 1927-08-20)
Posaune und Trompete:
Tommy Dorsey (swing trombone player & band leader) (am 1927-08-20)
vocals:
Harry Barris (am 1927-08-20), Bing Crosby (am 1927-08-20) und Al Rinker (am 1927-08-20)
Orchester:
Paul Whiteman and His Orchestra (am 1927-08-20)
conductor:
Paul Whiteman (am 1927-08-20)
arranger:
Matty Malneck
recording of:
It Won’t Be Long Now (am 1927-08-20)
Texter:
Lew Brown und Buddy DeSylva
Komponist(in):
Ray Henderson
publisher:
Harms, Inc. (am 1927-09-09)
Paul Whiteman and His Orchestra3:12
5It Won’t Be Long Now
baritone saxophone und Klarinette:
Jimmy Dorsey (am 1927-08-20)
Posaune und Trompete:
Tommy Dorsey (swing trombone player & band leader) (am 1927-08-20)
vocals:
Harry Barris (am 1927-08-20), Bing Crosby (am 1927-08-20) und Al Rinker (am 1927-08-20)
Orchester:
Paul Whiteman and His Orchestra (am 1927-08-20)
conductor:
Paul Whiteman (am 1927-08-20)
arranger:
Matty Malneck
recording of:
It Won’t Be Long Now (am 1927-08-20)
Texter:
Lew Brown und Buddy DeSylva
Komponist(in):
Ray Henderson
publisher:
Harms, Inc. (am 1927-09-09)
Paul Whiteman and His Orchestra2:46
6The Missouri Waltz
Baritongesang:
Bing Crosby (am 1927-09-21)
Tenor-Gesang:
Al Rinker (am 1927-09-21) und Austin “Skin” Young (am 1927-09-21)
vocals:
Jack Fulton (US jazz trombonist, composer & vocalist) (am 1927-09-21) und Charles Gaylord (am 1927-09-21)
Orchester:
Paul Whiteman and His Orchestra (am 1927-09-21)
conductor:
Nathaniel Shilkret (am 1927-09-21)
arranger:
Matty Malneck
concertmaster:
Paul Whiteman (am 1927-09-21)
aufgenommen bei:
Liederkranz Hall in New York, New York, Vereinigte Staaten (am 1927-09-21)
cover recording of:
The Missouri Waltz (first published 1914) (am 1927-09-21)
Nationalhymne von:
Missouri, Vereinigte Staaten
Texter:
James Royce Shannon
Komponist(in):
John Valentine Eppel (American composer)
arranger:
Frederic Knight Logan
Paul Whiteman and His Orchestra3:18
7That’s Grandma
Klavier:
Harry Barris (am 1927-11-11)
Baritongesang:
Bing Crosby (am 1927-11-11)
Tenor-Gesang:
Harry Barris (am 1927-11-11) und Al Rinker (am 1927-11-11)
aufgenommen bei:
N Michigan Avenue Recording Studios (Victor) in Chicago, Illinois, Vereinigte Staaten (am 1927-11-11)
recording of:
That’s Grandma (am 1927-11-11)
Verfasser(in):
Harry Barris, James Cavanaugh und Bing Crosby
Paul Whiteman’s Rhythm Boys3:02
8Miss Annabelle Lee
Klavier:
Harry Barris (am 1927-11-17)
Baritongesang:
Bing Crosby (am 1927-11-17)
Tenor-Gesang:
Harry Barris (am 1927-11-17) und Al Rinker (am 1927-11-17)
conductor:
Leroy Shield (am 1927-11-17)
aufgenommen bei:
N Michigan Avenue Recording Studios (Victor) in Chicago, Illinois, Vereinigte Staaten (am 1927-11-17)
recording of:
Miss Annabelle Lee (am 1927-11-17)
Texter:
Sidney Clare
Komponist(in):
Lew Pollack
Paul Whiteman’s Rhythm Boys3:21
9Changes
Produzent(in):
Leroy Shield
alto saxophone:
Jimmy Dorsey (am 1927-11-23), Chester Hazlett (am 1927-11-23), Nye Mayhew (am 1927-11-23), Hal McLean (am 1927-11-23) und Charles Strickfaden (am 1927-11-23)
Banjo:
Mike Pingitore (am 1927-11-23)
baritone saxophone:
Charles Strickfaden (am 1927-11-23)
Geige / Violine:
Kurt Dieterle (am 1927-11-23), Matty Malneck (am 1927-11-23), Mario Perry (am 1927-11-23) und Mischa Russell (violinist) (am 1927-11-23)
Klavier:
Harry Perrella (am 1927-11-23)
Kontrabass:
Steve Brown (1920s jazz bassist) (am 1927-11-23)
Kornett:
Bix Beiderbecke (American jazz cornettist, pianist and composer) (am 1927-11-23)
Posaune:
Tommy Dorsey (swing trombone player & band leader) (am 1927-11-23) und Wilbur Hall (am 1927-11-23)
Schlagzeug:
Harold McDonald (drummer active in the 1920’s) (am 1927-11-23)
Trompete:
Henry Busse (am 1927-11-23) und Charlie Margulis (am 1927-11-23)
Tuba:
Mike Trafficante (am 1927-11-23)
Baritongesang:
Bing Crosby (am 1927-11-23)
Tenor-Gesang:
Harry Barris (am 1927-11-23), Al Rinker (am 1927-11-23) und Austin “Skin” Young (am 1927-11-23)
vocals:
Jack Fulton (US jazz trombonist, composer & vocalist) (am 1927-11-23), Charles Gaylord (am 1927-11-23) und The Rhythm Boys (vocal group including Bing Crosby, 1927-1930) (am 1927-11-23)
Orchester:
Paul Whiteman and His Orchestra (am 1927-11-23)
conductor:
Paul Whiteman (am 1927-11-23)
arranger:
Bill Challis
aufgenommen bei:
N Michigan Avenue Recording Studios (Victor) in Chicago, Illinois, Vereinigte Staaten (am 1927-11-23)
recording of:
Changes (am 1927-11-23)
Texter und Komponist(in):
Walter Donaldson (in 1927)
publisher:
Leo Feist, Inc. (in 1927)
Paul Whiteman and His Orchestra2:51
10Changes
Produzent(in):
Leroy Shield
alto saxophone:
Jimmy Dorsey (am 1927-11-23), Chester Hazlett (am 1927-11-23), Nye Mayhew (am 1927-11-23), Hal McLean (am 1927-11-23) und Charles Strickfaden (am 1927-11-23)
Banjo:
Mike Pingitore (am 1927-11-23)
baritone saxophone:
Charles Strickfaden (am 1927-11-23)
Geige / Violine:
Kurt Dieterle (am 1927-11-23), Matty Malneck (am 1927-11-23), Mario Perry (am 1927-11-23) und Mischa Russell (violinist) (am 1927-11-23)
Klavier:
Harry Perrella (am 1927-11-23)
Kontrabass:
Steve Brown (1920s jazz bassist) (am 1927-11-23)
Kornett und Zink:
Bix Beiderbecke (American jazz cornettist, pianist and composer) (am 1927-11-23)
Posaune:
Tommy Dorsey (swing trombone player & band leader) (am 1927-11-23) und Wilbur Hall (am 1927-11-23)
Schlagzeug:
Harold McDonald (drummer active in the 1920’s) (am 1927-11-23)
Trompete:
Henry Busse (am 1927-11-23) und Charlie Margulis (am 1927-11-23)
Tuba:
Mike Trafficante (am 1927-11-23)
Baritongesang:
Bing Crosby (am 1927-11-23)
Tenor-Gesang:
Harry Barris (am 1927-11-23), Al Rinker (am 1927-11-23) und Austin “Skin” Young (am 1927-11-23)
vocals:
Jack Fulton (US jazz trombonist, composer & vocalist) (am 1927-11-23), Charles Gaylord (am 1927-11-23) und The Rhythm Boys (vocal group including Bing Crosby, 1927-1930) (am 1927-11-23)
Orchester:
Paul Whiteman and His Orchestra (am 1927-11-23)
conductor:
Paul Whiteman (am 1927-11-23)
arranger:
Bill Challis
aufgenommen bei:
N Michigan Avenue Recording Studios (Victor) in Chicago, Illinois, Vereinigte Staaten (am 1927-11-23)
recording of:
Changes (am 1927-11-23)
Texter und Komponist(in):
Walter Donaldson (in 1927)
publisher:
Leo Feist, Inc. (in 1927)
Paul Whiteman and His Orchestra2:50
11Mary
Produzent(in):
Leroy Shield
alto saxophone:
Jimmy Dorsey (am 1927-11-25), Chester Hazlett (am 1927-11-25) und Hal McLean (am 1927-11-25)
Banjo:
Mike Pingitore (am 1927-11-25)
baritone saxophone:
Charles Strickfaden (am 1927-11-25)
Geige / Violine:
Kurt Dieterle (am 1927-11-25), Matty Malneck (am 1927-11-25), Mario Perry (am 1927-11-25) und Mischa Russell (violinist) (am 1927-11-25)
Klavier:
Harry Perrella (am 1927-11-25)
Kontrabass:
Steve Brown (1920s jazz bassist) (am 1927-11-25)
Kornett:
Bix Beiderbecke (American jazz cornettist, pianist and composer) (am 1925-11-25, am 1927-11-25)
Posaune:
Tommy Dorsey (swing trombone player & band leader) (am 1927-11-25) und Wilbur Hall (am 1927-11-25)
Saxophon [c melody saxophone]:
Frankie Trumbauer (am 1927-11-25)
Schlagzeug:
Harold McDonald (drummer active in the 1920’s) (am 1927-11-25)
Trompete:
Henry Busse (am 1927-11-25) und Charlie Margulis (am 1927-11-25)
Tuba:
Mike Trafficante (am 1927-11-25)
Baritongesang:
Bing Crosby (am 1925-11-25, am 1927-11-25)
Orchester:
Paul Whiteman and His Orchestra (am 1927-11-25)
conductor:
Paul Whiteman (am 1927-11-25)
arranger:
Matty Malneck
aufgenommen bei:
N Michigan Avenue Recording Studios (Victor) in Chicago, Illinois, Vereinigte Staaten (am 1925-11-25, am 1927-11-25)
recording of:
Mary (What Are You Waiting For?) (am 1927-11-25)
Texter und Komponist(in):
Walter Donaldson
Paul Whiteman and His Orchestra2:48
12Mary
Produzent(in):
Leroy Shield
alto saxophone:
Jimmy Dorsey (am 1927-11-25), Chester Hazlett (am 1927-11-25) und Hal McLean (am 1927-11-25)
Banjo:
Mike Pingitore (am 1927-11-25)
baritone saxophone:
Charles Strickfaden (am 1927-11-25)
Geige / Violine:
Kurt Dieterle (am 1927-11-25), Matty Malneck (am 1927-11-25), Mario Perry (am 1927-11-25) und Mischa Russell (violinist) (am 1927-11-25)
Klavier:
Harry Perrella (am 1927-11-25)
Kontrabass:
Steve Brown (1920s jazz bassist) (am 1927-11-25)
Kornett:
Bix Beiderbecke (American jazz cornettist, pianist and composer) (am 1927-11-25)
Posaune:
Tommy Dorsey (swing trombone player & band leader) (am 1927-11-25) und Wilbur Hall (am 1927-11-25)
Saxophon [c melody saxophone]:
Frankie Trumbauer (am 1927-11-25)
Schlagzeug:
Harold McDonald (drummer active in the 1920’s) (am 1927-11-25)
Trompete:
Henry Busse (am 1927-11-25) und Charlie Margulis (am 1927-11-25)
Tuba:
Mike Trafficante (am 1927-11-25)
Baritongesang:
Bing Crosby (am 1927-11-25)
Orchester:
Paul Whiteman and His Orchestra (am 1927-11-25)
conductor:
Paul Whiteman (am 1927-11-25)
arranger:
Matty Malneck
aufgenommen bei:
N Michigan Avenue Recording Studios (Victor) in Chicago, Illinois, Vereinigte Staaten (am 1927-11-25)
recording of:
Mary (What Are You Waiting For?) (am 1927-11-25)
Texter und Komponist(in):
Walter Donaldson
Paul Whiteman and His Orchestra2:46
13Ol’ Man River
alto saxophone:
Jimmy Dorsey (am 1928-01-11), Chester Hazlett (am 1928-01-11), Nye Mayhew (am 1928-01-11) und Hal McLean (am 1928-01-11)
Banjo:
Mike Pingitore (am 1928-01-11)
baritone saxophone:
Charles Strickfaden (am 1928-01-11)
Geige / Violine:
Kurt Dieterle (am 1928-01-11), Matty Malneck (am 1928-01-11), Mario Perry (am 1928-01-11) und Mischa Russell (violinist) (am 1928-01-11)
Klarinette:
Jimmy Dorsey (am 1928-01-11)
Klavier:
Harry Perrella (am 1928-01-11)
Kontrabass:
Steve Brown (1920s jazz bassist) (am 1928-01-11)
Kornett:
Bix Beiderbecke (American jazz cornettist, pianist and composer) (am 1928-01-11)
Posaune:
Tommy Dorsey (swing trombone player & band leader) (am 1928-01-11), Wilbur Hall (am 1928-01-11) und Bill Rank (am 1928-01-11)
Saxophon [c melody saxophone]:
Frankie Trumbauer (am 1928-01-11)
Schlagzeug:
Harold McDonald (drummer active in the 1920’s) (am 1928-01-11)
Trompete:
Henry Busse (am 1928-01-11) und Charlie Margulis (am 1928-01-11)
Tuba:
Mike Trafficante (am 1928-01-11)
Baritongesang:
Bing Crosby (am 1928-01-11)
Orchester:
Paul Whiteman and His Orchestra (am 1928-01-11)
conductor:
Nathaniel Shilkret (am 1928-01-11) und Paul Whiteman (am 1928-01-11)
arranger:
Bill Challis
aufgenommen bei:
Liederkranz Hall in New York, New York, Vereinigte Staaten (am 1928-01-11)
recording of:
Ol’ Man River (Show Boat) (am 1928-01-11)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
Komponist(in):
Jerome Kern (in 1927)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und T.B. Harms Co. (am 1927-11-30)
Teil von:
Show Boat (1951 film)
Teil von:
Show Boat: Act I
Paul Whiteman and His Orchestra3:12
14From Monday On
Klavier:
Harry Barris (am 1928-01-12)
Baritongesang:
Bing Crosby (am 1928-01-12)
Tenor-Gesang:
Harry Barris (am 1928-01-12) und Al Rinker (am 1928-01-12)
Orchester:
Paul Whiteman and His Orchestra (am 1928-01-12)
aufgenommen bei:
Liederkranz Hall in New York, New York, Vereinigte Staaten (am 1928-01-12)
recording of:
From Monday On (am 1928-01-12)
Verfasser(in):
Harry Barris und Bing Crosby
Paul Whiteman’s Rhythm Boys2:42
15From Monday On
Klavier:
Harry Barris (am 1928-01-12)
Baritongesang:
Bing Crosby (am 1928-01-12)
Tenor-Gesang:
Harry Barris (am 1928-01-12) und Al Rinker (am 1928-01-12)
Orchester:
Paul Whiteman and His Orchestra (am 1928-01-12)
aufgenommen bei:
Liederkranz Hall in New York, New York, Vereinigte Staaten (am 1928-01-12)
recording of:
From Monday On (am 1928-01-12)
Verfasser(in):
Harry Barris und Bing Crosby
Paul Whiteman’s Rhythm Boys2:41
16Mississippi Mud
alto saxophone:
Chester Hazlett (am 1928-01-20)
alto saxophone und Klarinette:
Jimmy Dorsey (am 1928-01-20)
bass saxophone:
Min Leibrook (am 1928-01-20)
Geige / Violine:
Matty Malneck (am 1928-01-20)
Gitarre:
Carl Kress (am 1928-01-20) und Eddie Lang (US jazz guitarist, also recorded as Blind Willie Dunn) (am 1928-01-20)
Klarinette:
Izzy Friedman (am 1928-01-20)
Klavier:
Lennie Hayton (am 1928-01-20)
Kornett:
Bix Beiderbecke (American jazz cornettist, pianist and composer) (am 1928-01-20)
Posaune:
Bill Rank (am 1928-01-20)
Rohrblattinstrumente:
Charles Strickfaden (am 1928-01-20)
Saxophon [c melody saxophone] und Sprecher:
Frankie Trumbauer (am 1928-01-20)
Schlagzeug:
George Marsh (drums) (am 1928-01-20) und Hal McDonald (drummer) (am 1928-01-20)
Baritongesang:
Bing Crosby (am 1928-01-20)
Orchester:
Frankie Trumbauer and His Orchestra (am 1928-01-20)
concertmaster:
Frankie Trumbauer (am 1928-01-20)
recording of:
Mississippi Mud (am 1928-01-20)
Verfasser(in):
Harry Barris (in 1927) und James Cavanaugh (in 1927)
Frankie Trumbauer and His Orchestra3:10
17Make Believe
Geige / Violine:
Matty Malneck (am 1928-01-27)
Kontrabass:
Steve Brown (1920s jazz bassist) (am 1928-01-27)
Posaune:
Bill Rank
Rohrblattinstrumente:
Jimmy Dorsey (am 1928-01-27)
Trompete:
Henry Busse (am 1928-01-27)
Baritongesang:
Bing Crosby (am 1928-01-27)
Orchester:
Paul Whiteman and His Orchestra (am 1928-01-27)
conductor:
Paul Whiteman (am 1928-01-27)
aufgenommen bei:
Victor’s Church Studio in Camden, New Jersey, Vereinigte Staaten (am 1928-01-27)
cover recording of:
Make Believe (Show Boat) (am 1928-01-27)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
publisher:
T.B. Harms Co. (in 1927)
Teil von:
Show Boat (1951 film)
Teil von:
Show Boat: Act I
Paul Whiteman and His Orchestra2:55
18Poor Butterfly
Baritongesang:
Bing Crosby (am 1928-02-07)
Tenor-Gesang:
Al Rinker (am 1928-02-07) und Austin “Skin” Young (am 1928-02-07)
vocals:
Jack Fulton (US jazz trombonist, composer & vocalist) (am 1928-02-07) und Charles Gaylord (am 1928-02-07)
conductor:
Paul Whiteman (am 1928-02-07)
Orchestrator(in):
Paul Whiteman and His Orchestra (am 1928-02-07)
aufgenommen bei:
Liederkranz Hall in New York, New York, Vereinigte Staaten (am 1928-02-07)
cover recording of:
Poor Butterfly (am 1928-02-07)
Texter:
John L. Golden (in 1916)
Komponist(in):
John Raymond Hubbell (composer, co-founder of ASCAP) (in 1916)
publisher:
Harms, Inc.
Paul Whiteman and His Orchestra2:45
19There Ain’t No Sweet Man That’s Worth the Salt of My Tears
alto saxophone:
Rube Crozier (am 1928-02-08), Jimmy Dorsey (am 1928-02-08), Chester Hazlett (am 1928-02-08) und Hal McLean (am 1928-02-08)
Banjo:
Mike Pingitore (am 1928-02-08)
baritone saxophone:
Charles Strickfaden (am 1928-02-08)
Fagott und flute:
Rube Crozier (am 1928-02-08)
Geige / Violine:
John Bowman (US jazz violin player) (am 1928-02-08), Kurt Dieterle (am 1928-02-08), Charles Gaylord (am 1928-02-08), Matty Malneck (am 1928-02-08), Mario Perry (am 1928-02-08) und Mischa Russell (violinist) (am 1928-02-08)
Klarinette:
Jimmy Dorsey (am 1928-02-08), Hal McLean (am 1928-02-08) und Charles Strickfaden (am 1928-02-08)
Klavier:
Roy Bargy (pianist) (am 1928-02-08) und Tom Satterfield (pianist) (am 1928-02-08)
Kontrabass:
Steve Brown (1920s jazz bassist) (am 1928-02-08)
Kornett:
Bix Beiderbecke (American jazz cornettist, pianist and composer) (am 1928-02-08, am 1928-02-28)
Posaune:
Boyce Cullen (trombonist) (am 1928-02-08), Jack Fulton (US jazz trombonist, composer & vocalist) (am 1928-02-08), Wilbur Hall (am 1928-02-08) und Bill Rank (am 1928-02-08)
Saxophon [c melody saxophone]:
Frankie Trumbauer (am 1928-02-08)
Schlagzeug:
Harold McDonald (drummer active in the 1920’s) (am 1928-02-08)
Trompete:
Henry Busse (am 1928-02-08) und Charlie Margulis (am 1928-02-08)
Tuba:
Mike Trafficante (am 1928-02-08)
Baritongesang:
Bing Crosby (am 1928-02-08, am 1928-02-28)
Tenor-Gesang:
Harry Barris (am 1928-02-08), Al Rinker (am 1928-02-08) und Austin “Skin” Young (am 1928-02-08)
vocals:
Jack Fulton (US jazz trombonist, composer & vocalist) (am 1928-02-08) und Charles Gaylord (am 1928-02-08)
Orchester:
Paul Whiteman and His Orchestra (am 1928-02-08, am 1928-02-28)
conductor:
Paul Whiteman (am 1928-02-08)
aufgenommen bei:
Liederkranz Hall in New York, New York, Vereinigte Staaten (am 1928-02-08, am 1928-02-28)
cover recording of:
There Ain’t No Sweet Man That’s Worth the Salt of My Tears (am 1928-02-08)
Texter und Komponist(in):
Fred Fisher
publisher:
Sony/ATV Tunes LLC (ASCAP)
Paul Whiteman and His Orchestra3:27
20There Ain’t No Sweet Man That’s Worth the Salt of My Tears
alto saxophone:
Rube Crozier (am 1928-02-08), Jimmy Dorsey (am 1928-02-08), Chester Hazlett (am 1928-02-08) und Hal McLean (am 1928-02-08)
Banjo:
Mike Pingitore (am 1928-02-08)
baritone saxophone:
Charles Strickfaden (am 1928-02-08)
Fagott und flute:
Rube Crozier (am 1928-02-08)
Geige / Violine:
John Bowman (US jazz violin player) (am 1928-02-08), Kurt Dieterle (am 1928-02-08), Charles Gaylord (am 1928-02-08), Matty Malneck (am 1928-02-08), Mario Perry (am 1928-02-08) und Mischa Russell (violinist) (am 1928-02-08)
Klarinette:
Jimmy Dorsey (am 1928-02-08), Hal McLean (am 1928-02-08) und Charles Strickfaden (am 1928-02-08)
Klavier:
Roy Bargy (pianist) (am 1928-02-08) und Tom Satterfield (pianist) (am 1928-02-08)
Kontrabass:
Steve Brown (1920s jazz bassist) (am 1928-02-08)
Kornett:
Bix Beiderbecke (American jazz cornettist, pianist and composer) (am 1928-02-08)
Posaune:
Boyce Cullen (trombonist) (am 1928-02-08), Jack Fulton (US jazz trombonist, composer & vocalist) (am 1928-02-08), Wilbur Hall (am 1928-02-08) und Bill Rank (am 1928-02-08)
Saxophon [c melody saxophone]:
Frankie Trumbauer (am 1928-02-08)
Schlagzeug:
Harold McDonald (drummer active in the 1920’s) (am 1928-02-08)
Trompete:
Henry Busse (am 1928-02-08) und Charlie Margulis (am 1928-02-08)
Tuba:
Mike Trafficante (am 1928-02-08)
Baritongesang:
Bing Crosby (am 1928-02-08)
Tenor-Gesang:
Harry Barris (am 1928-02-08), Al Rinker (am 1928-02-08) und Austin “Skin” Young (am 1928-02-08)
vocals:
Jack Fulton (US jazz trombonist, composer & vocalist) (am 1928-02-08) und Charles Gaylord (am 1928-02-08)
Orchester:
Paul Whiteman and His Orchestra (am 1928-02-08)
conductor:
Paul Whiteman (am 1928-02-08)
aufgenommen bei:
Liederkranz Hall in New York, New York, Vereinigte Staaten (am 1928-02-08)
cover recording of:
There Ain’t No Sweet Man That’s Worth the Salt of My Tears (am 1928-02-08)
Texter und Komponist(in):
Fred Fisher
publisher:
Sony/ATV Tunes LLC (ASCAP)
Paul Whiteman and His Orchestra3:30

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