The Art of Nikolaus Harnoncourt

~ Release by Nikolaus Harnoncourt (see all versions of this release, 1 available)

Tracklist

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1Ein feste Burg ist unser Gott, BWV 80: No. 1, Chor. "Ein feste Burg ist unser Gott"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": I. Coro "Ein feste Burg ist unser Gott" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
is based on:
Ein feste Burg ist unser Gott
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach5:20
2Ein feste Burg ist unser Gott, BWV 80: No. 2, Aria. "Alles, was von Gott geboren"
treble vocals:
Wilhelm Wiedl (boy soprano) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": II. Aria (Bass) con Choral (Sopran) "Alles, was von Gott geboren" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:42
3Ein feste Burg ist unser Gott, BWV 80: No. 3, Rezitativ. "Erwäge doch, kind Gottes"
bass vocals:
Ruud van der Meer (operatic bass) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": III. Recitativo (Bass) "Erwäge doch, Kind Gottes" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach1:42
4Ein feste Burg ist unser Gott, BWV 80: No. 4, Aria. "Komm in mein Herzenhaus"
treble vocals:
Wilhelm Wiedl (boy soprano) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": IV. Aria (Sopran) "Komm in mein Herzenshaus" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:08
5Ein feste Burg ist unser Gott, BWV 80: No. 5, Chor. "Und wenn die Welt voll Teufel wär"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": V. Choral "Und wenn die Welt voll Teufel wär" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:18
6Ein feste Burg ist unser Gott, BWV 80: No. 6, Rezitativ. "So stehe denn"
tenor vocals:
Kurt Equiluz (tenor) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VI. Recitativo (Tenor) "So stehe dann bei Christi blutgefärbten Fahne" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach1:13
7Ein feste Burg ist unser Gott, BWV 80: No. 7, Duett. "Wie selig sind doch die"
alto vocals:
Paul Esswood (countertenor) (from 1977-03 until 1977-05)
tenor vocals:
Kurt Equiluz (tenor) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VII. Duetto (Alt, Tenor) "Wie selig sind doch die, die Gott im Munde tragen" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:43
8Ein feste Burg ist unser Gott, BWV 80: No. 8, Choral. "Das Wort sie sollen lassen stahn"
treble vocals:
Wilhelm Wiedl (boy soprano) (from 1977-03 until 1977-05)
vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral "Das Wort sie sollen lassen stahn" (from 1977-03 until 1977-05)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Breitkopf 389 Choralgesänge (number: 76)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach1:02
9Jesus schläft, was soll ich hoffen, BWV 81: No. 1, Aria. "Jesus schläft, was soll ich hoffen?"
alto vocals:
Paul Esswood (countertenor) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": I. Aria (Alt) "Jesus schläft, was soll ich hoffen?" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach4:21
10Jesus schläft, was soll ich hoffen, BWV 81: No. 2, Rezitativ. "Herr! Warum bleibest du so ferne?"
tenor vocals:
Kurt Equiluz (tenor) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": II. Recitativo (Tenor) "Herr, warum trittest du so ferne?" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach0:58
11Jesus schläft, was soll ich hoffen, BWV 81: No. 3, Aria. "Die schäumenden Wellen von Belials Bächen"
tenor vocals:
Kurt Equiluz (tenor) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": III. Aria (Tenor) "Die schäumenden Wellen von Belials Bächen" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach3:02
12Jesus schläft, was soll ich hoffen, BWV 81: No. 4, Arioso. "Ihr Kleingläubigen, warum seid ihr so furchtsam?"
bass vocals:
Ruud van der Meer (operatic bass) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": IV. Arioso (Bass) "Ihr Kleingläubigen, warum seid ihr so furchtsam?" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach1:04
13Jesus schläft, was soll ich hoffen, BWV 81: No. 5, Aria. "Schweig, aufgetürmtes Meer!"
bass vocals:
Philippe Huttenlocher (baritone) (in 1977-03) and Ruud van der Meer (operatic bass) (in 1977-03)
orchestra:
Concentus Musicus Wien (in 1977-03)
conductor:
Nikolaus Harnoncourt (conductor) (in 1977-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1977-03, from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": V. Aria (Bass) "Schweig, aufgetürmtes Meer!" (in 1977-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach5:18
14Jesus schläft, was soll ich hoffen, BWV 81: No. 6, Rezitativ. "Wohl mir, mein Jesus spricht ein Wort"
alto vocals:
Paul Esswood (countertenor) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": VI. Recitativo (Alt) "Wohl mir, mein Jesus spricht ein Wort" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach0:19
15Jesus schläft, was soll ich hoffen, BWV 81: No. 7, Choral. "Unter deinen Schirmen"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": VII. Choral "Unter deinen Schirmen" (from 1977-03 until 1977-05)
lyricist:
Johann Franck (German poet of the 17th century)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 197)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach1:06
16Ich habe genug, BWV 82: No. 1, Aria. "Ich habe genug"
bass vocals:
Philippe Huttenlocher (baritone) (from 1977-04-22 until 1977-04-23)
orchestra:
Concentus Musicus Wien (from 1977-04-22 until 1977-04-23)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-22 until 1977-04-23)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-04-22 until 1977-04-23)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (from 1977-04-22 until 1977-04-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach6:57
17Ich habe genug, BWV 82: No. 2, Rezitativ. "Ich habe genug"
bass vocals:
Philippe Huttenlocher (baritone) (from 1977-04-22 until 1977-04-23)
orchestra:
Concentus Musicus Wien (from 1977-04-22 until 1977-04-23)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-22 until 1977-04-23)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-04-22 until 1977-04-23)
recording of:
Kantate, BWV 82 "Ich habe genung": II. Recitativo (Bass) "Ich habe genung! Mein Trost ist nur allein" (from 1977-04-22 until 1977-04-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach0:57
18Ich habe genug, BWV 82: No. 3, Aria. "Schlummert ein, ihr matten Augen"
Johann Sebastian Bach1:44
19Ich habe genug, BWV 82: No. 4, Rezitativ. "Mein Gott! Wenn kömmt das schöne? Nun!"
bass vocals:
Philippe Huttenlocher (baritone) (from 1977-04-22 until 1977-04-23)
orchestra:
Concentus Musicus Wien (from 1977-04-22 until 1977-04-23)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-22 until 1977-04-23)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-04-22 until 1977-04-23)
recording of:
Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!" (from 1977-04-22 until 1977-04-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach0:42
20Ich habe genug, BWV 82: No. 5, Aria. "Ich freue mich auf meinen Tod"
bass vocals:
Philippe Huttenlocher (baritone) (from 1977-04-22 until 1977-04-23)
orchestra:
Concentus Musicus Wien (from 1977-04-22 until 1977-04-23)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-22 until 1977-04-23)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-04-22 until 1977-04-23)
recording of:
Kantate, BWV 82 "Ich habe genung": V. Aria (Bass) "Ich freue mich auf meinen Tod" (from 1977-04-22 until 1977-04-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach3:26
21Erfreute Zeit im neuen Bunde, BWV 83: No. 1, Aria. "Erfreute Zeit im neuen Bunde"
orchestra:
Concentus Musicus Wien (from 1967-03-02 until 1967-09-18)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967-03-02 until 1967-09-18)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1967-03-02 until 1967-09-18)
recording of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde": I. Aria (Alto) "Erfreute Zeit im neuen Bunde" (from 1967-03-02 until 1967-09-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde"
Johann Sebastian Bach7:45
22Erfreute Zeit im neuen Bunde, BWV 83: No. 2, Aria. "Herr, nun lässet du deinen Diener in Friede fahren"
bass vocals:
Max van Egmond (bass-baritone) (from 1967-03-02 until 1967-09-18)
orchestra:
Concentus Musicus Wien (from 1967-03-02 until 1967-09-18)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967-03-02 until 1967-09-18)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1967-03-02 until 1967-09-18)
recording of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde": II. Aria (Bass) "Herr, nun lässest du deinen Diener" (from 1967-03-02 until 1967-09-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde"
Johann Sebastian Bach4:04
23Erfreute Zeit im neuen Bunde, BWV 83: No. 3, Aria. "Eile, Herz, voll Freudigkeit"
tenor vocals:
Kurt Equiluz (tenor) (from 1967-03-02 until 1967-09-18)
orchestra:
Concentus Musicus Wien (from 1967-03-02 until 1967-09-18)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967-03-02 until 1967-09-18)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1967-03-02 until 1967-09-18)
recording of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde": III. Aria (Ten) "Eile, Herz, voll Freudigkeit" (from 1967-03-02 until 1967-09-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde"
Johann Sebastian Bach6:58
24Erfreute Zeit im neuen Bunde, BWV 83: No. 4, Rezitativ. "Ja, merkt dein Glaube noch viel Finsternis"
orchestra:
Concentus Musicus Wien (from 1967-03-02 until 1967-09-18)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967-03-02 until 1967-09-18)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1967-03-02 until 1967-09-18)
recording of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde": IV. Recitativo (Alto) "Ja, merkt dein Glaube noch viel Finsternis" (from 1967-03-02 until 1967-09-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde"
Johann Sebastian Bach0:44
25Erfreute Zeit im neuen Bunde, BWV 83: No. 5, Choral. "Er ist das Heil und selig Licht"
choir vocals:
Chorus Viennensis (from 1967-03-02 until 1967-09-18), Tölzer Knabenchor (Tölz Boys’ Choir) (from 1967-03-02 until 1967-09-18) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1967-03-02 until 1967-09-18)
orchestra:
Concentus Musicus Wien (from 1967-03-02 until 1967-09-18)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967-03-02 until 1967-09-18)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1967-03-02 until 1967-09-18)
recording of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde": V. Choral (Coro) "Er ist das heil und selig Licht" (from 1967-03-02 until 1967-09-18)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 250)
part of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde"
Johann Sebastian Bach0:51
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