WFIL 56: Much More Music

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

112" Vinyl
#TitleArtistRatingLength
A1Monday Monday
engineer:
Bones Howe
producer:
Lou Adler
performer:
The Mamas & the Papas (American folk rock vocal group) (on 1965-12-16)
phonographic copyright (℗) by:
Dunhill Records (in 1966)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1965-12-16)
recording of:
Monday, Monday (on 1965-12-16)
lyricist and composer:
John Phillips (The Mamas & The Papas)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Trousdale Music and Universal/MCA Music Ltd. (not for release label use!)
Mama’s and Papa’s4.1?:??
A2Crimson and Clover
recording of:
Crimson and Clover
writer:
Tommy James (American musician, singer, songwriter and record producer) and Pete Lucia Jr.
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), Planetary Nom (publisher) and Big Seven Music Corp. (in 1987)
Tommy James?:??
A3Welcome Me Love
Brooklyn Bridge?:??
A4ElenoreTurtles5?:??
A5Incense and Peppermints
producer:
Frank Slay
recording of:
Incense and Peppermints
additional writer:
Ed King (US guitarist, bassist & songwriter) and Mark Weitz (keyboardist)
writer:
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer) and Tim Gilbert
publisher:
MCA Music Ltd.
Strawberry Alarm Clock4.5?:??
A6Little Bit of Soul
producer:
Jerry Kasenetz and Jeff Katz (music producer)
recording of:
Little Bit o’ Soul
lyricist and composer:
Carter-Lewis (British songwriter duo)
writer:
John Carter (songwriter & producer, b. 1942) (in 1964) and Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men) (in 1964)
Music Explosion3?:??
A7You Were on My Mind
recorded in:
San Francisco, California, United States (in 1965-04)
producer:
Frank Werber
bass:
Peter Fullerton (in 1965-04)
drums (drum set):
Jerry Granelli (in 1965-04)
guitar:
Jerry Burgan (in 1965-04), Bob Jones (singer, drummer and arranger & US guitarist for We Five) (in 1965-04) and Michael Stewart (US producer/guitarist from California, 1945–2002) (in 1965-04)
background vocals:
Jerry Burgan (in 1965-04), Peter Fullerton (in 1965-04), Bob Jones (singer, drummer and arranger & US guitarist for We Five) (in 1965-04) and Michael Stewart (US producer/guitarist from California, 1945–2002) (in 1965-04)
lead vocals:
Beverly Bivens (in 1965-04)
cover recording of:
You Were on My Mind (in 1965-04)
lyricist and composer:
Sylvia Tyson
recording of:
You Were on My Mind
lyricist and composer:
Sylvia Tyson
We Five2?:??
A8Angel of the Morning
phonographic copyright (℗) by:
Arista Records (not an imprint, use “Arista” for release labels) (in 1968)
cover recording of:
Angel of the Morning (in 1968-01)
lyricist and composer:
Chip Taylor (US singer/songwriter)
publisher:
April Music, EMI Blackwood, EMI Songs Ltd. and Unichappell Music
Merrilee Rush5?:??
A9Patches
Dickey Lee?:??
A10Harper Valley P.T.A.
producer:
Shelby Singleton
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 78)
recording of:
Harper Valley PTA (on 1968-07-26)
lyricist and composer:
Tom T. Hall
publisher:
Unichappell Music, Inc.
Jeannie C. Riley3.75?:??
B1Lightnin’ StrikesLou Christie?:??
B2You’re My Soul & InspirationRighteous Brothers?:??
B3Our Day Will Come
recording of:
Our Day Will Come
lyricist:
Bob Hilliard
composer:
Mort Garson (Canadian-born composer, arranger, songwriter, and pioneer of electronic music)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Francis, Day & Hunter (publisher), Leeds Music Corp., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Ruby & the Romantics?:??
B4Stay in My Corner
edit of:
Stay in My Corner (1968, Cadet) by The Dells
recording of:
Stay in My Corner (in 1967)
writer:
Wade Flemons, Bobby Miller (US songwriter & record producer) and Barrett Strong
publisher:
Conrad Music (publisher; do NOT use as release label)
Dells?:??
B5La‐La Means I Love You
phonographic copyright (℗) by:
Arista Records (not an imprint, use “Arista” for release labels) (in 1971)
recording of:
La La (Means I Love You) (in 1968)
writer:
Thom Bell (keyboards, songwriter, producer) and William Hart (of The Delfonics)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Delfonics4.5?:??
B6At the Top of the Stairs
Formations?:??
B7It’s Gonna Take a MiracleRoyalettes?:??
B8Think About Tomorrow
Ethics?:??
B9Foolish Little Girl
part of:
Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 19)
recording of:
Foolish Little Girl (in 1963)
writer:
Howard Greenfield and Helen Miller (US songwriter)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Shirelles?:??
B10Color Him Father
engineer:
Rodney Mills
producer:
Don Carroll (50’s–60’s songwriter)
alto saxophone:
Ray Maritano
bass guitar:
Sonny Peckrol
drums (drum set):
G. C. Coleman
guitar [lead guitar]:
Quincy Mattison
organ:
Phil Tolotta
tenor saxophone:
Richard Spencer (US musician & teacher)
lead vocals:
Richard Spencer (US musician & teacher) and Phil Tolotta
vocals:
Ray Maritano, Quincy Mattison and Sonny Peckrol
conductor:
Emory Gordy Jr.
arranger:
Emory Gordy Jr.
recorded at:
Le Fevre Sound Studios in Atlanta, Georgia, United States
recording of:
Color Him Father
lyricist and composer:
Richard Spencer (US musician & teacher)
Winstons?:??