Milestones of a Jazz Legend – Ben Webster

~ Veröffentlichung von Ben Webster (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: King of the Tenors (1953) & The Sould of Ben Webster (1958)
2▶CD: Soulville (1957) & Ben Webster Meets Oscar Peterson (1959)
3▶CD: Music With Feeling (1955) & The Warm Moods (1961)
4▶CD: Coleman Hawkins Encounters Ben Webster (1957) & Gerry Mulligan Meets Ben Webster (1959)
5▶CD: Norman Granz’ Jam Session Vol. 7 (1953) & Norman Granz’ Jam Session Vol. 8 (1953)
6▶CD: Jimy Witherspoon (Feat. Ben Webster – Roots) (1962) & Jimmy Witherspoon, Gerry Mulligan, Ben Webster (1959)
7▶CD: Ben Webster & “Sweets” Edison (1962) & Ben Webster and Modern Jazz Quartet (1953)
8▼CD: Billie Holiday – Songs for Distingué Lovers (1957) & Bille Holliday – Body and Soul (1957)
Nr.TitelKünstlerBewertungLänge
1Day In, Day Out
recording of:
Day In, Day Out
Texter:
Johnny Mercer (in 1939)
Komponist(in):
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Bregman, Vocco & Conn, Inc.
Billie Holliday6:50
2A Foggy Day
cover recording of:
A Foggy Day (in London Town)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
Billie Holliday4:41
3Stars Fell on Alabama
Produzent(in):
Norman Granz
E-Gitarre:
Barney Kessel (von 1957-01-07 bis 1957-01-09)
Klavier:
Jimmy Rowles (am 1957-01-08)
Kontrabass [bass]:
Joe Mondragon (am 1957-01-08)
Schlagzeug:
Alvin Stoller (am 1957-01-08)
Tenorsaxophon:
Ben Webster (am 1957-01-08)
Trompete:
Harry “Sweets” Edison (am 1957-01-08)
vocals:
Billie Holiday (am 1957-01-08)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-08)
recording of:
Stars Fell on Alabama (am 1957-01-08)
Texter:
Mitchell Parish
Komponist(in):
Frank S. Perkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. und Mills Music
Billie Holliday2.754:30
4One for My Baby (And One for the Road)
Billie Holliday5:42
5Just One of Those Things
recording of:
Just One of Those Things
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
Billie Holliday5:32
6I Din’t Know What Time It Was
recording of:
I Didn’t Know What Time It Was (Pal Joey)
Texter:
Lorenz Hart (in 1939)
Komponist(in):
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. und Williamson Music Company
Teil von:
Pal Joey
Billie Holliday6:02
7Body and Soul
recording of:
Body and Soul
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billie Holliday6:22
8They Can’t Take That Away From Me
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
Billie Holliday4:13
9Darn That Dream
recording of:
Darn That Dream
Texter:
Eddie DeLange (in 1939)
Komponist(in):
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
Teil von:
Swingin’ the Dream
Billie Holliday6:19
10Let’s Call the Whole Thing Off
recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
übersetzte Version von:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
Teil von:
Shall We Dance (1937 film soundtrack)
Billie Holliday3:27
11Comes Love
recording of:
Comes Love
Texter:
Lew Brown
Komponist(in):
Sam H. Stept und Charles Tobias (Tin Pan Alley songwriter)
Billie Holliday4:03
12Gee Baby, Ain’t I Good to You
recording of:
Gee, Baby Ain’t I Good to You
Texter:
Andy Razaf
Komponist(in):
Don Redman
publisher:
Michael H. Goldsen Inc. und Razaf Music
Teil von:
The Real Book (compilation of jazz standards, volume I)
Billie Holliday5:39
13Embraceable You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-01-09)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Gitarre:
Barney Kessel (am 1957-01-09)
Klavier:
Jimmy Rowles (am 1957-01-09)
Kontrabass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1957-01-09)
Schlagzeug:
Larry Bunker (am 1957-01-09)
Tenorsaxophon:
Ben Webster (am 1957-01-09)
Trompete:
Harry “Sweets” Edison (am 1957-01-09)
vocals:
Billie Holiday (am 1957-01-09)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1957-01-07 bis 1957-01-09)
recording of:
Embraceable You (am 1957-01-09)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
Billie Holliday56:51
14Moonlight in Vermont
recording of:
Moonlight in Vermont
Texter:
John Blackburn (songwriter)
Komponist(in):
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billie Holliday3:51
9▶CD: Art Tatum – Ben Webster Quartet (1956) & Richard “Groove” Holmes With Ben Webster – Groove
10▶CD: Harry “Sweets” Edison (1957) & Gene Krupa Sextet (1954)

Nennungen