Amadeus: Special Edition: The Director’s Cut

~ Release by Wolfgang Amadeus Mozart; Academy of St Martin in the Fields, Sir Neville Marriner (see all versions of this release, 12 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Zaïde: Aria “Ruhe sanft”
soprano vocals:
Felicity Lott (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Zaide, K. 336b/344 (fragment): Akt I. No. 3 Arie "Ruhe sanft, mein holdes Leben" (Zaide)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Johann Andreas Schachtner (Librettist)
part of:
Zaide, K. 336b/344: Akt I
Wolfgang Amadeus Mozart6:27
2Caro mio ben
soprano vocals:
Michele Esposito (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Caro mio ben
lyricist:
[anonymous] (special purpose artist)
previously attributed to:
Giuseppe Giordani and Tommaso Giordani
publisher:
G. Schirmer Inc.
Giuseppe Giordani2:40
3Piano Concerto in E-flat, K. 482: 3rd Movement
grand piano:
Ivan Moravec (pianist) (in 1984)
orchestra:
Academy of St Martin in the Fields (in 1984)
conductor:
Sir Neville Marriner (conductor) (in 1984)
recording of:
Concerto for Piano no. 22 in E-flat major, K. 482: III. Allegro (in 1984)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785-12)
part of:
Concerto for Piano no. 22 in E-flat major, K. 482
Wolfgang Amadeus Mozart11:13
4Le nozze di Figaro (The Marriage of Figaro), K. 492: Act III. “Ecco la marcia”
vocals:
Felicity Lott (soprano), Samuel Ramey (bass-baritone), Richard Stilwell (baritone) and Willard White (bass-baritone)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scenas XII-XIV. (no. 23) Finale “Ecco la marcia, Andiamo” (Barbarina, Coro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:34
5Le nozze di Figaro (The Marriage of Figaro), K. 492: Act IV. “Ah tutti contenti”
vocals:
Anne Howells (operatic mezzo-soprano), Robin Leggate (operatic tenor), Felicity Lott (soprano), Alexander Oliver (tenor), Patricia Payne (mezzo-soprano, alto), Samuel Ramey (bass-baritone), Deborah Rees, Richard Stilwell (baritone), John Tomlinson (English operatic bass) and Willard White (bass-baritone)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Le nozze di Figaro, KV 492: Atto IV. “Ah tutti contenti” (Tutti)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart2:38
6Bubak and Hungaricus (Early 18th Century Gypsy Music)
arranger:
Jaromir Komarek
recording of:
Bubak and Hungaricus (Early 18th Century Gypsy Music)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
[anonymous]1:19
7Axur: Finale
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recording of:
Axur re d'Ormus: Finale
composer:
Antonio Salieri (Italian composer)
librettist:
Lorenzo Da Ponte
part of:
Axur re d'Ormus
Antonio Salieri1:16
8Don Giovanni, K. 527: Act II. Commendatore Scene
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
vocals:
Richard Stilwell (baritone), John Tomlinson (English operatic bass) and Willard White (bass-baritone)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recording of:
Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart7:02
9Piano Concerto in D minor, K. 466: 1st Movement
grand piano:
Christian Zacharias (pianist and conductor)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Concerto for Piano no. 20 in D minor, K. 466: I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Concerto for Piano no. 20 in D minor, K. 466
Wolfgang Amadeus Mozart12:21
10Die Zauberflöte (The Magic Flute), K. 620: Overture
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
Wolfgang Amadeus Mozart6:54
11Die Zauberflöte (The Magic Flute), K. 620: No. 14. Aria “Der Hölle Rache kocht” (Queen of the Night)
soprano vocals:
Louisa Kennedy
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:00
12Requiem, K. 626: Introitus (“Eternal rest give to them, O Lord”)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
recording of:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (Süßmayr Edition; choir and soprano solo)
orchestrator:
Franz Jakob Freystädtler, Wolfgang Amadeus Mozart (classical composer) and Franz Xaver Süßmayr
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
is based on:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (original version)
part of:
Requiem in D minor, K. 626 (Süßmayr edition)
recording of:
Requiem in D minor, K. 626: II. Kyrie eleison (Süßmayr Edition; choir)
orchestrator:
Franz Jakob Freystädtler, Wolfgang Amadeus Mozart (classical composer) and Franz Xaver Süßmayr
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Süßmayr edition)
revision of:
Requiem in D minor, K. 626: II. Kyrie (original version, fragment)
Wolfgang Amadeus Mozart1:02
13Requiem, K. 626: Dies irae (“Day of wrath”)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
recording of:
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (Süßmayr Edition; choir)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart1:57
14Requiem, K. 626: Rex tremendae majestatis (“Awe-inspiring King”)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
recording of:
Requiem in D minor, K. 626: III. Sequenz: c. Rex tremendae majestatis (Süßmayr Edition; choir)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart2:06
15Requiem, K. 626: Confutatis (“When those cursed enter flames”)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
recording of:
Requiem in D minor, K. 626: III. Sequenz: e. Confutatis maledictis (Süßmayr Edition; choir)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer) and Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart2:23
16Requiem, K. 626: Lacrimosa (“Mournful day”)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer) and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart3:53
17Piano Concerto in D minor, K. 466: 2nd Movement (Romanza)
grand piano:
Imogen Cooper (pianist)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Concerto for Piano no. 20 in D minor, K. 466: II. Romanze
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Concerto for Piano no. 20 in D minor, K. 466
Wolfgang Amadeus Mozart9:54