The Baroque Collection

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD: Vivaldi: The Four Seasons
2CD: Vivaldi: Solo Concertos
3CD: Vivaldi: Concerti per Archi
4CD: Vivaldi: Concerti da Camera
5CD: Vivaldi: Concertos for diverse Instruments
6CD: Bach: Brandenburg Concertos 1-3
7CD: Bach: Brandenburg Concertos 4-6
8CD: Bach: Violin Concertos
9CD: Bach: Double Concertos
10CD: Corelli: Concerti Grossi Op. 6 (complete)
11CD: Corelli: Concerti Grossi Op. 6 (complete)
12CD: Couperin: Les Nations
13CD: Couperin: Les Nations
14CD: Handel: Messiah
15CD: Handel: Messiah
Nr.TitelKünstlerBewertungLänge
124 - Part II Chorus: Surely he has borne our grieves
Bass-Gesang:
Alastair Miles (operatic bass)
Hochgesang:
Hilary Summers (contralto)
Soprangesang:
Lynne Dawson (soprano)
Tenor-Gesang:
John Mark Ainsley (tenor)
conductor:
Stephen Cleobury (organist, conductor)
Interpret(in):
Choir of King’s College, Cambridge
George Frideric Handel1:43
225 - Part II Chorus: And with his stripes we were healed
Bass-Gesang:
Alastair Miles (operatic bass)
Hochgesang:
Hilary Summers (contralto)
Soprangesang:
Lynne Dawson (soprano)
Tenor-Gesang:
John Mark Ainsley (tenor)
conductor:
Stephen Cleobury (organist, conductor)
Interpret(in):
Choir of King’s College, Cambridge
George Frideric Handel1:47
326 - Part II Chorus: All we like sheep
Bass-Gesang:
Alastair Miles (operatic bass)
Hochgesang:
Hilary Summers (contralto)
Soprangesang:
Lynne Dawson (soprano)
Tenor-Gesang:
John Mark Ainsley (tenor)
conductor:
Stephen Cleobury (organist, conductor)
Interpret(in):
Choir of King’s College, Cambridge
George Frideric Handel3:43
427 - Part II Recitative-tenor: All they that see Him
Bass-Gesang:
Alastair Miles (operatic bass)
Hochgesang:
Hilary Summers (contralto)
Soprangesang:
Lynne Dawson (soprano)
Tenor-Gesang:
John Mark Ainsley (tenor)
conductor:
Stephen Cleobury (organist, conductor)
Interpret(in):
Choir of King’s College, Cambridge
George Frideric Handel0:40
528 - Part II Chorus: He trusted in god
Bass-Gesang:
Alastair Miles (operatic bass)
Hochgesang:
Hilary Summers (contralto)
Soprangesang:
Lynne Dawson (soprano)
Tenor-Gesang:
John Mark Ainsley (tenor)
conductor:
Stephen Cleobury (organist, conductor)
Interpret(in):
Choir of King’s College, Cambridge
George Frideric Handel2:19
629 - Part II Recitative-tenor: Thy rebuke hath broken his heart
Bass-Gesang:
Alastair Miles (operatic bass)
Hochgesang:
Hilary Summers (contralto)
Soprangesang:
Lynne Dawson (soprano)
Tenor-Gesang:
John Mark Ainsley (tenor)
conductor:
Stephen Cleobury (organist, conductor)
Interpret(in):
Choir of King’s College, Cambridge
George Frideric Handel1:48
730 - Part II Aria-tenor: Behold, and see if there be any sorrow
Bass-Gesang:
Alastair Miles (operatic bass)
Hochgesang:
Hilary Summers (contralto)
Soprangesang:
Lynne Dawson (soprano)
Tenor-Gesang:
John Mark Ainsley (tenor)
conductor:
Stephen Cleobury (organist, conductor)
Interpret(in):
Choir of King’s College, Cambridge
George Frideric Handel1:22
831 - Part II Recitative-tenor: He was cut off the land
Bass-Gesang:
Alastair Miles (operatic bass)
Hochgesang:
Hilary Summers (contralto)
Soprangesang:
Lynne Dawson (soprano)
Tenor-Gesang:
John Mark Ainsley (tenor)
conductor:
Stephen Cleobury (organist, conductor)
Interpret(in):
Choir of King’s College, Cambridge
George Frideric Handel0:17
932 - Part II Aria-tenor: But thou didst not leave
Bass-Gesang:
Alastair Miles (operatic bass)
Hochgesang:
Hilary Summers (contralto)
Soprangesang:
Lynne Dawson (soprano)
Tenor-Gesang:
John Mark Ainsley (tenor)
conductor:
Stephen Cleobury (organist, conductor)
Interpret(in):
Choir of King’s College, Cambridge
George Frideric Handel2:20
1033 - Part II Chorus: Lift up your heads
Bass-Gesang:
Alastair Miles (operatic bass)
Hochgesang:
Hilary Summers (contralto)
Soprangesang:
Lynne Dawson (soprano)
Tenor-Gesang:
John Mark Ainsley (tenor)
conductor:
Stephen Cleobury (organist, conductor)
Interpret(in):
Choir of King’s College, Cambridge
George Frideric Handel2:58
1134 - Part II Recitative-tenor: Unto which of the angels
Bass-Gesang:
Alastair Miles (operatic bass)
Hochgesang:
Hilary Summers (contralto)
Soprangesang:
Lynne Dawson (soprano)
Tenor-Gesang:
John Mark Ainsley (tenor)
conductor:
Stephen Cleobury (organist, conductor)
Interpret(in):
Choir of King’s College, Cambridge
George Frideric Handel0:19
1235 - Part II Chorus: Let all the angels of God worship Him
Bass-Gesang:
Alastair Miles (operatic bass)
Hochgesang:
Hilary Summers (contralto)
Soprangesang:
Lynne Dawson (soprano)
Tenor-Gesang:
John Mark Ainsley (tenor)
conductor:
Stephen Cleobury (organist, conductor)
Interpret(in):
Choir of King’s College, Cambridge
George Frideric Handel1:27
1336 - Part II Aria-alto: Thou art gone up on high
Bass-Gesang:
Alastair Miles (operatic bass)
Hochgesang:
Hilary Summers (contralto)
Soprangesang:
Lynne Dawson (soprano)
Tenor-Gesang:
John Mark Ainsley (tenor)
conductor:
Stephen Cleobury (organist, conductor)
Interpret(in):
Choir of King’s College, Cambridge
George Frideric Handel3:12
1437 - Part II Chorus: The lord gave the word
Bass-Gesang:
Alastair Miles (operatic bass)
Hochgesang:
Hilary Summers (contralto)
Soprangesang:
Lynne Dawson (soprano)
Tenor-Gesang:
John Mark Ainsley (tenor)
conductor:
Stephen Cleobury (organist, conductor)
Interpret(in):
Choir of King’s College, Cambridge
George Frideric Handel1:04
1538 - Part II Aria-soprano: How beautiful are the feet
Bass-Gesang:
Alastair Miles (operatic bass)
Hochgesang:
Hilary Summers (contralto)
Soprangesang:
Lynne Dawson (soprano)
Tenor-Gesang:
John Mark Ainsley (tenor)
conductor:
Stephen Cleobury (organist, conductor)
Interpret(in):
Choir of King’s College, Cambridge
George Frideric Handel2:03
1639 - Part II Chorus: Their sound is gone out
Bass-Gesang:
Alastair Miles (operatic bass)
Hochgesang:
Hilary Summers (contralto)
Soprangesang:
Lynne Dawson (soprano)
Tenor-Gesang:
John Mark Ainsley (tenor)
conductor:
Stephen Cleobury (organist, conductor)
Interpret(in):
Choir of King’s College, Cambridge
George Frideric Handel1:29
1740 - Part II Aria-Bass: Why do the nations?
Bass-Gesang:
Alastair Miles (operatic bass)
Hochgesang:
Hilary Summers (contralto)
Soprangesang:
Lynne Dawson (soprano)
Tenor-Gesang:
John Mark Ainsley (tenor)
conductor:
Stephen Cleobury (organist, conductor)
Interpret(in):
Choir of King’s College, Cambridge
George Frideric Handel1:26
1841 - Part II Chorus: Let us break their bonds asunder
Bass-Gesang:
Alastair Miles (operatic bass)
Hochgesang:
Hilary Summers (contralto)
Soprangesang:
Lynne Dawson (soprano)
Tenor-Gesang:
John Mark Ainsley (tenor)
conductor:
Stephen Cleobury (organist, conductor)
Interpret(in):
Choir of King’s College, Cambridge
George Frideric Handel1:42
1942 - Part II Recitative-tenor: He that dwelleth in heaven
Bass-Gesang:
Alastair Miles (operatic bass)
Hochgesang:
Hilary Summers (contralto)
Soprangesang:
Lynne Dawson (soprano)
Tenor-Gesang:
John Mark Ainsley (tenor)
conductor:
Stephen Cleobury (organist, conductor)
Interpret(in):
Choir of King’s College, Cambridge
George Frideric Handel0:12
2043 - Part II Aria-tenor; thou shalt break them
Bass-Gesang:
Alastair Miles (operatic bass)
Hochgesang:
Hilary Summers (contralto)
Soprangesang:
Lynne Dawson (soprano)
Tenor-Gesang:
John Mark Ainsley (tenor)
conductor:
Stephen Cleobury (organist, conductor)
Interpret(in):
Choir of King’s College, Cambridge
George Frideric Handel1:59
2144 - Part II Chorus: Hallelujah!
Bass-Gesang:
Alastair Miles (operatic bass)
Hochgesang:
Hilary Summers (contralto)
Soprangesang:
Lynne Dawson (soprano)
Tenor-Gesang:
John Mark Ainsley (tenor)
conductor:
Stephen Cleobury (organist, conductor)
Interpret(in):
Choir of King’s College, Cambridge
George Frideric Handel3:35
2245 - Part III Aria-soprano; I know that my Redeemer liveth
Bass-Gesang:
Alastair Miles (operatic bass)
Hochgesang:
Hilary Summers (contralto)
Soprangesang:
Lynne Dawson (soprano)
Tenor-Gesang:
John Mark Ainsley (tenor)
conductor:
Stephen Cleobury (organist, conductor)
Interpret(in):
Choir of King’s College, Cambridge
George Frideric Handel5:47
2346 - Part III Chorus: Since by man come death
Bass-Gesang:
Alastair Miles (operatic bass)
Hochgesang:
Hilary Summers (contralto)
Soprangesang:
Lynne Dawson (soprano)
Tenor-Gesang:
John Mark Ainsley (tenor)
conductor:
Stephen Cleobury (organist, conductor)
Interpret(in):
Choir of King’s College, Cambridge
George Frideric Handel2:02
2447 - Part III Recitativ-bass; Behold, I tell you a mystery
Bass-Gesang:
Alastair Miles (operatic bass)
Hochgesang:
Hilary Summers (contralto)
Soprangesang:
Lynne Dawson (soprano)
Tenor-Gesang:
John Mark Ainsley (tenor)
conductor:
Stephen Cleobury (organist, conductor)
Interpret(in):
Choir of King’s College, Cambridge
George Frideric Handel0:34
2548 - Part III Aria-bass: The trumpet shall sound
Bass-Gesang:
Alastair Miles (operatic bass)
Hochgesang:
Hilary Summers (contralto)
Soprangesang:
Lynne Dawson (soprano)
Tenor-Gesang:
John Mark Ainsley (tenor)
conductor:
Stephen Cleobury (organist, conductor)
Interpret(in):
Choir of King’s College, Cambridge
George Frideric Handel8:31
2649 - Part III Recitativ-alto: Then shall be brought to pass
Bass-Gesang:
Alastair Miles (operatic bass)
Hochgesang:
Hilary Summers (contralto)
Soprangesang:
Lynne Dawson (soprano)
Tenor-Gesang:
John Mark Ainsley (tenor)
conductor:
Stephen Cleobury (organist, conductor)
Interpret(in):
Choir of King’s College, Cambridge
George Frideric Handel0:17
2750 - Part III Duet alto & tenor: O death, where is thy sting?
Bass-Gesang:
Alastair Miles (operatic bass)
Hochgesang:
Hilary Summers (contralto)
Soprangesang:
Lynne Dawson (soprano)
Tenor-Gesang:
John Mark Ainsley (tenor)
conductor:
Stephen Cleobury (organist, conductor)
Interpret(in):
Choir of King’s College, Cambridge
George Frideric Handel1:03
2851 - Part III Chorus: But thanks be to god
Bass-Gesang:
Alastair Miles (operatic bass)
Hochgesang:
Hilary Summers (contralto)
Soprangesang:
Lynne Dawson (soprano)
Tenor-Gesang:
John Mark Ainsley (tenor)
conductor:
Stephen Cleobury (organist, conductor)
Interpret(in):
Choir of King’s College, Cambridge
George Frideric Handel2:02
2952 - Part III Aria-soprano: If god be for us
Bass-Gesang:
Alastair Miles (operatic bass)
Hochgesang:
Hilary Summers (contralto)
Soprangesang:
Lynne Dawson (soprano)
Tenor-Gesang:
John Mark Ainsley (tenor)
conductor:
Stephen Cleobury (organist, conductor)
Interpret(in):
Choir of King’s College, Cambridge
George Frideric Handel5:06
3053 - Part III Chorus: Worthy is the Lamb... Amen
Bass-Gesang:
Alastair Miles (operatic bass)
Hochgesang:
Hilary Summers (contralto)
Soprangesang:
Lynne Dawson (soprano)
Tenor-Gesang:
John Mark Ainsley (tenor)
conductor:
Stephen Cleobury (organist, conductor)
Interpret(in):
Choir of King’s College, Cambridge
George Frideric Handel6:49
16CD: Handel: Water Music - Music for the Royal Fireworks
17CD: Handel: Concerti grossi Op. 3
18CD: Handel: Organ Concertos Op 4
19CD: Albinoni: Oboe Concertos
20CD: Telemann: Tafelmusik (selection)
21CD: Telemann: Trumpet Concertos
22CD: Telemann: Oboe Concertos
23CD: Purcell: Funeral Odes for Queen Mary
24CD: Purcell: Flute Sonata
25CD: Locatelli: Violin Concertos from "L'Arte del Violino"