What’s My Scene? Australian Pop of the 80s, Vol 3

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Everybody Wants to Work
phonographic copyright (℗) by:
Mushroom Records Pty Ltd (in 1984)
recording of:
Everybody Wants to Work
writer:
Brian Mannix (Australian singer)
publisher:
Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Pty. Ltd.
Uncanny X‐Men3:13
2Spend the Night
phonographic copyright (℗) by:
Albert Productions (in 1980)
recording of:
Spend the Night
writer:
Harry Vanda (Australian musician) and George Young (Australian musician and producer)
publisher:
J. Albert & Son Pty. Ltd. (in 1982)
Cheetah3:55
3Haunting Me
phonographic copyright (℗) by:
Mushroom Records (in 1985)
recording of:
Haunting Me
writer:
Tod Johnston and Lance Karapetcoff
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
V Capri4:47
4Pressure Down
assistant engineer:
Michael Wickow (engineer)
engineer:
Doug Brady (engineer)
producer:
Ross Fraser
guitar:
Brett Garsed
keyboard:
David Hirschfelder (Australian score composer)
arranger:
John Farnham, Ross Fraser and David Hirschfelder (Australian score composer)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1986), Wheatley Records (label founded by Glenn Wheatley) (in 1986) and Wheatley Records Pty. Ltd. (in 1986, in 1987)
recorded at and mixed at:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australia
recording of:
Pressure Down
lyricist and composer:
Harry Bogdanovs
publisher:
Irving Music, Inc., Rondor Music and Rondor Music (Australia) Pty Ltd
John Farnham43:47
5Castaway
phonographic copyright (℗) by:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1982)
recording of:
Castaway
writer:
Murray Burns, Paul Dunningham, Steve Gilpin and Kevin Stanton
publisher:
April (publisher)
Mi‐Sex3:19
6She’s the One
phonographic copyright (℗) by:
Regular Records (Australian label) (in 1987)
recording of:
She’s the One
writer:
John Field (Australian songwriter)
publisher:
EMI Music Publishing (do not use as a release label!)
The Cockroaches2:34
7Solid Rock
phonographic copyright (℗) by:
Warner Music Australia (AU subsidiary of Warner Music International since 1988) (in 1982, in 1997) and Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 1982)
part of:
triple j’s Hottest 100 of Australian Songs (number: 47)
recording of:
Solid Rock (Sacred Ground)
writer:
Shane Howard (Australian singer / songwriter)
publisher:
Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
Goanna4:34
8So Much for Love
phonographic copyright (℗) by:
Festival Records (Australian) (in 1985)
recording of:
So Much for Love
writer:
Rik Swinn
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Venetians3:42
9Come Around
producer:
Cameron Allan
phonographic copyright (℗) by:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1980)
recording of:
Come Around
writer:
Martin Plaza (Australian musician)
publisher:
Kobalt Music Publishing Australia P/L
Mental as Anything23:06
10Onion Skin
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1989) and Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1989)
recording of:
Onion Skin
writer:
Peter Farnan
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Boom Crash Opera3:29
11Love and Affection
phonographic copyright (℗) by:
The Allniters (1980's Australian ska band) (in 1983)
cover recording of:
Love & Affection
composer:
Neville Livingston and Bob Marley (Jamaican reggae artist)
publisher:
EMI April Music Inc. and Shakat Music Publishing
The Allniters3:35
12You Weren’t in Love With Me
phonographic copyright (℗) by:
WEA Records (imprint of Warner Records International: lower‐case “wea” with “records” below) (in 1981)
recording of:
You Weren’t in Love With Me
lyricist and composer:
Billy Field
publisher:
Warner Chappell
Billy Field3:25
13The Unguarded Moment
producer:
Bob Clearmountain and Chris Gilbey
mixer:
Bob Clearmountain
bass and keyboard:
Steve Kilbey
drums (drum set):
Richard Ploog
guitar:
Peter Koppes and Marty Willson-Piper
vocals:
Steve Kilbey
phonographic copyright (℗) by:
EMI Music Australia (defunct holding company, not for release label use!), Sony/ATV Music Publishing (in 1981) and Sony/ATV Northern Productions Pty Limited (in 1981)
part of:
triple j’s Hottest 100 of Australian Songs (number: 75)
recording of:
The Unguarded Moment
writer:
Steve Kilbey and Michelle Parker
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher) and Sony/ATV Music Publishing Ltd.
The Church4:16
14The City of Soul (The Absolutely mix) (2007 Remastered)
phonographic copyright (℗) by:
Nostata Pty. Limited (in 1985)
recording of:
The City of Soul
writer:
Bernie Lynch
Eurogliders4:33
15Too Much Ain’t Enough Love
engineer:
Al Wright (Engineer), Jonathan Cain, Jim Gaines and Robert Missbach
producer:
Jonathan Cain and Mike Stone (producer and engineer, 1960s–80s)
mixer:
Al Wright (Engineer) and Mike Stone (producer and engineer, 1960s–80s)
bass:
Randy Jackson (former bassist with Journey and American Idol judge)
drums (drum set):
Tony Brock
guitar:
Diesel (Australian pop rock aka Mark Lizotte) and Neal Schon
keyboard:
Jonathan Cain
background vocals:
Venetta Fields and Wendy Matthews (Australian adult alternative pop singer)
lead vocals:
Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel)
phonographic copyright (℗) by:
Freight Train Music (in 1996)
additionally recorded at:
Metropolis Audio (fka AAV Studios) in Melbourne, Victoria, Australia, Rhinoceros Studios in Sydney, New South Wales, Australia and Vertigo Sound in Novato, California, United States
recorded at:
Rhinoceros Studios in Sydney, New South Wales, Australia and The Plant Studios (1981–2008) in Sausalito, California, United States
mixed at:
Metropolis Audio (fka AAV Studios) in Melbourne, Victoria, Australia, Rhinoceros Studios in Sydney, New South Wales, Australia and Vertigo Sound in Novato, California, United States
recording of:
Too Much Ain’t Enough Love
writer:
Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel), Tony Brock, Jonathan Cain, Randy Jackson (former bassist with Journey and American Idol judge) and Neal Schon
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, Mushroom Music Publishing, Universal Music Publishing Group, Pty. Ltd, Warner Chappell and Warner/Chappell Music Australia Pty. Ltd.
Jimmy Barnes3:43
16Your Love Still Brings Me to My Knees
phonographic copyright (℗) by:
Midnight Records Pty. Ltd. (in 1981)
recording of:
Your Love Still Brings Me to My Knees
writer:
Roger Cook (US‐based British singer, songwriter and producer) and Bobby Wood (American pianist, keyboard player and songwriter)
publisher:
EMI Music Publishing (do not use as a release label!) and Mushroom Music Publishing
Marcia Hines3:17
17Bed of Nails
phonographic copyright (℗) by:
Ross Wilson Music Pty. Ltd. (in 1989)
recording of:
Bed of Nails
writer:
Eris O'Brien, John Pullicino and Ross Wilson (Australian singer-songwriter, guitarist and producer)
publisher:
Mushroom Music (Mushroom label’s publishing company)
Ross Wilson4:08
18Pleasure and Pain
producer:
Mike Chapman (Australian producer and songwriter)
phonographic copyright (℗) by:
EMI Records (UK label renamed from Virgin EMI Records in 2020), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1985) and Chrysalis Records, Inc. (not for release label use!) (in 1985)
recording of:
Pleasure and Pain
writer:
Mike Chapman (Australian producer and songwriter) and Holly Knight
publisher:
Hebbes Music Group Pty. Ltd., Warner Chappell and Warner/Chappell Music Ltd. (1996–2019)
Divinyls3.353:53
19Take Me Back (2007 Remastered)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1987)
recording of:
Take Me Back
writer:
Jon Stevens (Australian/NZ rock singer) and Brent Thomas (New Zealand guitarist and songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and peermusic (“Peermusic—the global independent”)
Noiseworks3:29
20Losing You
phonographic copyright (℗) by:
Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1983)
recording of:
Losing You
writer:
Sharon O’Neill
publisher:
EMI Songs Australia Pty. Ltd.
Sharon O’Neill4:02

Credits

Release

compiler:Brent James (radio music director)
artwork:Kudos Studio
distributed by:Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009)
copyrighted (©) by:Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 2010)
Discogs:https://www.discogs.com/release/8439164 [info]
ASIN:US: B003TOS87Q [info]

Release group

part of:Australian Pop of the 80s (number: 3) (order: 3)