Interstellar: Original Motion Picture Soundtrack: Expanded Edition

~ Release by Hans Zimmer (see all versions of this release, 18 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1Dreaming of the Crash
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Dreaming of the Crash (Interstellar)
composer:
Hans Zimmer (German score composer)
part of:
Interstellar
3.53:56
2Cornfield Chase
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Cornfield Chase (Interstellar)
composer:
Alex Gibson (musician/editor), Ryan Rubin and Hans Zimmer (German score composer)
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar (Live in Prague)
part of:
Interstellar
42:07
3Dust
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Dust (Interstellar)
composer:
Hans Zimmer (German score composer)
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar
45:41
4Day One
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Day One (Interstellar)
composer:
Alex Gibson (musician/editor), Ryan Rubin and Hans Zimmer (German score composer)
publisher:
Paramount Allegra Music, Paramount Bella Music, Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Warner Olive Music LLC and Warner–Barham Music LLC
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar (Live in Prague)
part of:
Interstellar
4.653:19
5Stay
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Stay (Interstellar)
composer:
Alex Gibson (musician/editor), Ryan Rubin and Hans Zimmer (German score composer)
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar
4.56:52
6Message From Home
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Message From Home (Interstellar)
composer:
Hans Zimmer (German score composer)
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar
3.51:41
7The Wormhole
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
The Wormhole (Interstellar)
composer:
Hans Zimmer (German score composer)
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar
3.51:31
8Mountains
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Mountains (Interstellar)
composer:
Hans Zimmer (German score composer)
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar
43:39
9Afraid of Time
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Afraid of Time (Interstellar)
composer:
Hans Zimmer (German score composer)
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar
3.52:33
10A Place Among the Stars
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
A Place Among the Stars (Interstellar)
composer:
Hans Zimmer (German score composer)
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar
33:27
11Running Out
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Running Out (Interstellar)
composer:
Hans Zimmer (German score composer)
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar
3.51:57
12I’m Going Home
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
I’m Going Home (Interstellar)
composer:
Hans Zimmer (German score composer)
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar
35:49
13Coward
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Coward (Interstellar)
composer:
Hans Zimmer (German score composer)
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar
48:27
14Detach
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Detach (Interstellar)
composer:
Hans Zimmer (German score composer)
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar
3.56:42
15S.T.A.Y.
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
S.T.A.Y. (Interstellar)
composer:
Alex Gibson (musician/editor), Ryan Rubin and Hans Zimmer (German score composer)
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar (Live in Prague)
part of:
Interstellar
4.56:24
16Where We’re Going
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Where We’re Going (Interstellar)
composer:
Hans Zimmer (German score composer)
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar
47:41
17First Step
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
First Step (Interstellar)
composer:
Hans Zimmer (German score composer)
part of:
Interstellar
31:48
18Flying Drone
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Flying Drone (Interstellar)
composer:
Hans Zimmer (German score composer)
part of:
Interstellar
21:53
19Atmospheric Entry
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Atmospheric Entry (Interstellar)
composer:
Hans Zimmer (German score composer)
part of:
Interstellar
21:41
20No Need to Come Back
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
No Need to Come Back (Interstellar)
composer:
Hans Zimmer (German score composer)
part of:
Interstellar
24:33
21Imperfect Lock
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Imperfect Lock (Interstellar)
composer:
Hans Zimmer (German score composer)
part of:
Interstellar
26:55
22No Time for Caution
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
No Time for Caution (Interstellar)
composer:
Alex Gibson (musician/editor), Ryan Rubin and Hans Zimmer (German score composer)
part of:
Interstellar (Live in Prague)
part of:
Interstellar
34:06
23What Happens Now?
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
piano:
Hans Zimmer (German score composer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
chorus master:
Terry Edwards (British choir director) and Ben Parry (British conductor)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
What Happens Now? (Interstellar)
composer:
Alex Gibson (musician/editor), Ryan Rubin and Hans Zimmer (German score composer)
publisher:
Paramount Bella Music and Warner–Barham Music LLC
part of:
Interstellar
22:26
24Who’s They?
recording of:
Who’s They? (Interstellar)
composer:
Hans Zimmer (German score composer)
part of:
Interstellar
27:17
25Murph
recording of:
Murph (Interstellar)
composer:
Hans Zimmer (German score composer)
part of:
Interstellar
211:21
26Organ Variation
recording of:
Organ Variation (Interstellar)
composer:
Hans Zimmer (German score composer)
part of:
Interstellar
34:52
27Tick‐Tock
recording of:
Tick-Tock (Interstellar)
composer:
Hans Zimmer (German score composer)
part of:
Interstellar
38:19
28Day One (original demo)
demo recording of:
Day One (Interstellar)
composer:
Alex Gibson (musician/editor), Ryan Rubin and Hans Zimmer (German score composer)
publisher:
Paramount Allegra Music, Paramount Bella Music, Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Warner Olive Music LLC and Warner–Barham Music LLC
premiered at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
part of:
Interstellar (Live in Prague)
part of:
Interstellar
23:49
29Day One Dark
26:57
30Do Not Go Gentle Into That Good Night
recording engineer:
Laurence Anslow (UK engineer AIR Studios), Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Geoff Foster (sound engineer), Alan Meyerson and John Prestage (engineer)
additional engineer:
Daniel Kresco, Seth Waldmann and Christian Wenger
assistant engineer:
Leland Cox (engineer) and Jacqueline Friedberg (engineer)
engineer:
Chuck Choi, Dan Cole (engineer), Matt Kingdon (engineer), Stephanie McNally (engineer) and Mark Wherry
producer:
Alex Gibson (musician/editor), Christopher Nolan and Hans Zimmer (German score composer)
assistant mixer:
John Witt Chapman (engineer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor)
spoken vocals:
Casey Affleck, Ellen Burstyn, Jessica Chastain, Mackenzie Foy, John Lithgow and Matthew McConaughey (actor and producer)
conductor:
Gavin Greenaway and Richard Harvey (UK multi‐instrumentalist and composer)
additional orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
orchestrator:
Elizabeth Finch, Walt Fowler, Kevin Kaska, Andrew Kinney, Suzette Moriarty and Carl Rydlund
recorded at:
Lyndhurst Studio (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Temple Church in London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Do Not Go Gentle Into That Good Night (Interstellar)
lyricist:
Dylan Thomas (the poet)
composer:
Hans Zimmer (German score composer)
arrangement of:
Do Not Go Gentle Into That Good Night
part of:
Interstellar
21:39