The complete secular solo songs

~ Veröffentlichung von Henry Purcell; The King’s Consort, Barbara Bonney, Susan Gritton, James Bowman, Rogers Covey‐Crump, Charles Daniels, Michael George, Robert King (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1She Loves and She Confesses Too
Soprangesang:
Susan Gritton (soprano)
Interpret(in):
The King’s Consort
recording of:
Song, Z 413 "She Loves and she Confesses too"
Komponist(in):
Henry Purcell (Baroque composer) (in 1683)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 413)
Henry Purcell2:24
2Amintas, to My Grief I See
Tenor-Gesang:
Rogers Covey‐Crump (tenor)
Interpret(in):
The King’s Consort
recording of:
Amintas, to my grief I see, Z. 356
Komponist(in):
Henry Purcell (Baroque composer) (in 1679)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 356)
Henry Purcell1:35
3Corinna Is Divinely Fair
Soprangesang:
Barbara Bonney (soprano)
Interpret(in):
The King’s Consort
recording of:
Corinna is divinely fair, Z. 365
Komponist(in):
Henry Purcell (Baroque composer) (in 1692)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 365)
Henry Purcell1:47
4Amintor, Heedless of His Flocks
Tenor-Gesang:
Charles Daniels (tenor)
Interpret(in):
The King’s Consort
recording of:
Amintor, heedless of his flocks, Z. 357
Komponist(in):
Henry Purcell (Baroque composer) (in 1681)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 357)
Henry Purcell2:26
5He Himself Courts His Own Ruin
Countertenorgesang:
James Bowman (UK countertenor)
Interpret(in):
The King’s Consort
recording of:
He himself courts his own ruin, Z. 372
Komponist(in):
Henry Purcell (Baroque composer) (in 1684)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 372)
Henry Purcell1:12
6No, to What Purpose Should I Speak
Bass-Gesang:
Michael George (operatic bass)
Soprangesang:
Susan Gritton (soprano)
Interpret(in):
The King’s Consort
recording of:
No, to what purpose should I speak, Z. 468
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 468)
Henry Purcell4:25
7Sylvia, 'tis True You're Fair
Bass-Gesang:
Michael George (operatic bass)
Tenor-Gesang:
Charles Daniels (tenor)
Interpret(in):
The King’s Consort
recording of:
Sylvia, 'tis true you're fair, Z. 512
Komponist(in):
Henry Purcell (Baroque composer) (in 1686)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 512)
Henry Purcell1:42
8Lovely Albina's Come Ashore
Soprangesang:
Barbara Bonney (soprano)
Interpret(in):
The King’s Consort
recording of:
Lovely Albina's come ashore, Z. 394
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 394)
Henry Purcell2:28
9Spite of the Godhead Pow'rful Love
Tenor-Gesang:
Rogers Covey‐Crump (tenor)
Interpret(in):
The King’s Consort
recording of:
Spite of the godhead, pow'rful love, Z. 417
Komponist(in):
Henry Purcell (Baroque composer) (in 1687)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 417)
Henry Purcell1:01
10If Music Be the Food of Love
Soprangesang:
Barbara Bonney (soprano)
Interpret(in):
The King’s Consort
recording of:
If Music Be the Food of Love, Z. 379
Texter:
Col. Henry Heveningham
Komponist(in):
Henry Purcell (Baroque composer) (in 1692)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 379)
Henry Purcell3:51
11Phillis, I Can Ne'er Forgive It
Tenor-Gesang:
Charles Daniels (tenor)
Interpret(in):
The King’s Consort
recording of:
Phyllis, I can ne'er forgive it, Z. 408
Komponist(in):
Henry Purcell (Baroque composer) (in 1688)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 408)
Henry Purcell0:37
12Bacchus Is a Pow'r Divine
Bass-Gesang:
Michael George (operatic bass)
Interpret(in):
The King’s Consort
recording of:
Bacchus is a pow'r divine, Z. 360
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 360)
Henry Purcell3:04
13From Silent Shades
Soprangesang:
Susan Gritton (soprano)
Interpret(in):
The King’s Consort
recording of:
Mad Bess of Bedlam, Z. 370 "From Silent Shades and the Elysian Groves"
Komponist(in):
Henry Purcell (Baroque composer) (in 1683)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 370)
Henry Purcell4:18
14Let Formal Lovers Still Pursue
Countertenorgesang:
James Bowman (UK countertenor)
Interpret(in):
The King’s Consort
recording of:
Let formal lovers still pursue, Z. 391
Komponist(in):
Henry Purcell (Baroque composer) (in 1687)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 391)
Henry Purcell1:10
15I Came, I Saw, and Was Undone
Soprangesang:
Barbara Bonney (soprano)
Interpret(in):
The King’s Consort
recording of:
I came, I saw, and was undone, Z. 375
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 375)
Henry Purcell4:38
16Who Can Behold Florella's Charms
Tenor-Gesang:
Charles Daniels (tenor)
Interpret(in):
The King’s Consort
recording of:
Who can behold Florella's charms?, Z. 441
Komponist(in):
Henry Purcell (Baroque composer) (in 1695)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 441)
Henry Purcell2:09
17Cupid, the Slyest Rogue Alive
Tenor-Gesang:
Rogers Covey‐Crump (tenor)
Interpret(in):
The King’s Consort
recording of:
Cupid, the slyest rogue alive, Z. 367
Komponist(in):
Henry Purcell (Baroque composer) (in 1685)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 367)
Henry Purcell2:34
18If Pray'rs and Tears
Soprangesang:
Susan Gritton (soprano)
Interpret(in):
The King’s Consort
recording of:
If pray'rs and tears, Z. 380
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 380)
Henry Purcell7:44
19In Cloris All Soft Charms Agree
Tenor-Gesang:
Rogers Covey‐Crump (tenor)
Interpret(in):
The King’s Consort
recording of:
In Cloris all soft charms, Z. 384
Komponist(in):
Henry Purcell (Baroque composer) (in 1684)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 384)
Henry Purcell2:31
20Let Us, Kind Lesbia, Give Away
Bass-Gesang:
Michael George (operatic bass)
Soprangesang:
Barbara Bonney (soprano)
Interpret(in):
The King’s Consort
recording of:
Let us, kind Lesbia, give away, Z. 466
Komponist(in):
Henry Purcell (Baroque composer) (in 1684)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 466)
Henry Purcell1:26
21Love Is Now Become a Trade
Tenor-Gesang:
Charles Daniels (tenor)
Interpret(in):
The King’s Consort
recording of:
Love is now become a trade, Z. 393
Komponist(in):
Henry Purcell (Baroque composer) (in 1685)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 393)
Henry Purcell1:08
22Ask Me to Love No More
Countertenorgesang:
James Bowman (UK countertenor)
Interpret(in):
The King’s Consort
recording of:
Ask me to love no more, Z. 358
Komponist(in):
Henry Purcell (Baroque composer) (in 1694)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 358)
Henry Purcell1:38
23O Solitude, My Sweetest Choice
Soprangesang:
Susan Gritton (soprano)
Interpret(in):
The King’s Consort
recording of:
O Solitude, Z. 406
Texter:
Katherine Philips (17th century poet)
Komponist(in):
Henry Purcell (Baroque composer) (von 1684 bis 1685)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 406)
basiert auf:
O Solitude
Henry Purcell5:36
24Olinda in the Shades Unseen
Soprangesang:
Barbara Bonney (soprano)
Interpret(in):
The King’s Consort
recording of:
Olinda in the shades unseen, Z. 404
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 404)
Henry Purcell1:05
25Pious Celinda Goes to Prayers
Tenor-Gesang:
Rogers Covey‐Crump (tenor)
Interpret(in):
The King’s Consort
recording of:
Pious Celinda goes to pray'rs, Z. 410
Komponist(in):
Henry Purcell (Baroque composer) (in 1695)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 410)
Henry Purcell1:02
26When Strephon Found His Passion Vain
Bass-Gesang:
Michael George (operatic bass)
Soprangesang:
Barbara Bonney (soprano)
Interpret(in):
The King’s Consort
recording of:
When Strephon found his passion vain, Z. 435
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 435)
Henry Purcell1:11
27The Fatal Hour Comes On Apace
Soprangesang:
Susan Gritton (soprano)
Interpret(in):
The King’s Consort
recording of:
The fatal hour comes on apace, Z. 421
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 421)
Henry Purcell3:51
28Sawney Is a Bonny Lad
Tenor-Gesang:
Rogers Covey‐Crump (tenor)
Interpret(in):
The King’s Consort
recording of:
Sawney Is a Bonny Lad, Z. 412
Komponist(in):
Henry Purcell (Baroque composer) (in 1694)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 412)
Henry Purcell1:54
29Toung Thirsis' Fate
Bass-Gesang:
Michael George (operatic bass)
Soprangesang:
Susan Gritton (soprano)
Interpret(in):
The King’s Consort
recording of:
Young Thyrsis' fate, ye hills and groves, deplore, Z. 473
Verfasser(in):
Henry Purcell (Baroque composer)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 473)
Henry Purcell5:49

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