| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Club Tropicana | Wham! | 3.8 | 4:30 |
| 2 | Can You Feel It (single version)- Produzent(in):
- The Jacksons
- Bass:
- Nathan Watts
- Gitarre:
- Tito Jackson und David Williams
- Keyboard:
- Ronnie Foster, Greg Phillinganes und Bill Wolfer
- Schlagzeug:
- Ollie E. Brown
- Vibraphon [vibes]:
- Gary L. Coleman
- Chorgesang:
- Lita Aubrey, Paulette Brown, Brigette Bush, Soloman Daniels, Rock Deadrick, Carolyn Dennis , Venetta Fields, Roy Galloway , Gerry Garrett, Rhonda Gentry, Jim Gilstrap, Gerry Gruberth, Bunny Hull, Roger Kenerly II, Josie James, Roger Kenerly-Saint, Yolanda Kenerly, Bob Mack, Arnold McCuller, Paulette McWilliams, Louis Price, Lisa Roberts, Stephanie Spruill , Phyllis St. James, Brian Stilwell, Audra Tillman, Carmen Twillie, Ronald Vann, Peter Wade und Gregory Wright
- Sologesang:
- Michael Jackson und Randy Jackson
- Saiteninstrumente arranger:
- Tom Tom 84
- arranger:
- Jackie Jackson und Michael Jackson
- phonographisches Urheberrecht (℗) von:
- Sony Music Entertainment Inc. (in 1980)
- recording of:
- Can You Feel It
- Verfasser(in):
- Jackie Jackson und Michael Jackson
- publisher:
- Copyright Control , Warner Chappell Music und Warner Chappell Music Ltd.
- Teil von:
- MJ: The Musical
| The Jacksons | 4.35 | 3:51 |
| 3 | Never Too Much | Luther Vandross | | 3:50 |
| 4 | I’m So Excited- Produzent(in):
- Richard Perry
- Bassgitarre:
- Nathan East
- Gitarre:
- George Doering und Lee Ritenour
- Keyboard [keyboards] und Synthesizer:
- Michael Boddicker und Greg Phillinganes
- Klavier:
- William D. “Smitty” Smith
- Schlagzeug:
- John “JR” Robinson
- Hintergrundgesang:
- June Pointer und Ruth Pointer
- Sologesang:
- Anita Pointer
- phonographisches Urheberrecht (℗) von:
- BMG Music (in 1982)
- Teil von:
- RuPaul’s Drag Race Lip Sync Performances (Nummer: 6) und Billboard: The 500 Best Pop Songs (Nummer: 258)
- recording of:
- I’m So Excited
- Verfasser(in):
- Anita Pointer, June Pointer, Ruth Pointer und Trevor Lawrence
- publisher:
- ’Til Dawn Music, Braintree Music, Copyright Control , EMI Blackwood Music Inc., EMI Music Publishing , EMI Songs, EMI Songs Ltd. und SBK Blackwood Music Inc.
- sub-publisher:
- Fujipacific Music Inc. SBK Division (bis 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (bis 2021-06-30), Fuji Pacific Music SBK Department (vom 2015-01-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (vom 2021-07-01 bis heute)
| The Pointer Sisters | 4.8 | 3:54 |
| 5 | Give It Up | KC and the Sunshine Band | 4.25 | 4:06 |
| 6 | You Spin Me Round (Like a Record) | Dead or Alive | 4.15 | 3:17 |
| 7 | 99 Red Balloons | Nena | 3.8 | 3:51 |
| 8 | Live It Up | Mental as Anything | 3.25 | 3:49 |
| 9 | Dr. Beat | Miami Sound Machine | 3.85 | 4:23 |
| 10 | Girls Just Want to Have Fun- assistierende(r) Techniker(in):
- John Agnello
- Techniker(in):
- William Wittman
- zusätzliche(r) Techniker(in):
- John Jansen und Rod O’Brien
- Partner-Produzent(in):
- William Wittman
- Produzent(in):
- Rick Chertoff
- Bass:
- Eric Bazilian
- E-Gitarre:
- Rick DiFonzo
- elektronisches Schlagzeug / E-Drums:
- Anton Fig
- Keyboard [keyboards] und Synthesizer [synthesizers]:
- Rob Hyman
- Hintergrundgesang:
- Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart und Diane Wilson
- Sologesang:
- Cyndi Lauper
- phonographisches Urheberrecht (℗) von:
- CBS, Inc. (in 1983), Epic Records (in 1983), Sony BMG Music Entertainment (in 1983) und Sony Music Entertainment Inc. (in 1983, in 1994)
- produced for:
- Red Sox Music Productions, Inc.
- aufgenommen bei:
- The Record Plant in Midtown Manhattan, New York, New York, Vereinigte Staaten
- Musikvideos:
- Girls Just Want to Have Fun von Cyndi Lauper
- Teil von:
- VH1: 100 Greatest Songs of the 80’s (Nummer: 23), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (Nummer: 63)
- recording of:
- Girls Just Want to Have Fun
- Texter und Komponist(in):
- Robert Hazard
- publisher:
- Copyright Control , EMI Blackwood Music Inc., Novelene Music, Sony Tunes, Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC und Heroic Music (in 1983)
- sub-publisher:
- ソニー・ミュージックパブリッシング A事業部
| Cyndi Lauper | 4.1 | 3:54 |
| 11 | Down Under- Techniker(in):
- Jim Barbour und Peter McIan
- zusätzliche(r) Techniker(in):
- Paul Ray
- Produzent(in):
- Peter McIan
- Bass:
- John Rees
- Gitarre:
- Ron Strykert
- Holzblasinstrumente und Keyboard:
- Greg Ham
- Schlagzeug:
- Jerry Speiser
- vocals:
- Colin Hay
- phonographisches Urheberrecht (℗) von:
- CBS Records Australia Limited (in 1981), Columbia Records (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (in 1981), Sony Music Productions Pty. Ltd. (in 1981, in 1982), CBS, Inc. (in 1982), Sony Music Entertainment Inc. (in 1982) und Diski CBS AEBE (in 1986)
- aufgenommen bei:
- Richmond Recorders in Melbourne, Victoria, Australien
- Teil von:
- triple j’s Hottest 100 of Australian Songs (Nummer: 21) und VH1: 100 Greatest Songs of the 80’s (Nummer: 96)
- recording of:
- Down Under
- Texter:
- Colin Hay
- Komponist(in):
- Colin Hay und Ron Strykert
- publisher:
- April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music , EMI Music Australia Pty. Limited , EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (vom 2015-01-01 bis heute)
| Men at Work | 4.05 | 3:43 |
| 12 | Abracadabra | Steve Miller Band | 4.85 | 5:08 |
| 13 | Making Your Mind Up | Bucks Fizz | 4.65 | 2:39 |
| 14 | Japanese Boy | Aneka | 3 | 3:55 |
| 15 | You Got It (The Right Stuff) | New Kids on the Block | 3 | 4:10 |
| 16 | Rain or Shine | Five Star | 5 | 3:58 |
| 17 | Use It Up & Wear It Out | Odyssey | 4.5 | 4:52 |
| 18 | Just Be Good to Me | The S.O.S. Band | 4 | 4:10 |
| 19 | All Around the World | Lisa Stansfield | | 4:24 |
| 20 | The Safety Dance | Men Without Hats | 3.8 | 2:44 |
| 21 | Never Gonna Give You Up- Keyboard [Fairlight]-Programmierung:
- Ian Curnow (in 1986-10)
- assistierende(r) Techniker(in):
- Boky, Peter Day, Gordon Dennis , Jonathan King und Yoyo
- Techniker(in):
- Mark McGuire
- zusätzliche(r) Techniker(in):
- Jamie Bromfield , Mike Duffy , Phil Harding und Karen Hewitt
- Produzent(in):
- Aitken, Stock , Stock Aitken Waterman und Waterman
- Mix:
- Mixmasters Pete Hammond (am 1987-01-01)
- Gitarre [guitars]:
- Matt Aitken (in 1986-10)
- Keyboard [keyboards]:
- Matt Aitken (in 1986-10) und Mike Stock (in 1986-10)
- Schlagzeug [drums]:
- A Linn (in 1986-10)
- Hintergrundgesang [backing vocals]:
- Dee Lewis (in 1986-10), Shirley Lewis (in 1986-10), Mae McKenna (in 1986-10) und Suzanne Rhatigan (in 1986-10)
- Sologesang:
- Rick (in 1986-10)
- arranger:
- Gordon Jenkins
- phonographisches Urheberrecht (℗) von:
- BMG Records (UK) Ltd. (vom 1987 bis heute), BMG Rights Management (UK) Ltd. (in 1987), Pete Waterman Ltd. (in 1987) und PWL (in 1987)
- sonstige Unterstützung:
- PWL (Aufgabe: original sound recordings made by)
- aufgenommen bei:
- PWL Studio 1 (in 1986-10), PWL Studio 2 (in 1986-10) und PWL Studios in London , England, Vereinigtes Königreich (in 1986-10)
- mixed at:
- PWL Studio 1 (am 1987-01-01) und PWL Studio 2 (am 1987-01-01)
- Musikvideos:
- Never Gonna Give You Up von Rick Astley
- Teil von:
- Cachitos Nochevieja 2022 (Nummer: 48) und Billboard: The 500 Best Pop Songs (Nummer: 244)
- recording of:
- Never Gonna Give You Up (in 1986-10)
- Verfasser(in):
- Matt Aitken, Mike Stock und Pete Waterman
- publisher:
- All Boys Music Ltd., BMG Music, Copyright Control , Hammer Music , Mike Stock Publishing Limited, Sid’s Songs Limited, Songs of Kobalt Music Publishing, Universal Music Careers, Universal–Songs of PolyGram International, Inc. und Terrace Music (in 1987)
- sub-publisher:
- Sony Music Publishing (Japan) Inc. , Universal Music Publishers MGB Australia Pty Ltd, シンコーミュージック・エンタテイメント , ヤマハミュージックEH(CM) und ユニバーサル・ミュージック・パブリッシング Synch事業部
| Rick Astley | 4.4 | 3:33 |
| 22 | Footloose- Produzent(in):
- Lee DeCarlo und Kenny Loggins
- Bass-Synthesizer:
- Michael Boddicker
- Bassgitarre:
- Nathan East
- Gitarre:
- Buzz Feiten
- Instrumente:
- Michael Boddicker
- Keyboard:
- Neil Larsen und Steven Wood
- Perkussion:
- Michael Boddicker und Paulinho da Costa
- Schlagzeug:
- Tris Imboden
- Hintergrundgesang:
- Marilyn Dorman, Richey Washington und Steven Wood
- Sologesang:
- Kenny Loggins
- remixer:
- Humberto Gatica
- phonographisches Urheberrecht (℗) von:
- CBS, Inc. (in 1984), Columbia Records (in 1984), Sony BMG Music Entertainment Inc. (in 1984) und Sony Music Entertainment Inc. (in 1984)
- recording of:
- Footloose
- Texter:
- Dean Pitchford
- Komponist(in):
- Kenny Loggins
- publisher:
- BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control , Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation , Island Music , Milk Money Music, Sony Music Publishing , Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. und Universal Music Publishers MGB Australia Pty Ltd
- Teil von:
- The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
| Kenny Loggins | 4.1 | 3:47 |
| 23 | My Favourite Waste of Time | Owen Paul | 3.35 | 3:25 |
| 24 | Walk Like an Egyptian | The Bangles | 4.2 | 3:24 |
| 25 | Tell It to My Heart | Taylor Dayne | 3.75 | 3:40 |
| 26 | When Will I Be Famous- recording engineer:
- John Brand , Simon Humphrey und Robin Sellers
- assistierende(r) Techniker(in):
- Richard Edwards und Alex Osman
- Techniker(in):
- Christopher Marc Potter
- Produzent(in) und Mix:
- Nicky Graham
- phonographisches Urheberrecht (℗) von:
- Sony Music Entertainment UK Limited
- aufgenommen bei:
- Hot Nights Studio in London , England, Vereinigtes Königreich
- mixed at:
- Sarm East Studios in Aldgate, Tower Hamlets, London , England, Vereinigtes Königreich
- recording of:
- When Will I Be Famous?
- Verfasser(in):
- Nicky Graham und Thomas Watkins
- publisher:
- Alderzone Ltd., BMG Platinum Songs US, BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, Maximum Music Limited und Warner Chappell Music
| Bros | 3 | 3:59 |
| 27 | Prince Charming | Adam and the Ants | 4 | 3:17 |
| 28 | The First Picture of You | The Lotus Eaters | 3 | 3:40 |
| 29 | Love My Way | The Psychedelic Furs | | 3:29 |
| 30 | Hold Me Now- recording engineer, Techniker(in) und Mix:
- Phil Thornalley
- Schlagzeug-Programmierung:
- Tom Bailey
- Produzent(in):
- Tom Bailey und Alex Sadkin
- Conga und Synthesizer [Prophet V]:
- Joe Leeway
- Gitarre, Klavier, Kontrabass [contrabass], Mundharmonika und Synthesizer:
- Tom Bailey
- Marimba, Perkussion, Schlagzeug und xylophone:
- Alannah Currie
- Hintergrundgesang:
- Alannah Currie und Joe Leeway
- vocals:
- Tom Bailey
- phonographisches Urheberrecht (℗) von:
- Arista Records Ltd. (in 1983), BMG Arista Records Ltd. (in 1983), BMG Eurodisc Ltd. (in 1983), Sony Music Entertainment (UK) Ltd. (in 1983), Arista Records Ltd. (in 1984) und Arista Records, Inc. (in 1984)
- Musikvideos:
- Hold Me Now von Thompson Twins
- recording of:
- Hold Me Now
- Verfasser(in):
- Alannah Joy Currie, Joseph Martin Leeway und Thomas Alexander Bailey
- vocals arranger:
- Tom Bailey , Alannah Currie und Joe Leeway
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Point Music und Point Music Ltd.
| Thompson Twins | 4.5 | 4:45 |
| 31 | Wherever I Lay My Hat (That’s My Home) | Paul Young | 5 | 4:11 |
| 32 | E=mc² | Big Audio Dynamite | 3 | 4:28 |
| 33 | Don’t Talk to Me About Love | Altered Images | | 3:48 |
| 34 | I Want Candy | Bow Wow Wow | 4 | 2:45 |
| 35 | (Feels Like) Heaven | Fiction Factory | 4 | 3:31 |
| 36 | Fantastic Day | Haircut One Hundred | 2.5 | 3:14 |
| 37 | Real Gone Kid | Deacon Blue | 4 | 4:05 |
| 38 | (Si Si) Je Suis Un Rock Star | Bill Wyman | | 5:59 |
| 39 | Star | Kiki Dee | 5 | 3:15 |
| 40 | Perfect | Fairground Attraction | 4.35 | 3:35 |
| 41 | The Final Countdown- Produzent(in):
- Kevin Elson
- phonographisches Urheberrecht (℗) von:
- CBS Records AB (in 1986), CBS, Inc. (in 1986), Sony Music Entertainment Inc. (in 1986), Epic Records (in 1987) und Sony Music Entertainment (in 1987)
- recording of:
- The Final Countdown
- Texter und Komponist(in):
- Joey Tempest
- publisher:
- Copyright Control , EMI , EMI Music Publishing Australia Pty Ltd , EMI Music Publishing Ltd. , EMI Music Sweden AB , Screen Gems–EMI Music, Inc. und Seven Doors Music
| Europe | 4.05 | 3:58 |
| 42 | Africa | Toto | 5 | 4:22 |
| 43 | Dead Ringer for Love | Meat Loaf | 3.8 | 4:21 |
| 44 | Nothing’s Gonna Stop Us Now- Interpret(in):
- Starship (in 1987)
- phonographisches Urheberrecht (℗) von:
- BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) und Sony Music Entertainment (in 1987)
- recording of:
- Nothing’s Gonna Stop Us Now (in 1987)
- Verfasser(in):
- Albert Hammond und Diane Warren
- arranger:
- Narada Michael Walden
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control , EMI Music Publishing Ltd. , Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. , WB Music Corp. und Windswept Pacific Music Ltd.
- Teil von:
- The 60th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1987 nominee)
- cover recording of:
- Nothing’s Gonna Stop Us Now
- Verfasser(in):
- Albert Hammond und Diane Warren
- arranger:
- Narada Michael Walden
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control , EMI Music Publishing Ltd. , Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. , WB Music Corp. und Windswept Pacific Music Ltd.
- Teil von:
- The 60th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1987 nominee)
| Starship | 3.75 | 4:28 |
| 45 | You’re the Voice- recording of:
- You’re the Voice
- Verfasser(in):
- Andy Qunta, Keith Reid, Maggie Ryder und Chris Thompson
- publisher:
- A&G Songs Ltd., Almo Music Corp. , Bluebeard Music Ltd., BMG Music, Bucks Music Group Ltd. , Concord Songs Ltd., Copyright Control , CT Music , CT Music Ltd., David Platz Music Scandinavia AB, Fable Music Pty. Ltd., Imagem Songs Ltd., Polygram Music, PolyGram Music Publishing Ltd., Rondor, Rondor Music, Rondor Music (Australia) P/L, Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., Rondor Music Ltd. , Universal Music , Universal Music Publishing und Universal Music Publishing AB
| John Farnham | | 3:57 |
| 46 | Circle in the Sand | Belinda Carlisle | 3.65 | 3:41 |
| 47 | Broken Wings- phonographisches Urheberrecht (℗) von:
- Sony BMG Music Entertainment Inc. (in 1985) und Sony Music Entertainment (in 1985)
- Bearbeitung von:
- Broken Wings von Mr. Mister
- recording of:
- Broken Wings
- Verfasser(in):
- Steve George , John Lang und Richard Page
- publisher:
- Ali‐Aja Music, Copyright Control , Entente Music , Indolent Sloth Music, Panola Park Music, Poppy‐Due Music , Warner Chappell Music Ltd. , Warner–Tamerlane Publishing Corp. , Warner/Chappell Music Ltd. , Warner/Chappell North America Limited , WB Music Corp. (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
- sub-publisher:
- Warner/Chappell Music Japan, Synch division und Yamaha Music Entertainment Holdings, Inc.
| Mr. Mister | 4 | 4:24 |
| 48 | Holding Out for a Hero- phonographisches Urheberrecht (℗) von:
- Sony Music Entertainment (in 1984), Sony Music Entertainment Inc. (in 1984), Sony Music Entertainment UK Limited (in 1984) und Sony Music Entertainment (UK) Ltd. (in 1985)
- recording of:
- Holding Out for a Hero
- Texter:
- Dean Pitchford
- Komponist(in):
- Jim Steinman
- publisher:
- BMG Music Publishing Ltd., Ensign Music Corp., Famous Chappell, Famous Chappell Ltd. , Sony Music Publishing (Japan), Inc., A Division , Sony/ATV Harmony UK, Sony/ATV Melody und Sony/ATV Music Publishing LLC
- basiert auf:
- Stark Raving Love
| Bonnie Tyler | 4.15 | 4:21 |
| 49 | The Way It Is | Bruce Hornsby & the Range | 4.35 | 3:58 |
| 50 | Cuddly Toy | Roachford | 3.6 | 3:49 |
| 51 | Criticize | Alexander O’Neal | 4 | 4:02 |
| 52 | Wishing Well | Terence Trent D’Arby | 3.15 | 3:31 |
| 53 | Dinner With Gershwin | Donna Summer | | 4:39 |
| 54 | Come Into My Life | Joyce Sims | 3 | 3:47 |
| 55 | Love Come Down | Evelyn “Champagne” King | 4.5 | 3:18 |
| 56 | Let’s Hear It for the Boy | Deniece Williams | 3.6 | 4:22 |
| 57 | So Macho | Sinitta | | 3:25 |
| 58 | Let’s Groove | Earth, Wind & Fire | | 4:03 |
| 59 | Let’s Go Round Again | Average White Band | | 3:24 |
| 60 | Funkin’ for Jamaica (single) | Tom Browne | | 3:52 |