Now That’s What I Call Music XIII

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Anmerkung

Label Code: LC48653
Rights Society: BIEM / SDRM

Anmerkung zuletzt geändert am 2024-01-20 12:00 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1The Only Way Is Up
Produzent(in):
Coldcut (Matt Black & Jonathan More)
phonographisches Urheberrecht (℗) von:
Big Life (UK indie/dance) (in 1988)
produced for:
Ahead Of Our Time Productions
cover recording of:
The Only Way Is Up
Verfasser(in):
Johnny Henderson (southern soul songwriter) und George Jackson (US soul songwriter/vocalist)
publisher:
Big Life Music (in 1988) und Malaco Music (publisher related to Malaco Records) (in 1988)
Yazz & The Plastic Population2.653:59
2Teardrops
Produzent(in):
Chris Blackwell (Island Records), Lee Hamblin und The Gypsy Wave Power Co.
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Teardrops
Verfasser(in):
Cecil Womack und Linda Womack
publisher:
Zomba Music Publishing Ltd. und Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Womack & Womack33:52
3A Little Respect
Techniker(in):
Bob Kraushaar
Produzent(in):
Stephen Hague
recording of:
A Little Respect
Verfasser(in):
Andy Bell (singer / songwriter for Erasure) und Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Sony/ATV Music Publishing
Erasure43:29
4Harvest for the World
Produzent(in):
S. & M. Young (Martyn Young & Steven Young)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1988)
Musikvideos:
Harvest for the World von The Christians
cover recording of:
Harvest for the World
Verfasser(in):
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley und Chris Jasper
publisher:
Bovina Music Inc., EMI April Music Inc. und EMI Songs Ltd.
The Christians3:59
5Ordinary Angel
Produzent(in):
James Blondolillo, Harvey Jay Goldberg und Gregory Kane
recording of:
Ordinary Angel
Verfasser(in):
Gregory Kane und P. Kane
Hue & Cry4:09
6Breakfast in Bed
Produzent(in):
UB40
Interpret(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
cover recording of:
Breakfast in Bed
Texter und Komponist(in):
Donnie Fritts und Eddie Hinton
publisher:
Bug Music, Inc., Eddie Hinton Music und EMI Blackwood Music Inc.
UB40 with Chrissie Hynde3:16
7She Makes My Day
Techniker(in):
Tim Kramer (engineer)
Produzent(in):
Robert Palmer (English singer‐songwriter)
Mix:
Eric "E.T." Thorngren
phonographisches Urheberrecht (℗) von:
Remlap Co. Inc. (in 1988)
recording of:
She Makes My Day
Texter und Komponist(in):
Robert Palmer (English singer‐songwriter)
publisher:
Island Music Ltd.
Robert Palmer34:22
8Hands to Heaven
Techniker(in):
John Madden (UK producer/engineer)
Produzent(in):
Bob Sargeant
Mix:
Chris Porter (engineer and producer)
recording of:
Hands to Heaven
Verfasser(in):
David Glasper (Singer - Performer, author & lyricist) und Marcus Lillington
publisher:
Virgin Music (Publishers) Ltd. (in 1988)
Breathe3.54:18
9Don’t Worry, Be Happy
Produzent(in):
Linda Goldstein
phonographisches Urheberrecht (℗) von:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1988) und EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1988)
Musikvideos:
Don’t Worry, Be Happy von Bobby McFerrin
recording of:
Don’t Worry, Be Happy (in 1988)
Texter und Komponist(in):
Bobby McFerrin
Verfasser(in):
Steve Sidwell (English composer & wind instrumentalist)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Probnoblem Music
Bobby McFerrin3.553:53
10Kiss
Produzent(in):
Art of Noise
Interpret(in):
Tom Jones (Welsh pop singer)
cover recording of:
Kiss
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Art of Noise feat. Tom Jones4:08
11Let’s Stick Together
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist) und Jon Walls
Techniker(in):
Steve Nye (producer, engineer and pianist) und John Punter
Produzent(in):
Bryan Ferry und Chris Thomas (UK record producer / remixer)
Bass:
John Wetton (von 1973 bis 1976)
Geige / Violine und Synthesizer:
Eddie Jobson (von 1973 bis 1976)
Gitarre:
Chris Spedding (von 1973 bis 1976)
Keyboard und Mundharmonika:
Bryan Ferry (von 1973 bis 1976)
Perkussion:
Morris Pert (von 1973 bis 1976)
Schlagzeug:
Paul Thompson (Roxy Music drummer) (von 1973 bis 1976)
Sopransaxophon:
Mel Collins (von 1973 bis 1976)
Tenorsaxophon:
Chris Mercer (British saxophonist) (von 1973 bis 1976)
Trompete:
Martin Drover (von 1973 bis 1976)
Chorgesang:
Vicki Brown (English pop, rock & contemporary classical singer) (von 1973 bis 1976), Doreen Chanter (von 1973 bis 1976), Helen Chappelle (von 1973 bis 1976), Jackie Sullivan (vocals & songwriter) (von 1973 bis 1976), Martha Walker (Vocalist) (von 1973 bis 1976) und Paddie McHugh (UK vocalist, in Kokomo, The Voice Squad, Arrival) (von 1973 bis 1976)
vocals:
Bryan Ferry (von 1973 bis 1976)
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1976), Virgin EG Records Ltd. (in 1976) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1976, in 1999)
aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich und Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (von 1973 bis 1976)
cover recording of:
Let’s Stick Together (von 1973 bis 1976)
Texter und Komponist(in):
Wilbert Harrison (singer, pianist, guitarist and harmonica player)
publisher:
ABZ Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI Music Publishing Scandinavia AB, EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. und SBK/U Catalog (in 1969)
Bryan Ferry3.352:55
12You Came
Programmierung und Produzent(in):
Tony Swain (songwriter, producer) und Ricky Wilde
Techniker(in):
James Richards (engineer)
Mix:
Richard Lengyel
Gitarre:
Steve Byrd und Ricky Wilde
Keyboard:
Tony Swain (songwriter, producer) und Ricky Wilde
Hintergrundgesang:
Junior Giscombe (Norman Washington Giscombe, Jr.) und Ricky Wilde
Sologesang:
Kim Wilde
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1988) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001)
produced for:
Big M Productions (British record and publishing company)
aufgenommen bei und mixed at:
Select Sound Studios in Knebworth, Hertfordshire, England, Vereinigtes Königreich
Bearbeitung von:
You Came von Kim Wilde
recording of:
You Came
Verfasser(in):
Kim Wilde und Ricky Wilde
publisher:
Peermusic (UK) Limited
Kim Wilde3.753:31
13Don’t Make Me Wait
Produzent(in):
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter)
recording of:
Don't Make Me Wait
Verfasser(in):
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) und Tim Simenon
Bomb the Bass3:45
14The Harder I Try
Produzent(in):
Stock Aitken Waterman
recording of:
The Harder I Try
Komponist(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music International AG, All Boys Music Ltd. (, in 1988), Mike Stock Publishing Limited, Sid’s Songs Limited, Universal Music Careers, Universal–Songs of PolyGram International, Inc. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Brother Beyond13:28
15He Ain’t Heavy, He’s My Brother
Produzent(in):
Ron Richards
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969) und The Hollies Ltd. (von 1969 bis 1970)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1969-06-25)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 46)
cover recording of:
He Ain’t Heavy, He’s My Brother (am 1969-06-25)
Verfasser(in):
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) und Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
The Hollies3.854:17
2▶CD

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Now That’s What I Call Music LLP (British holding company)
Discogs:https://www.discogs.com/release/25303852 [Info]