American Heartbeat: 1961

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Runaround Sue
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 24), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 343) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 375)
recording of:
Runaround Sue
Texter:
Dion (US singer-songerwriter, blends doo-wop, pop rock & R&B)
Komponist(in):
Ernie Maresca
publisher:
Bronx Soul Music, Mijac Music, Shinko Music Entertainment Co., Ltd. und Universal Music Publishing Group Japan (work publisher – do NOT use as a release label)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Dion32:40
2Hit the Road Jack
Produzent(in):
Sid Feller
alto saxophone [alto sax]:
Bennie "Hank" Crawford (am 1961-07-05)
baritone saxophone [baritone sax]:
Leroy "Hog" Cooper (saxophonist) (am 1961-07-05)
Bass:
Edgar Willis (bass) (am 1961-07-05)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1961-07-05)
Schlagzeug:
Edward "Bruno" Carr (am 1961-07-05)
Tenorsaxophon [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (am 1961-07-05)
Trompete:
Phillip Guilbeau (am 1961-07-05) und John Hunt (trumpeter) (am 1961-07-05)
Hintergrundgesang:
The Raelettes (am 1961-07-05)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1961-07-05) und Margie Hendrix (am 1961-07-05)
arranger:
Ray Charles (soul musician, singer and songwriter)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-07-05)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 6) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 248)
recording of:
Hit the Road Jack (am 1961-07-05)
Texter und Komponist(in):
Percy Mayfield
publisher:
Tangerine Music, Tangerine Music Corp. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Ray Charles4.452:00
3Big Bad John
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1961-08-18)
recording of:
Big Bad John (1961 song) (am 1961-08-18)
Texter und Komponist(in):
Jimmy Dean
Verfasser(in):
Roy Acuff
Jimmy Dean43:02
4You Don’t Know What You’ve Got (Until You Lose It)
recording of:
You Don’t Know What You’ve Got (Until You Lose It)
Verfasser(in):
George Burton (US songwriter) und Paul Hampton (US singer/songwriter composer and actor)
Ral Donner32:13
5Please Stay
recorded in:
New York, New York, Vereinigte Staaten (am 1961-02-01)
Gitarre:
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (am 1961-02-01)
Baritongesang:
Dock Green (am 1961-02-01)
Sologesang:
Rudy Lewis (am 1961-02-01)
Tenor-Gesang:
Charlie Thomas (The Drifters) (am 1961-02-01)
conductor:
Ray Ellis (US producer, arranger and conductor) (am 1961-02-01)
arranger:
Ray Ellis (US producer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recording of:
Please Stay (Don’t Go) (am 1961-02-01)
Texter:
Bob Hilliard
Komponist(in):
Burt Bacharach
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
The Drifters32:19
6Crying
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1961-06-26)
Produzent(in):
Fred Foster (am 1961-06-26)
Gitarre:
Boudleaux Bryant (am 1961-06-26), Harold Bradley (am 1961-06-26) und Scotty Moore (American guitarist and recording engineer) (am 1961-06-26)
Klavier:
Floyd Cramer (am 1961-06-26)
Kontrabass [bass]:
Bob Moore (U.S. bassist and bandleader) (am 1961-06-26)
Schlagzeug [drums]:
Buddy Harman (Session drummer and songwriter) (am 1961-06-26)
vocals:
Roy Orbison (am 1961-06-26)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) und Monument Record Corp. (not for release label use!) (in 1961)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 69) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 461)
recording of:
Crying (am 1961-06-26)
Texter:
Joe Melson (in 1961) und Roy Orbison (in 1961)
Komponist(in):
Joe Melson und Roy Orbison
publisher:
Acuff Rose Music Ltd. (UK), Acuff Rose Music, Inc. (not for publishing), Barbara Orbison Music Company, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Orbi-Lee Music, R-Key Darkus Music, Rondor Music, Rondor Music (Australia) P/L, Universal/MCA Music Publishing Pty Ltd und Acuff-Rose Publications, Inc. (BMI) (am 1961-08-16)
Teil von:
50/50
Roy Orbison4.652:48
7Walk on By
recording of:
Walk On By (Leroy Van Dyke song) (in 1961)
Texter und Komponist(in):
Kendall Hayes (country music songwriter)
publisher:
Lowery Music Co. Inc.
Leroy Van Dyke42:24
8The Mountain’s High
Dick & Dee Dee2:18
9(Marie’s the Name) His Latest Flame
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1961-06-25)
Gitarre:
Hank Garland (am 1961-06-25), Neal Matthews (am 1961-06-25) und Scotty Moore (American guitarist and recording engineer) (am 1961-06-25)
Klanghölzer / Claves:
Boots Randolph (am 1961-06-25)
Klavier:
Floyd Cramer (am 1961-06-25)
Orgel:
Floyd Cramer (am 1961-06-25) und Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1961-06-25)
Schlagzeug:
D.J. Fontana (am 1961-06-25) und Buddy Harman (Session drummer and songwriter) (am 1961-06-25)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1961-06-25)
vocals:
The Jordanaires (southern gospel group) (am 1961-06-25) und Millie Kirkham (am 1961-06-25)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1961), BMG Music (in 1961) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1961-06-25)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 31)
cover recording of:
(Marie’s the Name) His Latest Flame (am 1961-06-25)
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music und R&H Music
Elvis Presley2.252:07
10Pony Time
Gitarre:
Arto Lindsay
vocals:
Arto Lindsay
cover recording of:
Pony Time
Verfasser(in):
John Berry (US country singer-songwriter) und Don Covay
Chubby Checker42:30
11A Hundred Pounds of Clay
recording of:
Hundred Pounds of Clay
Verfasser(in):
Luther Dixon, Bob Elgin und Kay Rogers
publisher:
Pincus Gil Music Pty Ltd
übersetzte Version von:
Cien Kilos de Barro
Gene McDaniels2:23
12Mother-in-Law
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 13)
recording of:
Mother‐in‐Law
Texter und Komponist(in):
Allen Toussaint
publisher:
EMI Unart Catalog Inc. und J. Albert & Son Pty. Ltd.
Ernie K‐Doe2:31
13(I Don’t Know Why) But I Do
vocals:
Clarence “Frogman” Henry
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1961)
recording of:
But I Do
Verfasser(in):
Paul Gayton und Robert Guidry
publisher:
Arc Music (U.S. rock & blues publisher) und Chappell Music (UK)
Clarence “Frogman” Henry2:21
14Last Night
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1961-09)
Produzent(in):
Chips Moman und Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
Gitarre:
Steve Cropper (in 1961-09)
Orgel:
Booker T. Jones (in 1961-09)
Schlagzeug:
Terry Johnson (drums) (in 1961-09)
Tenorsaxophon:
Charles Axton (in 1961-09)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 28)
recording of:
Last Night (in 1961-09)
Verfasser(in):
Charles Axton, Chip Moman, Gilbert Caple, Jerald Smith und Floyd Newman
Komponist(in):
The Mar‐Keys
The Mar‐Keys42:37
15Please Mr. Postman
Produzent(in):
Robert Bateman (R&B singer/songwriter/record producer) und Brian Holland (Motown producer & songwriter)
Bass:
James Jamerson (in 1961-04)
Gitarre:
Eddie Willis (in 1961-04)
Händeklatschen:
Katherine Anderson (United States motown singer) (in 1961-04), Wyanetta “Juanita” Cowart (in 1961-04), Georgeanna Tillman (in 1961-04) und Wanda Young (aka Wanda Young, singer in The Marvelettes) (in 1961-04)
Instrumente:
The Funk Brothers (in 1961-04)
Klavier:
Richard ‘Popcorn’ Wylie (Pianist, singer, producer, band director and songwriter) (in 1961-04)
Perkussion:
Eddie “Bongo” Brown (in 1961-04)
Schlagzeug:
Benny Benjamin (US drummer) (in 1961-04) und Marvin Gaye (in 1961-04)
Hintergrundgesang:
Katherine Anderson (United States motown singer) (in 1961-04), Wyanetta “Juanita” Cowart (in 1961-04), Gladys Horton (in 1961-04), Georgeanna Tillman (in 1961-04) und Wanda Young (aka Wanda Young, singer in The Marvelettes) (in 1961-04)
Sologesang:
Gladys Horton (in 1961-04)
aufgenommen bei und mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1961-04)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 10), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 331) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 410)
recording of:
Please Mr. Postman (in 1961-04)
Verfasser(in):
Robert Bateman (R&B singer/songwriter/record producer) (in 1961), Georgia Dobbins (in 1961), William Garrett (in 1961), Freddie Gorman (in 1961) und Brian Holland (Motown producer & songwriter) (in 1961)
publisher:
Dominion Music, EMI Blackwood Music Inc., EMI United Partnership Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division und United Partnership Ltd.
The Marvelettes4.62:34
16Will You Love Me Tomorrow
kettle drum:
Carole King (in 1960)
Klavier:
Paul Griffin (American pianist, session musician) (in 1960)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (in 1960)
Sologesang:
Shirley Owens (in 1960)
vocals:
Doris Coley (in 1960), Addie Harris (in 1960) und Beverly Lee (singer for The Shirelles) (in 1960)
phonographisches Urheberrecht (℗) von:
HHO Licensing Ltd.
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 151)
recording of:
Will You Love Me Tomorrow (Carole King song) (in 1960)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Shirelles3.82:43
17Run to Him
recording of:
Run to Him
Texter:
Gerry Goffin
Komponist(in):
Jack Keller
Bobby Vee42:10
18Crazy
Produzent(in):
Owen Bradley
vocals:
Patsy Cline
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1961)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 85) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 195)
recording of:
Crazy (Willie Nelson song) (am 1961-08-21)
Texter und Komponist(in):
Willie Nelson
publisher:
Acuff-Rose Music Limited (UK), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tree Publishing
Patsy Cline4.152:46
19The Writing on the Wall
recording of:
The Writing on the Wall
Texter und Komponist(in):
Mark Barkan, Sandy Baron (American comedian and actor) und George Eddy
übersetzte Version von:
Man geht so leicht am Glück vorbei
Adam Wade2:31
20The Lion Sleeps Tonight
recording of:
The Lion Sleeps Tonight (in 1961)
Texter:
George David Weiss (in 1961)
Verfasser(in):
Luigi Creatore, Hugo Peretti und Albert Stanton (pseudonym for Al Brackman)
Komponist(in):
Solomon Linda
publisher:
Abilene Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Luigi Creatore Music (ASCAP) und Memory Lane Music Ltd.
basiert auf:
Mbube
basiert auf:
Wimoweh
Version von:
Wimoweh
Teil von:
The Lion King (stage musical)
Teil von:
The Lion King (2019 film soundtrack)
The Tokens52:42
21Calcutta
instrumental recording of:
Calcutta (1960 song with english lyrics)
Texter:
Hans Bradtke
Komponist(in):
Heino Gaze
Übersetzer:
Lee Pockriss und Paul Vance (US songwriter and producer)
übersetzte Version von:
Kalkutta liegt am Ganges (Calcutta)
Version von:
Tivoli-Melodie (later known as "Calcutta")
Lawrence Welk & His Orchestra2:15
22Wooden Heart
cover recording of:
Wooden Heart
Texter:
Ben Weisman und Fred Wise
Komponist(in):
Bert Kaempfert (Berthold Heinrich Kämpfert, German orchestra leader, producer and songwriter) und Kay Twomey
publisher:
Carlin Music Corporation, Chappell & Co., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gladys Music Inc., Manuskript (not for release label use! this is only for copyrights and publishing relationships), Sinless Music und Spirit Two Music Inc.
übersetzte Version von:
Muß i denn zum Städtele hinaus
Joe Dowell2:06
23Quarter to Three
recording of:
Quarter to Three
Verfasser(in):
Gene Barge, Gary “U.S.” Bonds, Frank Guida und Joseph Royster
arranger:
Bruce Springsteen und Narada Michael Walden
Gary “U.S.” Bonds2:36
24I Like It Like That (Part 1)
recording of:
I Like It Like That
Verfasser(in):
Chris Kenner und Allen Toussaint
publisher:
Tune-Kel Pub. Co. Inc.
Chris Kenner2:16
25On the Rebound
recording of:
On the Rebound (1961 instrumental)
Komponist(in):
Floyd Cramer
Floyd Cramer2:10
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Nennungen

Veröffentlichungsgruppe

Teil von:American Heartbeat (One Day Music) (Nummer: 1961) (Reihenfolge: 6)