Barney Kessel, Volume 1: Easy Like

~ Release by Barney Kessel (see all versions of this release, 5 available)

Tracklist

1▼CD
#TitleRatingLength
1Easy Like
audio engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone and flute:
Buddy Collette (on 1956-02-23)
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-02-23)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1956-02-23)
guitar:
Barney Kessel (on 1956-02-23)
piano:
Claude Williamson (on 1956-02-23)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1956-02-23)
recording of:
Easy Like (on 1956-02-23)
composer:
Barney Kessel
44:04
2Tenderly
audio engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone and flute:
Buddy Collette (on 1953-11-14)
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1953-11-14)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1953-11-14)
guitar:
Barney Kessel (on 1953-11-14)
piano:
Claude Williamson (on 1953-11-14)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1953-11-14)
instrumental recording of:
Tenderly (on 1953-11-14)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
4:06
3Lullaby of Birdland
engineer and audio engineer:
Val Valentin
producer:
Lester Koenig
alto saxophone, flute and woodwind:
Bud Shank (on 1953-12-19)
bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
double bass [bass]:
Harry Babasin (on 1953-12-19)
drums (drum set):
Mel Lewis (American jazz drummer) and Shelly Manne (US jazz drummer) (on 1953-12-19)
guitar:
Barney Kessel (on 1953-12-19)
piano:
Jimmy Rowles and Arnold Ross (on 1953-12-19)
tenor saxophone:
Harold Land (US jazz tenor saxophonist)
trumpet:
Pete Candoli
vibraphone:
Larry Bunker
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1953-12-19) and Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-19)
instrumental recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard) (on 1953-12-19)
lyricist:
B. Y. Forster (pseudonym of George David Weiss)
writer:
George David Weiss
composer:
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited and Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
3:16
4What Is There to Say?
producer:
Lester Koenig
drums (drum set):
Shelly Manne (US jazz drummer) (on 1953-12-19)
guitar:
Barney Kessel (on 1953-12-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1953-12-19)
instrumental recording of:
What Is There to Say? (on 1953-12-19)
lyricist:
Yip Harburg
composer:
Vernon Duke
publisher:
BMG Songs, Next Decade Entertainment and T.B. Harms Co.
3:10
5Bernardo
producer:
Lester Koenig
drums (drum set):
Shelly Manne (US jazz drummer) (on 1953-11-14)
guitar:
Barney Kessel (on 1953-11-14)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1953-11-14)
recording of:
Bernardo (on 1953-11-14)
composer:
Barney Kessel
3:34
6Vicky's Dream
producer:
Lester Koenig
drums (drum set):
Shelly Manne (US jazz drummer) (on 1953-11-14)
guitar:
Barney Kessel (on 1953-11-14)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1953-11-14)
recording of:
Vicky's Dream (on 1953-11-14)
composer:
Barney Kessel
2:37
7Salute to Charlie Christian
producer:
Lester Koenig
drums (drum set):
Shelly Manne (US jazz drummer) (on 1953-12-19)
guitar:
Barney Kessel (on 1953-12-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1953-12-19)
recording of:
Salute to Charlie Christian (on 1953-12-19)
composer:
Barney Kessel
2:52
8That's All
audio engineer:
Val Valentin
producer:
Lester Koenig
alto saxophone and flute:
Bud Shank (on 1956-02-23)
double bass [bass]:
Harry Babasin (on 1956-02-23)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1956-02-23)
guitar:
Barney Kessel (on 1956-02-23)
piano:
Arnold Ross (on 1956-02-23)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1956-02-23)
instrumental recording of:
That’s All (on 1956-02-23)
lyricist:
Alan Brandt
composer:
Alan Brandt and Bob Haymes
publisher:
Mixed Bag Music Inc. and Travis Music
3:18
9I Let a Song Go Out of My Heart
audio engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone and flute:
Buddy Collette (on 1953-12-19)
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1953-12-19)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1953-12-19)
guitar:
Barney Kessel (on 1953-12-19)
piano:
Claude Williamson (on 1953-12-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1953-12-19)
instrumental recording of:
I Let a Song Go Out of My Heart (on 1953-12-19)
lyricist:
Irving Mills (in 1938), Henry Nemo (in 1938) and John Redmond (House vocalist) (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
part of:
The Real Book (compilation of jazz standards, volume I)
4:12
10Just Squeeze Me (But Don't Tease Me)
audio engineer:
Val Valentin
producer:
Lester Koenig
alto saxophone and flute:
Bud Shank (on 1953-11-14)
double bass [bass]:
Harry Babasin (on 1953-11-14)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1953-11-14)
guitar:
Barney Kessel (on 1953-11-14)
piano:
Arnold Ross (on 1953-11-14)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1953-11-14)
instrumental recording of:
Just Squeeze Me (but Don’t Tease Me) (on 1953-11-14)
lyricist:
Lee Gaines (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
3:41
11April in Paris
audio engineer:
Val Valentin
producer:
Lester Koenig
alto saxophone and flute:
Bud Shank (on 1956-02-23)
double bass [bass]:
Harry Babasin (on 1956-02-23)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1956-02-23)
guitar:
Barney Kessel (on 1956-02-23)
piano:
Arnold Ross (on 1956-02-23)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1956-02-23)
instrumental recording of:
April in Paris (on 1956-02-23)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
3:00
12North of the Border
audio engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone and flute:
Buddy Collette (on 1956-02-23)
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-02-23)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1956-02-23)
guitar:
Barney Kessel (on 1956-02-23)
piano:
Claude Williamson (on 1956-02-23)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1956-02-23)
recording of:
North of the Border (on 1956-02-23)
composer:
Barney Kessel
2:46
13Easy Like (alternate take)
producer:
Lester Koenig
drums (drum set):
Shelly Manne (US jazz drummer) (on 1956-02-23)
guitar:
Barney Kessel (on 1956-02-23)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1956-02-23)
recording of:
Easy Like (on 1956-02-23)
composer:
Barney Kessel
2:44
14North of the Border (alternate take)
audio engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone and flute:
Buddy Collette (on 1956-02-23)
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-02-23)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1956-02-23)
guitar:
Barney Kessel (on 1956-02-23)
piano:
Claude Williamson (on 1956-02-23)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1956-02-23)
recording of:
North of the Border (on 1956-02-23)
composer:
Barney Kessel
2:44

Credits