Opera Weekend: Famous Arias

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Il barbiere di Siviglia: Largo al factotum
Baritongesang [Figaro]:
Ettore Bastianini (baritone)
Orchester:
Orchestra del Maggio Musicale Fiorentino
conductor:
Alberto Erede (conductor)
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Cesare Sterbini
Teil von:
Il barbiere di Siviglia: Atto I
Ettore Bastianini4:57
2L'elisir d'amore: Una furtiva lagruma
Tenor-Gesang und Tenor-Gesang [Nemorino]:
Giuseppe Di Stefano (tenor) (in 1955)
Orchester:
Orchestra del Maggio Musicale Fiorentino (in 1955)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1955)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) (in 1955)
Komponist(in):
Gaetano Donizetti (Italian opera composer) (in 1832)
Librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
Teil von:
L’elisir d’amore: Atto II
Giuseppe di Stefano4:50
3Orfeo ed Euridice: Che faro senza Euridice
Mezzosoprangesang [Orfeo]:
Teresa Berganza (mezzo-soprano)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Alexander Gibson (conductor)
recording of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
Komponist(in):
Christoph Willibald Gluck (composer)
Librettist:
Ranieri de’ Calzabigi
Teil von:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
Teresa Berganza3:52
4Rigoletto: Gualtier Malde...Caro nome
Techniker(in):
Kenneth Wilkinson (engineer) (in 1960-08)
Produzent(in):
James Walker (ballet/opera conductor, classical recordings producer for Decca)
Chorgesang:
Chorus of the Royal Opera House, Covent Garden (in 1960-08)
Soprangesang:
Joan Sutherland (soprano) (in 1960-08)
Orchester:
Orchestra of the Royal Opera House, Covent Garden (in 1960-08)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1960-08)
recording of:
Rigoletto: Atto I, scena 2. "È là..." - "Miratela" (Gilda, Borsa, Ceprano, Marullo, Coro) (in 1960-08)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (bis 1851-03-11)
Librettist:
Francesco Maria Piave (bis 1851-03-11)
Teil von:
Rigoletto: Atto I
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo) (in 1960-08)
Texter und Librettist:
Francesco Maria Piave
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
Rigoletto: Atto I
Joan Sutherland6:14
5Aida: Se quel guerrier io fossi!...Celeste Aida
Tenor-Gesang [Radamès]:
Carlo Bergonzi (tenor) (in 1957)
vocals:
Carlo Bergonzi (tenor)
Orchester:
Orchestra dell’Accademia di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1957)
conductor:
Gianandrea Gavazzeni (conductor) (in 1957)
Interpret(in):
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (in 1957)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1871)
Librettist:
Antonio Ghislanzoni (in 1870)
Teil von:
Aida: Atto I
Carlo Bergonzi5:00
6Il trovatore: Stride la vampa
Mezzosoprangesang [Azucena]:
Giulietta Simionato (mezzo-soprano)
Orchester:
Orchestre du Grand Théâtre de Genève (OSR)
conductor:
Alberto Erede (conductor)
recording of:
Il trovatore: Atto II, scena 1. “Stride la vampa!” (Azucena)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto II. La gitana
Giulietta Simionato2:52
7Il trovatore: Di quella pira
Chorgesang:
Coro del Maggio Musicale Fiorentino (in 1956-07)
Soprangesang [Leonora]:
Renata Tebaldi (soprano) (in 1956-07)
Tenor-Gesang [Manrico]:
Mario Del Monaco (tenor) (in 1956-07)
Tenor-Gesang [Ruiz]:
Athos Cesarini (tenor) (in 1956-07)
Orchester:
L'Orchestre du Grand Theatre de Geneve (OSR) (in 1956-07)
conductor:
Alberto Erede (conductor) (in 1956-07)
aufgenommen bei:
Victoria Hall (Geneva) in Genève (Genf), Genève (Kanton Genf), Schweiz (in 1956-07)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (in 1956-07)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1853)
Librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
Teil von:
Il trovatore: Atto III. Il figlio della zingara
Mario del Monaco3:33
8Carmen: L'amour est un oiseau rebelle
Chorgesang:
Wiener Opernchor (Chor der Wiener Staatsoper) (am 1967-10-13)
Mezzosoprangesang [Carmen]:
Marilyn Horne (American operatic mezzo-soprano) (am 1967-10-13)
Orchester:
Wiener Opernorchester (Vienna State Opera Orchestra) (am 1967-10-13)
conductor:
Henry Lewis (conductor) (am 1967-10-13)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (am 1967-10-13)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (am 1967-10-13)
Komponist(in):
Georges Bizet (French composer)
Librettist:
Ludovic Halévy (French librettist) und Henri Meilhac
basiert auf:
El arreglito
Teil von:
Carmen : Acte I
Marilyn Horne4:13
9Carmen: Votre toast
Baritongesang [Escamillo]:
Tom Krause (bass-baritone)
Chorgesang:
Chœur du Grand Théâtre de Genève
Orchester:
Orchestre de la Suisse Romande (OSR)
conductor:
Thomas Schippers (conductor and composer)
recording of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
Komponist(in):
Georges Bizet (French composer)
Librettist:
Ludovic Halévy (French librettist) und Henri Meilhac
Teil von:
Carmen : Acte II
Tom Krause4:58
10Samson et Delila: Mon coeur s'ouvre a ta voix
Mezzosoprangesang und Mezzosoprangesang [Dalila]:
Regina Resnik (soprano, mezzo-soprano, alto)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Edward Downes (conductor)
recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila)
Komponist(in):
Camille Saint‐Saëns (composer)
Teil von:
Samson et Dalila : Acte II
Regina Resnik5:37
11Die Meistersinger von Nurnberg: Morgenlich leuchtend
Tenor-Gesang [Walther]:
James King (tenor)
Orchester:
Vienna Opera Orchestra (Vienna State Opera Orchestra)
conductor:
Dietfried Bernet (Austrian Conductor)
recording of:
Excerpt from Die Meistersinger von Nürnberg, WWV 96: Akt III, Scene V. "Morgenlich leuchtend" (Preislied)
Komponist(in):
Richard Wagner (composer)
Teil von:
Die Meistersinger von Nürnberg, WWV 96: Akt III, Scene V. "Sankt Krispin, lobet ihn!"
James King4:23
12Gianni Schicchi: O mio babbino caro
Soprangesang [Lauretta]:
Renata Tebaldi (soprano) (in 1962-07)
Orchester:
Orchestra del Maggio Musicale Fiorentino (in 1962-07)
conductor:
Lamberto Gardelli (conductor) (in 1962-07)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1962)
aufgenommen bei:
Teatro Della Pergola in Firenze (Florence), Firenze, Toscana (Tuscany), Italien (in 1962-07)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (in 1962-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. und G. Ricordi & Co. (London) Ltd. (UK division)
Teil von:
Gianni Schicchi
Renata Tebaldi2:11
13Fedora: Amor ti vieta
Tenor-Gesang:
Jussi Björling (tenor) (in 1959)
Orchester:
Orchestra del Maggio Musicale Fiorentino (in 1959)
conductor:
Alberto Erede (conductor) (in 1959)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recording of:
Fedora: Atto II. “Amor ti vieta” (Loris, Borov, Fedora, Olga) (in 1959)
Komponist(in):
Umberto Giordano (Italian opera composer) (in 1898)
Librettist:
Arturo Colautti
Teil von:
Fedora: Atto II
Jussi Björling1:57
14Turandot: Signore, ascolta!
Soprangesang [Liù]:
Maria Chiara (soprano)
Orchester:
Orchestra of the Vienna Volksoper
conductor:
Nello Santi (conductor)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto I (Turandot: Act I)
Maria Chiara2:35
15Torandot: Tu che di gel sei cinta
Soprangesang und Soprangesang [Liù]:
Felicia Weathers (soprano)
Orchester:
Wiener Opernorchester (Vienna State Opera Orchestra) und Wiener Opernorchester (see annotation before use)
conductor:
Argeo Quadri (conductor)
recording of:
Turandot: Atto III, scena 1. “Tu, che di gel sei cinta” (Liù, La folla)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto III (Turandot: Act III)
Felicia Weathers2:53
16Pagliacci: Vesti la giubba
Tenor-Gesang [Canio]:
Mario Del Monaco (tenor) (in 1959-07)
Orchester:
Orchestra of the Academy of St Cecilia, Rome (Orchestra of the National Academy of Santa Cecilia) (in 1959-07)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959-07)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
aufgenommen bei:
Accademia nazionale di Santa Cecilia in Roma (Rom), Roma, Lazio, Italien (in 1959-07)
recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio) (in 1959-07)
Komponist(in) und Librettist:
Ruggero Leoncavallo (composer) (in 1892)
Teil von:
For the First Time (1959 film)
Teil von:
Pagliacci: Atto I (Pagliacci: Act I)
Mario del Monaco3:36