Early Music. La Musique Ancienne. De L`antiquite A La Renaissance

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD: La Musique De L'Antiquité (Music Of The Ancient World)
2CD: Le Chant Des Premiers Chrétiens (Chant Of The Early Christians)
3CD: 1000 Ans De Chant Grégorien (Gregorian Chant)
4CD: Trouvères & Troubadours (Minnesänger & Other Courtly Arts)
5CD: La Naissance De La Polyphonie (The Birth Of Polyphony)
6CD: Le Siècle De L'Ars Nova (A Revolution In The Late Middle Ages)
7CD: Ars Subtilior (Dawn Of The Renaissance)
8CD: Musique Sacrée De La Renaissance (Renaissance Sacred Music)
9CD: Chansons De La Renaissance (Songs Of The Renaissance)
Nr.TitelKünstlerBewertungLänge
1Faulte d'argent
Chorgesang:
Ensemble Clément Janequin (French early music ensemble)
recording of:
Faulte d'argent (in 1988-02)
Komponist(in):
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin Desprez2:08
2Une puce
Interpret(in):
Ensemble Clément Janequin (French early music ensemble)
Claude Lejeune3:22
3Autant en emporte le vent
Interpret(in):
Ensemble Clément Janequin (French early music ensemble)
Claude Lejeune1:31
4Nous sommes de l'ordre de Saint-Babouyn
Chorgesang:
Ensemble Clément Janequin (French early music ensemble) (in 1994-07)
vocals:
Ensemble Clément Janequin (French early music ensemble) (in 1994-07)
conductor:
Dominique Visse (countertenor) (in 1994-07)
recording of:
Nous sommes de l'ordre de saint Babouyn (in 1994-07)
Texter:
[anonymous] (special purpose artist)
Komponist(in):
Loyset Compère (Franco-Flemish composer of the Renaissance) (in 1500)
Loyset Compère3:50
5Le chant du rossignol
Techniker(in):
Claude Armand (in 1982-07)
Laute:
Claude Debôves
Baritongesang:
Philippe Cantor (bass‐baritone)
Bass-Gesang:
Antoine Sicot
Countertenorgesang:
Dominique Visse (countertenor)
Tenor-Gesang:
Michel Laplénie (tenor, and conductor of the baroque choral Ensemble Sagittarius)
Interpret(in):
Ensemble Clément Janequin (French early music ensemble) (in 1982-07)
aufgenommen bei:
Studio 106, Radio France in Paris, Île-de-France, Frankreich (in 1982-07)
recording of:
Le Rossignol: "En escoutant le chant mélodieulx "
Komponist(in):
Clément Janequin (French Renaissance composer, c. 1485-1558)
Clément Janequin1:59
6La Chasse
Techniker(in):
Jean-François Pontefract (engineer) (in 1987-08)
Interpret(in):
Ensemble Clément Janequin (French early music ensemble)
aufgenommen bei:
Église Saint-Martin d'Arles (Chapelle du Méjan) in Arles, Bouches-du-Rhône (Département Bouches-du-Rhône), Provence-Alpes-Côte-d'Azur, Frankreich (in 1987-08)
recording of:
La chasse: Gentilz veneurs (in 1987-08)
Komponist(in):
Clément Janequin (French Renaissance composer, c. 1485-1558)
Clément Janequin7:11
7Du beau tétin
Laute:
Claude Debôves
vocals:
Ensemble Clément Janequin (French early music ensemble)
conductor:
Dominique Visse (countertenor)
recording of:
Blaison du beau tétin
Komponist(in):
Clément Janequin (French Renaissance composer, c. 1485-1558)
Clément Janequin3:59
8Du laid tétin
Chorgesang:
Ensemble Clément Janequin (French early music ensemble) (in 1994-07)
vocals:
Ensemble Clément Janequin (French early music ensemble)
conductor:
Dominique Visse (countertenor) (in 1994-07)
recording of:
Du laid tétin (in 1994-07)
Texter:
Clément Marot (French renaissance poet, 1496-1544) (in 1534)
Komponist(in):
Jacobus Clemens non Papa (Franco‐Flemish Renaissance composer) (in 1556)
Clemens non Papa3:00
9Tant que vivray
Laute:
Claude Debôves (in 1985)
vocals:
Ensemble Clément Janequin (French early music ensemble)
conductor:
Dominique Visse (countertenor)
recording of:
Tant que vivray (in 1985)
publisher:
Pierre Attaingnant (French Renaissance music publisher, fl. 1514-1551) (in 1527)
Texter:
Clément Marot (French renaissance poet, 1496-1544)
Komponist(in):
Claudin de Sermisy (French Renaissance composer) (in 1527)
Claudin de Sermisy2:19
10Il est bel et bon
Laute:
Claude Debôves (in 1985)
vocals:
Ensemble Clément Janequin (French early music ensemble)
conductor:
Dominique Visse (countertenor)
recording of:
Il est bel et bon (arr. Dall'Aquila) (in 1985)
Komponist(in):
Pierre Passereau (French Renaissance composer, fl. 1509-1547)
arranger:
Marco Dall’Aquila
Pierre Passereau1:19
11La prise de Calais (Hardis Françoys)
vocals:
Ensemble Clément Janequin (French early music ensemble)
conductor:
Dominique Visse (countertenor)
Guillaume Costeley3:53
12La, la, la, je ne l'ose dire
Chorgesang:
Ensemble Clément Janequin (French early music ensemble) (in 1994-07)
vocals:
Ensemble Clément Janequin (French early music ensemble)
conductor:
Dominique Visse (countertenor) (in 1994-07)
recording of:
La, la, la, la je ne l'ose dire (in 1994-07)
Komponist(in):
Pierre Certon (French renaissance composer, c. 1515-1572)
Pierre Certon0:59
13Anchor che col partire, madrigal à 4 voix
Interpret(in):
The Hilliard Ensemble (British male vocal quartet)
Cipriano de Rore2:17
14Schiet's arbuscel, à 4 voix
Techniker(in) und Produzent(in):
Markus Heiland
vocals:
Huelgas Ensemble (Belgian early music ensemble) (in 2001-07)
conductor:
Paul Van Nevel (Belgian conductor & musicologist) (in 2001-07)
aufgenommen bei:
Église Saint-Médard de Domart-en-Ponthieu in Domart-en-Ponthieu, Somme, Hauts-de-France, Frankreich (in 2001-07)
recording of:
Schiet'arbuscel (in 2001-07)
Komponist(in):
Cipriano de Rore (Franco-Flemish Renaissance composer)
Cipriano de Rore4:07
15Dissimulare etiam sperasti, à 5, 6 et 7 voix sur un texte de Virgile
Techniker(in) und Produzent(in):
Markus Heiland
vocals:
Huelgas Ensemble (Belgian early music ensemble) (in 2001-07)
conductor:
Paul Van Nevel (Belgian conductor & musicologist) (in 2001-07)
aufgenommen bei:
Église Saint-Médard de Domart-en-Ponthieu in Domart-en-Ponthieu, Somme, Hauts-de-France, Frankreich (in 2001-07)
recording of:
Dissimulare etiam sperasti (in 2001-07)
Texter:
Publius Vergilius Maro (Virgil)
Komponist(in):
Cipriano de Rore (Franco-Flemish Renaissance composer)
Cipriano de Rore7:36
16Allala, pia Calia, morescha à 4 voix
Interpret(in):
Ensemble Clément Janequin (French early music ensemble)
recording of:
Allala la pia calia, S. x/104
Komponist(in):
Orlande de Lassus (Franco-Flemish Renaissance composer)
Teil von:
Orlando di Lasso: Sämtliche Werke (S.) (Nummer: S. x/104)
Roland de Lassus2:09
17Vezzosi augelli, madrigal à 4 voix (Livre I, 1585)
Chorgesang:
Concerto Vocale (Belgian baroque/early music ensemble)
conductor:
René Jacobs (conductor)
Luca Marenzio2:32
18Crudele acerba, madrigal à 5 voix (Livre IX, 1599)
Chorgesang:
Concerto Vocale (Belgian baroque/early music ensemble)
conductor:
René Jacobs (conductor)
Luca Marenzio3:20
19Mercè grido piangendo, madrigal à 5 voix (Ferrara, 1579)
Baritongesang:
Michel Laplénie (tenor, and conductor of the baroque choral Ensemble Sagittarius)
Countertenorgesang:
Gérard Lesne (countertenor)
Hochgesang:
Nathalie Stutzmann (contralto and conductor)
Soprangesang:
Monique Zanetti (French soprano)
Tenor-Gesang:
Jean-Paul Fouchécourt (tenor)
recording of:
Madrigals, Book 5: “Mercè grido piangendo, W. 5 No. 49”
Komponist(in):
Carlo Gesualdo (composer)
Teil von:
Madrigals, Book 5
Carlo Gesualdo4:16
20Constant Penelope, consort song
Soprangesang:
Emma Kirkby (soprano)
Interpret(in):
Fretwork (consort of viols)
William Byrd2:02
21The noble famous Queen, consort song
Soprangesang:
Emma Kirkby (soprano)
Interpret(in):
Fretwork (consort of viols)
William Byrd2:09
22Flow, my tears
Laute:
Robert Spencer (English lutenist, guitarist & musicologist) (in 1977-09)
Chorgesang:
Deller Consort (UK vocal & instrumental early music ensemble)
Countertenorgesang:
Alfred Deller (countertenor) (in 1977-09)
recording of:
The Second Booke of Songs or Ayres, No. 2: "Flow My Tears" (in 1977-09)
Komponist(in):
John Dowland (English Renaissance composer, lutenist, and singer) (in 1600)
Teil von:
The Second Booke of Songs or Ayres
John Dowland5:18
23Come away, come, sweet love
Laute:
Robert Spencer (English lutenist, guitarist & musicologist) (in 1977-09)
Countertenorgesang:
Alfred Deller (countertenor) (in 1977-09)
recording of:
The First Booke of Songs or Ayres, No. 11: "Come away, come, sweet love" (in 1977-09)
Komponist(in):
John Dowland (English Renaissance composer, lutenist, and singer) (in 1597)
Teil von:
The First Booke of Songs or Ayres
John Dowland2:28
10CD: L'Emergence De La Musique Instrumentale (The Rise Of Instrumental Music)

Nennungen