Demons and Wizards (Expanded Version)

~ Release by Uriah Heep (see all versions of this release, 29 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1The Wizard (2017 Remastered)
recording engineer:
Peter Gallen (from 1972-03 until 1972-04)
assistant engineer:
Ashley Howe
engineer:
Peter Gallen
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-03 until 1972-04)
electric bass guitar:
Gary Thain (from 1972-03 until 1972-04)
guitar:
Mick Box (from 1972-03 until 1972-04)
organ:
Ken Hensley (from 1972-03 until 1972-04)
vocals:
David Byron (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972), Castle Copyrights Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-03 until 1972-04)
recording of:
The Wizard (from 1972-03 until 1972-04)
writer:
Mark Clarke (Rock, UK) and Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3.653:02
2Traveller in Time (2017 Remastered)
recording engineer:
Peter Gallen (from 1972-03 until 1972-04)
assistant engineer:
Ashley Howe
engineer:
Peter Gallen
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-03 until 1972-04)
electric bass guitar:
Gary Thain (from 1972-03 until 1972-04)
guitar:
Mick Box (from 1972-03 until 1972-04)
organ:
Ken Hensley (from 1972-03 until 1972-04)
vocals:
David Byron (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972), Castle Copyrights Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-03 until 1972-04)
recording of:
Traveller in Time (from 1972-03 until 1972-04)
composer:
Mick Box, David Byron and Lee Kerslake
publisher:
Bron Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
33:26
3Easy Livin' (2017 Remastered)
recording engineer:
Peter Gallen (from 1972-03 until 1972-04)
assistant engineer:
Ashley Howe
engineer:
Peter Gallen
producer:
Gerry Bron
mixer:
Rafe McKenna
drums (drum set):
Lee Kerslake (from 1972-03 until 1972-04)
electric bass guitar:
Gary Thain (from 1972-03 until 1972-04)
guitar:
Mick Box (from 1972-03 until 1972-04)
organ:
Ken Hensley (from 1972-03 until 1972-04)
vocals:
David Byron (from 1972-03 until 1972-04)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze (in 1972), Bronze Records Ltd. (in 1972), Castle Copyrights Ltd. (in 1972), Legacy Records Ltd. (in 1972), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-03 until 1972-04) and Astoria Theatre (London) in Westminster, London (Greater London), England, United Kingdom (on 2003-11-08)
produced at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
Easy Livin’ (from 1972-03 until 1972-04)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd., S. Bron Music Co. Ltd., Sidney Bron Music (also spelled “Sydney”) and Umble Tunes Ltd.
4.252:36
4Poet's Justice (2017 Remastered)
recording engineer:
Peter Gallen (from 1972-03 until 1972-04)
assistant engineer:
Ashley Howe
engineer:
Peter Gallen
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-03 until 1972-04)
electric bass guitar:
Gary Thain (from 1972-03 until 1972-04)
guitar:
Mick Box (from 1972-03 until 1972-04)
organ:
Ken Hensley (from 1972-03 until 1972-04)
vocals:
David Byron (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-03 until 1972-04)
recording of:
Poet's Justice (from 1972-03 until 1972-04)
composer:
Mick Box, Ken Hensley and Lee Kerslake
publisher:
Bron Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
2.54:16
5Circle of Hands (2017 Remastered)
recording engineer:
Peter Gallen (from 1972-03 until 1972-04)
assistant engineer:
Ashley Howe
engineer:
Peter Gallen
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-03 until 1972-04)
electric bass guitar:
Gary Thain (from 1972-03 until 1972-04)
guitar:
Mick Box (from 1972-03 until 1972-04)
organ:
Ken Hensley (from 1972-03 until 1972-04)
vocals:
David Byron (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-03 until 1972-04)
recording of:
Circle of Hands (from 1972-03 until 1972-04)
composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3.56:27
6Rainbow Demon (2017 Remastered)
recording engineer:
Peter Gallen (from 1972-03 until 1972-04)
assistant engineer:
Ashley Howe
engineer:
Peter Gallen
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-03 until 1972-04)
electric bass guitar:
Gary Thain (from 1972-03 until 1972-04)
guitar:
Mick Box (from 1972-03 until 1972-04)
organ:
Ken Hensley (from 1972-03 until 1972-04)
vocals:
David Byron (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972), Castle Copyrights Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-03 until 1972-04)
recording of:
Rainbow Demon (from 1972-03 until 1972-04)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3.54:29
7All My Life (2017 Remastered)
recording of:
All My Life
writer:
Mick Box, David Byron and Lee Kerslake
publisher:
Bron Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
2:49
8Paradise (2017 Remastered)
recording engineer:
Peter Gallen (from 1972-03 until 1972-04)
assistant engineer:
Ashley Howe
engineer:
Peter Gallen
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-03 until 1972-04)
electric bass guitar:
Gary Thain (from 1972-03 until 1972-04)
guitar:
Mick Box (from 1972-03 until 1972-04)
organ:
Ken Hensley (from 1972-03 until 1972-04)
vocals:
David Byron (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-03 until 1972-04)
recording of:
Paradise (from 1972-03 until 1972-04)
composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
5:09
9The Spell (2017 Remastered)
assistant engineer:
Ashley Howe
engineer:
Peter Gallen
producer:
Gerry Bron
drums (drum set):
Lee Kerslake (from 1972-03 until 1972-04)
electric bass guitar:
Gary Thain (from 1972-03 until 1972-04)
guitar:
Mick Box (from 1972-03 until 1972-04)
organ:
Ken Hensley (from 1972-03 until 1972-04)
vocals:
David Byron (from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1972) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1972-03 until 1972-04)
recording of:
The Spell (from 1972-03 until 1972-04)
composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
7:32
10Easy Livin' (alternative version)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1971 until 1972)
recording of:
Easy Livin’ (from 1971 until 1972)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd., S. Bron Music Co. Ltd., Sidney Bron Music (also spelled “Sydney”) and Umble Tunes Ltd.
42:39
11Rainbow Demon (alternative version)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1971 until 1972)
recording of:
Rainbow Demon (from 1971 until 1972)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
6:14
12Traveller in Time (alternative version)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1971 until 1972)
recording of:
Traveller in Time (from 1971 until 1972)
composer:
Mick Box, David Byron and Lee Kerslake
publisher:
Bron Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3:49
13Paradise (alternative version)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1971 until 1972)
recording of:
Paradise (from 1971 until 1972)
composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
5:26
14The Spell (alternative version)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1971 until 1972)
recording of:
The Spell (from 1971 until 1972)
composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
8:11
15All My Life (alternative version)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1971 until 1972)
recording of:
All My Life (from 1971 until 1972)
writer:
Mick Box, David Byron and Lee Kerslake
publisher:
Bron Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3:11
16Home Again to You (alternative version)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1971 until 1972)
recording of:
Home Again to You (from 1971 until 1972)
writer:
Ken Hensley
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing Ltd. (PRS‐affiliated)
4:54
17Why (alternative version)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1971 until 1972)
recording of:
Why (from 1971 until 1972)
writer:
Mick Box, David Byron, Ken Hensley and Paul Newton (UK bassist for Uriah Heep)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
13:47
18The Wizard (alternative version)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1971 until 1972)
recording of:
The Wizard (from 1971 until 1972)
writer:
Mark Clarke (Rock, UK) and Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3:07
19Poet's Justice (alternative version)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1971 until 1972)
recording of:
Poet's Justice (from 1971 until 1972)
composer:
Mick Box, Ken Hensley and Lee Kerslake
publisher:
Bron Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
4:44
20Circle of Hands (alternative version)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1971 until 1972)
recording of:
Circle of Hands (from 1971 until 1972)
composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
8:08
21Proud Words (alternative version)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1971 until 1972)
recording of:
Proud Words on a Dusty Shelf (from 1971 until 1972)
writer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
2:55
22Green Eye (alternative version)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1971 until 1972)
recording of:
Green Eye (from 1971 until 1972)
writer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
4:08
23Why (alternative single edit)
mixer:
Mike Brown (English mastering engineer), Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1971 until 1972)
recording of:
Why (from 1971 until 1972)
writer:
Mick Box, David Byron, Ken Hensley and Paul Newton (UK bassist for Uriah Heep)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
4:46
24Why (extended)
drums (drum set):
Lee Kerslake
guitar:
Mick Box
Hammond organ:
Ken Hensley
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2003)
recording of:
Why
writer:
Mick Box, David Byron, Ken Hensley and Paul Newton (UK bassist for Uriah Heep)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
10:30
25Rainbow Demon (single edit)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2003)
recording of:
Rainbow Demon
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3:34
26Proud Words on a Dusty Shelf (outtake)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1995)
recording of:
Proud Words on a Dusty Shelf
writer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
2:49
27Home Again to You (demo)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1995)
recording of:
Home Again to You
writer:
Ken Hensley
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing Ltd. (PRS‐affiliated)
5:35
28Green Eye (demo)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2003)
recording of:
Green Eye
writer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
3:47