Philips Classics: The Stereo Years

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1I lombardi: "La mia letizia infondere"
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
José Carreras (Spanish tenor) (in 1976-03)
orchestra:
Royal Philharmonic Orchestra (in 1976-03)
conductor:
Roberto Benzi (conductor) (in 1976-03)
balance engineer:
Hans Lauterslager (in 1976-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-03)
recording of:
I Lombardi: Atto II. N°7 “La mia letizia infondere vorrei” (Oronte, Sofia) (in 1976-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
Giuseppe Verdi2:15
2La forza del destino: "La vita è inferno... Oh, tu che in seno agli angeli"
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
José Carreras (Spanish tenor) (in 1976-03)
orchestra:
Royal Philharmonic Orchestra (in 1976-03)
conductor:
Roberto Benzi (conductor) (in 1976-03)
balance engineer:
Hans Lauterslager (in 1976-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-03)
recording of:
La forza del destino: Atto III, scena 1. “La vita è inferno all'infelice" (Alvaro) (in 1976-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
Giuseppe Verdi6:30
3Luisa Miller: "Oh! Fede negar potessi... Quando le sere al placido"
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
José Carreras (Spanish tenor) (in 1976-03)
orchestra:
Royal Philharmonic Orchestra (in 1976-03)
conductor:
Roberto Benzi (conductor) (in 1976-03)
balance engineer:
Hans Lauterslager (in 1976-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-03)
recording of:
Luisa Miller: Atto II. “Oh! fede negar potessi” / “Quando le sere al placido” (Rodolfo) (in 1976-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi5:33
4Un ballo in maschera: "Forse la soglia attinse... Ma se m'è forza perderti"
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
José Carreras (Spanish tenor) (in 1976-03)
orchestra:
Royal Philharmonic Orchestra (in 1976-03)
conductor:
Roberto Benzi (conductor) (in 1976-03)
balance engineer:
Hans Lauterslager (in 1976-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-03)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21a. Scena “Forse la soglia attinse” (Riccardo) (in 1976-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi5:37
5Jérusalem: "L'infamie... Ô mes amis, mes frères"
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
José Carreras (Spanish tenor) (in 1976-03)
orchestra:
Royal Philharmonic Orchestra (in 1976-03)
conductor:
Roberto Benzi (conductor) (in 1976-03)
balance engineer:
Hans Lauterslager (in 1976-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-03)
recording of:
Jérusalem : Acte III, scène 2. Scène et air « L'infamie ! Prenez ma vie! » … « Ô mes amis, mes frères ” (Gaston) (in 1976-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Alphonse Royer and Gustave Vaëz
part of:
Jérusalem : Acte III.
Giuseppe Verdi3:59
6Il giuramento: "La Dea di tutti i cor... Bella adorata incognita"
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
José Carreras (Spanish tenor) (in 1976-03)
orchestra:
Royal Philharmonic Orchestra (in 1976-03)
conductor:
Roberto Benzi (conductor) (in 1976-03)
balance engineer:
Hans Lauterslager (in 1976-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-03)
partial recording of:
Il giuramento (in 1976-03)
composer:
Saverio Mercadante (Italian composer)
librettist:
Gaetano Rossi (librettist)
is based on:
Angélo, tyran de Padoue
Saverio Mercadante4:17
7Il giuramento: "Compiuta è omai... Fu celeste"
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
José Carreras (Spanish tenor) (in 1976-03)
orchestra:
Royal Philharmonic Orchestra (in 1976-03)
conductor:
Roberto Benzi (conductor) (in 1976-03)
balance engineer:
Hans Lauterslager (in 1976-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-03)
recording of:
Il giuramento: "Compiuta è ormai" (in 1976-03)
composer:
Saverio Mercadante (Italian composer) (in 1837)
librettist:
Gaetano Rossi (librettist) (in 1837)
part of:
Il giuramento
Saverio Mercadante3:46
8Il duca d'Alba: "Inosservato... Angelo casto e bel"
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
José Carreras (Spanish tenor) (in 1976-03)
orchestra:
Royal Philharmonic Orchestra (in 1976-03)
conductor:
Roberto Benzi (conductor) (in 1976-03)
balance engineer:
Hans Lauterslager (in 1976-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-03)
recording of:
Il duca d'Alba: Atto IV. "Inosservato, penetrava in questo sacro recesso" ... "Angelo casto e bel" (Marcello) (in 1976-03)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Charles Duveyrier and Eugène Scribe
translator:
Angelo Zanardini
part of:
Il duca d'Alba
Gaetano Donizetti4:15
9Maria di Rohan: "Nel fragor della festa... Alma soave e cara"
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
José Carreras (Spanish tenor) (in 1976-03)
orchestra:
Royal Philharmonic Orchestra (in 1976-03)
conductor:
Roberto Benzi (conductor) (in 1976-03)
balance engineer:
Hans Lauterslager (in 1976-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-03)
recording of:
Maria di Rohan, Atto II, Scena I: "Alma soave e cara" (Chalais)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Maria di Rohan, Atto II
recording of:
Maria di Rohan, Atto II, Scena I: "Nel fragor della festa" (Chalais)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Maria di Rohan, Atto II
Gaetano Donizetti4:59
10Adelson e Salvini: "Ecco, signor, la sposa"
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
José Carreras (Spanish tenor) (in 1976-03)
orchestra:
Royal Philharmonic Orchestra (in 1976-03)
conductor:
Roberto Benzi (conductor) (in 1976-03)
balance engineer:
Hans Lauterslager (in 1976-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-03)
partial recording of:
Adelson e Salvini (in 1976-03)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Andrea Leone Tottola
Vincenzo Bellini2:21
11Il figliuol prodigo: "Il padre!... Tenda natal"
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
José Carreras (Spanish tenor) (in 1976-03)
orchestra:
Royal Philharmonic Orchestra (in 1976-03)
conductor:
Roberto Benzi (conductor) (in 1976-03)
balance engineer:
Hans Lauterslager (in 1976-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-03)
recording of:
Il figliuol prodigo: "Il padre!...Il padre mio!" (in 1976-03)
composer:
Amilcare Ponchielli (composer) (in 1880)
librettist:
Angelo Zanardini (in 1880)
part of:
Il Figliuol Prodigo
Amilcare Ponchielli4:31
12I vespri siciliani: "È di monforte il cenno!... Giorno di pianto"
producer:
Vittorio Negri (conductor)
tenor vocals:
José Carreras (Spanish tenor) (in 1980-10)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1980-10)
conductor:
Jesús López Cobos (conductor) (in 1980-10)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1980-10)
recording of:
I vespri siciliani: Atto IV. “È di Monforte il cenno!” (Arrigo) (in 1980-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Charles Duveyrier and Eugène Scribe
translator:
Arnaldo Fusinato
part of:
I vespri siciliani: Atto IV
recording of:
I vespri siciliani: Atto IV. “Giorno di pianto” (Arrigo) (in 1980-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Charles Duveyrier and Eugène Scribe
translator:
Arnaldo Fusinato
part of:
I vespri siciliani: Atto IV
Giuseppe Verdi9:29
13L'elisir d'amore: "Una furtiva lagrima"
producer:
Vittorio Negri (conductor)
tenor vocals:
José Carreras (Spanish tenor) (in 1980-10)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1980-10)
conductor:
Jesús López Cobos (conductor) (in 1980-10)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1980-10)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) (in 1980-10)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:40
14Robert Devereux: "Ed ancor la tremenda porta... lo ti diró"
producer:
Vittorio Negri (conductor)
tenor vocals:
José Carreras (Spanish tenor) (in 1980-10)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1980-10)
conductor:
Jesús López Cobos (conductor) (in 1980-10)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1980-10)
recording of:
Roberto Devereux: Atto III, Scena 4. “Ed ancor la tremenda porta” (Roberto) (in 1980-10)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Roberto Devereux: Atto III.
Gaetano Donizetti9:39
15Stabat Mater: "Cujus animam gementem"
producer:
Vittorio Negri (conductor)
tenor vocals:
José Carreras (Spanish tenor) (in 1980-10)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1980-10)
conductor:
Jesús López Cobos (conductor) (in 1980-10)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1980-10)
recording of:
Stabat Mater: Cujus animam gementem (in 1980-10)
composer:
Alessandro Scarlatti (composer)
part of:
Stabat Mater
Gioachino Rossini5:47
16Guglielmo Tell: "Ah, non mi lasciar, o speme di vendetta... O muto asil del pianto"
producer:
Vittorio Negri (conductor)
tenor vocals:
José Carreras (Spanish tenor) (in 1980-10)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1980-10)
conductor:
Jesús López Cobos (conductor) (in 1980-10)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1980-10)
recording of:
Guglielmo Tell: Atto IV, scena 1. “Non mi lasciare, o speme di vendetta” (in 1980-10)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto IV
Gioachino Rossini5:51
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