Classical 2012

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Vesperae solennes de confessore for soloists, chorus & orchestra, K. 339: Laudate Dominum
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1998-06)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo‐soprano) (in 1998-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1998-06)
conductor:
Myung-Whun Chung (pianist and conductor) (in 1998-06)
chorus master:
Roberto Gabbiani (chorus master) (in 1998-06)
recorded at:
Auditorium Conciliazione in Roma (Rome), Roma, Lazio, Italy (in 1998-06)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum (in 1998-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
Wolfgang Amadeus Mozart5:04
2Prelude for piano no. 6 in G minor, op. 23/5
piano:
Lang Lang (Chinese pianist) (in 2004-12)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2004-12)
recording of:
10 Preludes, op. 23: No. 5 in G minor: Alla marcia (in 2004-12)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1901)
part of:
10 Preludes, op. 23
Sergei Rachmaninoff4:27
3Carmen : « La fleur que tu m’avais jetée »
tenor vocals:
Andrea Bocelli (tenor)
orchestra:
Orchestre philharmonique de Radio France
conductor:
정명훈 (Myung-Whun Chung, pianist and conductor)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (in 2010)
composer:
Georges Bizet (French composer) (in 1875)
librettist:
Ludovic Halévy (French librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet3:44
4Orfeo, chamber cantata for soprano, strings & continuo, op. 2/4: “Nel chiuso centro”
soprano vocals:
Анна Нетребко (Anna Netrebko, soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Orfeo, P. 115: I. Recitativo “Nel chiuso centro”
composer:
Giovanni Battista Pergolesi (composer)
part of:
Orfeo, P. 115
Giovanni Battista Pergolesi2:05
5Suite española no. 1, for piano, op. 47, B. 7: Granada
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) (in 2010-10)
engineer:
Daniel Kemper (in 2010-10) and Rainer Maillard (in 2010-10)
executive producer:
Dr. Alexander Buhr
producer:
Sid McLauchlan (engineer/producer)
editor:
Michael Lewin (pianist)
guitar:
Miloš Karadaglić (classical guitarist) (in 2010-10)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 2010-10)
recording of:
Suite española no. 1, op. 47: I. Granada (Serenata) (catch-all for arrangements)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Suite española no. 1, op. 47: I. Granada (Serenata) (for solo piano)
Isaac Albéniz5:54
6Adriana Lecouvreur: “La dolcissima effigie”
tenor vocals [Maurizio]:
Jonas Kaufmann (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Adriana Lecouvreur: Atto I. “La dolcissima effigie” (Maurizio, Adriana)
composer:
Francesco Cilea (composer)
librettist:
Arturo Colautti
part of:
Adriana Lecouvreur: Atto I
Francesco Cilea2:29
7Symphony no. 5 in E minor, op. 64: 3. Valse. Allegro moderato
orchestra:
Orquesta Sinfónica Simón Bolívar (Simón Bolívar Symphony Orchestra) (in 2008-01)
conductor:
Gustavo Dudamel (conductor and violinist) (in 2008-01)
recorded at:
Sala Simón Bolivar (CASPM) in Caracas, Venezuela (in 2008-01)
live recording of:
Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato (in 2008-01)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
recording of:
Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Peter Ilich Tchaikovsky6:19
8Suor Angelica: “Senza mamma, o bimbo, tu sei morto”
soprano vocals:
Renée Fleming (soprano)
orchestra:
Orchestra Sinfonica di Milano Giuseppe Verdi (Symphony Orchestra of Milan Giuseppe Verdi)
conductor:
Marco Armiliato (conductor)
recording of:
Suor Angelica: “Senza mamma, o bimbo, tu sei morto!” (Suor Angelica)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A.
part of:
Suor Angelica
Giacomo Puccini4:31
9Symphony no. 8 in F major, op. 93: 2. Allegretto scherzando
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Riccardo Chailly (conductor)
recording of:
Symphony no. 8 in F major, op. 93: II. Allegretto scherzando
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven3:42
10Rigoletto: “La donna è mobile”
tenor vocals:
Rolando Villazón (tenor)
orchestra:
Prague Philharmonia
conductor:
Daniele Callegari (conductor)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2010)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:12
11Nocturne for piano in C‐sharp minor
piano:
Benjamin Grosvenor (pianist)
recording of:
Nocturne no. 20 in C‐sharp minor “Reminiscence”, op. posth. 1 no. 16, B. 49, KKIVa/16
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1830)
part of:
Chopin National Edition: WN Catalogue (number: WN 37), Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 49) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 127)
Fryderyk Chopin3:48
12Carmen : « Près des remparts de Séville »
mezzo-soprano vocals:
Elīna Garanča (Latvian operatic lyric mezzo-soprano)
tenor vocals:
Roberto Alagna (tenor)
orchestra:
Orchestra Sinfonica Nazionale della RAI (RAI National Symphony Orchestra, formed in 1994, merging the four former RAI orchestras of Turin, Rome, Naples, and Milan)
conductor:
Karel Mark Chichon (conductor)
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet4:40
13Dance of the Blessed Spirits (Melody), arrangement (from “Orfeo ed Euridice”)
producer:
Michel Glotz
flute:
Karlheinz Zöller (flutist) (from 1983-09-28 until 1983-09-30)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1983-09-28 until 1983-09-30)
conductor:
Herbert von Karajan (conductor) (from 1983-09-28 until 1983-09-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1983-09-28 until 1983-09-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1984)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1983-09-28 until 1983-09-30)
recording of:
Orfeo ed Euridice: Dance of the Blessed Spirits (Melodie) (catch-all for arrangements) (from 1983-09-28 until 1983-09-30)
composer:
Christoph Willibald Gluck (composer)
arrangement of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
Christoph Willibald Gluck6:47
14Les Pêcheurs de perles : « Je crois entendre encore »
recording engineer:
Ingmar Haas (engineer)
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer)
tenor vocals:
Joseph Calleja (tenor) (from 2005-05-16 until 2005-05-21)
orchestra:
Academy of St Martin in the Fields (from 2005-05-16 until 2005-05-21)
conductor:
Carlo Rizzi (conductor) (from 2005-05-16 until 2005-05-21)
balance engineer:
Philip Siney (sound engineer)
phonographic copyright (℗) by:
Gaumont (film company) (in 2021)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2005-05-16 until 2005-05-21)
recording of:
Les Pêcheurs de perles : Acte I. No. 4 Romance « Je crois entendre encore » (Nadir) (from 2005-05-16 until 2005-05-21)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet3:22
15Missa “Ecco si beata giorno”: Agnus Dei II
recording of:
Missa "Ecco sì beato giorno": Agnus Dei II
composer:
Alessandro Striggio (The Elder, c. 1536-1592)
part of:
Missa "Ecco sì beato giorno"
Alessandro Striggio3:48
16Piano Concerto no. 1 in D‐flat major, op. 10: 2. Andante assai
recording engineer:
Arthur Lilley (engineer), Philip Wade (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1974-01)
orchestra:
London Symphony Orchestra (in 1974-01)
conductor:
André Previn (pianist, conductor, composer, arranger) (in 1974-01)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1975) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1975)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-01)
recording of:
Piano Concerto no. 1 in D-flat major, op. 10: II. Andante assai (in 1974-01)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (from 1911 until 1912)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Piano Concerto no. 1 in D-flat major, op. 10
Sergey Rachmaninov4:39
17Core ’ngrato (Catari), for voice & orchestra
recording engineer:
James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1985-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1985-07)
conductor:
Giancarlo Chiaramello (in 1985-07)
arranger:
Giancarlo Chiaramello
phonographic copyright (℗) by:
Dala Luma
recorded at:
Chiesa di San Giorgio (Palazzo in Bologna) (in 1985-07)
recording of:
Core ’ngrato (Catarì, Catarì) (Original for voice & orchestra) (in 1985-07)
lyricist:
Riccardo Cordiferro (in 1911)
composer:
Salvatore Cardillo (Italian-American composer) (in 1911)
publisher:
Ed. G. Ricordi & Cia. SpA (Italian publisher)
Salvatore Cardillo4:55
18Clair de lune, for piano (Suite bergamasque no. 3), L. 75/3
piano:
Itamar Golan (pianist)
violin:
Janine Jansen (Dutch violinist and violist)
recording of:
Suite bergamasque : III. Clair de lune (catch-all for arrangements)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
arrangement of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Claude Debussy4:22
19Wiegenlied (“Guten Abend, gut Nacht”), song for voice & piano, op. 49/4
bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer)
orchestra:
London Symphony Orchestra
conductor:
Barry Wordsworth (conductor)
recording of:
5 Lieder, op. 49: Nr. 4. Wiegenlied (catch‐all for arrangements)
composer:
Johannes Brahms (German composer)
arrangement of:
5 Lieder, op. 49: Nr. 4. Wiegenlied “Guten Abend, gute Nacht” (original for voice and piano)
Johannes Brahms2:04
20Radetzky‐Marsch, for orchestra, op. 228
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Franz Welser‐Möst (conductor)
recording of:
Radetzky‐Marsch, op. 228 (Radetzky March, op. 228)
composer:
Johann Strauss (Johann Strauss I, Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848)
dedicated to:
Joseph Radetzky von Radetz
premiered at:
Wasserglacis in Wien (Vienna), Austria (on 1848-08-31)
part of:
Works of Johann Strauss Sr. by opus number (number: op. 228)
Johann Strauss I3:25
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