| # | Title | Artist | Rating | Length |
|---|
| 1 | My Heart Will Go On- recording engineer:
- Humberto Gatica and David Gleeson
- miscellaneous support:
- Emilie Charlap (task: orchestratra contractor) and Dan Shea (task: sound design)
- additional drum machine [drum and rhythm] programming:
- Dan Shea
- drum machine [drum and rhythm] programming:
- Walter Afanasieff
- programming:
- Dan Shea
- assistant engineer:
- Chris Brooke, Tony Gonzalez , Tyson Leeper, Glen Marchese, Ethan Schofer and Greg Thompson
- engineer:
- Humberto Gatica (lead vocals) and Dan Shea
- co-producer:
- James Horner
- producer:
- Walter Afanasieff
- mixer:
- Humberto Gatica
- additional keyboard:
- Dan Shea
- bass synthesizer [synth bass], Hammond organ [Hammond B-3 organ] and keyboard:
- Walter Afanasieff
- fiddle [Irish fiddle]:
- Paul Peabody
- guitar:
- Dann Huff
- tin whistle [pennywhistle/whistles]:
- Tony Hinnigan
- background vocals:
- Cleytoven Richardson, Leslie Ellis, Skyler Jett, Konesha Owens and Jeanie Tracy
- conductor:
- William Ross
- arranger:
- Walter Afanasieff
- orchestrator:
- William Ross
- recorded at:
- The Hit Factory in Manhattan, New York, New York, United States and Wallyworld in San Rafael, California, United States
- mixed at:
- The Hit Factory in Manhattan, New York, New York, United States
- music videos:
- My Heart Will Go On (love theme from Titanic) by Céline Dion
- a cappella versions:
- The music from that movie about the boat by David Thorne
- part of:
- The Co-Op: Top 10 British Funeral Songs (number: 2) and Billboard: The 500 Best Pop Songs (number: 279)
- recording of:
- My Heart Will Go On
- lyricist:
- Will Jennings
- composer:
- James Horner
- publisher:
- Blue Sky Rider Songs, EMI Music Publishing , EMI Music Publishing Ltd. , Ensign Music Corporation, Famous Music Corporation , Fox Film Music Corporation , Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. , Universal Music Publishing Ltd. , ヤマハミュージックEH(CM) , ユニバーサル・ミュージック・パブリッシング Synch事業部 , フジパシフィック音楽出版 第2事業部 (until 2014-12-31) and フジパシフィックミュージック 第2事業部 (from 2015-01-01 to present)
- part of:
- The 70th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1997 winner)
- part of:
- Titanic
| Céline Dion | 4.35 | 4:41 |
| 2 | Live and Let Die- recording engineer:
- Bill Price (from 1972-10-19 until 1972-10-20)
- producer:
- George Martin (from 1972-10-19 until 1972-10-20) and Paul McCartney (from 1972-10-19 until 1972-10-20)
- mixer:
- Bill Price (on 1972-10-21)
- bass guitar:
- Denny Laine (from 1972-10-19 until 1972-10-20)
- bass guitar, electric guitar and percussion, piano and lead vocals:
- Paul McCartney (from 1972-10-19 until 1972-10-20)
- drums (drum set):
- Denny Seiwell (from 1972-10-19 until 1972-10-20)
- duck call and timpani:
- Ray Cooper (from 1972-10-19 until 1972-10-20)
- electric guitar:
- Denny Laine (from 1972-10-19 until 1972-10-20) and Henry McCullough (from 1972-10-19 until 1972-10-20)
- percussion:
- Ray Cooper (from 1972-10-19 until 1972-10-20) and Denny Seiwell (from 1972-10-19 until 1972-10-20)
- background vocals:
- Denny Laine (from 1972-10-19 until 1972-10-20) and Linda McCartney (from 1972-10-19 until 1972-10-20)
- orchestrator:
- George Martin
- phonographic copyright (℗) by:
- MPL Communications Inc. and MPL Communications Ltd. (in 1973)
- additionally recorded at:
- Air Studios in London , England, United Kingdom (on 1972-10-20)
- recorded at:
- Air Studios in London , England, United Kingdom (on 1972-10-19)
- mixed at:
- Air Studios in London , England, United Kingdom (on 1972-10-21)
- recording of:
- Live and Let Die (from 1972-10-19 until 1972-10-20)
- writer:
- Linda McCartney and Paul McCartney
- publisher:
- EMI Unart Catalog Inc., EMI United Partnership Ltd., Kobalt Songs Music Publishing , MPL Communications Ltd. and SBK Unart Catalog Inc.
- part of:
- The 46th Academy Award for Best Original Song (number: 2) and James Bond themes
| Paul McCartney & Wings | 3.9 | 3:13 |
| 3 | Will You Be There | Michael Jackson | | 3:59 |
| 4 | Ghostbusters | Ray Parker Jr. | 3.9 | 4:05 |
| 5 | Footloose- producer:
- Lee DeCarlo and Kenny Loggins
- bass guitar:
- Nathan East
- bass synthesizer:
- Michael Boddicker
- drums (drum set):
- Tris Imboden
- guitar:
- Buzz Feiten
- instruments:
- Michael Boddicker
- keyboard:
- Neil Larsen and Steven Wood
- percussion:
- Michael Boddicker and Paulinho da Costa
- background vocals:
- Marilyn Dorman, Richey Washington and Steven Wood
- lead vocals:
- Kenny Loggins
- remixer:
- Humberto Gatica
- phonographic copyright (℗) by:
- CBS, Inc. (in 1984), Columbia Records (in 1984), Sony BMG Music Entertainment Inc. (in 1984) and Sony Music Entertainment Inc. (in 1984)
- recording of:
- Footloose
- lyricist:
- Dean Pitchford
- composer:
- Kenny Loggins
- publisher:
- BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control , Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation , Island Music , Milk Money Music, Sony Music Publishing , Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. and Universal Music Publishers MGB Australia Pty Ltd
- part of:
- The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
| Kenny Loggins | 4.1 | 3:47 |
| 6 | You Can Leave Your Hat On- engineer:
- Brian Reeves
- producer:
- Richie Zito
- mixer:
- Rik Pekkonen
- bass and synthesizer:
- Arthur Barrow
- guitar:
- Richie Zito
- horn:
- Dick Hyde, Steve Madaio and Joel Peskin
- membranophone:
- Michael Baird
- background vocals:
- Maxine Sharp, Julia Waters and Maxine Waters
- lead vocals:
- Joe Cocker
- recorded at:
- Ocean Way Recording in Hollywood, Los Angeles, California, United States
- cover recording of:
- You Can Leave Your Hat On
- lyricist and composer:
- Randy Newman
- publisher:
- Warner–Tamerlane Publishing Corp. , WC Music Corp., Randy Newman (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (in 1972, in 1976)
- recording of:
- You Can Leave Your Hat On
- lyricist and composer:
- Randy Newman
- publisher:
- Warner–Tamerlane Publishing Corp. , WC Music Corp., Randy Newman (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (in 1972, in 1976)
| Joe Cocker | 3.85 | 4:15 |
| 7 | A View to Kill | Duran Duran | 3.6 | 3:35 |
| 8 | Gangsta's Paradise | Coolio | 3.95 | 4:02 |
| 9 | Never Ending Story | Limahl | 3.35 | 3:31 |
| 10 | Licence to Kill | Gladys Knight | 3.35 | 5:15 |
| 11 | Axel F From Beverly Hills Cop | Harold Faltermeyer | 4.15 | 3:02 |
| 12 | Das Boot | Klaus Doldinger | | 3:15 |
| 13 | Singin' in the Rain | Gene Kelly | | 3:01 |
| 14 | The Way You Look Tonight- producer:
- Danny Bennett
- phonographic copyright (℗) by:
- Columbia Records (in 1998)
- cover recording of:
- The Way You Look Tonight
- publisher:
- Jerome Kern (on 1936-07-24)
- lyricist:
- Dorothy Fields (in 1936)
- composer:
- Jerome Kern (in 1936)
- publisher:
- Aldi Music Company, Chappell & Co., Inc. , Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (in 1936)
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
- part of:
- Swing Time
| Tony Bennett | | 3:24 |
| 15 | Glory of Love- engineer and mixer:
- Terry Christian and John Guess
- producer:
- Michael Omartian
- guest background vocals:
- Kenny Cetera
- lead vocals:
- Peter Cetera
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1986) and Warner Music International (in 1986)
- recorded at and mixed at:
- Lion Share Studios in Los Angeles, California, United States
- recording of:
- Glory of Love
- writer:
- Peter Cetera, David Foster and Diane Nini
- publisher:
- EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. , シンコーミュージック・エンタテイメント , ピアーミュージック , ユニバーサル・ミュージック・パブリッシング Synch事業部 , コンソーシアム音楽出版 C・F事業部 (until 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (in 1986), ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング CMP外国事業部 (from 2021-07-01 to present)
- part of:
- The 59th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1986 nominee)
| Peter Cetera | 4.2 | 4:22 |
| 16 | The Rose | Bette Midler | 4.2 | 3:34 |
| 17 | After Dark | Tito & Tarantula | 4.65 | 3:45 |
| 18 | The Sound of Silence | Simon & Garfunkel | 4.55 | 3:06 |
| 19 | Hero (feat. Josey Scott) | Chad Kroeger | 3.85 | 3:19 |
| 20 | I Will Always Love You- engineer:
- David Reitzas, Bill Schnee and Peter Yianilos
- executive producer:
- Clive Davis and Whitney Houston
- producer:
- David Foster
- mixer:
- David Reitzas
- creative direction:
- Rickey Minor
- solo saxophone:
- Kirk Whalum
- arranger:
- David Foster
- vocals arranger:
- Whitney Houston
- phonographic copyright (℗) by:
- RCA Records and Arista Records, Inc. (in 1992)
- mixed at:
- Ocean Way Recording in Hollywood, Los Angeles, California, United States
- part of:
- The Co-Op: Top 10 British Funeral Songs (number: 3), Billboard: The 500 Best Pop Songs (number: 60), New York Post: 100 Greatest Covers (2007) (number: 59), Billboard: Greatest of All Time Hot 100 Songs (number: 60) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 94)
- cover recording of:
- I Will Always Love You
- lyricist and composer:
- Dolly Parton
- publisher:
- Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd , Owepar Publishing Inc. and Velvet Apple Music
| Whitney Houston | 4.5 | 4:32 |
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