More Than a Feeling: The Greatest Rock Anthems of All Time

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

On at least one edition of the CD release, the track Runaway Train is misattributed to Roseanne Cash in both liner notes and on the back cover tracklisting. However the audio is the Soul Asylum track as noted on other editions.

Annotation last modified on 2025-09-10 21:41 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1More Than a Feeling
producer:
John Boylan and Tom Scholz
acoustic guitar, bass and electric guitar:
Tom Scholz (from 1975-10 until 1976-04)
drums (drum set):
Sib Hashian (from 1975-10 until 1976-04)
vocals:
Brad Delp (from 1975-10 until 1976-04)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 2002)
recording of:
More Than a Feeling (from 1975-10 until 1976-04)
lyricist and composer:
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) and Pure Songs (in 1976)
Boston4.83:25
2Hold the Line
recording engineer:
Dana Latham, Gabe Veltri and Tom Knox
assistant engineer:
Dana Latham (task: assistant) and Gabe Veltri (task: assistant)
engineer and mixer:
Tom Knox
producer:
Bruce Dickinson (engineer and producer) and Toto (US rock group)
bass:
David Hungate and Michael Porcaro
bass guitar:
David Hungate (in 1978-08)
drums (drum set):
Jeffrey Porcaro (in 1978-08)
electric guitar:
Steve Lukather (guitarist, vocalist, composer, producer and arranger) (in 1978-08)
guitar:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
keyboard:
David Paich (in 1978-08) and Steve Porcaro (in 1978-08)
percussion:
Jeffrey Porcaro and Lenny Castro (in 1978-08)
piano:
David Paich (in 1978-08)
background vocals:
Bobby Kimball (in 1978-08), Steve Lukather (guitarist, vocalist, composer, producer and arranger) (in 1978-08) and David Paich (in 1978-08)
lead vocals:
Jean-Michel Byron and Bobby Kimball (in 1978-08)
vocals:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) and Steve Porcaro
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977, in 1978), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978), CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
recorded at:
Studio 55 in Los Angeles, California, United States (in 1978-08)
part of:
BILLIONS CLUB
recording of:
Hold the Line (in 1978-08)
lyricist and composer:
David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. and Spirit Two Music
sub-publisher:
Sony/ATV Music Publishing (UK) Ltd. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.23:58
3Two Out of Three Ain’t Bad
engineer, producer and mixer:
Todd Rundgren
bass guitar:
Kasim Sultan
drums (drum set):
John Wilcox
guitar:
Todd Rundgren
piano:
Roy Bittan
synthesizer:
Roger Powell (US musician, programmer, and columnist, band "Utopia")
background vocals:
Rory Dodd and Todd Rundgren
lead vocals:
Meat Loaf
strings arranger:
Kenny Ascher
arranger:
Todd Rundgren and Jim Steinman
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Two Out of Three Ain’t Bad
lyricist and composer:
Jim Steinman
publisher:
Carlin Music Corporation and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Meat Loaf45:25
4She’s Not There
producer:
Tom Coster, David Rubinson & Friends, Inc. and Carlos Santana
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
cover recording of:
She’s Not There
lyricist and composer:
Rod Argent
publisher:
Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA and Parker Music
sub-publisher:
Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Santana2.53:21
5Holding Out for a Hero
programming:
Phil Shenale
associate producer:
Arthur Pyson, Neil Dorfsman and John Jansen (US recording engineer and producer)
producer:
Jim Steinman
bass trombone:
Dave Taylor (US jazz bass trombonist)
drum machine [Linn Drums]:
Sterling Smith and Art Wood (US session drummer/percussionist)
electronic drum set [Simmons Drums]:
Art Wood (US session drummer/percussionist)
guitar:
Hiram Bullock
piano:
Sterling Smith
synthesizer:
Phil Shenale and Sterling Smith
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
trombone:
Jim Pugh (US trombonist) and Tom Malone (US trombonist)
trumpet:
Alan Rubin and Lew Soloff
background vocals:
Rory Dodd, Eric Thayer and Holly Sherwood
brass [horn] arranger:
Tom Malone (US trombonist)
additional vocals arranger:
Ellen Foley
vocals arranger:
Rory Dodd, Eric Thayer and Holly Sherwood
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), SONY Music (Sony Music, global brand, excluding JP, owned by Sony Music Entertainment) (in 1984), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2008)
recording of:
Holding Out for a Hero
lyricist:
Dean Pitchford
composer:
Jim Steinman
publisher:
BMG Music Publishing Ltd., Ensign Music Corp., Famous Chappell, Famous Chappell Ltd. (UK-based music publishing company.), Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Harmony UK, Sony/ATV Melody and Sony/ATV Music Publishing LLC (1995–2020)
is based on:
Stark Raving Love
Bonnie Tyler4.355:51
6Rock and Roll Dreams Come Through
engineer:
John Jansen (US recording engineer and producer) and Shelly Yakus
producer:
Jimmy Iovine and Jim Steinman
mixer:
John Jansen (US recording engineer and producer)
acoustic guitar:
Davey Johnstone
bass:
Steve Buslowe
drums (drum set):
Max Weinberg
electric guitar:
Todd Rundgren
percussion:
Jimmy Maelen (percussion)
piano:
Roy Bittan
tenor saxophone:
Lou Marini
trombone:
Tom Malone (drummer)
trumpet:
Al Rubin
background vocals:
Rory Dodd, Todd Rundgren, Kasim Sulton and Eric Troyer
guest lead vocals and guest vocals:
Rory Dodd
horn arranger:
Tom “Bones” Malone (US trombonist)
strings arranger:
Steve Margoshes
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recorded at:
Power Station at BerkleeNYC (fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recording of:
Rock and Roll Dreams Come Through
lyricist and composer:
Jim Steinman
publisher:
Careers‐BMG Music Publishing, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (, from 1993 to ????), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music Corporation of America (US publisher for MCA Records, affiliated to ASCAP), Neverland Music and Lost Boys Music (BMI affiliated) (from 1993 to present)
Jim Steinman6:29
7Hold On Tight
engineer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Jeff Lynne
bass:
Kelly Groucutt (in 1981)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (in 1981)
electric piano:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1981)
guitar, piano and synthesizer:
Jeff Lynne (in 1981) and Richard Tandy (keyboardist for Electric Light Orchestra) (in 1981)
lead vocals:
Jeff Lynne (in 1981)
conductor:
Rainer Pietsch (musician, songwriter and arranger) (in 1981)
phonographic copyright (℗) by:
Jet Records (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 2005), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1981)
recorded at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (in 1981)
recording of:
Hold On Tight (in 1981)
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Ltd., Jet Music Ltd. (British branch), Polygon Publishing Ltd., EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Electric Light Orchestra4.153:08
8Show Me Heaven
phonographic copyright (℗) by:
MCA (1967–2003; name as in imprint during 1972–1990) (in 1990) and The David Geffen Company (legal rights relating to Geffen Records) (in 1990)
recording of:
Show Me Heaven
writer:
Eric Rackin (Production music composer), Maria McKee and Jay Rifkin
publisher:
BMG Music Publishing (Malaysia) Sdn. Bhd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
Maria McKee33:45
9Take It on the Run
assistant engineer:
Tom Cummings (engineer) and Jeff Eccles
engineer:
Kevin Beamish
co-producer:
Alan Gratzer (drummer)
producer:
Kevin Beamish, Kevin Cronin (guitarist, singer and songwriter) and Gary Richrath (guitarist and songwriter)
acoustic guitar and lead vocals:
Kevin Cronin (guitarist, singer and songwriter)
bass:
Bruce Hall (US bassist for REO Speedwagon)
drums (drum set):
Alan Gratzer (drummer)
guitar:
Gary Richrath (guitarist and songwriter)
synthesizer:
Neal Doughty (keyboards)
arranger:
Kevin Cronin (guitarist, singer and songwriter)
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1980)
recording of:
Take It on the Run (on 1980-09-18)
lyricist and composer:
Gary Richrath (guitarist and songwriter)
publisher:
HoriPro Entertainment Group, Slam Dunk Music (work publisher) and 大洋音楽 (Taiyō Music)
REO Speedwagon3.754:01
10All Out of Love
executive producer:
Clive Davis (record producer, A&R executive and music industry chief executive)
producer:
Robie Porter
assistant mixer:
Linda Corbin
mixer:
Jim Hilton
bass guitar:
Criston Barker
drums (drum set):
Ralph Cooper (drummer)
guitar [lead guitar]:
David Moyse
guitar [rhythm guitar]:
Graham Russell (Air Supply)
keyboard:
Frank Esler‐Smith and Sam McNally
background vocals:
Criston Barker, Tommy Dassalo (percussionist and backing vocalist for Air Supply), Russell Hitchcock, Marcy Levy, David Moyse and Graham Russell (Air Supply)
lead vocals:
Russell Hitchcock
vocals:
Graham Russell (Air Supply)
arranger:
Air Supply and Robie Porter
orchestrator:
Frank Esler‐Smith and Robie Porter
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1980), Arista Records, LLC (holding company - file NO releases here!) (in 1980), Big Time Phonograph Recording Co. (in 1980), Big Time Phonograph Recording Co. Pty Ltd. (in 1980) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980)
recorded at:
Paradise Studios (Sydney) in Sydney, New South Wales, Australia and Studios 301 (Byron Bay) in Byron Bay (Byron Bay, New South Wales), New South Wales, Australia
mixed at:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California, United States
part of:
The Downloader’s Music Source Book (number: 290)
recording of:
All Out of Love
writer:
Clive Davis (record producer, A&R executive and music industry chief executive) and Graham Russell (Air Supply)
publisher:
Arista Music, Inc., BMG Music Publishing Ltd., BRM Publishing, Careers–BMG Music Publishing, Inc., DJDMP, Inc., Nottsongs, Riva Music Ltd., Universal Music Careers, Universal Music Publishing MGB Ltd., Warner Chappell Music (publisher as Warner/Chappell Music) and Warner/Chappell Music Ltd. (1996–2019)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Air Supply4.454:03
11I Drove All Night
lead vocals:
Cyndi Lauper
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
recording of:
I Drove All Night
writer:
Tom Kelly (songwriter) and Billy Steinberg
publisher:
Billy Steinberg Music, Denise Barry Music, Sony/ATV Music Publishing Ltd. and Warner Chappell Music Ltd.
Cyndi Lauper4.54:14
12Hold On
additional recording engineer:
Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat and Rail Jon Rogut
recording engineer and mixer:
Francis Buckley
assistant engineer:
Dan Bosworth (engineer), Ric Butz, Darryl Dean Dobson, Graig Johnson and Bill Malina
producer:
Glen Ballard
additional guitar:
Joe Walsh (Eagles/James Gang)
bass:
Jimmy Johnson (US session bassist)
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
Michael Landau
keyboard:
Glen Ballard and Randy Kerber
percussion:
Paulinho da Costa (Brazilian percussionist)
percussion arranger:
Glen Ballard
vocals arranger:
Glen Ballard and Wilson Phillips
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 312)
recording of:
Hold On
writer:
Glen Ballard, Chynna Phillips and Carnie Wilson
publisher:
Get Out Songs, Smooshie Music, Aerostation Corporation (in 1990), EMI Blackwood Music Inc. (in 1990), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (in 1990, in 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1990, in 2003), Wilphill Music (in 1990) and Universal Music Corp. (USA, affiliated with ASCAP) (in 2003)
Wilson Phillips4.54:25
13Broken Wings
engineer:
Paul DeVilliers and Lois Oki
producer:
Paul DeVilliers and Mr. Mister (American pop rock band)
mixer:
Mick Guzauski and Mike Shipley (audio engineer, mixer, producer)
bass guitar and lead vocals:
Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
drums (drum set):
Pat Mastelotto
guitar:
Steve Farris (US session guitarist, member of Mr. Mister)
keyboard:
Steve George (US keyboardist for Mr. Mister & Pages)
vocals:
Steve George (US keyboardist for Mr. Mister & Pages)
phonographic copyright (℗) by:
BMG Entertainment International (in 1985), BMG Music (in 1985), BMG Music International (in 1985) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985)
recording of:
Broken Wings
writer:
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
publisher:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister45:34
14Babe
phonographic copyright (℗) by:
A&M Records, Inc. (in 1979) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979)
recording of:
Babe
lyricist and composer:
Dennis DeYoung
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), MDW (publisher) and Stygian Songs (publishing company for the rock band Styx) (in 1979)
Styx33:51
15How Can I Refuse
engineer:
Brian Foraker, Keith Olsen (US producer and engineer) and Dennis Sager (engineer)
producer:
Keith Olsen (US producer and engineer)
bass guitar:
Mark Andes
drums (drum set):
Denny Carmassi
electric guitar [lead and rhythm guitar]:
Howard Leese
electric guitar [lead guitar]:
Nancy Wilson (guitarist/singer of “Heart”)
synthesizer:
David Paich
background vocals:
Mark Andes, Howard Leese, Ann Wilson (lead singer of Heart) and Nancy Wilson (guitarist/singer of “Heart”)
lead vocals:
Ann Wilson (lead singer of Heart)
arranger:
Keith Olsen (US producer and engineer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983)
produced for:
Pogologo Corporation
recording of:
How Can I Refuse
writer:
Mark Andes, Denny Carmassi, Sue Ennis, Howard Leese, Ann Wilson (lead singer of Heart) and Nancy Wilson (guitarist/singer of “Heart”)
publisher:
Songs of Universal, Inc. (BMI), Know Music (from 1983 to present), Primal Energy Music (from 1983 to present), Sheer Music (US work publisher) (from 1983 to present), Sounds Like Music (from 1983 to present) and Strange Euphoria Music (from 1983 to present)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Heart53:53
16Jesse’s Girl
producer:
Keith Olsen (US producer and engineer)
arranger:
Neil Geraldo (multi-instrumentalist, songwriter, producer), Keith Olsen (US producer and engineer) and Rick Springfield
phonographic copyright (℗) by:
BMG Entertainment (in 1981), BMG Music (in 1981), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1981), RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 2001) and Wizard Records (in 1981)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 20) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 55)
recording of:
Jessie’s Girl
lyricist and composer:
Rick Springfield
publisher:
BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Muscleman Music, PolyGram Music Publishing Ltd., Portal Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. and Wizard Music
Rick Springfield4.43:14
17Baby I Love Your Way (live)
producer:
Peter Frampton
bass guitar:
Stanley Sheldon (bass player)
drums (drum set) [drums]:
John Siomos
grand piano, organ and Rhodes piano:
Bob Mayo (US session keyboardist & guitarist)
guitar:
Peter Frampton and Bob Mayo (US session keyboardist & guitarist)
talkbox:
Peter Frampton
vocals:
Peter Frampton, Bob Mayo (US session keyboardist & guitarist) and Stanley Sheldon (bass player)
arranger:
Peter Frampton
phonographic copyright (℗) by:
A&M Records (in 1975) and A&M Records, Inc. (in 1975)
live recording of:
Baby, I Love Your Way
lyricist and composer:
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
Peter Frampton3.654:43
18Nothing’s Gonna Stop Us Now
performer:
Starship (continuation of Jefferson Starship) (in 1987)
phonographic copyright (℗) by:
BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987)
recording of:
Nothing’s Gonna Stop Us Now (in 1987)
writer:
Albert Hammond and Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) and Windswept Pacific Music Ltd. (publishing company)
part of:
The 60th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1987 nominee)
cover recording of:
Nothing’s Gonna Stop Us Now
writer:
Albert Hammond and Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) and Windswept Pacific Music Ltd. (publishing company)
part of:
The 60th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1987 nominee)
Starship3.754:26
2▶CD