Atlantic R&B 1947–1974 (reissue)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Anmerkung

8 jewel cases in a simple cardboard slipcase

cat# is per discogs, doesn't appear as such anywhere on cover art that I can see. Nor does the label "Atlantic" appear anywhere other than the title. The only other logo besides Rhino is the "Warner Platinum" series logo.

Disc liners are the only notes, simple two-parge credits lists, so no helpful metadata. All disc liners carry the following note:

"In previous editions wrong takes were used on some songs.
In this edition, the proper takes have been used in all cases."

According to this extensive review, that was already fixed as of the 1991 US reissue

Anmerkung zuletzt geändert am 2025-05-08 11:14 UTC.

Titelliste

1▼CD: 1947–52
Nr.TitelKünstlerBewertungLänge
1Lowe Groovin’
recorded in:
New York, New York, Vereinigte Staaten (am 1947-12-12)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
baritone saxophone:
Bill McLemore (saxophonist) (am 1947-12-12)
Gitarre:
George Freeman (jazz guitarist) (am 1947-12-12)
Klavier:
Wilmus Reeves (US pianist) (am 1947-12-12)
Kontrabass [bass]:
Leroy Jackson (Jazz bassist) (am 1947-12-12)
Schlagzeug [drums]:
Embra Daylie (US drummer) (am 1947-12-12)
Tenorsaxophon:
Johnny Griffin (am 1947-12-12)
Trompete:
Joe Morris (US jazz trumpeter) (am 1947-12-12)
Orchester:
Joe Morris Orchestra (am 1947-12-12)
recording of:
Lowe Groovin’ (am 1947-12-12)
Verfasser(in):
George Freeman (jazz guitarist)
Joe Morris2:47
2That Old Black Magic
recorded in:
New York, New York, Vereinigte Staaten (am 1947-12-30)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
Gitarre:
Tiny Grimes (US jazz/R&B guitarist) (am 1947-12-30)
Klavier:
George Kelly (US jazz tenor saxophonist, vocalist and arranger) (am 1947-12-30)
Kontrabass [bass]:
Lucille Dixon (am 1947-12-30)
Schlagzeug [drums]:
Sonny Payne (am 1947-12-30)
Tenorsaxophon:
John Hardee (am 1947-12-30)
Interpret(in):
Tiny Grimes Quintet (am 1947-12-30)
instrumental recording of:
That Old Black Magic (am 1947-12-30)
Texter:
Johnny Mercer (in 1942)
Komponist(in):
Harold Arlen (in 1942)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Tiny Grimes2:40
3Annie Laurie
recorded in:
Cleveland, Ohio, Vereinigte Staaten (in 1948-08)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
Gitarre:
Tiny Grimes (US jazz/R&B guitarist) (in 1948-08)
Klavier:
Jimmy Saunders (American pianist) (in 1948-08)
Kontrabass [bass]:
Ike Isaacs (bassist) (in 1948-08)
Schlagzeug [drums]:
Jerry Potter (US jazz drummer) (in 1948-08)
Tenorsaxophon:
Red Prysock (US R&B tenor saxophonist) (in 1948-08)
Interpret(in):
Tiny Grimes Quintet (in 1948-08)
instrumental recording of:
Annie Laurie (19th century Scottish song) (in 1948-08)
Texter:
William Douglas (Scottish soldier and poet of poem "Annie Laurie")
Komponist(in):
Alicia Ann Spottiswoode (Scottish songwriter) (von 1834 bis 1835)
basiert auf:
Annie Laurie (the poem)
Tiny Grimes3:00
4Midnight Special
recorded in:
Cleveland, Ohio, Vereinigte Staaten (in 1948-08)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
Gitarre:
Tiny Grimes (US jazz/R&B guitarist) (in 1948-08)
Klavier:
Jimmy Saunders (American pianist) (in 1948-08)
Kontrabass [bass]:
Ike Isaacs (bassist) (in 1948-08)
Schlagzeug [drums]:
Jerry Potter (US jazz drummer) (in 1948-08)
Tenorsaxophon:
Red Prysock (US R&B tenor saxophonist) (in 1948-08)
Interpret(in):
Tiny Grimes Quintet (in 1948-08)
Tiny Grimes2:45
5The Applejack
recorded in:
New York, New York, Vereinigte Staaten (am 1948-09-19)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
baritone saxophone:
Bill McLemore (saxophonist) (am 1948-09-19)
Klavier:
Elmo Hope (am 1948-09-19)
Kontrabass [bass]:
Percy Heath (am 1948-09-19)
Posaune:
Matthew Gee (jazz trombonist) (am 1948-09-19)
Schlagzeug [drums]:
Philly Joe Jones (US jazz drummer) (am 1948-09-19)
Tenorsaxophon:
Johnny Griffin (am 1948-09-19)
Trompete:
Joe Morris (US jazz trumpeter) (am 1948-09-19)
Orchester:
Joe Morris Orchestra (am 1948-09-19)
Joe Morris3:09
6Cole Slaw
recorded in:
New York, New York, Vereinigte Staaten (am 1949-01-17)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
Tenorsaxophon:
Frank Culley (am 1949-01-17)
instrumental recording of:
Cole Slaw (am 1949-01-17)
Verfasser(in):
Jesse Stone
Frank Culley3:08
7Drinkin’ Wine Spo‐Dee‐O‐Dee
recorded in:
New York, New York, Vereinigte Staaten (am 1949-02-14)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
Gitarre:
Brownie McGhee (am 1949-02-14) und Stick McGhee (am 1949-02-14)
Klavier:
Wilbert "Big Chief" Ellis (am 1949-02-14)
Kontrabass [bass]:
Gene Ramey (am 1949-02-14)
Schlagzeug [drums]:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1949-02-14)
Sologesang:
Stick McGhee (am 1949-02-14)
Interpret(in):
Stick McGhee and His Buddies (am 1949-02-14)
recording of:
Drinkin’ Wine, Spo‐Dee‐O‐Dee (am 1949-02-14)
Verfasser(in):
Stick McGhee und J. Mayo ‘Ink’ Williams
Stick McGhee3:15
8So Long
recorded in:
New York, New York, Vereinigte Staaten (am 1949-05-25)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
Althorn [alto horn]:
Dick Carey (piano, trumpet, alto horn) (am 1949-05-25)
Gitarre:
Eddie Condon (am 1949-05-25)
Klavier:
Joe Bushkin (am 1949-05-25)
Kontrabass [bass]:
Jack Lesberg (am 1949-05-25)
Kornett:
Bobby Hackett (am 1949-05-25)
Posaune:
Will Bradley (US boogie woogie trombonist & bandleader) (am 1949-05-25)
Rohrblattinstrumente:
Ernie Caceres (am 1949-05-25) und Peanuts Hucko (am 1949-05-25)
Schlagzeug [drums]:
Sid Catlett (am 1949-05-25)
vocals:
Ruth Brown (am 1949-05-25)
recording of:
So Long (am 1949-05-25)
Verfasser(in):
Remus Harris, Irving Melsher und Russ Morgan (Big Band orchestra leader)
Ruth Brown2:39
9I’ll Get Along Somehow
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
alto saxophone:
Vincent Bair-Bey (am 1949-09-18)
baritone saxophone:
Ernie Caceres (am 1949-09-18)
Klavier:
Earl Washington (am 1949-09-18)
Kontrabass [bass]:
Leonard Gaskin (am 1949-09-18)
Posaune:
Tyree Glenn (am 1949-09-18)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (am 1949-09-18)
Tenorsaxophon:
Budd Johnson (am 1949-09-18)
Trompete:
Harold Baker (am 1949-09-18)
Sologesang:
Ruth Brown (am 1949-09-18)
Orchester:
Budd Johnson's Orchestra (am 1949-09-18)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1949-09-18)
recording of:
I’ll Get Along Somehow (am 1949-09-18)
Verfasser(in):
Buddy Fields und Gerald Marks
publisher:
Bourne, Inc.
Ruth Brown2:38
10Hey Little Girl
recorded in:
New Orleans, Louisiana, Vereinigte Staaten (in 1949-10)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
Klavier und Sologesang:
Professor Longhair (in 1949-10)
Schlagzeug [drums]:
Al Miller (drummer with Professor Longhair) (in 1949-10)
Tenorsaxophon:
Charles Burbeck (US saxophonist) (in 1949-10)
Interpret(in):
Professor Longhair & His New Orleans Boys (in 1949-10)
recording of:
Hey Little Girl (in 1949-10)
Texter und Komponist(in):
Henry Roeland Byrd
Professor Longhair3:03
11Mardi Gras in New Orleans
recorded in:
New Orleans, Louisiana, Vereinigte Staaten (in 1949-10)
Produzent(in):
Herb Abramson und Ahmet Ertegun (US songwriter/producer)
alto saxophone:
Robert Parker (American R&B singer and musician) (in 1949)
Bass:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1949)
Klavier:
Professor Longhair (in 1949-10)
Tenorsaxophon:
Charles Burbeck (US saxophonist) (in 1949-10)
vocals:
Professor Longhair (in 1949-10)
Interpret(in):
Professor Longhair & His New Orleans Boys (in 1949-10)
recording of:
Mardi Gras in New Orleans (in 1949-10)
Texter und Komponist(in):
Henry Roeland Byrd
publisher:
Don Williams Music Group, Inc. und Professor Longhair Music
Professor Longhair2:53
12Tee Nah Nah
recorded in:
New York, New York, Vereinigte Staaten (am 1950-02-28)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
Gitarre:
Spider Sam (am 1950-02-28)
Klavier:
Harry Van Walls (R&B pianist) (am 1950-02-28)
Kontrabass [bass] und Schlagzeug [drums]:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1950-02-28)
Tenorsaxophon:
Frank Culley (am 1950-02-28)
vocals:
Spider Sam (am 1950-02-28)
Harry Van Walls2:36
13Danny Boy
recorded in:
New York, New York, Vereinigte Staaten (am 1950-04-19)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
Klavier:
Billy Kyle (am 1950-04-19)
Posaune:
Tyree Glenn (am 1950-04-19)
Tenorsaxophon:
Lucky Thompson (am 1950-04-19)
Trompete:
Shorty Baker (am 1950-04-19)
vocals:
Al Hibbler (am 1950-04-19)
recording of:
Danny Boy (am 1950-04-19)
publisher:
Alfred Music (publisher of sheet music for music education)
Texter:
Frederick Edward Weatherly (von 1910 bis 1913)
Komponist(in):
[traditional] (special purpose artist)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label) und Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
sub-publisher:
Public Music AB
basiert auf:
Londonderry Air
Al Hibbler3:13
14Anytime, Anyplace, Anywhere
recorded in:
New York, New York, Vereinigte Staaten (in 1950-06)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
Trompete:
Joe Morris (US jazz trumpeter) (in 1950-06)
vocals:
Laurie Tate (in 1950-06)
Orchester:
Joe Morris Orchestra (in 1950-06)
Joe Morris3:03
15Teardrops From My Eyes
recorded in:
New York, New York, Vereinigte Staaten (in 1950-09)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
Tenorsaxophon:
Budd Johnson (in 1950-09)
vocals:
Ruth Brown (in 1950-09)
Orchester:
Budd Johnson Orchestra (in 1950-09)
recording of:
Teardrops From My Eyes (in 1950-09)
Texter und Komponist(in):
Rudolph Toombs
publisher:
Rightsong Music Inc. und Simon House
Ruth Brown2:53
16One Monkey Don’t Stop No Show
recorded in:
New York, New York, Vereinigte Staaten (am 1950-11-21)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
Gitarre:
Stick McGhee (am 1950-11-21)
Klavier:
Harry Van Walls (R&B pianist) (am 1950-11-21)
Kontrabass [bass] und Schlagzeug [drums]:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1950-11-21)
Tenorsaxophon:
Budd Johnson (am 1950-11-21)
vocals:
Stick McGhee (am 1950-11-21)
cover recording of:
One Monkey Don’t Stop No Show (am 1950-11-21)
Verfasser(in):
Joe Tex (American southern soul musician)
Stick McGhee2:41
17Don’t You Know I Love You
recorded in:
New York, New York, Vereinigte Staaten (am 1951-02-22)
Produzent(in):
Ahmet Ertegun (US songwriter/producer)
Klavier:
Randy Weston (am 1951-02-22)
Tenorsaxophon:
Frank Culley (am 1951-02-22)
vocals:
The Clovers (US rhythm and blues/doo-wop vocal group) (am 1951-02-22)
recording of:
Don’t You Know I Love You (am 1951-02-22)
Texter und Komponist(in):
Ahmet Ertegun (US songwriter/producer)
publisher:
Unichappell Music, Inc.
The Clovers3:14
18Shouldn’t I Know
recorded in:
New York, New York, Vereinigte Staaten (in 1951-03)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
vocals:
The Cardinals (1950s R&B vocal group) (in 1951-03)
Orchester:
Jesse Stone Orchestra (in 1951-03)
The Cardinals3:11
19The Chill Is On
recorded in:
New York, New York, Vereinigte Staaten (am 1951-04-19)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
Klavier:
Harry Van Walls (R&B pianist) (am 1951-04-19)
vocals:
Joe Turner (am 1951-04-19)
recording of:
The Chill Is On (am 1951-04-19)
Texter und Komponist(in):
Big Joe Turner
Big Joe Turner2:46
20Chains of Love
recorded in:
New York, New York, Vereinigte Staaten (am 1951-04-19)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
Klavier:
Harry Van Walls (R&B pianist) (am 1951-04-19)
vocals:
Big Joe Turner (am 1951-04-19)
recording of:
Chains of Love (am 1951-04-19)
Verfasser(in):
Harry Van Walls (R&B pianist) und Nugetre (US songwriter/producer)
publisher:
Progressive (publisher) und Unichappell Music, Inc.
Big Joe Turner3:23
21Fool, Fool, Fool
recorded in:
New York, New York, Vereinigte Staaten (am 1951-10-06)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
Tenorsaxophon:
Willis Jackson (tenor saxophonist) (am 1951-07-12)
vocals:
The Clovers (US rhythm and blues/doo-wop vocal group) (am 1951-07-12)
recording of:
Fool, Fool, Fool (am 1951-07-12)
Texter und Komponist(in):
Ahmet Ertegun (US songwriter/producer)
publisher:
Unichappell Music und Unichappell Music, Inc.
The Clovers2:34
22One Mint Julep
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
Klavier:
Harry Van Walls (R&B pianist) (am 1951-12-19)
Schlagzeug [drums]:
Connie Kay (am 1951-12-19)
Tenorsaxophon:
Willis Jackson (tenor saxophonist) (am 1951-12-19)
vocals:
The Clovers (US rhythm and blues/doo-wop vocal group) (am 1951-12-19)
aufgenommen bei:
Atlantic Studios (234 West 56th St., New York, 1947-1956) in Manhattan, New York, New York, Vereinigte Staaten (am 1951-12-19)
recording of:
One Mint Julep (am 1951-12-19)
Texter und Komponist(in):
Rudolph Toombs
publisher:
Regent Music (BMI) und Unichappell Music
The Clovers2:29
23Wheel of Fortune
recorded in:
New York, New York, Vereinigte Staaten (am 1951-10-06)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
vocals:
The Cardinals (1950s R&B vocal group) (am 1951-10-06)
recording of:
Wheel of Fortune (1951 song) (am 1951-10-06)
Verfasser(in):
Bennie Benjamin und George David Weiss
publisher:
Carlin Music Corp.
The Cardinals2:52
24Sweet Sixteen
recorded in:
New York, New York, Vereinigte Staaten (am 1952-01-20)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
alto saxophone:
Budd Johnson (am 1952-01-20)
baritone saxophone:
Arlem Kareem (am 1952-01-20)
Gitarre:
Rector Bailey (am 1952-01-20)
Klavier:
Harry Van Walls (R&B pianist) (am 1952-01-20)
Kontrabass [bass]:
Leonard Gaskin (am 1952-01-20)
Schlagzeug [drums]:
Connie Kay (am 1952-01-20)
Tenorsaxophon:
Freddie Mitchell (am 1952-01-20)
Trompete:
Taft Jordan (am 1952-01-20)
vocals:
Big Joe Turner (am 1952-01-20)
recording of:
Sweet Sixteen (am 1952-01-20)
Texter und Komponist(in):
A. Nugetre (US songwriter/producer)
publisher:
Progressive Music (publisher)
Big Joe Turner2:56
255‐10‐15 Hours
recorded in:
New York, New York, Vereinigte Staaten (am 1952-02-13)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
Klavier:
Harry Van Walls (R&B pianist) (am 1952-02-13)
Schlagzeug [drums]:
Connie Kay (am 1952-02-13)
Tenorsaxophon:
Willis Jackson (tenor saxophonist) (am 1952-02-13)
vocals:
Ruth Brown (am 1952-02-13)
recording of:
5-10-15 Hours (am 1952-02-13)
Texter und Komponist(in):
Rudolph Toombs
Ruth Brown3:12
26Gator’s Groove
recorded in:
New York, New York, Vereinigte Staaten (am 1952-05-23)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
Tenorsaxophon:
Willis Jackson (tenor saxophonist) (am 1952-05-23)
arranger:
Jimmy Mundy
recording of:
Gator’s Groove (am 1952-05-23)
Komponist(in):
Willis Jackson (tenor saxophonist)
Willis Jackson2:37
2▶CD: 1952–54
3▶CD: 1955–57
4▶CD: 1957–60
5▶CD: 1961–65
6▶CD: 1965–67
7▶CD: 1967–69
8▶CD: 1970–74

Nennungen

Veröffentlichungsgruppe

Teil von:Music Genre Tree (canonical album list from musicgenretree.org – one representative release per genre)
Atlantic R&B 1947-1974 (Reihenfolge: 1)
Discogs:https://www.discogs.com/master/474792 [Info]
andere Datenbanken:https://www.45cat.com/cdalbum/cd/nc485740uk [Info]