Lamentationes; Passionsmusik

~ Release by Johann David Heinichen; Musica Antiqua Köln, Reinhard Goebel (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Aria "Nicht das Band, das dich bestricket"
executive producer:
Dr. Peter Czornyj
producer:
Wolfgang Mitlehner
bassoon:
Henriette Bakker (Classical Bassoonist) (in 1995-01) and Adrian Rovatkay (in 1995-01)
cello:
Detmar Leertouwer (Classical Cellist) (in 1995-01), Mark Mefsut (Classical cellist) (in 1995-01) and Markus Möllenbeck (in 1995-01)
harpsichord:
Christian Rieger (harpsichordist) (in 1995-01)
oboe:
Markus Deuter (German oboe player) (in 1995-01), Wolfgang Dey (Classical oboist) (in 1995-01), Monika Nielen (Classical oboist.) (in 1995-01), Michael Niesemann (classical/jazz wind multi-instrumentist) (in 1995-01) and Susanne Regel (Classical oboist) (in 1995-01)
organ:
Andreas Spering (harpsichordist, organist and conductor) (in 1995-01)
recorder:
Wolfgang Dey (Classical oboist) (in 1995-01) and Michael Niesemann (classical/jazz wind multi-instrumentist) (in 1995-01)
theorbo:
Michael Dücker (Theorbist, lutenist & Chitarrone player) (in 1995-01)
transverse flute:
Cordula Breuer (Flutist and recorder player) (in 1995-01), Marion Moonen (Dutch flautist) (in 1995-01), Martin Sandhoff (in 1995-01) and Jed Wentz (flautist/conductor) (in 1995-01)
viola:
Victoria Gunn (in 1995-01) and Fred Günther (in 1995-01)
violin:
Daniel Deuter (in 1995-01), Florian Deuter (violinist and conductor) (in 1995-01), Ulrike Fischer (in 1995-01), Sebastian Griewisch (in 1995-01), Wolfgang von Kessinger (in 1995-01), Ulrike Kunze (in 1995-01), Christoph Mayer (classical violinist) (in 1995-01), Sherman Plessner (in 1995-01), Anton Steck (violinist and conductor) (in 1995-01) and Katharina Wolff (in 1995-01)
violone:
Jonathan Cable (in 1995-01)
alto vocals:
Axel Köhler (in 1995-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1995-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1995-01)
performer:
Almut Geldsetzer (in 1995-01) and Marie-Luise Geldsetzer (in 1995-01)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1995-01)
recording of:
Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Aria "Nicht das Band, das dich bestricket"
composer:
Johann David Heinichen
part of:
Oratorio todesco al sepolcro santo, S.20
Johann David Heinichen9:53
2Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Récitatif "So schleppt man dich zum Richthaus fort"
executive producer:
Dr. Peter Czornyj
producer:
Wolfgang Mitlehner
bassoon:
Henriette Bakker (Classical Bassoonist) (in 1995-01) and Adrian Rovatkay (in 1995-01)
cello:
Detmar Leertouwer (Classical Cellist) (in 1995-01), Mark Mefsut (Classical cellist) (in 1995-01) and Markus Möllenbeck (in 1995-01)
harpsichord:
Christian Rieger (harpsichordist) (in 1995-01)
oboe:
Markus Deuter (German oboe player) (in 1995-01), Wolfgang Dey (Classical oboist) (in 1995-01), Monika Nielen (Classical oboist.) (in 1995-01), Michael Niesemann (classical/jazz wind multi-instrumentist) (in 1995-01) and Susanne Regel (Classical oboist) (in 1995-01)
organ:
Andreas Spering (harpsichordist, organist and conductor) (in 1995-01)
recorder:
Wolfgang Dey (Classical oboist) (in 1995-01) and Michael Niesemann (classical/jazz wind multi-instrumentist) (in 1995-01)
theorbo:
Michael Dücker (Theorbist, lutenist & Chitarrone player) (in 1995-01)
transverse flute:
Cordula Breuer (Flutist and recorder player) (in 1995-01), Marion Moonen (Dutch flautist) (in 1995-01), Martin Sandhoff (in 1995-01) and Jed Wentz (flautist/conductor) (in 1995-01)
viola:
Victoria Gunn (in 1995-01) and Fred Günther (in 1995-01)
violin:
Daniel Deuter (in 1995-01), Florian Deuter (violinist and conductor) (in 1995-01), Ulrike Fischer (in 1995-01), Sebastian Griewisch (in 1995-01), Wolfgang von Kessinger (in 1995-01), Ulrike Kunze (in 1995-01), Christoph Mayer (classical violinist) (in 1995-01), Sherman Plessner (in 1995-01), Anton Steck (violinist and conductor) (in 1995-01) and Katharina Wolff (in 1995-01)
violone:
Jonathan Cable (in 1995-01)
alto vocals:
Axel Köhler (in 1995-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1995-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1995-01)
performer:
Almut Geldsetzer (in 1995-01) and Marie-Luise Geldsetzer (in 1995-01)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1995-01)
recording of:
Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Récitatif "So schleppt man dich zum Richthaus fort"
composer:
Johann David Heinichen
part of:
Oratorio todesco al sepolcro santo, S.20
Johann David Heinichen0:49
3Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Coro "Kommt, schauet Petrus' Tränen an"
executive producer:
Dr. Peter Czornyj
producer:
Wolfgang Mitlehner
bassoon:
Henriette Bakker (Classical Bassoonist) (in 1995-01) and Adrian Rovatkay (in 1995-01)
cello:
Detmar Leertouwer (Classical Cellist) (in 1995-01), Mark Mefsut (Classical cellist) (in 1995-01) and Markus Möllenbeck (in 1995-01)
harpsichord:
Christian Rieger (harpsichordist) (in 1995-01)
oboe:
Markus Deuter (German oboe player) (in 1995-01), Wolfgang Dey (Classical oboist) (in 1995-01), Monika Nielen (Classical oboist.) (in 1995-01), Michael Niesemann (classical/jazz wind multi-instrumentist) (in 1995-01) and Susanne Regel (Classical oboist) (in 1995-01)
organ:
Andreas Spering (harpsichordist, organist and conductor) (in 1995-01)
recorder:
Wolfgang Dey (Classical oboist) (in 1995-01) and Michael Niesemann (classical/jazz wind multi-instrumentist) (in 1995-01)
theorbo:
Michael Dücker (Theorbist, lutenist & Chitarrone player) (in 1995-01)
transverse flute:
Cordula Breuer (Flutist and recorder player) (in 1995-01), Marion Moonen (Dutch flautist) (in 1995-01), Martin Sandhoff (in 1995-01) and Jed Wentz (flautist/conductor) (in 1995-01)
viola:
Victoria Gunn (in 1995-01) and Fred Günther (in 1995-01)
violin:
Daniel Deuter (in 1995-01), Florian Deuter (violinist and conductor) (in 1995-01), Ulrike Fischer (in 1995-01), Sebastian Griewisch (in 1995-01), Wolfgang von Kessinger (in 1995-01), Ulrike Kunze (in 1995-01), Christoph Mayer (classical violinist) (in 1995-01), Sherman Plessner (in 1995-01), Anton Steck (violinist and conductor) (in 1995-01) and Katharina Wolff (in 1995-01)
violone:
Jonathan Cable (in 1995-01)
alto vocals:
Axel Köhler (in 1995-01)
soprano vocals:
Mechthild Georg (German mezzo-soprano) (in 1995-01)
tenor vocals:
Jörg Dürmüller (in 1995-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1995-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1995-01)
performer:
Almut Geldsetzer (in 1995-01) and Marie-Luise Geldsetzer (in 1995-01)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1995-01)
recording of:
Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Coro "Kommt, schauet Petrus' Tränen an"
composer:
Johann David Heinichen
part of:
Oratorio todesco al sepolcro santo, S.20
Johann David Heinichen3:32
4Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Recitativo "Ruchbarer Geist, verräterischer Sinn"
executive producer:
Dr. Peter Czornyj
producer:
Wolfgang Mitlehner
bassoon:
Henriette Bakker (Classical Bassoonist) (in 1995-01) and Adrian Rovatkay (in 1995-01)
cello:
Detmar Leertouwer (Classical Cellist) (in 1995-01), Mark Mefsut (Classical cellist) (in 1995-01) and Markus Möllenbeck (in 1995-01)
harpsichord:
Christian Rieger (harpsichordist) (in 1995-01)
oboe:
Markus Deuter (German oboe player) (in 1995-01), Wolfgang Dey (Classical oboist) (in 1995-01), Monika Nielen (Classical oboist.) (in 1995-01), Michael Niesemann (classical/jazz wind multi-instrumentist) (in 1995-01) and Susanne Regel (Classical oboist) (in 1995-01)
organ:
Andreas Spering (harpsichordist, organist and conductor) (in 1995-01)
recorder:
Wolfgang Dey (Classical oboist) (in 1995-01) and Michael Niesemann (classical/jazz wind multi-instrumentist) (in 1995-01)
theorbo:
Michael Dücker (Theorbist, lutenist & Chitarrone player) (in 1995-01)
transverse flute:
Cordula Breuer (Flutist and recorder player) (in 1995-01), Marion Moonen (Dutch flautist) (in 1995-01), Martin Sandhoff (in 1995-01) and Jed Wentz (flautist/conductor) (in 1995-01)
viola:
Victoria Gunn (in 1995-01) and Fred Günther (in 1995-01)
violin:
Daniel Deuter (in 1995-01), Florian Deuter (violinist and conductor) (in 1995-01), Ulrike Fischer (in 1995-01), Sebastian Griewisch (in 1995-01), Wolfgang von Kessinger (in 1995-01), Ulrike Kunze (in 1995-01), Christoph Mayer (classical violinist) (in 1995-01), Sherman Plessner (in 1995-01), Anton Steck (violinist and conductor) (in 1995-01) and Katharina Wolff (in 1995-01)
violone:
Jonathan Cable (in 1995-01)
bass vocals:
Raimund Nolte (classical viola player and bass-baritone vocalist) (in 1995-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1995-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1995-01)
performer:
Almut Geldsetzer (in 1995-01) and Marie-Luise Geldsetzer (in 1995-01)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1995-01)
recording of:
Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Recitativo "Ruchbarer Geist, verräterischer Sinn"
composer:
Johann David Heinichen
part of:
Oratorio todesco al sepolcro santo, S.20
Johann David Heinichen2:09
5Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Aria "Ach mein Mund, ach meine Zunge"
executive producer:
Dr. Peter Czornyj
producer:
Wolfgang Mitlehner
bassoon:
Henriette Bakker (Classical Bassoonist) (in 1995-01) and Adrian Rovatkay (in 1995-01)
cello:
Detmar Leertouwer (Classical Cellist) (in 1995-01), Mark Mefsut (Classical cellist) (in 1995-01) and Markus Möllenbeck (in 1995-01)
harpsichord:
Christian Rieger (harpsichordist) (in 1995-01)
oboe:
Markus Deuter (German oboe player) (in 1995-01), Wolfgang Dey (Classical oboist) (in 1995-01), Monika Nielen (Classical oboist.) (in 1995-01), Michael Niesemann (classical/jazz wind multi-instrumentist) (in 1995-01) and Susanne Regel (Classical oboist) (in 1995-01)
organ:
Andreas Spering (harpsichordist, organist and conductor) (in 1995-01)
recorder:
Wolfgang Dey (Classical oboist) (in 1995-01) and Michael Niesemann (classical/jazz wind multi-instrumentist) (in 1995-01)
theorbo:
Michael Dücker (Theorbist, lutenist & Chitarrone player) (in 1995-01)
transverse flute:
Cordula Breuer (Flutist and recorder player) (in 1995-01), Marion Moonen (Dutch flautist) (in 1995-01), Martin Sandhoff (in 1995-01) and Jed Wentz (flautist/conductor) (in 1995-01)
viola:
Victoria Gunn (in 1995-01) and Fred Günther (in 1995-01)
violin:
Daniel Deuter (in 1995-01), Florian Deuter (violinist and conductor) (in 1995-01), Ulrike Fischer (in 1995-01), Sebastian Griewisch (in 1995-01), Wolfgang von Kessinger (in 1995-01), Ulrike Kunze (in 1995-01), Christoph Mayer (classical violinist) (in 1995-01), Sherman Plessner (in 1995-01), Anton Steck (violinist and conductor) (in 1995-01) and Katharina Wolff (in 1995-01)
violone:
Jonathan Cable (in 1995-01)
bass vocals:
Raimund Nolte (classical viola player and bass-baritone vocalist) (in 1995-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1995-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1995-01)
performer:
Almut Geldsetzer (in 1995-01) and Marie-Luise Geldsetzer (in 1995-01)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1995-01)
recording of:
Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Aria "Ach mein Mund, ach meine Zunge"
composer:
Johann David Heinichen
part of:
Oratorio todesco al sepolcro santo, S.20
Johann David Heinichen3:04
6Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Recitativo "Was nützt mir's nun,dass ich so rein an Füssen"
executive producer:
Dr. Peter Czornyj
producer:
Wolfgang Mitlehner
bassoon:
Henriette Bakker (Classical Bassoonist) (in 1995-01) and Adrian Rovatkay (in 1995-01)
cello:
Detmar Leertouwer (Classical Cellist) (in 1995-01), Mark Mefsut (Classical cellist) (in 1995-01) and Markus Möllenbeck (in 1995-01)
harpsichord:
Christian Rieger (harpsichordist) (in 1995-01)
oboe:
Markus Deuter (German oboe player) (in 1995-01), Wolfgang Dey (Classical oboist) (in 1995-01), Monika Nielen (Classical oboist.) (in 1995-01), Michael Niesemann (classical/jazz wind multi-instrumentist) (in 1995-01) and Susanne Regel (Classical oboist) (in 1995-01)
organ:
Andreas Spering (harpsichordist, organist and conductor) (in 1995-01)
recorder:
Wolfgang Dey (Classical oboist) (in 1995-01) and Michael Niesemann (classical/jazz wind multi-instrumentist) (in 1995-01)
theorbo:
Michael Dücker (Theorbist, lutenist & Chitarrone player) (in 1995-01)
transverse flute:
Cordula Breuer (Flutist and recorder player) (in 1995-01), Marion Moonen (Dutch flautist) (in 1995-01), Martin Sandhoff (in 1995-01) and Jed Wentz (flautist/conductor) (in 1995-01)
viola:
Victoria Gunn (in 1995-01) and Fred Günther (in 1995-01)
violin:
Daniel Deuter (in 1995-01), Florian Deuter (violinist and conductor) (in 1995-01), Ulrike Fischer (in 1995-01), Sebastian Griewisch (in 1995-01), Wolfgang von Kessinger (in 1995-01), Ulrike Kunze (in 1995-01), Christoph Mayer (classical violinist) (in 1995-01), Sherman Plessner (in 1995-01), Anton Steck (violinist and conductor) (in 1995-01) and Katharina Wolff (in 1995-01)
violone:
Jonathan Cable (in 1995-01)
bass vocals:
Raimund Nolte (classical viola player and bass-baritone vocalist) (in 1995-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1995-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1995-01)
performer:
Almut Geldsetzer (in 1995-01) and Marie-Luise Geldsetzer (in 1995-01)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1995-01)
recording of:
Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Recitativo "Was nützt mir's nun,dass ich so rein an Füssen"
composer:
Johann David Heinichen
part of:
Oratorio todesco al sepolcro santo, S.20
Johann David Heinichen2:04
7Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Aria "Min Herz, quille Blut"
executive producer:
Dr. Peter Czornyj
producer:
Wolfgang Mitlehner
bassoon:
Henriette Bakker (Classical Bassoonist) (in 1995-01) and Adrian Rovatkay (in 1995-01)
cello:
Detmar Leertouwer (Classical Cellist) (in 1995-01), Mark Mefsut (Classical cellist) (in 1995-01) and Markus Möllenbeck (in 1995-01)
harpsichord:
Christian Rieger (harpsichordist) (in 1995-01)
oboe:
Markus Deuter (German oboe player) (in 1995-01), Wolfgang Dey (Classical oboist) (in 1995-01), Monika Nielen (Classical oboist.) (in 1995-01), Michael Niesemann (classical/jazz wind multi-instrumentist) (in 1995-01) and Susanne Regel (Classical oboist) (in 1995-01)
organ:
Andreas Spering (harpsichordist, organist and conductor) (in 1995-01)
recorder:
Wolfgang Dey (Classical oboist) (in 1995-01) and Michael Niesemann (classical/jazz wind multi-instrumentist) (in 1995-01)
theorbo:
Michael Dücker (Theorbist, lutenist & Chitarrone player) (in 1995-01)
transverse flute:
Cordula Breuer (Flutist and recorder player) (in 1995-01), Marion Moonen (Dutch flautist) (in 1995-01), Martin Sandhoff (in 1995-01) and Jed Wentz (flautist/conductor) (in 1995-01)
viola:
Victoria Gunn (in 1995-01) and Fred Günther (in 1995-01)
violin:
Daniel Deuter (in 1995-01), Florian Deuter (violinist and conductor) (in 1995-01), Ulrike Fischer (in 1995-01), Sebastian Griewisch (in 1995-01), Wolfgang von Kessinger (in 1995-01), Ulrike Kunze (in 1995-01), Christoph Mayer (classical violinist) (in 1995-01), Sherman Plessner (in 1995-01), Anton Steck (violinist and conductor) (in 1995-01) and Katharina Wolff (in 1995-01)
violone:
Jonathan Cable (in 1995-01)
bass vocals:
Raimund Nolte (classical viola player and bass-baritone vocalist) (in 1995-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1995-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1995-01)
performer:
Almut Geldsetzer (in 1995-01) and Marie-Luise Geldsetzer (in 1995-01)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1995-01)
recording of:
Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Aria "Min Herz, quille Blut"
composer:
Johann David Heinichen
part of:
Oratorio todesco al sepolcro santo, S.20
Johann David Heinichen3:20
8Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Recitativo "O weh! Die ganze Schar schnaubt voller Grimm"
executive producer:
Dr. Peter Czornyj
producer:
Wolfgang Mitlehner
bassoon:
Henriette Bakker (Classical Bassoonist) (in 1995-01) and Adrian Rovatkay (in 1995-01)
cello:
Detmar Leertouwer (Classical Cellist) (in 1995-01), Mark Mefsut (Classical cellist) (in 1995-01) and Markus Möllenbeck (in 1995-01)
harpsichord:
Christian Rieger (harpsichordist) (in 1995-01)
oboe:
Markus Deuter (German oboe player) (in 1995-01), Wolfgang Dey (Classical oboist) (in 1995-01), Monika Nielen (Classical oboist.) (in 1995-01), Michael Niesemann (classical/jazz wind multi-instrumentist) (in 1995-01) and Susanne Regel (Classical oboist) (in 1995-01)
organ:
Andreas Spering (harpsichordist, organist and conductor) (in 1995-01)
recorder:
Wolfgang Dey (Classical oboist) (in 1995-01) and Michael Niesemann (classical/jazz wind multi-instrumentist) (in 1995-01)
theorbo:
Michael Dücker (Theorbist, lutenist & Chitarrone player) (in 1995-01)
transverse flute:
Cordula Breuer (Flutist and recorder player) (in 1995-01), Marion Moonen (Dutch flautist) (in 1995-01), Martin Sandhoff (in 1995-01) and Jed Wentz (flautist/conductor) (in 1995-01)
viola:
Victoria Gunn (in 1995-01) and Fred Günther (in 1995-01)
violin:
Daniel Deuter (in 1995-01), Florian Deuter (violinist and conductor) (in 1995-01), Ulrike Fischer (in 1995-01), Sebastian Griewisch (in 1995-01), Wolfgang von Kessinger (in 1995-01), Ulrike Kunze (in 1995-01), Christoph Mayer (classical violinist) (in 1995-01), Sherman Plessner (in 1995-01), Anton Steck (violinist and conductor) (in 1995-01) and Katharina Wolff (in 1995-01)
violone:
Jonathan Cable (in 1995-01)
soprano vocals:
Mechthild Georg (German mezzo-soprano) (in 1995-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1995-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1995-01)
performer:
Almut Geldsetzer (in 1995-01) and Marie-Luise Geldsetzer (in 1995-01)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1995-01)
recording of:
Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Recitativo "O weh! Die ganze Schar schnaubt voller Grimm"
composer:
Johann David Heinichen
part of:
Oratorio todesco al sepolcro santo, S.20
Johann David Heinichen1:16
9Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Aria "Die Sporne, die meinen Erlöser durch stechen"
executive producer:
Dr. Peter Czornyj
producer:
Wolfgang Mitlehner
bassoon:
Henriette Bakker (Classical Bassoonist) (in 1995-01) and Adrian Rovatkay (in 1995-01)
cello:
Detmar Leertouwer (Classical Cellist) (in 1995-01), Mark Mefsut (Classical cellist) (in 1995-01) and Markus Möllenbeck (in 1995-01)
harpsichord:
Christian Rieger (harpsichordist) (in 1995-01)
oboe:
Markus Deuter (German oboe player) (in 1995-01), Wolfgang Dey (Classical oboist) (in 1995-01), Monika Nielen (Classical oboist.) (in 1995-01), Michael Niesemann (classical/jazz wind multi-instrumentist) (in 1995-01) and Susanne Regel (Classical oboist) (in 1995-01)
organ:
Andreas Spering (harpsichordist, organist and conductor) (in 1995-01)
recorder:
Wolfgang Dey (Classical oboist) (in 1995-01) and Michael Niesemann (classical/jazz wind multi-instrumentist) (in 1995-01)
theorbo:
Michael Dücker (Theorbist, lutenist & Chitarrone player) (in 1995-01)
transverse flute:
Cordula Breuer (Flutist and recorder player) (in 1995-01), Marion Moonen (Dutch flautist) (in 1995-01), Martin Sandhoff (in 1995-01) and Jed Wentz (flautist/conductor) (in 1995-01)
viola:
Victoria Gunn (in 1995-01) and Fred Günther (in 1995-01)
violin:
Daniel Deuter (in 1995-01), Florian Deuter (violinist and conductor) (in 1995-01), Ulrike Fischer (in 1995-01), Sebastian Griewisch (in 1995-01), Wolfgang von Kessinger (in 1995-01), Ulrike Kunze (in 1995-01), Christoph Mayer (classical violinist) (in 1995-01), Sherman Plessner (in 1995-01), Anton Steck (violinist and conductor) (in 1995-01) and Katharina Wolff (in 1995-01)
violone:
Jonathan Cable (in 1995-01)
soprano vocals:
Mechthild Georg (German mezzo-soprano) (in 1995-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1995-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1995-01)
performer:
Almut Geldsetzer (in 1995-01) and Marie-Luise Geldsetzer (in 1995-01)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1995-01)
recording of:
Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Aria "Die Sporne, die meinen Erlöser durch stechen"
composer:
Johann David Heinichen
part of:
Oratorio todesco al sepolcro santo, S.20
Johann David Heinichen5:16
10Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Recitativo "Jetzt Lösen sie dich auf"
executive producer:
Dr. Peter Czornyj
producer:
Wolfgang Mitlehner
bassoon:
Henriette Bakker (Classical Bassoonist) (in 1995-01) and Adrian Rovatkay (in 1995-01)
cello:
Detmar Leertouwer (Classical Cellist) (in 1995-01), Mark Mefsut (Classical cellist) (in 1995-01) and Markus Möllenbeck (in 1995-01)
harpsichord:
Christian Rieger (harpsichordist) (in 1995-01)
oboe:
Markus Deuter (German oboe player) (in 1995-01), Wolfgang Dey (Classical oboist) (in 1995-01), Monika Nielen (Classical oboist.) (in 1995-01), Michael Niesemann (classical/jazz wind multi-instrumentist) (in 1995-01) and Susanne Regel (Classical oboist) (in 1995-01)
organ:
Andreas Spering (harpsichordist, organist and conductor) (in 1995-01)
recorder:
Wolfgang Dey (Classical oboist) (in 1995-01) and Michael Niesemann (classical/jazz wind multi-instrumentist) (in 1995-01)
theorbo:
Michael Dücker (Theorbist, lutenist & Chitarrone player) (in 1995-01)
transverse flute:
Cordula Breuer (Flutist and recorder player) (in 1995-01), Marion Moonen (Dutch flautist) (in 1995-01), Martin Sandhoff (in 1995-01) and Jed Wentz (flautist/conductor) (in 1995-01)
viola:
Victoria Gunn (in 1995-01) and Fred Günther (in 1995-01)
violin:
Daniel Deuter (in 1995-01), Florian Deuter (violinist and conductor) (in 1995-01), Ulrike Fischer (in 1995-01), Sebastian Griewisch (in 1995-01), Wolfgang von Kessinger (in 1995-01), Ulrike Kunze (in 1995-01), Christoph Mayer (classical violinist) (in 1995-01), Sherman Plessner (in 1995-01), Anton Steck (violinist and conductor) (in 1995-01) and Katharina Wolff (in 1995-01)
violone:
Jonathan Cable (in 1995-01)
soprano vocals:
Mechthild Georg (German mezzo-soprano) (in 1995-01)
tenor vocals:
Jörg Dürmüller (in 1995-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1995-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1995-01)
performer:
Almut Geldsetzer (in 1995-01) and Marie-Luise Geldsetzer (in 1995-01)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1995-01)
recording of:
Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Recitativo "Jetzt Lösen sie dich auf"
composer:
Johann David Heinichen
part of:
Oratorio todesco al sepolcro santo, S.20
Johann David Heinichen4:32
11Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Aria "Der Abgrund muss erzittern"
executive producer:
Dr. Peter Czornyj
producer:
Wolfgang Mitlehner
bassoon:
Henriette Bakker (Classical Bassoonist) (in 1995-01) and Adrian Rovatkay (in 1995-01)
cello:
Detmar Leertouwer (Classical Cellist) (in 1995-01), Mark Mefsut (Classical cellist) (in 1995-01) and Markus Möllenbeck (in 1995-01)
harpsichord:
Christian Rieger (harpsichordist) (in 1995-01)
oboe:
Markus Deuter (German oboe player) (in 1995-01), Wolfgang Dey (Classical oboist) (in 1995-01), Monika Nielen (Classical oboist.) (in 1995-01), Michael Niesemann (classical/jazz wind multi-instrumentist) (in 1995-01) and Susanne Regel (Classical oboist) (in 1995-01)
organ:
Andreas Spering (harpsichordist, organist and conductor) (in 1995-01)
recorder:
Wolfgang Dey (Classical oboist) (in 1995-01) and Michael Niesemann (classical/jazz wind multi-instrumentist) (in 1995-01)
theorbo:
Michael Dücker (Theorbist, lutenist & Chitarrone player) (in 1995-01)
transverse flute:
Cordula Breuer (Flutist and recorder player) (in 1995-01), Marion Moonen (Dutch flautist) (in 1995-01), Martin Sandhoff (in 1995-01) and Jed Wentz (flautist/conductor) (in 1995-01)
viola:
Victoria Gunn (in 1995-01) and Fred Günther (in 1995-01)
violin:
Daniel Deuter (in 1995-01), Florian Deuter (violinist and conductor) (in 1995-01), Ulrike Fischer (in 1995-01), Sebastian Griewisch (in 1995-01), Wolfgang von Kessinger (in 1995-01), Ulrike Kunze (in 1995-01), Christoph Mayer (classical violinist) (in 1995-01), Sherman Plessner (in 1995-01), Anton Steck (violinist and conductor) (in 1995-01) and Katharina Wolff (in 1995-01)
violone:
Jonathan Cable (in 1995-01)
tenor vocals:
Jörg Dürmüller (in 1995-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1995-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1995-01)
performer:
Almut Geldsetzer (in 1995-01) and Marie-Luise Geldsetzer (in 1995-01)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1995-01)
recording of:
Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Aria "Der Abgrund muss erzittern"
composer:
Johann David Heinichen
part of:
Oratorio todesco al sepolcro santo, S.20
Johann David Heinichen3:59
12Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Recitativo "So leidet selbst die Unschuld so viel Qualen"
executive producer:
Dr. Peter Czornyj
producer:
Wolfgang Mitlehner
bassoon:
Henriette Bakker (Classical Bassoonist) (in 1995-01) and Adrian Rovatkay (in 1995-01)
cello:
Detmar Leertouwer (Classical Cellist) (in 1995-01), Mark Mefsut (Classical cellist) (in 1995-01) and Markus Möllenbeck (in 1995-01)
harpsichord:
Christian Rieger (harpsichordist) (in 1995-01)
oboe:
Markus Deuter (German oboe player) (in 1995-01), Wolfgang Dey (Classical oboist) (in 1995-01), Monika Nielen (Classical oboist.) (in 1995-01), Michael Niesemann (classical/jazz wind multi-instrumentist) (in 1995-01) and Susanne Regel (Classical oboist) (in 1995-01)
organ:
Andreas Spering (harpsichordist, organist and conductor) (in 1995-01)
recorder:
Wolfgang Dey (Classical oboist) (in 1995-01) and Michael Niesemann (classical/jazz wind multi-instrumentist) (in 1995-01)
theorbo:
Michael Dücker (Theorbist, lutenist & Chitarrone player) (in 1995-01)
transverse flute:
Cordula Breuer (Flutist and recorder player) (in 1995-01), Marion Moonen (Dutch flautist) (in 1995-01), Martin Sandhoff (in 1995-01) and Jed Wentz (flautist/conductor) (in 1995-01)
viola:
Victoria Gunn (in 1995-01) and Fred Günther (in 1995-01)
violin:
Daniel Deuter (in 1995-01), Florian Deuter (violinist and conductor) (in 1995-01), Ulrike Fischer (in 1995-01), Sebastian Griewisch (in 1995-01), Wolfgang von Kessinger (in 1995-01), Ulrike Kunze (in 1995-01), Christoph Mayer (classical violinist) (in 1995-01), Sherman Plessner (in 1995-01), Anton Steck (violinist and conductor) (in 1995-01) and Katharina Wolff (in 1995-01)
violone:
Jonathan Cable (in 1995-01)
alto vocals:
Axel Köhler (in 1995-01)
soprano vocals:
Mechthild Georg (German mezzo-soprano) (in 1995-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1995-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1995-01)
performer:
Almut Geldsetzer (in 1995-01) and Marie-Luise Geldsetzer (in 1995-01)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1995-01)
recording of:
Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Recitativo "So leidet selbst die Unschuld so viel Qualen"
composer:
Johann David Heinichen
part of:
Oratorio todesco al sepolcro santo, S.20
Johann David Heinichen4:13
13Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Coro "Ich wünsche mir, Jesu, die einzig zum Ruhme"
executive producer:
Dr. Peter Czornyj
producer:
Wolfgang Mitlehner
bassoon:
Henriette Bakker (Classical Bassoonist) (in 1995-01) and Adrian Rovatkay (in 1995-01)
cello:
Detmar Leertouwer (Classical Cellist) (in 1995-01), Mark Mefsut (Classical cellist) (in 1995-01) and Markus Möllenbeck (in 1995-01)
harpsichord:
Christian Rieger (harpsichordist) (in 1995-01)
oboe:
Markus Deuter (German oboe player) (in 1995-01), Wolfgang Dey (Classical oboist) (in 1995-01), Monika Nielen (Classical oboist.) (in 1995-01), Michael Niesemann (classical/jazz wind multi-instrumentist) (in 1995-01) and Susanne Regel (Classical oboist) (in 1995-01)
organ:
Andreas Spering (harpsichordist, organist and conductor) (in 1995-01)
recorder:
Wolfgang Dey (Classical oboist) (in 1995-01) and Michael Niesemann (classical/jazz wind multi-instrumentist) (in 1995-01)
theorbo:
Michael Dücker (Theorbist, lutenist & Chitarrone player) (in 1995-01)
transverse flute:
Cordula Breuer (Flutist and recorder player) (in 1995-01), Marion Moonen (Dutch flautist) (in 1995-01), Martin Sandhoff (in 1995-01) and Jed Wentz (flautist/conductor) (in 1995-01)
viola:
Victoria Gunn (in 1995-01) and Fred Günther (in 1995-01)
violin:
Daniel Deuter (in 1995-01), Florian Deuter (violinist and conductor) (in 1995-01), Ulrike Fischer (in 1995-01), Sebastian Griewisch (in 1995-01), Wolfgang von Kessinger (in 1995-01), Ulrike Kunze (in 1995-01), Christoph Mayer (classical violinist) (in 1995-01), Sherman Plessner (in 1995-01), Anton Steck (violinist and conductor) (in 1995-01) and Katharina Wolff (in 1995-01)
violone:
Jonathan Cable (in 1995-01)
alto vocals:
Axel Köhler (in 1995-01)
bass vocals:
Raimund Nolte (classical viola player and bass-baritone vocalist) (in 1995-01)
soprano vocals:
Mechthild Georg (German mezzo-soprano) (in 1995-01)
tenor vocals:
Jörg Dürmüller (in 1995-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1995-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1995-01)
performer:
Almut Geldsetzer (in 1995-01) and Marie-Luise Geldsetzer (in 1995-01)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1995-01)
recording of:
Oratorio de la Passion Nicht das Band, das dich bestricket (Seibel 20; 1724) - Coro "Ich wünsche mir, Jesu, die einzig zum Ruhme"
composer:
Johann David Heinichen
part of:
Oratorio todesco al sepolcro santo, S.20
Johann David Heinichen5:06
14Warum toben die Heiden (Seibel 39; 1715)
executive producer:
Dr. Peter Czornyj
producer:
Arend Prohmann (producer / editor)
editor:
Ludger Böckenhoff and Reinhard Lagemann
bassoon:
Henriette Bakker (Classical Bassoonist) (in 1994-10) and Adrian Rovatkay (in 1994-10)
cello:
Detmar Leertouwer (Classical Cellist) (in 1994-10), Mark Mefsut (Classical cellist) (in 1994-10) and Markus Möllenbeck (in 1994-10)
harpsichord:
Christian Rieger (harpsichordist) (in 1994-10)
oboe:
Markus Deuter (German oboe player) (in 1994-10), Wolfgang Dey (Classical oboist) (in 1994-10), Monika Nielen (Classical oboist.) (in 1994-10), Michael Niesemann (classical/jazz wind multi-instrumentist) (in 1994-10) and Susanne Regel (Classical oboist) (in 1994-10)
organ:
Andreas Spering (harpsichordist, organist and conductor) (in 1994-10)
recorder:
Wolfgang Dey (Classical oboist) (in 1994-10) and Michael Niesemann (classical/jazz wind multi-instrumentist) (in 1994-10)
theorbo:
Michael Dücker (Theorbist, lutenist & Chitarrone player) (in 1994-10)
transverse flute:
Cordula Breuer (Flutist and recorder player) (in 1994-10), Marion Moonen (Dutch flautist) (in 1994-10), Martin Sandhoff (in 1994-10) and Jed Wentz (flautist/conductor) (in 1994-10)
viola:
Victoria Gunn (in 1994-10) and Fred Günther (in 1994-10)
violin:
Daniel Deuter (in 1994-10), Florian Deuter (violinist and conductor) (in 1994-10), Ulrike Fischer (in 1994-10), Sebastian Griewisch (in 1994-10), Wolfgang von Kessinger (in 1994-10), Ulrike Kunze (in 1994-10), Christoph Mayer (classical violinist) (in 1994-10), Sherman Plessner (in 1994-10), Anton Steck (violinist and conductor) (in 1994-10) and Katharina Wolff (in 1994-10)
violone:
Jonathan Cable (in 1994-10)
bass vocals:
Raimund Nolte (classical viola player and bass-baritone vocalist)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1994-10)
conductor:
Reinhard Goebel (violinist and conductor) (in 1994-10)
performer:
Almut Geldsetzer (in 1994-10) and Marie-Luise Geldsetzer (in 1994-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1994-10)
recording of:
Warum toben die Heiden S. 39
composer:
Johann David Heinichen (in 1715)
part of:
Gustav Adolph Seibel: Das Leben des Königl. polnischen und Kurfürstl. sächs. Hofkapellmeisters Johann David Heinichen (number: S. 39)
Johann David Heinichen14:28
15Pastorale en la majeur (Seibel 242)
executive producer:
Dr. Peter Czornyj
producer:
Wolfgang Mitlehner
editor:
Mark Buecker (engineer of classical recordings)
bassoon:
Henriette Bakker (Classical Bassoonist) (in 1995-01) and Adrian Rovatkay (in 1995-01)
cello:
Detmar Leertouwer (Classical Cellist) (in 1995-01), Mark Mefsut (Classical cellist) (in 1995-01) and Markus Möllenbeck (in 1995-01)
harpsichord:
Christian Rieger (harpsichordist) (in 1995-01)
oboe:
Markus Deuter (German oboe player) (in 1995-01), Wolfgang Dey (Classical oboist) (in 1995-01), Monika Nielen (Classical oboist.) (in 1995-01), Michael Niesemann (classical/jazz wind multi-instrumentist) (in 1995-01) and Susanne Regel (Classical oboist) (in 1995-01)
organ:
Andreas Spering (harpsichordist, organist and conductor) (in 1995-01)
recorder:
Wolfgang Dey (Classical oboist) (in 1995-01) and Michael Niesemann (classical/jazz wind multi-instrumentist) (in 1995-01)
theorbo:
Michael Dücker (Theorbist, lutenist & Chitarrone player) (in 1995-01)
transverse flute:
Cordula Breuer (Flutist and recorder player) (in 1995-01), Marion Moonen (Dutch flautist) (in 1995-01), Martin Sandhoff (in 1995-01) and Jed Wentz (flautist/conductor) (in 1995-01)
viola:
Victoria Gunn (in 1995-01) and Fred Günther (in 1995-01)
violin:
Daniel Deuter (in 1995-01), Florian Deuter (violinist and conductor) (in 1995-01), Ulrike Fischer (in 1995-01), Sebastian Griewisch (in 1995-01), Wolfgang von Kessinger (in 1995-01), Ulrike Kunze (in 1995-01), Christoph Mayer (classical violinist) (in 1995-01), Sherman Plessner (in 1995-01), Anton Steck (violinist and conductor) (in 1995-01) and Katharina Wolff (in 1995-01)
violone:
Jonathan Cable (in 1995-01)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1995-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1995-01)
performer:
Almut Geldsetzer (in 1995-01) and Marie-Luise Geldsetzer (in 1995-01)
balance engineer:
Andrew Wedman (producer and engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1996)
recorded at:
Melanchthonkirche in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1995-01)
recording of:
Pastorale per la notte di natale, SeiH 242
composer:
Johann David Heinichen
part of:
Gustav Adolph Seibel: Das Leben des Königl. polnischen und Kurfürstl. sächs. Hofkapellmeisters Johann David Heinichen (number: S. 242)
Johann David Heinichen6:20

Credits

Release

art direction:Lutz Bode (art director)
liner notes:Reinhard Goebel (violinist and conductor)
liner notes translator:Gabriele Cervone (liner notes)
Hélène Chen-Ménissier (Traduction linernotes)
Christian Hinzelin
Lionel Salter (British keyboardist, composer, musicologist)
Mary Whittall (liner notes)
illustration:Pieter van der Aa (Dutch publisher)
Martin Benigeroth
Johan Christian Claussen Dahl (Painter)
Antoine Pesne (18th century painter)
Discogs:https://www.discogs.com/release/1319460 [info]
ASIN:DE: B0000057F1 [info]
stream for free:https://open.spotify.com/album/3HhPKRBDlnF6rAUxLn87IJ [info]
discography entry:https://www.deutschegrammophon.com/cat/4470922 [info]
Allmusic:https://www.allmusic.com/album/release/mr0002729432 [info]